Ricoh GR II vs Leica D-LUX 5
The Ricoh GR II and the Leica D-LUX 5 are two digital cameras that were officially introduced, respectively, in June 2015 and September 2010. Both the GR II and the D-LUX 5 are fixed lens compact cameras that are based on an APS-C (GR II) and a 1/1.7-inch (D-LUX 5) sensor. The Ricoh has a resolution of 16.1 megapixels, whereas the Leica provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Ricoh GR II and the Leica D-LUX 5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Ricoh GR II and the Leica D-LUX 5. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica D-LUX 5 is somewhat smaller (3 percent) than the Ricoh GR II. However, the D-LUX 5 is markedly heavier (8 percent) than the GR II. In this context, it is worth noting that neither the GR II nor the D-LUX 5 are weather-sealed.
Concerning battery life, the GR II gets 320 shots out of its Ricoh DB-65 battery, while the D-LUX 5 can take 400 images on a single charge of its Leica BP-DC10 power pack. The power pack in the GR II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Ricoh GR II | 117 mm | 63 mm | 35 mm | 251 g | 320 | n | Jun 2015 | 699 | ebay.com | |
2. | Leica D-LUX 5 | 110 mm | 65 mm | 43 mm | 271 g | 400 | n | Sep 2010 | 699 | ebay.com | |
3. | Canon G7 X | 103 mm | 60 mm | 40 mm | 304 g | 210 | n | Sep 2014 | 699 | ebay.com | |
4. | Fujifilm X10 | 117 mm | 70 mm | 57 mm | 350 g | 270 | n | Sep 2011 | 599 | ebay.com | |
5. | Fujifilm X70 | 113 mm | 64 mm | 44 mm | 340 g | 330 | n | Jan 2016 | 799 | ebay.com | |
6. | Leica D-LUX 6 | 111 mm | 68 mm | 46 mm | 298 g | 330 | n | Sep 2012 | 699 | ebay.com | |
7. | Leica V-LUX 3 | 124 mm | 81 mm | 95 mm | 540 g | 410 | n | Dec 2011 | 949 | ebay.com | |
8. | Leica X1 | 124 mm | 60 mm | 32 mm | 306 g | 260 | n | Sep 2009 | 1,995 | ebay.com | |
9. | Panasonic GM5 | 99 mm | 60 mm | 36 mm | 211 g | 220 | n | Sep 2014 | 749 | ebay.com | |
10. | Panasonic LX5 | 110 mm | 65 mm | 43 mm | 271 g | 400 | n | Jul 2010 | 499 | ebay.com | |
11. | Ricoh GR | 117 mm | 61 mm | 35 mm | 245 g | 290 | n | Apr 2013 | 799 | ebay.com | |
12. | Sony NEX-3 | 117 mm | 62 mm | 33 mm | 297 g | 330 | n | May 2010 | 599 | ebay.com | |
13. | Sony NEX-5 | 111 mm | 59 mm | 38 mm | 287 g | 330 | n | May 2010 | 699 | ebay.com | |
14. | Sony NEX-5N | 111 mm | 59 mm | 38 mm | 269 g | 460 | n | Aug 2011 | 699 | ebay.com | |
15. | Sony NEX-5R | 111 mm | 59 mm | 39 mm | 276 g | 330 | n | Aug 2012 | 749 | ebay.com | |
16. | Sony NEX-C3 | 110 mm | 60 mm | 33 mm | 225 g | 400 | n | Jun 2011 | 599 | ebay.com | |
17. | Sony RX100 III | 102 mm | 58 mm | 41 mm | 290 g | 320 | n | May 2014 | 799 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The two cameras under review were launched at the same price and fall into the same market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Ricoh GR II features an APS-C sensor and the Leica D-LUX 5 a 1/1.7-inch sensor. The sensor area in the D-LUX 5 is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 4.4. The sensor in the GR II has a native 3:2 aspect ratio, while the one in the D-LUX 5 offers a 4:3 aspect. The D-LUX 5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 16.1MP, the GR II offers a higher resolution than the D-LUX 5 (10MP), but the GR II nevertheless has larger individual pixels (pixel pitch of 4.79μm versus 2.14μm for the D-LUX 5) due to its larger sensor. Moreover, the GR II is a much more recent model (by 4 years and 8 months) than the D-LUX 5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GR II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Ricoh GR II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GR II for good quality output (200 dots per inch) amounts to 24.6 x 16.3 inches or 62.6 x 41.5 cm, for very good quality (250 dpi) 19.7 x 13.1 inches or 50.1 x 33.2 cm, and for excellent quality (300 dpi) 16.4 x 10.9 inches or 41.7 x 27.6 cm. The corresponding values for the Leica D-LUX 5 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Ricoh GR II has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Leica D-LUX 5 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-12800.
