Pentax KP vs Sony NEX-7
The Pentax KP and the Sony Alpha NEX-7 are two enthusiast cameras that were officially introduced, respectively, in January 2017 and August 2011. The KP is a DSLR, while the NEX-7 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. The Pentax has a resolution of 24.1 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Pentax KP||Sony NEX-7|
|Digital single lens reflex||Mirrorless system camera|
|Pentax K mount lenses||Sony E mount lenses|
|24.1 MP, APS-C Sensor||24 MP, APS-C Sensor|
|1080/60i Video||1080/60i Video|
|ISO 100-819200||ISO 100-16000|
|Optical viewfinder||Electronic viewfinder (2359k dots)|
|3.0" LCD, 921k dots||3.0" LCD, 921k dots|
|Tilting screen (no touchscreen)||Tilting screen (not touch-sensitive)|
|7 shutter flaps per second||10 shutter flaps per second|
|In-body stabilization||Lens stabilization only|
|Weathersealed body||Not weather sealed|
|390 shots per battery charge||430 shots per battery charge|
|132 x 101 x 76 mm, 703 g||120 x 67 x 43 mm, 400 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Pentax KP and the Sony Alpha NEX-7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Pentax KP and the Sony NEX-7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The KP can be obtained in two different colors (black, silver), while the NEX-7 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-7 is considerably smaller (40 percent) than the Pentax KP. Moreover, the NEX-7 is substantially lighter (43 percent) than the KP. It is worth mentioning in this context that the KP is splash and dust resistant, while the NEX-7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Pentax KP»||132 mm||101 mm||76 mm||703 g||390||Y||Jan 2017||1,099||Pentax KP|
|Sony NEX-7«||120 mm||67 mm||43 mm||400 g||430||n||Aug 2011||1,349||Sony NEX-7|
|Canon 80D« »||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199||Canon 80D|
|Nikon D7500« »||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299||Nikon D7500|
|Panasonic G9« »||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999||Panasonic GH5|
|Pentax K-70« »||126 mm||93 mm||74 mm||688 g||410||Y||Jun 2016||649||Pentax K-70|
|Pentax K-3 II« »||131 mm||100 mm||77 mm||800 g||720||Y||Apr 2015||1,099||Pentax K-3 II|
|Pentax K-3« »||131 mm||100 mm||77 mm||800 g||560||Y||Oct 2013||1,299||Pentax K-3|
|Pentax K-5« »||131 mm||97 mm||73 mm||760 g||740||Y||Sep 2010||1,099||Pentax K-5|
|Sony A6400« »||120 mm||67 mm||50 mm||403 g||410||n||Jan 2019||899||Sony A6400|
|Sony A9« »||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499||Sony A9|
|Sony A77 II« »||143 mm||104 mm||81 mm||647 g||480||Y||May 2014||1,199||Sony A77 II|
|Sony A6000« »||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599||Sony A6000|
|Sony A3000« »||128 mm||91 mm||85 mm||411 g||470||n||Aug 2013||329||Sony A3000|
|Sony NEX-6« »||120 mm||67 mm||43 mm||345 g||360||n||Sep 2012||999||Sony NEX-6|
|Sony RX1« »||113 mm||65 mm||70 mm||482 g||270||n||Sep 2012||2,799||Sony RX1|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The KP was launched at a somewhat lower price (by 19 percent) than the NEX-7, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the NEX-7 is 1 percent smaller. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24.1MP, the KP offers a slightly higher resolution than the NEX-7 (24MP), but the KP nevertheless has the same individual pixel size (pixel pitch of 3.90μm) as the NEX-7 due to its larger sensor. It is noteworthy in this context that the KP is a mch more recent model (by 5 years and 5 months) than the NEX-7, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the KP has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Unlike the NEX-7, the KP has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Pentax KP has a native sensitivity range from ISO 100 to ISO 819200. The corresponding ISO settings for the Sony Alpha NEX-7 are ISO 100 to ISO 16000 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Pentax KP||APS-C||24.1||6016||4000||1080/60i||..||..||..||..||Pentax KP|
|Sony NEX-7||APS-C||24.0||6000||4000||1080/60i||24.1||13.4||1016||81||Sony NEX-7|
|Canon 80D||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Nikon D7500||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86||Nikon D7500|
|Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||..||..||..||..||Panasonic G9|
|Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Pentax K-70||APS-C||24.0||6000||4000||1080/60i||..||..||..||..||Pentax K-70|
|Pentax K-3 II||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80||Pentax K-3 II|
|Pentax K-3||APS-C||24.1||6016||4000||1080/60i||23.7||13.4||1216||80||Pentax K-3|
|Pentax K-5||APS-C||16.1||4928||3264||1080/25p||23.7||14.1||1162||82||Pentax K-5|
