Ricoh GR II vs Panasonic LX15

The Ricoh GR II and the Panasonic Lumix DMC-LX15 (labelled Panasonic LX10 in some countries) are two digital cameras that were announced, respectively, in June 2015 and September 2016. Both the GR II and the LX15 are fixed lens compact cameras that are based on an APS-C (GR II) and an one-inch (LX15) sensor. The Ricoh has a resolution of 16.1 megapixels, whereas the Panasonic provides 20 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Ricoh GR II		Panasonic LX15
Fixed lens compact camera		Fixed lens compact camera
28mm f/2.8		24-72mm f/1.4-2.8
16.1 MP – APS-C sensor		20 MP – 1" sensor
1080/30p Video		4K/30p Video
ISO 100-25,600		ISO 125-12,800 (80 - 25,600)
Viewfinder optional		No viewfinder, LCD framing
3.0" LCD – 1230k dots		3.0" LCD – 1040k dots
Fixed screen (not touch-sensitive)		Tilting touchscreen
4 shutter flaps per second		10 shutter flaps per second
no shake reduction		In-body stabilization
320 shots per battery charge		260 shots per battery charge
117 x 63 x 35 mm, 251 g		106 x 60 x 42 mm, 310 g

Check GR II offers at
ebay.com
Check LX15 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Ricoh GR II and the Panasonic Lumix DMC-LX15? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Ricoh GR II and the Panasonic LX15 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

The LX15 can be obtained in two different colors (black, silver), while the GR II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX15 is notably smaller (14 percent) than the Ricoh GR II. However, the LX15 is markedly heavier (24 percent) than the GR II. In this context, it is worth noting that neither the GR II nor the LX15 are weather-sealed.

Concerning battery life, the GR II gets 320 shots out of its Ricoh DB-65 battery, while the LX15 can take 260 images on a single charge of its Panasonic DMW-BLH7 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Ricoh GR II	117 mm	63 mm	35 mm	251 g	320	n	Jun 2015	699	ebay.com
2.		Panasonic LX15	106 mm	60 mm	42 mm	310 g	260	n	Sep 2016	699	amazon.com
3.		Canon G7 X Mark II	106 mm	61 mm	42 mm	319 g	265	n	Feb 2016	699	ebay.com
4.		Canon G5 X	112 mm	76 mm	44 mm	353 g	210	n	Oct 2015	799	ebay.com
5.		Canon G7 X	103 mm	60 mm	40 mm	304 g	210	n	Sep 2014	699	ebay.com
6.		Fujifilm X70	113 mm	64 mm	44 mm	340 g	330	n	Jan 2016	799	ebay.com
7.		Panasonic TZ200	111 mm	65 mm	45 mm	340 g	370	n	Feb 2018	799	amazon.com
8.		Panasonic TZ90	112 mm	67 mm	41 mm	322 g	380	n	Apr 2017	449	ebay.com
9.		Panasonic TZ100	111 mm	65 mm	44 mm	312 g	300	n	Jan 2016	699	ebay.com
10.		Panasonic GM5	99 mm	60 mm	36 mm	211 g	220	n	Sep 2014	749	ebay.com
11.		Ricoh GR	117 mm	61 mm	35 mm	245 g	290	n	Apr 2013	799	ebay.com
12.		Sony RX100 III	102 mm	58 mm	41 mm	290 g	320	n	May 2014	799	ebay.com
13.		Sony NEX-5R	111 mm	59 mm	39 mm	276 g	330	n	Aug 2012	749	ebay.com
14.		Sony NEX-5N	111 mm	59 mm	38 mm	269 g	460	n	Aug 2011	699	ebay.com
15.		Sony NEX-C3	110 mm	60 mm	33 mm	225 g	400	n	Jun 2011	599	ebay.com
16.		Sony NEX-3	117 mm	62 mm	33 mm	297 g	330	n	May 2010	599	ebay.com
17.		Sony NEX-5	111 mm	59 mm	38 mm	287 g	330	n	May 2010	699	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The two cameras under review were launched at the same price and fall into the same market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Ricoh GR II features an APS-C sensor and the Panasonic LX15 an one-inch sensor. The sensor area in the LX15 is 69 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2. The LX15 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

Despite having a smaller sensor, the LX15 offers a higher resolution of 20 megapixels, compared with 16.1 MP of the GR II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.79μm for the GR II). However, it should be noted that the LX15 is a somewhat more recent model (by 1 year and 3 months) than the GR II, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage. Coming back to sensor resolution, it should be mentioned that the GR II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Panasonic LX15 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the LX15 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Ricoh GR II are 24.6 x 16.3 inches or 62.6 x 41.5 cm for good quality, 19.7 x 13.1 inches or 50.1 x 33.2 cm for very good quality, and 16.4 x 10.9 inches or 41.7 x 27.6 cm for excellent quality prints.

The Ricoh GR II has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Panasonic Lumix DMC-LX15 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.

