Samsung NX500 vs Sony A7 II
The Samsung NX500 and the Sony Alpha A7 II are two digital cameras that were officially introduced, respectively, in February 2015 and November 2014. Both the NX500 and the A7 II are mirrorless interchangeable lens cameras that are based on an APS-C (NX500) and a full frame (A7 II) sensor. The Samsung has a resolution of 28 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Samsung NX500||Sony A7 II|
|Mirrorless system camera||Mirrorless system camera|
|Samsung NX mount lenses||Sony E mount lenses|
|28 MP, APS-C Sensor||24 MP, Full Frame Sensor|
|4K/30p Video||1080/60p Video|
|ISO 100-25600 (100-51200)||ISO 100-25600 (50-51200)|
|No viewfinder, LCD framing||Electronic viewfinder (2400k dots)|
|3.0" LCD, 1036k dots||3.0" LCD, 1230k dots|
|Tilting touchscreen||Tilting screen (not touch-sensitive)|
|9 shutter flaps per second||5 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|370 shots per battery charge||350 shots per battery charge|
|120 x 64 x 43 mm, 287 g||127 x 96 x 60 mm, 599 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Samsung NX500 and the Sony Alpha A7 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Samsung NX500 vs Sony A7 II
An illustration of the physical size and weight of the Samsung NX500 and the Sony A7 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 II is considerably larger (59 percent) than the Samsung NX500. Moreover, the A7 II is substantially heavier (109 percent) than the NX500. It is noteworthy in this context that the A7 II is splash and dust-proof, while the NX500 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Samsung NX500»||120 mm||64 mm||43 mm||287 g||370||n||Feb 2015||799||-||Samsung NX500|
|Sony A7 II«||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Canon 77D« »||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899||Canon 77D|
|Canon M100« »||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499||Canon M100|
|Canon M3« »||111 mm||68 mm||44 mm||366 g||250||n||Feb 2015||679||-||Canon M3|
|Nikon D5600« »||124 mm||97 mm||70 mm||465 g||970||n||Nov 2016||699||Nikon D5600|
|Nikon D5500« »||124 mm||97 mm||70 mm||420 g||820||n||Jan 2015||899||-||Nikon D5500|
|Ricoh GR II« »||117 mm||63 mm||35 mm||251 g||320||n||Jun 2015||699||Ricoh GR II|
|Samsung NX1« »||139 mm||102 mm||66 mm||550 g||500||Y||Sep 2014||1,499||-||Samsung NX1|
|Samsung NX30« »||127 mm||96 mm||58 mm||375 g||360||n||Jan 2014||999||-||Samsung NX30|
|Sony A7 III« »||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A9« »||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499||Sony A9|
|Sony A7R II« »||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999||Sony A7S II|
|Sony A5100« »||110 mm||63 mm||36 mm||283 g||400||n||Aug 2014||549||Sony A5100|
|Sony A6000« »||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599||-||Sony A6000|
|Sony A7« »||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699||-||Sony A7|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The NX500 was launched at a markedly lower price (by 60 percent) than the A7 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Samsung NX500 vs Sony A7 II
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Samsung NX500 features an APS-C sensor and the Sony A7 II a full frame sensor. The sensor area in the A7 II is 132 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Samsung NX500 offers a higher resolution of 28 megapixels, compared with 24 MP of the Sony A7 II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.63μm versus 5.97μm for the A7 II). It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the NX500 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Samsung NX500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NX500 for good quality output (200 dots per inch) amounts to 32.4 x 21.6 inch or 82.3 x 54.9 cm, for very good quality (250 dpi) 25.9 x 17.3 inch or 65.8 x 43.9 cm, and for excellent quality (300 dpi) 21.6 x 14.4 inch or 54.9 x 36.6 cm. The corresponding values for the Sony A7 II are 30 x 20 inch or 76.2 x 50.8 cm for good quality, 24 x 16 inch or 61 x 40.6 cm for very good quality, and 20 x 13.3 inch or 50.8 x 33.9 cm for excellent quality prints.
