Sony A5000 vs A7 II
The Sony Alpha A5000 and the Sony Alpha A7 II are two digital cameras that were revealed to the public, respectively, in January 2014 and November 2014. Both the A5000 and the A7 II are mirrorless interchangeable lens cameras that are based on an APS-C (A5000) and a full frame (A7 II) sensor. The A5000 has a resolution of 19.8 megapixels, whereas the A7 II provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Sony A5000||Sony A7 II|
|Mirrorless system camera||Mirrorless system camera|
|Sony E mount lenses||Sony E mount lenses|
|19.8 MP, APS-C Sensor||24 MP, Full Frame Sensor|
|1080/60i Video||1080/60p Video|
|ISO 100-16000||ISO 100-25600 (50-51200)|
|No viewfinder, LCD framing||Electronic viewfinder (2400k dots)|
|3.0" LCD, 461k dots||3.0" LCD, 1230k dots|
|Tilting screen (no touchscreen)||Tilting screen (not touch-sensitive)|
|3.5 shutter flaps per second||5 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|420 shots per battery charge||350 shots per battery charge|
|110 x 63 x 36 mm, 269 g||127 x 96 x 60 mm, 599 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A5000 and the Sony Alpha A7 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Sony A5000 vs A7 II
The side-by-side display below illustrates the physical size and weight of the Sony A5000 and the Sony A7 II. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The A5000 can be obtained in three different colors (black, silver, white), while the A7 II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 II is considerably larger (76 percent) than the Sony A5000. Moreover, the A7 II is substantially heavier (123 percent) than the A5000. It is noteworthy in this context that the A7 II is splash and dust-proof, while the A5000 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Sony E-Mount Lens Catalog (A5000) and the Sony FE Lens Catalog (A7 II). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Sony A5000»||4.3 in||2.5 in||1.4 in||9.5 oz||420||n||Jan 2014||449||-||Sony A5000|
|Sony A7 II«||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Canon M10« »||4.3 in||2.6 in||1.4 in||10.6 oz||255||n||Oct 2015||499||-||Canon M10|
|Nikon D3300« »||4.9 in||3.9 in||3.0 in||15.2 oz||700||n||Jan 2014||499||-||Nikon D3300|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-||Sony RX100 IV|
|Sony A5100« »||4.3 in||2.5 in||1.4 in||10.0 oz||400||n||Aug 2014||549||Sony A5100|
|Sony A6000« »||4.7 in||2.6 in||1.8 in||12.1 oz||360||n||Feb 2014||599||-||Sony A6000|
|Sony RX100 III« »||4.0 in||2.3 in||1.6 in||10.2 oz||320||n||May 2014||799||-||Sony RX100 III|
|Sony A7« »||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699||-||Sony A7|
|Sony A7R« »||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299||-||Sony A7R|
|Sony A3000« »||5.0 in||3.6 in||3.3 in||14.5 oz||470||n||Aug 2013||329||-||Sony A3000|
|Sony NEX-3N« »||4.3 in||2.4 in||1.4 in||9.5 oz||480||n||Feb 2013||499||-||Sony NEX-3N|
|Sony NEX-5T« »||4.4 in||2.3 in||1.5 in||97.9 oz||330||n||Aug 2013||699||-||Sony NEX-5T|
|Sony RX100 II« »||4.0 in||2.3 in||1.5 in||9.9 oz||350||n||Jun 2013||749||-||Sony RX100 II|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A5000 was launched at a markedly lower price (by 78 percent) than the A7 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Sony A5000 vs A7 II
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Sony A5000 features an APS-C sensor and the Sony A7 II a full frame sensor. The sensor area in the A7 II is 140 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A7 II offers a higher resolution than the A5000 (19.8MP), but the A7 II nevertheless has larger individual pixels (pixel pitch of 5.97μm versus 4.25μm for the A5000) due to its larger sensor. Moreover, the A7 II is a somewhat more recent model (by 10 months) than the A5000, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A7 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 II for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Sony A5000 are 27.3 x 18.2 inch or 69.3 x 46.1 cm for good quality, 21.8 x 14.5 inch or 55.4 x 36.9 cm for very good quality, and 18.2 x 12.1 inch or 46.2 x 30.8 cm for excellent quality prints.
