Sony A5000 vs Canon 5D Mark III

The Sony Alpha A5000 and the Canon EOS 5D Mark III are two digital cameras that were announced, respectively, in January 2014 and March 2012. The A5000 is a mirrorless interchangeable lens camera, while the 5D Mark III is a DSLR. The cameras are based on an APS-C (A5000) and a full frame (5D Mark III) sensor. The Sony has a resolution of 19.8 megapixels, whereas the Canon provides 22.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Sony A5000		Canon 5D Mark III
Mirrorless system camera		Digital single lens reflex
Sony E mount lenses		Canon EF mount lenses
19.8 MP – APS-C sensor		22.1 MP – Full Frame sensor
1080/60i Video		1080/30p Video
ISO 100-16,000		ISO 100-25,600 (50 - 102,400)
No viewfinder, LCD framing		Optical viewfinder
3.0" LCD – 461k dots		3.2" LCD – 1040k dots
Tilting screen (no touchscreen)		Fixed screen (not touch-sensitive)
3.5 shutter flaps per second		6 shutter flaps per second
not weather sealed		Weathersealed body
420 shots per battery charge		950 shots per battery charge
110 x 63 x 36 mm, 269 g		152 x 116 x 76 mm, 950 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A5000 and the Canon EOS 5D Mark III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Sony A5000 and the Canon 5D Mark III is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The A5000 can be obtained in three different colors (black, silver, white), while the 5D Mark III is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 5D Mark III is considerably larger (154 percent) than the Sony A5000. Moreover, the 5D Mark III is substantially heavier (253 percent) than the A5000. It is noteworthy in this context that the 5D Mark III is splash and dust-proof, while the A5000 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Sony E-Mount Lens Catalog (A5000) and the Canon EF Lens Catalog (5D Mark III). Mirrorless cameras, such as the Sony A5000, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.

Concerning battery life, the A5000 gets 420 shots out of its Sony NP-FW50 battery, while the 5D Mark III can take 950 images on a single charge of its Canon LP-E6 power pack. The power pack in the A5000 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A5000	110 mm	63 mm	36 mm	269 g	420	n	Jan 2014	449	ebay.com
2.		Canon 5D Mark III	152 mm	116 mm	76 mm	950 g	950	Y	Mar 2012	3,499	ebay.com
3.		Canon 5D Mark II	152 mm	114 mm	75 mm	850 g	850	Y	Sep 2008	3,499	ebay.com
4.		Canon 5D Mark IV	151 mm	116 mm	76 mm	890 g	900	Y	Aug 2016	3,499	amazon.com
5.		Canon 5DS	152 mm	116 mm	76 mm	930 g	700	Y	Feb 2015	3,699	ebay.com
6.		Canon 5DS R	152 mm	116 mm	76 mm	930 g	700	Y	Feb 2015	3,699	ebay.com
7.		Canon M10	108 mm	67 mm	35 mm	301 g	255	n	Oct 2015	499	ebay.com
8.		Nikon D610	141 mm	113 mm	82 mm	850 g	900	Y	Oct 2013	1,999	ebay.com
9.		Nikon D3300	124 mm	98 mm	76 mm	430 g	700	n	Jan 2014	499	ebay.com
10.		Sony A3000	128 mm	91 mm	85 mm	411 g	470	n	Aug 2013	329	ebay.com
11.		Sony A5100	110 mm	63 mm	36 mm	283 g	400	n	Aug 2014	549	ebay.com
12.		Sony A6000	120 mm	67 mm	45 mm	344 g	360	n	Feb 2014	599	ebay.com
13.		Sony NEX-3N	110 mm	62 mm	35 mm	269 g	480	n	Feb 2013	499	ebay.com
14.		Sony NEX-5T	111 mm	59 mm	39 mm	276 g	330	n	Aug 2013	699	ebay.com
15.		Sony RX100 II	102 mm	58 mm	38 mm	281 g	350	n	Jun 2013	749	ebay.com
16.		Sony RX100 III	102 mm	58 mm	41 mm	290 g	320	n	May 2014	799	ebay.com
17.		Sony RX100 IV	102 mm	58 mm	41 mm	298 g	280	n	Jun 2015	999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A5000 was launched at a markedly lower price (by 87 percent) than the 5D Mark III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Sony A5000 features an APS-C sensor and the Canon 5D Mark III a full frame sensor. The sensor area in the 5D Mark III is 142 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 22.1MP, the 5D Mark III offers a higher resolution than the A5000 (19.8MP), but the 5D Mark III nevertheless has larger individual pixels (pixel pitch of 6.25μm versus 4.25μm for the A5000) due to its larger sensor. However, the A5000 is a somewhat more recent model (by 1 year and 10 months) than the 5D Mark III, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Canon 5D Mark III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5D Mark III for good quality output (200 dots per inch) amounts to 28.8 x 19.2 inches or 73.2 x 48.8 cm, for very good quality (250 dpi) 23 x 15.4 inches or 58.5 x 39 cm, and for excellent quality (300 dpi) 19.2 x 12.8 inches or 48.8 x 32.5 cm. The corresponding values for the Sony A5000 are 27.3 x 18.2 inches or 69.3 x 46.1 cm for good quality, 21.8 x 14.5 inches or 55.4 x 36.9 cm for very good quality, and 18.2 x 12.1 inches or 46.2 x 30.8 cm for excellent quality prints.