The Samsung NX500 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony Alpha A7 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Samsung NX500»||APS-C||28.0||6480||4320||4K/30p||24.8||13.9||1379||87||Samsung NX500|
|Sony A7 II«||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Canon 77D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.3||971||78||Canon 77D|
|Canon M100« »||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon M3« »||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72||Canon M3|
|Nikon D5600« »||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1306||84||Nikon D5600|
|Nikon D5500« »||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84||Nikon D5500|
|Ricoh GR II« »||APS-C||16.1||4928||3264||1080/30p||23.6||13.7||1078||80||Ricoh GR II|
|Samsung NX1« »||APS-C||28.0||6480||4320||4K/30p||24.2||13.2||1363||83||Samsung NX1|
|Samsung NX30« »||APS-C||20.0||5472||3648||1080/60p||23.5||12.4||1014||76||Samsung NX30|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A9« »||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7S II« »||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Sony A5100« »||APS-C||24.0||6000||4000||1080/60p||23.8||12.7||1347||80||Sony A5100|
|Sony A6000« »||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|Sony A7« »||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the NX500 provides a higher video resolution than the A7 II. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.
Feature comparison: Samsung NX500 vs Sony A7 II
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7 II has an electronic viewfinder (2400k dots), which can be very helpful when shooting in bright sunlight. In contrast, the NX500 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Samsung NX500, the Sony A7 II, and comparable cameras.
|Samsung NX500»||-||n||3.0||1036||tilting||Y||1/6000s||9.0||Y||n||Samsung NX500|
|Sony A7 II«||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Canon 77D« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon 77D|
|Canon M100« »||-||n||3.0||1040||tilting||Y||1/4000s||6.1||Y||n||Canon M100|
|Canon M3« »||-||n||3.0||1040||tilting||Y||1/4000s||4.2||Y||n||Canon M3|
|Nikon D5600« »||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5600|
|Nikon D5500« »||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5500|
|Ricoh GR II« »||-||n||3.0||1230||fixed||n||1/4000s||4.0||Y||n||Ricoh GR II|
|Samsung NX1« »||2360||Y||3.0||1036||tilting||Y||1/8000s||15.0||Y||n||Samsung NX1|
|Samsung NX30« »||2359||n||3.0||1036||swivel||Y||1/8000s||9.0||Y||n||Samsung NX30|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A9« »||3686||n||3.0||1440||tilting||Y||1/8000s||20.0||n||Y||Sony A9|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Sony A7S II« »||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7S II|
|Sony A5100« »||-||n||3.0||922||tilting||Y||1/4000s||6.0||Y||n||Sony A5100|
|Sony A6000« »||1440||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6000|
|Sony A7« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||n||Sony A7|
One difference between the cameras concerns the presence of an on-board flash. The NX500 has one, while the A7 II does not. While the built-in flash of the NX500 is not very powerful, it can at times be useful as a fill-in light.The NX500 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A7 II does not have a selfie-screen.
The Samsung NX500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The NX500 writes its imaging data to SDXC cards, while the A7 II uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison: Samsung NX500 vs Sony A7 II
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Samsung NX500 and Sony Alpha A7 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Samsung NX500»||Y||stereo||mono||-||-||micro||2.0||Y||Y||Y||Samsung NX500|
|Sony A7 II«||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Canon 77D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 77D|
|Canon M100« »||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon M3« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon M3|
|Nikon D5600« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Nikon D5600|
|Nikon D5500« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5500|
|Ricoh GR II« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Ricoh GR II|
|Samsung NX1« »||Y||stereo||mono||Y||Y||micro||3.0||Y||Y||Y||Samsung NX1|
|Samsung NX30« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Samsung NX30|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A9« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Sony A7R II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7S II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Sony A5100« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A5100|
|Sony A6000« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|Sony A7« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
It is notable that the A7 II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The NX500 lacks such a headphone port.
Both the NX500 and the A7 II have been discontinued, but can regularly be found used on eBay. The A7 II was replaced by the Sony A7 III, while the NX500 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Samsung and Sony websites.
Review summary: Samsung NX500 vs Sony A7 II
So what conclusions can be drawn? Is there a clear favorite between the Samsung NX500 and the Sony A7 II? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Samsung NX500:
- More detail: Offers more megapixels (28 vs 24MP) with a 8% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (9 vs 5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (120x64mm vs 127x96mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 312g or 52 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (60 percent cheaper at launch).