The A7 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Sony Alpha A5000 has a native sensitivity range from ISO 100 to ISO 16000. The corresponding ISO settings for the Sony Alpha A7 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A7 II offers substantially better image quality than the A5000 (overall score 11 points higher). The advantage is based on 1.1 bits higher color depth, 0.6 EV in additional dynamic range, and 1.2 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Sony A5000»||APS-C||19.8||5456||3632||1080/60i||23.8||13.0||1089||79||Sony A5000|
|Sony A7 II«||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Canon M10« »||APS-C||17.9||5184||3456||1080/30p||22.2||11.4||753||65||Canon M10|
|Nikon D3300« »||APS-C||24.0||6000||4000||1080/60p||24.3||12.8||1385||82||Nikon D3300|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7S II« »||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony A5100« »||APS-C||24.0||6000||4000||1080/60p||23.8||12.7||1347||80||Sony A5100|
|Sony A6000« »||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|Sony RX100 III« »||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67||Sony RX100 III|
|Sony A7« »||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
|Sony A7R« »||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95||Sony A7R|
|Sony A3000« »||APS-C||19.8||5456||3632||1080/60i||23.7||12.8||1068||78||Sony A3000|
|Sony NEX-3N« »||APS-C||16.0||4912||3264||1080/60i||22.8||12.5||1067||74||Sony NEX-3N|
|Sony NEX-5T« »||APS-C||16.0||4912||3264||1080/60p||23.6||13.0||1015||78||Sony NEX-5T|
|Sony RX100 II« »||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67||Sony RX100 II|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A7 II provides a faster frame rate than the A5000. It can shoot movie footage at 1080/60p, while the A5000 is limited to 1080/60i.
Feature comparison: Sony A5000 vs A7 II
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7 II has an electronic viewfinder (2400k dots), which can be very helpful when shooting in bright sunlight. In contrast, the A5000 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Sony A5000, the Sony A7 II, and comparable cameras.
|Sony A5000»||-||n||3.0||461||tilting||n||1/4000s||3.5||Y||n||Sony A5000|
|Sony A7 II«||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Canon M10« »||-||n||3.0||1040||tilting||Y||1/4000s||4.6||Y||n||Canon M10|
|Nikon D3300« »||optical||n||3.0||921||fixed||n||1/4000s||5.0||Y||n||Nikon D3300|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Sony A7S II« »||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7S II|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
|Sony A5100« »||-||n||3.0||922||tilting||Y||1/4000s||6.0||Y||n||Sony A5100|
|Sony A6000« »||1440||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6000|
|Sony RX100 III« »||1440||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 III|
|Sony A7« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||n||Sony A7|
|Sony A7R« »||2400||n||3.0||1230||tilting||n||1/8000s||4.0||n||n||Sony A7R|
|Sony A3000« »||202||n||3.0||230||fixed||n||1/4000s||2.5||Y||n||Sony A3000|
|Sony NEX-3N« »||-||n||3.0||460||tilting||n||1/4000s||4.0||Y||n||Sony NEX-3N|
|Sony NEX-5T« »||-||n||3.0||922||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5T|
|Sony RX100 II« »||-||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 II|
One difference between the cameras concerns the presence of an on-board flash. The A5000 has one, while the A7 II does not. While the built-in flash of the A5000 is not very powerful, it can at times be useful as a fill-in light.The A5000 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A7 II does not have a selfie-screen.
Concerning the storage of imaging data, both the A5000 and the A7 II write their files to SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison: Sony A5000 vs A7 II
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A5000 and Sony Alpha A7 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Sony A5000»||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A5000|
|Sony A7 II«||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Canon M10« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon M10|
|Nikon D3300« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D3300|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A7R II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7S II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony A5100« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A5100|
|Sony A6000« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|Sony RX100 III« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 III|
|Sony A7« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
|Sony A7R« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R|
|Sony A3000« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony A3000|
|Sony NEX-3N« »||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony NEX-3N|
|Sony NEX-5T« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Sony NEX-5T|
|Sony RX100 II« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 II|
It is notable that the A7 II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The A5000 lacks such a headphone port.
Both the A5000 and the A7 II have been discontinued, but can regularly be found used on eBay. The A5000 was replaced by the Sony A5100, while the A7 II was followed by the Sony A7 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Sony website.
Review summary: Sony A5000 vs A7 II
So what is the bottom line? Is the Sony A5000 better than the Sony A7 II or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Sony Alpha A5000:
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (110x63mm vs 127x96mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 330g or 55 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (420 versus 350) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (78 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in January 2014).
Arguments in favor of the Sony Alpha A7 II:
- More detail: Has more megapixels (24 vs 19.8MP), which boosts linear resolution by 10%.