The Sony Alpha A5000 has a native sensitivity range from ISO 100 to ISO 16000. The corresponding ISO settings for the Canon EOS 5D Mark III are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-102400.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Sony A5000	APS-C	19.8	5456	3632	1080/60i	23.8	13.0	1089	79
2.		Canon 5D Mark III	Full Frame	22.1	5760	3840	1080/30p	24.0	11.7	2293	81
3.		Canon 5D Mark II	Full Frame	21.0	5616	3744	1080/30p	23.7	11.9	1815	79
4.		Canon 5D Mark IV	Full Frame	30.1	6720	4480	4K/30p	24.8	13.6	2995	91
5.		Canon 5DS	Full Frame	50.3	8688	5792	1080/30p	24.7	12.4	2381	87
6.		Canon 5DS R	Full Frame	50.3	8688	5792	1080/30p	24.6	12.4	2308	86
7.		Canon M10	APS-C	17.9	5184	3456	1080/30p	22.2	11.4	753	65
8.		Nikon D610	Full Frame	24.2	6016	4016	1080/30p	25.1	14.4	2925	94
9.		Nikon D3300	APS-C	24.0	6000	4000	1080/60p	24.3	12.8	1385	82
10.		Sony A3000	APS-C	19.8	5456	3632	1080/60i	23.7	12.8	1068	78
11.		Sony A5100	APS-C	24.0	6000	4000	1080/60p	23.8	12.7	1347	80
12.		Sony A6000	APS-C	24.0	6000	4000	1080/60p	24.1	13.1	1347	82
13.		Sony NEX-3N	APS-C	16.0	4912	3264	1080/60i	22.8	12.5	1067	74
14.		Sony NEX-5T	APS-C	16.0	4912	3264	1080/60p	23.6	13.0	1015	78
15.		Sony RX100 II	1-inch	20.0	5472	3648	1080/60p	22.5	12.4	483	67
16.		Sony RX100 III	1-inch	20.0	5472	3648	1080/60p	22.4	12.3	495	67
17.		Sony RX100 IV	1-inch	20.0	5472	3648	4K/30p	22.8	12.6	591	70

