Samsung NX500 vs Sony A6300
The Samsung NX500 and the Sony Alpha A6300 are two digital cameras that were revealed to the public, respectively, in February 2015 and February 2016. Both the NX500 and the A6300 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. The Samsung has a resolution of 28 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Samsung NX500||Sony A6300|
|Mirrorless system camera||Mirrorless system camera|
|Samsung NX mount lenses||Sony E mount lenses|
|28 MP, APS-C Sensor||24 MP, APS-C Sensor|
|4K/30p Video||4K/30p Video|
|ISO 100-25600 (100-51200)||ISO 100-25600 (100-51200)|
|No viewfinder, LCD framing||Electronic viewfinder (2359k dots)|
|3.0" LCD, 1036k dots||3.0" LCD, 922k dots|
|Tilting touchscreen||Tilting screen (not touch-sensitive)|
|9 shutter flaps per second||11 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|370 shots per battery charge||400 shots per battery charge|
|120 x 64 x 43 mm, 287 g||120 x 67 x 49 mm, 404 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Samsung NX500 and the Sony Alpha A6300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Samsung NX500 and the Sony A6300. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The A6300 can be obtained in two different colors (black, silver), while the NX500 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6300 is somewhat larger (5 percent) than the Samsung NX500. Moreover, the A6300 is substantially heavier (41 percent) than the NX500. It is noteworthy in this context that the A6300 is splash and dust-proof, while the NX500 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Samsung NX500»||120 mm||64 mm||43 mm||287 g||370||n||Feb 2015||799||Samsung NX500|
|Sony A6300«||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999||Sony A6300|
|Canon 77D« »||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899||Canon 77D|
|Canon M100« »||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499||Canon M100|
|Canon 80D« »||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199||Canon 80D|
|Canon M3« »||111 mm||68 mm||44 mm||366 g||250||n||Feb 2015||679||Canon M3|
|Nikon D5600« »||124 mm||97 mm||70 mm||465 g||970||n||Nov 2016||699||Nikon D5600|
|Nikon D5500« »||124 mm||97 mm||70 mm||420 g||820||n||Jan 2015||899||Nikon D5500|
|Ricoh GR II« »||117 mm||63 mm||35 mm||251 g||320||n||Jun 2015||699||Ricoh GR II|
|Samsung NX1« »||139 mm||102 mm||66 mm||550 g||500||Y||Sep 2014||1,499||Samsung NX1|
|Samsung NX30« »||127 mm||96 mm||58 mm||375 g||360||n||Jan 2014||999||Samsung NX30|
|Sony A6400« »||120 mm||67 mm||50 mm||403 g||410||n||Jan 2019||899||Sony A6400|
|Sony A6500« »||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399||Sony A6500|
|Sony RX100 IV« »||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999||Sony RX100 IV|
|Sony A5100« »||110 mm||63 mm||36 mm||283 g||400||n||Aug 2014||549||Sony A5100|
|Sony A6000« »||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599||Sony A6000|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The NX500 was launched at a somewhat lower price (by 20 percent) than the A6300, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the A6300 is 1 percent smaller. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 28MP, the NX500 offers a higher resolution than the A6300 (24MP), but the NX500 has smaller individual pixels (pixel pitch of 3.63μm versus 3.91μm for the A6300). Moreover, the A6300 is a somewhat more recent model (by 11 months) than the NX500, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the NX500 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Samsung NX500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NX500 for good quality output (200 dots per inch) amounts to 32.4 x 21.6 inch or 82.3 x 54.9 cm, for very good quality (250 dpi) 25.9 x 17.3 inch or 65.8 x 43.9 cm, and for excellent quality (300 dpi) 21.6 x 14.4 inch or 54.9 x 36.6 cm. The corresponding values for the Sony A6300 are 30 x 20 inch or 76.2 x 50.8 cm for good quality, 24 x 16 inch or 61 x 40.6 cm for very good quality, and 20 x 13.3 inch or 50.8 x 33.9 cm for excellent quality prints.
The Samsung NX500 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The Sony Alpha A6300 offers exactly the same ISO settings.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Samsung NX500||APS-C||28.0||6480||4320||4K/30p||24.8||13.9||1379||87||Samsung NX500|
|Sony A6300||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
|Canon 77D||APS-C||24.0||6000||4000||1080/60p||23.6||13.3||971||78||Canon 77D|
|Canon M100||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon 80D||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Canon M3||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72||Canon M3|
|Nikon D5600||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1306||84||Nikon D5600|
|Nikon D5500||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84||Nikon D5500|
|Ricoh GR II||APS-C||16.1||4928||3264||1080/30p||23.6||13.7||1078||80||Ricoh GR II|
|Samsung NX1||APS-C||28.0||6480||4320||4K/30p||24.2||13.2||1363||83||Samsung NX1|
|Samsung NX30||APS-C||20.0||5472||3648||1080/60p||23.5||12.4||1014||76||Samsung NX30|
|Sony A6400||APS-C||24.0||6000||4000||4K/30p||24||13.6||1431||83||Sony A6400|
|Sony A6500||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85||Sony A6500|
|Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony A5100||APS-C||24.0||6000||4000||1080/60p||23.8||12.7||1347||80||Sony A5100|
|Sony A6000||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A6300 has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the NX500 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Samsung NX500 and Sony A6300 along with similar information for a selection of comparators.