In terms of underlying technology, the GR II is build around a CMOS sensor, while the LX15 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Ricoh GR II	APS-C	16.1	4928	3264	1080/30p	23.6	13.7	1078	80
2.		Panasonic LX15	1-inch	20.0	5472	3648	4K/30p	21.9	12.0	315	62
3.		Canon G7 X Mark II	1-inch	20.0	5472	3648	1080/60p	21.8	11.9	260	62
4.		Canon G5 X	1-inch	20.0	5472	3648	1080/60p	21.4	12.3	471	62
5.		Canon G7 X	1-inch	20.0	5472	3648	1080/60p	23.0	12.7	556	71
6.		Fujifilm X70	APS-C	16.0	4896	3264	1080/60p	23.7	13.0	1608	80
7.		Panasonic TZ200	1-inch	20.0	5472	3648	4K/30p	22.0	12.2	449	64
8.		Panasonic TZ90	1/2.3	20.2	5184	3888	4K/30p	19.1	10.6	106	36
9.		Panasonic TZ100	1-inch	20.0	5472	3648	4K/30p	22.8	12.5	559	70
10.		Panasonic GM5	Four Thirds	15.8	4592	3448	1080/60p	22.1	11.7	721	66
11.		Ricoh GR	APS-C	16.1	4928	3264	1080/30p	23.6	13.5	972	78
12.		Sony RX100 III	1-inch	20.0	5472	3648	1080/60p	22.4	12.3	495	67
13.		Sony NEX-5R	APS-C	16.0	4912	3264	1080/60i	23.7	13.1	910	78
14.		Sony NEX-5N	APS-C	16.0	4912	3264	1080/60i	23.6	12.7	1079	77
15.		Sony NEX-C3	APS-C	16.0	4912	3264	720/30p	22.7	12.2	1083	73
16.		Sony NEX-3	APS-C	14.0	4592	3056	720/30p	22.1	12.0	830	68
17.		Sony NEX-5	APS-C	14.0	4592	3056	1080/60i	22.2	12.2	796	69
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the LX15 provides a better video resolution than the GR II. It can shoot movie footage at 4K/30p, while the Ricoh is limited to 1080/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The GR II and the LX15 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the GR II can be equipped with an optional viewfinder – the GV-1. The following table reports on some other key feature differences and similarities of the Ricoh GR II, the Panasonic LX15, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Ricoh GR II	optional	n	3.0 / 1230	fixed	n	1/4000s	4.0/s	Y	n
2.		Panasonic LX15	none	n	3.0 / 1040	tilting	Y	1/4000s	10.0/s	Y	Y
3.		Canon G7 X Mark II	none	n	3.0 / 1040	tilting	Y	1/2000s	8.0/s	Y	Y
4.		Canon G5 X	2360	n	3.0 / 1040	swivel	Y	1/2000s	5.9/s	Y	Y
5.		Canon G7 X	none	n	3.0 / 1040	tilting	Y	1/2000s	6.5/s	Y	Y
6.		Fujifilm X70	optional	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	n
7.		Panasonic TZ200	2330	n	3.0 / 1240	fixed	Y	1/2000s	10.0/s	Y	Y
8.		Panasonic TZ90	1166	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
9.		Panasonic TZ100	1166	n	3.0 / 1040	fixed	Y	1/2000s	10.0/s	Y	Y
10.		Panasonic GM5	1166	n	3.0 / 921	fixed	Y	1/500s	5.8/s	n	n
11.		Ricoh GR	optional	n	3.0 / 1230	fixed	n	1/4000s	4.0/s	Y	n
12.		Sony RX100 III	1440	n	3.0 / 1229	tilting	n	1/2000s	10.0/s	Y	Y
13.		Sony NEX-5R	optional	n	3.0 / 920	tilting	Y	1/4000s	10.0/s	n	n
14.		Sony NEX-5N	optional	n	3.0 / 920	tilting	Y	1/4000s	10.0/s	n	n
15.		Sony NEX-C3	optional	n	3.0 / 920	tilting	n	1/4000s	5.5/s	n	n
16.		Sony NEX-3	optional	n	3.0 / 920	tilting	n	1/4000s	7.0/s	n	n
17.		Sony NEX-5	optional	n	3.0 / 920	tilting	n	1/4000s	7.0/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The LX15 has a touchscreen, while the GR II has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the LX15 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Ricoh GR II and the Panasonic LX15 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The LX15 is equipped with a zoom lens, while the GR II comes with a built-in prime. The LX15 has a 24-72mm f/1.4-2.8 optic and the GR II offers a 28mm f/2.8 (focal lengths in full frame equivalent terms). Hence, the Panasonic provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Ricoh. The LX15 offers the faster maximum aperture.