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A5000 provides a higher frame rate than the 5D Mark III. It can shoot video footage at 1080/60i, while the Canon is limited to 1080/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the 5D Mark III has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the A5000 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Sony A5000 and Canon 5D Mark III along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Sony A5000	none	n	3.0 / 461	tilting	n	1/4000s	3.5/s	Y	n
2.		Canon 5D Mark III	optical	Y	3.2 / 1040	fixed	n	1/8000s	6.0/s	n	n
3.		Canon 5D Mark II	optical	Y	3.0 / 920	fixed	n	1/8000s	3.9/s	n	n
4.		Canon 5D Mark IV	optical	Y	3.2 / 1620	fixed	Y	1/8000s	7.0/s	n	n
5.		Canon 5DS	optical	Y	3.2 / 1040	fixed	n	1/8000s	5.0/s	n	n
6.		Canon 5DS R	optical	Y	3.2 / 1040	fixed	n	1/8000s	5.0/s	n	n
7.		Canon M10	none	n	3.0 / 1040	tilting	Y	1/4000s	4.6/s	Y	n
8.		Nikon D610	optical	Y	3.2 / 921	fixed	n	1/4000s	6.0/s	Y	n
9.		Nikon D3300	optical	n	3.0 / 921	fixed	n	1/4000s	5.0/s	Y	n
10.		Sony A3000	202	n	3.0 / 230	fixed	n	1/4000s	2.5/s	Y	n
11.		Sony A5100	none	n	3.0 / 922	tilting	Y	1/4000s	6.0/s	Y	n
12.		Sony A6000	1440	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
13.		Sony NEX-3N	optional	n	3.0 / 460	tilting	n	1/4000s	4.0/s	Y	n
14.		Sony NEX-5T	optional	n	3.0 / 922	tilting	Y	1/4000s	10.0/s	n	n
15.		Sony RX100 II	optional	n	3.0 / 1229	tilting	n	1/2000s	10.0/s	Y	Y
16.		Sony RX100 III	1440	n	3.0 / 1229	tilting	n	1/2000s	10.0/s	Y	Y
17.		Sony RX100 IV	2359	n	3.0 / 1228	tilting	n	1/2000s	16.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The A5000 has one, while the 5D Mark III does not. While the built-in flash of the A5000 is not very powerful, it can at times be useful as a fill-in light.

The A5000 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the 5D Mark III uses Compact Flash or SDXC cards. The 5D Mark III features dual card slots, which can be very useful in case a memory card fails. In contrast, the A5000 only has one slot. The A5000 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 5D Mark III cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A5000 and Canon EOS 5D Mark III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Sony A5000	-	stereo / mono	-	-	micro	2.0	Y	Y	-
2.		Canon 5D Mark III	Y	mono / mono	Y	Y	mini	2.0	-	-	-
3.		Canon 5D Mark II	Y	mono / mono	Y	-	mini	2.0	-	-	-
4.		Canon 5D Mark IV	Y	mono / mono	Y	Y	mini	3.0	Y	Y	-
5.		Canon 5DS	Y	mono / mono	Y	-	mini	3.0	-	-	-
6.		Canon 5DS R	Y	mono / mono	Y	-	mini	3.0	-	-	-
7.		Canon M10	-	stereo / mono	-	-	mini	2.0	Y	Y	-
8.		Nikon D610	Y	mono / mono	Y	Y	mini	2.0	-	-	-
9.		Nikon D3300	Y	mono / mono	Y	-	mini	2.0	-	-	-
10.		Sony A3000	Y	stereo / mono	-	-	mini	2.0	-	-	-
11.		Sony A5100	-	stereo / mono	-	-	micro	2.0	Y	Y	-
12.		Sony A6000	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
13.		Sony NEX-3N	-	stereo / mono	-	-	micro	2.0	-	-	-
14.		Sony NEX-5T	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
15.		Sony RX100 II	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
16.		Sony RX100 III	-	stereo / mono	-	-	micro	2.0	Y	Y	-
17.		Sony RX100 IV	-	stereo / mono	-	-	micro	2.0	Y	Y	-

It is notable that the A5000 offers wifi support, while the 5D Mark III does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Studio photographers will appreciate that the Canon 5D Mark III (unlike the A5000) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the A5000 and the 5D Mark III have been discontinued, but can regularly be found used on ebay. The 5D Mark III was replaced by the Canon 5D Mark IV, while the A5000 was followed by the Sony A5100. Further information on the features and operation of the A5000 and 5D Mark III can be found, respectively, in the Sony A5000 Manual (free pdf) or the online Canon 5D Mark III Manual.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Sony A5000 and the Canon 5D Mark III? Which camera is better? The listing below highlights the relative strengths of the two models.