In terms of underlying technology, the GR II is build around a CMOS sensor, while the D-LUX 5 uses a CCD imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Ricoh GR II | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.6 | 13.7 | 1078 | 80 | |
2. | Leica D-LUX 5 | 1/1.7 | 10.0 | 3648 | 2736 | 720/60p | 19.5 | 10.4 | -583 | 39 | |
3. | Canon G7 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 23.0 | 12.7 | 556 | 71 | |
4. | Fujifilm X10 | 2/3 | 12.0 | 4000 | 3000 | 1080/30p | 20.5 | 11.3 | 245 | 50 | |
5. | Fujifilm X70 | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.7 | 13.0 | 1608 | 80 | |
6. | Leica D-LUX 6 | 1/1.7 | 10.0 | 3648 | 2736 | 1080/60p | 19.8 | 10.8 | -303 | 43 | |
7. | Leica V-LUX 3 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.7 | 11.0 | 430 | 42 | |
8. | Leica X1 | APS-C | 12.2 | 4272 | 2856 | none | 22.6 | 11.8 | 1037 | 69 | |
9. | Panasonic GM5 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.1 | 11.7 | 721 | 66 | |
10. | Panasonic LX5 | 1/1.7 | 10.0 | 3648 | 2736 | 720/60p | 19.6 | 10.8 | 132 | 41 | |
11. | Ricoh GR | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.6 | 13.5 | 972 | 78 | |
12. | Sony NEX-3 | APS-C | 14.0 | 4592 | 3056 | 720/30p | 22.1 | 12.0 | 830 | 68 | |
13. | Sony NEX-5 | APS-C | 14.0 | 4592 | 3056 | 1080/60i | 22.2 | 12.2 | 796 | 69 | |
14. | Sony NEX-5N | APS-C | 16.0 | 4912 | 3264 | 1080/60i | 23.6 | 12.7 | 1079 | 77 | |
15. | Sony NEX-5R | APS-C | 16.0 | 4912 | 3264 | 1080/60i | 23.7 | 13.1 | 910 | 78 | |
16. | Sony NEX-C3 | APS-C | 16.0 | 4912 | 3264 | 720/30p | 22.7 | 12.2 | 1083 | 73 | |
17. | Sony RX100 III | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 22.4 | 12.3 | 495 | 67 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GR II provides a higher video resolution than the D-LUX 5. It can shoot video footage at 1080/30p, while the Leica is limited to 720/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. The GR II and the D-LUX 5 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. However, optional viewfinders – the GV-1 for the GR II and the EVF1 for the D-LUX 5 – are available as accessories. The adjacent table lists some of the other core features of the Ricoh GR II and Leica D-LUX 5 along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Ricoh GR II | optional | n | 3.0 / 1230 | fixed | n | 1/4000s | 4.0/s | Y | n | |
2. | Leica D-LUX 5 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 2.5/s | Y | Y | |
3. | Canon G7 X | none | n | 3.0 / 1040 | tilting | Y | 1/2000s | 6.5/s | Y | Y | |
4. | Fujifilm X10 | optical | n | 2.8 / 460 | fixed | n | 1/4000s | 10.0/s | Y | Y | |
5. | Fujifilm X70 | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.0/s | Y | n | |
6. | Leica D-LUX 6 | optional | n | 3.0 / 920 | fixed | n | 1/4000s | 11.0/s | Y | Y | |
7. | Leica V-LUX 3 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 12.0/s | Y | Y | |
8. | Leica X1 | none | n | 2.7 / 230 | fixed | n | 1/2000s | 3.0/s | Y | n | |
9. | Panasonic GM5 | 1166 | n | 3.0 / 921 | fixed | Y | 1/500s | 5.8/s | n | n | |
10. | Panasonic LX5 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 2.5/s | Y | Y | |
11. | Ricoh GR | optional | n | 3.0 / 1230 | fixed | n | 1/4000s | 4.0/s | Y | n | |
12. | Sony NEX-3 | optional | n | 3.0 / 920 | tilting | n | 1/4000s | 7.0/s | n | n | |
13. | Sony NEX-5 | optional | n | 3.0 / 920 | tilting | n | 1/4000s | 7.0/s | n | n | |
14. | Sony NEX-5N | optional | n | 3.0 / 920 | tilting | Y | 1/4000s | 10.0/s | n | n | |
15. | Sony NEX-5R | optional | n | 3.0 / 920 | tilting | Y | 1/4000s | 10.0/s | n | n | |
16. | Sony NEX-C3 | optional | n | 3.0 / 920 | tilting | n | 1/4000s | 5.5/s | n | n | |
17. | Sony RX100 III | 1440 | n | 3.0 / 1229 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
The Ricoh GR II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D-LUX 5 is equipped with a zoom lens, while the GR II comes with a built-in prime. The D-LUX 5 has a 24-90mm f/2.0-3.3 optic and the GR II offers a 28mm f/2.8 (focal lengths in full frame equivalent terms). Hence, the Leica provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Ricoh. The D-LUX 5 offers the faster maximum aperture.