|Sony A6400||APS-C||24.0||6000||4000||4K/30p||24||13.6||1431||83||Sony A6400|
|Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Sony A77 II||APS-C||24.0||6000||4000||1080/60p||..||..||..||..||Sony A77 II|
|Sony A6000||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|Sony A3000||APS-C||19.8||5456||3632||1080/60i||23.7||12.8||1068||78||Sony A3000|
|Sony NEX-6||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||1018||78||Sony NEX-6|
|Sony RX1||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93||Sony RX1|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/60i).
Beyond body and sensor, cameras can and do differ across a range of features. For example, the NEX-7 has an electronic viewfinder (2359k dots), while the KP has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the NEX-7 has a higher magnification than the one of the KP (0.73x vs 0.63x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Pentax KP and Sony NEX-7 along with similar information for a selection of comparators.
|Pentax KP||optical||n||3.0||921||tilting||n||1/6000s||7.0||Y||Y||Pentax KP|
|Sony NEX-7||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-7|
|Canon 80D||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 80D|
|Nikon D7500||optical||Y||3.2||922||tilting||Y||1/8000s||8.0||Y||n||Nikon D7500|
|Panasonic G9||3680||Y||3.0||1040||swivel||Y||1/8000s||20.0||n||Y||Panasonic G9|
|Panasonic GH5||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Pentax K-70||optical||n||3.0||921||swivel||n||1/6000s||6.0||Y||Y||Pentax K-70|
|Pentax K-3 II||optical||Y||3.2||1037||fixed||n||1/8000s||8.3||n||Y||Pentax K-3 II|
|Pentax K-3||optical||Y||3.2||1037||fixed||n||1/8000s||8.3||Y||Y||Pentax K-3|
|Pentax K-5||optical||Y||3.0||921||fixed||n||1/8000s||7.0||Y||Y||Pentax K-5|
|Sony A6400||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||n||Sony A6400|
|Sony A9||3686||n||3.0||1440||tilting||Y||1/8000s||20.0||n||Y||Sony A9|
|Sony A77 II||2359||Y||3.0||1229||full-flex||n||1/8000s||12.0||Y||Y||Sony A77 II|
|Sony A6000||1440||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6000|
|Sony A3000||202||n||3.0||230||fixed||n||1/4000s||2.5||Y||n||Sony A3000|
|Sony NEX-6||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-6|
|Sony RX1||optional||n||3.0||1229||fixed||n||1/4000s||5.0||Y||n||Sony RX1|
One feature that differentiates the KP and the NEX-7 is in-body image stabilization (IBIS). The KP reduces the risk of handshake-induced blur with all attached lenses, while the NEX-7 has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the KP is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Pentax KP has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The KP writes its imaging data to SDXC cards, while the NEX-7 uses SDXC or Memory Stick PRO Duo cards. The KP supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the NEX-7 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Pentax KP and Sony Alpha NEX-7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Pentax KP||Y||stereo||mono||Y||-||none||2.0||Y||-||-||Pentax KP|
|Sony NEX-7||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony NEX-7|
|Canon 80D||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Nikon D7500||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Nikon D7500|
|Panasonic G9||Y||stereo||mono||Y||Y||full||3.0||Y||-||Y||Panasonic G9|
|Panasonic GH5||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Pentax K-70||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Pentax K-70|
|Pentax K-3 II||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Pentax K-3 II|
|Pentax K-3||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Pentax K-3|
|Pentax K-5||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Pentax K-5|
|Sony A6400||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Sony A6400|
|Sony A9||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Sony A77 II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Sony A77 II|
|Sony A6000||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|Sony A3000||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony A3000|
|Sony NEX-6||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-6|
|Sony RX1||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony RX1|
It is notable that the KP offers wifi support, while the NEX-7 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The KP is a recent model that features in the current product line-up of Pentax. In contrast, the NEX-7 has been discontinued (but it can be found pre-owned on eBay). There has not been a direct replacement model for the NEX-7 from Sony. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Pentax and Sony websites.