Concerning the storage of imaging data, both the GR II and the LX15 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Ricoh GR II and Panasonic Lumix DMC-LX15 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Ricoh GR II	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
2.		Panasonic LX15	-	stereo / mono	-	-	micro	2.0	Y	-	-
3.		Canon G7 X Mark II	-	stereo / mono	-	-	micro	2.0	Y	Y	-
4.		Canon G5 X	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
5.		Canon G7 X	-	stereo / mono	-	-	micro	2.0	Y	Y	-
6.		Fujifilm X70	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
7.		Panasonic TZ200	-	stereo / mono	-	-	micro	2.0	Y	-	Y
8.		Panasonic TZ90	-	stereo / mono	-	-	micro	2.0	Y	-	-
9.		Panasonic TZ100	-	stereo / mono	-	-	micro	2.0	Y	-	-
10.		Panasonic GM5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
11.		Ricoh GR	Y	mono / mono	-	-	micro	2.0	-	-	-
12.		Sony RX100 III	-	stereo / mono	-	-	micro	2.0	Y	Y	-
13.		Sony NEX-5R	Y	stereo / mono	-	-	mini	2.0	Y	-	-
14.		Sony NEX-5N	Y	stereo / mono	-	-	mini	2.0	-	-	-
15.		Sony NEX-C3	Y	stereo / mono	-	-	mini	2.0	-	-	-
16.		Sony NEX-3	Y	stereo / mono	-	-	mini	2.0	-	-	-
17.		Sony NEX-5	Y	stereo / mono	-	-	mini	2.0	-	-	-

It is notable that the GR II has a hotshoe, while the LX15 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.

The LX15 is a recent model that features in the current product line-up of Panasonic. In contrast, the GR II has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the GR II was succeeded by the Ricoh GR III. Further information on the features and operation of the GR II and LX15 can be found, respectively, in the Ricoh GR II Manual (free pdf) or the online Panasonic LX15 Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Ricoh GR II or the Panasonic LX15 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Ricoh GR II:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
• More detailed LCD: Has a higher resolution rear screen (1230k vs 1040k dots).
• Less heavy: Is lighter (by 59g or 19 percent) and hence easier to carry around.
• Longer lasting: Can take more shots (320 versus 260) on a single battery charge.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More heavily discounted: Has been on the market for longer (launched in June 2015).

Reasons to prefer the Panasonic Lumix DMC-LX15:

• More detail: Has more megapixels (20 vs 16.1MP), which boosts linear resolution by 11%.
• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (10 vs 4 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Better light gathering: Has a lens with a wider maximum aperture (f/1.4 vs f/2.8).
• Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
• More compact: Is smaller (106x60mm vs 117x63mm) and will fit more readily into a bag.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More modern: Was introduced somewhat (1 year and 3 months) more recently.

If the number of relative strengths (bullet points above) is taken as a guide, the LX15 emerges as the winner of the match-up (14 : 12 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Ricoh GR II and the Panasonic LX15 place the cameras among the top in their class? Find out in the latest Best Prime Lens Compact Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the GR II and the LX15 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Ricoh GR II	..	..	..	..	4.5/5	4.5/5	Jun 2015	699	ebay.com
2.		Panasonic LX15	..	+ +	4/5	81/100	4/5	4.5/5	Sep 2016	699	amazon.com
3.		Canon G7 X Mark II	4.5/5	+ +	..	81/100	4.5/5	4.5/5	Feb 2016	699	ebay.com
4.		Canon G5 X	5/5	+ +	..	78/100	4.5/5	4.5/5	Oct 2015	799	ebay.com
5.		Canon G7 X	4/5	+ +	..	77/100	4.5/5	4.5/5	Sep 2014	699	ebay.com
6.		Fujifilm X70	4.5/5	..	..	76/100	4.5/5	4.5/5	Jan 2016	799	ebay.com
7.		Panasonic TZ200	..	+ +	4.5/5	81/100	4.5/5	4.5/5	Feb 2018	799	amazon.com
8.		Panasonic TZ90	..	+ +	4/5	..	4/5	4/5	Apr 2017	449	ebay.com
9.		Panasonic TZ100	4.5/5	+ +	..	82/100	4.5/5	4.5/5	Jan 2016	699	ebay.com
10.		Panasonic GM5	3.5/5	+	..	77/100	5/5	4.5/5	Sep 2014	749	ebay.com
11.		Ricoh GR	5/5	..	..	79/100	4.5/5	4.5/5	Apr 2013	799	ebay.com
12.		Sony RX100 III	5/5	+ +	..	82/100	4.5/5	5/5	May 2014	799	ebay.com
13.		Sony NEX-5R	..	..	..	..	4.5/5	4.5/5	Aug 2012	749	ebay.com
14.		Sony NEX-5N	3/5	+ +	..	79/100	4.5/5	4.5/5	Aug 2011	699	ebay.com
15.		Sony NEX-C3	3/5	+ +	..	74/100	4.5/5	4/5	Jun 2011	599	ebay.com
16.		Sony NEX-3	..	..	..	70/100	4.5/5	4/5	May 2010	599	ebay.com
17.		Sony NEX-5	3/5	+ +	..	71/100	4.5/5	4/5	May 2010	699	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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amazon.com

Other camera comparisons

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