Concerning the storage of imaging data, both the GR II and the D-LUX 5 write their files to SDXC cards. The GR II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the D-LUX 5 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Ricoh GR II and Leica D-LUX 5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Ricoh GR II | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
2. | Leica D-LUX 5 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
3. | Canon G7 X | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
4. | Fujifilm X10 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
5. | Fujifilm X70 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
6. | Leica D-LUX 6 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
7. | Leica V-LUX 3 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
8. | Leica X1 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
9. | Panasonic GM5 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
10. | Panasonic LX5 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
11. | Ricoh GR | Y | mono / mono | - | - | micro | 2.0 | - | - | - | |
12. | Sony NEX-3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
13. | Sony NEX-5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
14. | Sony NEX-5N | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
15. | Sony NEX-5R | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
16. | Sony NEX-C3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
17. | Sony RX100 III | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
It is notable that the GR II offers wifi support, while the D-LUX 5 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the GR II and the D-LUX 5 have been discontinued, but can regularly be found used on ebay. The D-LUX 5 was replaced by the Leica D-LUX 6, while the GR II was followed by the Ricoh GR III. Further information on the features and operation of the GR II and D-LUX 5 can be found, respectively, in the Ricoh GR II Manual (free pdf) or the online Leica D-LUX 5 Manual.
Review summary
So how do things add up? Which of the two cameras – the Ricoh GR II or the Leica D-LUX 5 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Ricoh GR II:
- More detail: Offers more megapixels (16.1 vs 10MP) with a 30% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (1080/30p vs 720/60p).
- More detailed LCD: Has a higher resolution rear screen (1230k vs 460k dots).
- Faster burst: Shoots at higher frequency (4 vs 2.5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 4 years and 8 months of technical progress since the D-LUX 5 launch.
Advantages of the Leica D-LUX 5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.0 vs f/2.8).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- Longer lasting: Gets more shots (400 versus 320) out of a single battery charge.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More heavily discounted: Has been around for much longer (launched in September 2010).
If the count of relative strengths (bullet points above) is taken as a measure, the GR II is the clear winner of the match-up (15 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Ricoh GR II and the Leica D-LUX 5 place the cameras among the top in their class? Find out in the latest Best Prime Lens Compact Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GR II or the D-LUX 5. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Ricoh GR II | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Jun 2015 | 699 | ebay.com | |
2. | Leica D-LUX 5 | .. | .. | .. | .. | 4.5/5 | 4/5 | Sep 2010 | 699 | ebay.com | |
3. | Canon G7 X | 4/5 | + + | .. | 77/100 | 4.5/5 | 4.5/5 | Sep 2014 | 699 | ebay.com | |
4. | Fujifilm X10 | .. | .. | .. | 76/100 | 4/5 | 4.5/5 | Sep 2011 | 599 | ebay.com | |