|Samsung NX500||none||n||3.0||1036||tilting||Y||1/6000s||9.0||Y||n||Samsung NX500|
|Sony A6300||2359||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6300|
|Canon 77D||optical||Y||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon 77D|
|Canon M100||none||n||3.0||1040||tilting||Y||1/4000s||6.1||Y||n||Canon M100|
|Canon 80D||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 80D|
|Canon M3||optional||n||3.0||1040||tilting||Y||1/4000s||4.2||Y||n||Canon M3|
|Nikon D5600||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5600|
|Nikon D5500||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5500|
|Ricoh GR II||optional||n||3.0||1230||fixed||n||1/4000s||4.0||Y||n||Ricoh GR II|
|Samsung NX1||2360||Y||3.0||1036||tilting||Y||1/8000s||15.0||Y||n||Samsung NX1|
|Samsung NX30||2359||n||3.0||1036||swivel||Y||1/8000s||9.0||Y||n||Samsung NX30|
|Sony A6400||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||n||Sony A6400|
|Sony A6500||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||Y||Sony A6500|
|Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
|Sony A5100||none||n||3.0||922||tilting||Y||1/4000s||6.0||Y||n||Sony A5100|
|Sony A6000||1440||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6000|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The NX500 has a touchscreen, while the A6300 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The NX500 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A6300 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6300 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Samsung NX500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The NX500 writes its imaging data to SDXC cards, while the A6300 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Samsung NX500 and Sony Alpha A6300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Samsung NX500||Y||stereo||mono||-||-||micro||2.0||Y||Y||Y||Samsung NX500|
|Sony A6300||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
|Canon 77D||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 77D|
|Canon M100||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon 80D||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Canon M3||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon M3|
|Nikon D5600||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Nikon D5600|
|Nikon D5500||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5500|
|Ricoh GR II||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Ricoh GR II|
|Samsung NX1||Y||stereo||mono||Y||Y||micro||3.0||Y||Y||Y||Samsung NX1|
|Samsung NX30||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Samsung NX30|
|Sony A6400||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Sony A6400|
|Sony A6500||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6500|
|Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony A5100||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A5100|
|Sony A6000||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
It is notable that the A6300 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The NX500 does not feature such a mic input.
Both the NX500 and the A6300 have been discontinued, but can regularly be found used on eBay. The A6300 was replaced by the Sony A6500, while the NX500 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Samsung and Sony websites.
So what is the bottom line? Is the Samsung NX500 better than the Sony A6300 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Samsung NX500:
- More detail: Offers more megapixels (28 vs 24MP) with a 8% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More detailed LCD: Has a higher resolution rear screen (1036k vs 922k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/6000s vs 1/4000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Less heavy: Is lighter (by 117g or 29 percent) and hence easier to carry around.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced segment (20 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in February 2015).
Arguments in favor of the Sony Alpha A6300:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Faster burst: Shoots at higher frequency (11 vs 9 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More modern: Was introduced somewhat (11 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the NX500 is the clear winner of the match-up (11 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Samsung NX500 and the Sony A6300 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the NX500 and the A6300 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D Mark II N vs Sony A6300
- Canon D30 vs Samsung NX500
- Canon M3 vs Sony A6300
- Nikon D7000 vs Sony A6300
- Nikon D7500 vs Samsung NX500
- Nikon P950 vs Sony A6300
- Olympus E-420 vs Sony A6300
- Olympus E-M10 vs Samsung NX500
- Olympus E-PL10 vs Sony A6300
- Panasonic G1 vs Samsung NX500
- Panasonic TZ200 vs Samsung NX500
- Pentax 645Z vs Sony A6300
Specifications: Samsung NX500 vs Sony A6300
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Samsung NX500||Sony A6300|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Samsung NX mount lenses||Sony E mount lenses|
|Launch Date||February 2015||February 2016|
|Launch Price||USD 799||USD 999|
|Sensor Specs||Samsung NX500||Sony A6300|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||23.5 x 15.7 mm||23.5 x 15.6 mm|
|Sensor Area||368.95 mm2||366.6 mm2|
|Sensor Diagonal||28.3 mm||28.2 mm|
|Sensor Resolution||28 Megapixels||24 Megapixels|
|Image Resolution||6480 x 4320 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.63 μm||3.91 μm|
|Pixel Density||7.59 MP/cm2||6.55 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100-25600 ISO||100-25600 ISO|
|ISO Boost||100-51200 ISO||100-51200 ISO|
|Image Processor||DRIMe Vs||BIONZ X|
|DXO Sensor Quality (score)||87||85|
|DXO Color Depth (bits)||24.8||24.4|
|DXO Dynamic Range (EV)||13.9||13.7|
|DXO Low Light (ISO)||1379||1437|
|Screen Specs||Samsung NX500||Sony A6300|
|Viewfinder Type||No viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1036k dots||922k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Samsung NX500||Sony A6300|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/6000/s||1/4000/s|
|Continuous Shooting||9 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Samsung NX500||Sony A6300|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Samsung NX500||Sony A6300|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||370 shots per charge||400 shots per charge|
|In-Camera Charging||USB charging||USB charging|
120 x 64 x 43 mm
(4.7 x 2.5 x 1.7 in)
120 x 67 x 49 mm
(4.7 x 2.6 x 1.9 in)
|Camera Weight||287 g (10.1 oz)||404 g (14.3 oz)|
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