Reasons to prefer the Sony Alpha A7 II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better low-light sensitivity: Can shoot in dim conditions (0.8 stops ISO advantage).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- More detailed LCD: Has a higher resolution rear screen (1230k vs 1036k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/6000s) to freeze action.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
If the count of relative strengths (bullet points above) is taken as a measure, the NX500 emerges as the winner of the contest (12 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Samsung NX500 and the Sony A7 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the NX500 and the A7 II in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews: Samsung NX500 vs Sony A7 II
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Samsung NX500»||-||81/100||5/5||4.5/5||4.5/5||Feb 2015||799||-||Samsung NX500|
|Sony A7 II«||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Canon 77D« »||-||82/100||4.5/5||4.5/5||4/5||Feb 2017||899||Canon 77D|
|Canon M100« »||+||-||4/5||-||3.5/5||Aug 2017||499||Canon M100|
|Canon M3« »||o||75/100||4.5/5||4.5/5||4/5||Feb 2015||679||-||Canon M3|
|Nikon D5600« »||-||79/100||4.5/5||4.5/5||4/5||Nov 2016||699||Nikon D5600|
|Nikon D5500« »||+||79/100||4.5/5||5/5||4.5/5||Jan 2015||899||-||Nikon D5500|
|Ricoh GR II« »||-||-||4.5/5||4.5/5||4.5/5||Jun 2015||699||Ricoh GR II|
|Samsung NX1« »||-||87/100||5/5||4.5/5||5/5||Sep 2014||1,499||-||Samsung NX1|
|Samsung NX30« »||-||77/100||4.5/5||4/5||4.5/5||Jan 2014||999||-||Samsung NX30|
|Sony A7 III« »||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony A9« »||+ +||89/100||5/5||5/5||5/5||Apr 2017||4,499||Sony A9|
|Sony A7R II« »||+ +||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||+||-||4.5/5||5/5||5/5||Sep 2015||2,999||Sony A7S II|
|Sony A5100« »||+||-||4.5/5||4.5/5||5/5||Aug 2014||549||Sony A5100|
|Sony A6000« »||+||80/100||4.5/5||5/5||5/5||Feb 2014||599||-||Sony A6000|
|Sony A7« »||+ +||80/100||5/5||4.5/5||5/5||Oct 2013||1,699||-||Sony A7|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Samsung NX500 vs Sony A7 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Samsung NX500||Sony A7 II|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Samsung NX mount lenses||Sony E mount lenses|
|Launch Date||February 2015||November 2014|
|Launch Price||USD 799||USD 1999|
|Sensor Specs||Samsung NX500||Sony A7 II|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||23.5 x 15.7 mm||35.8 x 23.9 mm|
|Sensor Area||368.95 mm2||855.62 mm2|
|Sensor Diagonal||28.3 mm||43 mm|
|Sensor Resolution||28 Megapixels||24 Megapixels|
|Image Resolution||6480 x 4320 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.63 μm||5.97 μm|
|Pixel Density||7.59 MP/cm2||2.80 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||100-25600 ISO||100-25600 ISO|
|ISO Boost||100-51200 ISO||50-51200 ISO|
|Image Processor||DRIMe Vs||BIONZ X|
|DXO Sensor Quality (score)||87||90|
|DXO Color Depth (bits)||24.8||24.9|
|DXO Dynamic Range (EV)||13.9||13.6|
|DXO Low Light (ISO)||1379||2449|
|Screen Specs||Samsung NX500||Sony A7 II|
|Viewfinder Type||No viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1036k dots||1230k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Samsung NX500||Sony A7 II|
|Autofocus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/6000/s||1/8000/s|
|Continuous Shooting||9 shutter flaps/s||5 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Samsung NX500||Sony A7 II|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Samsung NX500||Sony A7 II|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Type||BP1130 power pack||NP-FW50 power pack|
|Battery Life (CIPA)||370 shots per charge||350 shots per charge|
|In-Camera Charging||USB charging||USB charging|
120 x 64 x 43 mm
(4.7 x 2.5 x 1.7 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||287 g (10.1 oz)||599 g (21.1 oz)|
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