So what conclusions can be drawn? Is the Pentax KP better than the Sony NEX-7 or vice versa? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Pentax KP:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster shutter: Has higher mechanical shutter speed (1/6000s vs 1/4000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced segment (19 percent cheaper at launch).
- More modern: Reflects 5 years and 5 months of technical progress since the NEX-7 launch.
Advantages of the Sony Alpha NEX-7:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.73x vs 0.63x).
- Faster burst: Shoots at higher frequency (10 vs 7 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (120x67mm vs 132x101mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 303g or 43 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (430 versus 390) out of a single battery charge.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More heavily discounted: Has been around for much longer (launched in August 2011).
If the count of relative strengths (bullet points above) is taken as a measure, the KP emerges as the winner of the contest (12 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Pentax KP and the Sony NEX-7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the KP or the NEX-7. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1Ds Mark III vs Sony NEX-7
- Canon XC10 vs Pentax KP
- Canon XSi vs Sony NEX-7
- Fujifilm X-T100 vs Pentax KP
- Fujifilm X100V vs Sony NEX-7
- Nikon 1 V2 vs Pentax KP
- Nikon D3X vs Sony NEX-7
- Panasonic G1 vs Pentax KP
- Panasonic GF7 vs Sony NEX-7
- Pentax KP vs Sony A7R II
- Sony NEX-7 vs Sony NEX-F3
- Sony NEX-7 vs Sony RX1
Specifications: Pentax KP vs Sony NEX-7
|Camera Model||Pentax KP||Sony NEX-7|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Pentax K mount lenses||Sony E mount lenses|
|Launch Date||January 2017||August 2011|
|Launch Price||USD 1099||USD 1349|
|Sensor Specs||Pentax KP||Sony NEX-7|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||23.5 x 15.6 mm||23.4 x 15.6 mm|
|Sensor Area||366.6 mm2||365.04 mm2|
|Sensor Diagonal||28.2 mm||28.1 mm|
|Sensor Resolution||24.1 Megapixels||24 Megapixels|
|Image Resolution||6016 x 4000 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.90 μm||3.90 μm|
|Pixel Density||6.56 MP/cm2||6.57 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60i Video||1080/60i Video|
|ISO Setting||100-819200 ISO||100-16000 ISO|
|Image Processor||PRIME IV||BIONZ|
|DXO Sensor Quality (score)||..||81|
|DXO Color Depth (bits)||..||24.1|
|DXO Dynamic Range (EV)||..||13.4|
|DXO Low Light (ISO)||..||1016|
|Screen Specs||Pentax KP||Sony NEX-7|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||921k dots||921k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Pentax KP||Sony NEX-7|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/6000/s||1/4000/s|
|Continuous Shooting||7 shutter flaps/s||10 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||150 000 actuations|
|Electronic Shutter||up to 1/24000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Pentax KP||Sony NEX-7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Pentax KP||Sony NEX-7|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||390 shots per charge||430 shots per charge|
132 x 101 x 76 mm
(5.2 x 4.0 x 3.0 in)
120 x 67 x 43 mm
(4.7 x 2.6 x 1.7 in)
|Camera Weight||703 g (24.8 oz)||400 g (14.1 oz)|