- Better image quality: Scores substantially higher (11 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.1 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (0.6 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.2 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for quicker and more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- More detailed LCD: Has a higher resolution rear screen (1230k vs 461k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 3.5 flaps/sec) to capture the decisive moment.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More modern: Was introduced somewhat (10 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the A7 II is the clear winner of the contest (17 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A5000 and the Sony A7 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the A5000 or the A7 II. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews: Sony A5000 vs A7 II
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Sony A5000»||+||-||4.5/5||o||4.5/5||Jan 2014||449||-||Sony A5000|
|Sony A7 II«||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Canon M10« »||-||-||-||o||4/5||Oct 2015||499||-||Canon M10|
|Nikon D3300« »||+||77/100||4.5/5||4.5/5||4.5/5||Jan 2014||499||-||Nikon D3300|
|Sony A7 III« »||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony A7R II« »||+ +||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||+||-||4.5/5||5/5||5/5||Sep 2015||2,999||Sony A7S II|
|Sony RX100 IV« »||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
|Sony A5100« »||+||-||4.5/5||4.5/5||5/5||Aug 2014||549||Sony A5100|
|Sony A6000« »||+||80/100||4.5/5||5/5||5/5||Feb 2014||599||-||Sony A6000|
|Sony RX100 III« »||+ +||82/100||4.5/5||4.5/5||5/5||May 2014||799||-||Sony RX100 III|
|Sony A7« »||+ +||80/100||5/5||4.5/5||5/5||Oct 2013||1,699||-||Sony A7|
|Sony A7R« »||+ +||82/100||4.5/5||5/5||5/5||Oct 2013||2,299||-||Sony A7R|
|Sony A3000« »||+||-||4/5||4.5/5||4/5||Aug 2013||329||-||Sony A3000|
|Sony NEX-3N« »||-||-||4.5/5||4/5||4.5/5||Feb 2013||499||-||Sony NEX-3N|
|Sony NEX-5T« »||-||-||4.5/5||-||4.5/5||Aug 2013||699||-||Sony NEX-5T|
|Sony RX100 II« »||+ +||79/100||4.5/5||5/5||4.5/5||Jun 2013||749||-||Sony RX100 II|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 100D vs Sony A7 II
- Canon 1D Mark II N vs Sony A7 II
- Canon 1D vs Sony A5000
- Canon 1D vs Sony A7 II
- Canon G5 X vs Sony A5000
- Leica S-E Typ 006 vs Sony A7 II
- Olympus E-PL8 vs Sony A5000
- Panasonic FZ2500 vs Sony A7 II
- Panasonic GM5 vs Sony A7 II
- Panasonic LX7 vs Sony A7 II
- Sony A6300 vs Sony A7 II
- Sony A7 II vs Sony RX100 III
Specifications: Sony A5000 vs Sony A7 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Sony A5000||Sony A7 II|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Sony E mount lenses||Sony E mount lenses|
|Launch Date||January 2014||November 2014|
|Launch Price||USD 449||USD 1999|
|Sensor Specs||Sony A5000||Sony A7 II|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||23.2 x 15.4 mm||35.8 x 23.9 mm|
|Sensor Area||357.28 mm2||855.62 mm2|
|Sensor Diagonal||27.8 mm||43 mm|
|Sensor Resolution||19.8 Megapixels||24 Megapixels|
|Image Resolution||5456 x 3632 pixels||6000 x 4000 pixels|
|Pixel Pitch||4.25 μm||5.97 μm|
|Pixel Density||5.55 MP/cm2||2.80 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60i Video||1080/60p Video|
|ISO Setting||100-16000 ISO||100-25600 ISO|
|ISO Boost||no Enhancement||50-51200 ISO|
|Image Processor||BIONZ X||BIONZ X|
|DXO Sensor Quality (score)||79||90|
|DXO Color Depth (bits)||23.8||24.9|
|DXO Dynamic Range (EV)||13.0||13.6|
|DXO Low Light (ISO)||1089||2449|
|Screen Specs||Sony A5000||Sony A7 II|
|Viewfinder Type||No viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||461k dots||1230k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Sony A5000||Sony A7 II|
|Autofocus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||3.5 shutter flaps/s||5 shutter flaps/s|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||MS or SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Sony A5000||Sony A7 II|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Sony A5000||Sony A7 II|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Type||NP-FW50 power pack||NP-FW50 power pack|
|Battery Life (CIPA)||420 shots per charge||350 shots per charge|
|In-Camera Charging||USB charging||USB charging|
110 x 63 x 36 mm
(4.3 x 2.5 x 1.4 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||269 g (9.5 oz)||599 g (21.1 oz)|
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