Arguments in favor of the Sony Alpha A5000:

• More dynamic range: Captures a larger spectrum of light and dark details (1.3 EV of extra DR).
• Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• More compact: Is smaller (110x63mm vs 152x116mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 681g or 72 percent) and hence easier to carry around.
• Easier travel charging: Can be conveniently charged via its USB port.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More affordable: Was introduced into a lower priced category (87 percent cheaper at launch).
• More modern: Is somewhat more recent (announced 1 year and 10 months after the 5D Mark III).

Advantages of the Canon EOS 5D Mark III:

• More detail: Has more megapixels (22.1 vs 19.8MP), which boosts linear resolution by 6%.
• Better low-light sensitivity: Can shoot in dim conditions (1.1 stops ISO advantage).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Easier framing: Has an optical viewfinder for image composition and settings control.
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1040k vs 461k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (6 vs 3.5 flaps/sec) to capture the decisive moment.
• Longer lasting: Gets more shots (950 versus 420) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More heavily discounted: Has been on the market for longer (launched in March 2012).

If the count of relative strengths (bullet points above) is taken as a measure, the 5D Mark III emerges as the winner of the match-up (16 : 14 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Sony A5000 and the Canon 5D Mark III place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the A5000 or the 5D Mark III perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A5000	3/5	+	..	..	4.5/5	4.5/5	Jan 2014	449	ebay.com
2.		Canon 5D Mark III	..	+ +	..	82/100	4.5/5	4.5/5	Mar 2012	3,499	ebay.com
3.		Canon 5D Mark II	4/5	91/100	..	79/100	4/5	..	Sep 2008	3,499	ebay.com
4.		Canon 5D Mark IV	4.5/5	+ +	4/5	87/100	4.5/5	4.5/5	Aug 2016	3,499	amazon.com
5.		Canon 5DS	..	+	..	83/100	4.5/5	4.5/5	Feb 2015	3,699	ebay.com
6.		Canon 5DS R	5/5	+	..	83/100	5/5	4.5/5	Feb 2015	3,699	ebay.com
7.		Canon M10	..	..	..	..	..	4/5	Oct 2015	499	ebay.com
8.		Nikon D610	4/5	+ +	..	87/100	4.5/5	4.5/5	Oct 2013	1,999	ebay.com
9.		Nikon D3300	3/5	+	..	77/100	4.5/5	4.5/5	Jan 2014	499	ebay.com
10.		Sony A3000	3/5	+	..	..	4/5	4/5	Aug 2013	329	ebay.com
11.		Sony A5100	4.5/5	+	..	..	4.5/5	5/5	Aug 2014	549	ebay.com
12.		Sony A6000	5/5	+	4.5/5	80/100	4.5/5	5/5	Feb 2014	599	ebay.com
13.		Sony NEX-3N	3/5	..	..	..	4.5/5	4.5/5	Feb 2013	499	ebay.com
14.		Sony NEX-5T	..	..	..	..	4.5/5	4.5/5	Aug 2013	699	ebay.com
15.		Sony RX100 II	5/5	+ +	..	79/100	4.5/5	4.5/5	Jun 2013	749	ebay.com
16.		Sony RX100 III	5/5	+ +	..	82/100	4.5/5	5/5	May 2014	799	ebay.com
17.		Sony RX100 IV	4.5/5	+ +	..	85/100	4/5	4.5/5	Jun 2015	999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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