5. | Fujifilm X70 | 4.5/5 | .. | .. | 76/100 | 4.5/5 | 4.5/5 | Jan 2016 | 799 | ebay.com | |
6. | Leica D-LUX 6 | .. | .. | .. | .. | 4/5 | 4/5 | Sep 2012 | 699 | ebay.com | |
7. | Leica V-LUX 3 | .. | .. | .. | .. | .. | .. | Dec 2011 | 949 | ebay.com | |
8. | Leica X1 | 3/5 | .. | .. | + | .. | 4/5 | Sep 2009 | 1,995 | ebay.com | |
9. | Panasonic GM5 | 3.5/5 | + | .. | 77/100 | 5/5 | 4.5/5 | Sep 2014 | 749 | ebay.com | |
10. | Panasonic LX5 | 4/5 | + | .. | 73/100 | 4.5/5 | 4.5/5 | Jul 2010 | 499 | ebay.com | |
11. | Ricoh GR | 5/5 | .. | .. | 79/100 | 4.5/5 | 4.5/5 | Apr 2013 | 799 | ebay.com | |
12. | Sony NEX-3 | .. | .. | .. | 70/100 | 4.5/5 | 4/5 | May 2010 | 599 | ebay.com | |
13. | Sony NEX-5 | 3/5 | + + | .. | 71/100 | 4.5/5 | 4/5 | May 2010 | 699 | ebay.com | |
14. | Sony NEX-5N | 3/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Aug 2011 | 699 | ebay.com | |
15. | Sony NEX-5R | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Aug 2012 | 749 | ebay.com | |
16. | Sony NEX-C3 | 3/5 | + + | .. | 74/100 | 4.5/5 | 4/5 | Jun 2011 | 599 | ebay.com | |
17. | Sony RX100 III | 5/5 | + + | .. | 82/100 | 4.5/5 | 5/5 | May 2014 | 799 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 700D vs Ricoh GR II
- Canon M10 vs Ricoh GR II
- Canon M50 vs Ricoh GR II
- Fujifilm X-A3 vs Leica D-LUX 5
- Fujifilm XQ1 vs Ricoh GR II
- Leica D-LUX 5 vs Leica M8
- Leica D-LUX 5 vs Olympus XZ-1
- Leica D-LUX 5 vs Sony NEX-F3
- Leica D-LUX 5 vs Sony RX10 IV
- Leica D-LUX 5 vs Sony RX100 II
- Olympus E-PL9 vs Ricoh GR II
- Ricoh GR II vs Sony HX90V
Specifications: Ricoh GR II vs Leica D-LUX 5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Ricoh GR II | Leica D-LUX 5 |
---|---|---|
Camera Type | Fixed lens compact camera | Fixed lens compact camera |
Camera Lens | 28mm f/2.8 | 24-90mm f/2.0-3.3 |
Launch Date | June 2015 | September 2010 |
Launch Price | USD 699 | USD 699 |
Sensor Specs | Ricoh GR II | Leica D-LUX 5 |
Sensor Technology | CMOS | CCD |
Sensor Format | APS-C Sensor | 1/1.7" Sensor |
Sensor Size | 23.7 x 15.6 mm | 7.85 x 5.89 mm |
Sensor Area | 369.72 mm2 | 46.2365 mm2 |
Sensor Diagonal | 28.4 mm | 9.8 mm |
Crop Factor | 1.5x | 4.4x |
Sensor Resolution | 16.1 Megapixels | 10 Megapixels |
Image Resolution | 4928 x 3264 pixels | 3648 x 2736 pixels |
Pixel Pitch | 4.79 μm | 2.14 μm |
Pixel Density | 4.35 MP/cm2 | 21.59 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 1080/30p Video | 720/60p Video |
ISO Setting | 100 - 25,600 ISO | 80 - 3,200 ISO |
ISO Boost | no Enhancement | 80 - 12,800 ISO |
DXO Sensor Quality (score) | 80 | .. |
DXO Color Depth (bits) | 23.6 | .. |
DXO Dynamic Range (EV) | 13.7 | .. |
DXO Low Light (ISO) | 1078 | .. |
Screen Specs | Ricoh GR II | Leica D-LUX 5 |
Viewfinder Type | Viewfinder optional | Viewfinder optional |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1230k dots | 460k dots |
LCD Attachment | Fixed screen | Fixed screen |
Shooting Specs | Ricoh GR II | Leica D-LUX 5 |
Focus System | Contrast-detect AF | Contrast-detect AF |
Continuous Shooting | 4 shutter flaps/s | 2.5 shutter flaps/s |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | no |
Connectivity Specs | Ricoh GR II | Leica D-LUX 5 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | mini HDMI |
Wifi Support | Wifi built-in | no Wifi |
Near-Field Communication | NFC built-in | no NFC |
Body Specs | Ricoh GR II | Leica D-LUX 5 |
Battery Type | Ricoh DB-65 | Leica BP-DC10 |
Battery Life (CIPA) | 320 shots per charge | 400 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
117 x 63 x 35 mm (4.6 x 2.5 x 1.4 in) |
110 x 65 x 43 mm (4.3 x 2.6 x 1.7 in) |
Camera Weight | 251 g (8.9 oz) | 271 g (9.6 oz) |
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