Pentax K-70 vs Fujifilm X-E2
The Pentax K-70 and the Fujifilm X-E2 are two digital cameras that were officially introduced, respectively, in June 2016 and October 2013. The K-70 is a DSLR, while the X-E2 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. The Pentax has a resolution of 24 megapixels, whereas the Fujifilm provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Pentax K-70 and the Fujifilm X-E2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Pentax K-70 and the Fujifilm X-E2 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-E2 is notably smaller (17 percent) than the Pentax K-70. Moreover, the X-E2 is substantially lighter (49 percent) than the K-70. It is worth mentioning in this context that the K-70 is splash and dust resistant, while the X-E2 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the K-70 gets 410 shots out of its Pentax D-LI109 battery, while the X-E2 can take 350 images on a single charge of its Fujifilm NP-W126 power pack.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Pentax K-70 | 126 mm | 93 mm | 74 mm | 688 g | 410 | Y | Jun 2016 | 649 | ebay.com | |
2. | Fujifilm X-E2 | 129 mm | 75 mm | 37 mm | 350 g | 350 | n | Oct 2013 | 999 | ebay.com | |
3. | Fujifilm X-T20 | 118 mm | 83 mm | 41 mm | 383 g | 350 | n | Jan 2017 | 899 | ebay.com | |
4. | Fujifilm X-E2S | 129 mm | 75 mm | 37 mm | 350 g | 350 | n | Jan 2016 | 699 | ebay.com | |
5. | Fujifilm X-T10 | 118 mm | 83 mm | 41 mm | 381 g | 350 | n | May 2015 | 799 | ebay.com | |
6. | Fujifilm X-M1 | 117 mm | 67 mm | 39 mm | 330 g | 350 | n | Jun 2013 | 699 | ebay.com | |
7. | Fujifilm X-E1 | 129 mm | 75 mm | 38 mm | 350 g | 350 | n | Sep 2012 | 999 | ebay.com | |
8. | Pentax K-3 III | 135 mm | 104 mm | 74 mm | 820 g | 800 | Y | Mar 2021 | 1,999 | amazon.com | |
9. | Pentax KP | 132 mm | 101 mm | 76 mm | 703 g | 390 | Y | Jan 2017 | 1,099 | ebay.com | |
10. | Pentax K-S2 | 123 mm | 91 mm | 73 mm | 678 g | 410 | Y | Feb 2015 | 749 | ebay.com | |
11. | Pentax K-3 II | 131 mm | 100 mm | 77 mm | 800 g | 720 | Y | Apr 2015 | 1,099 | ebay.com | |
12. | Pentax K-S1 | 121 mm | 93 mm | 70 mm | 558 g | 410 | n | Aug 2014 | 749 | ebay.com | |
13. | Pentax K-50 | 130 mm | 97 mm | 71 mm | 650 g | 410 | Y | Jun 2013 | 599 | ebay.com | |
14. | Pentax K-500 | 130 mm | 97 mm | 71 mm | 646 g | 710 | n | Jun 2013 | 549 | ebay.com | |
15. | Pentax K-3 | 131 mm | 100 mm | 77 mm | 800 g | 560 | Y | Oct 2013 | 1,299 | ebay.com | |
16. | Pentax K-5 | 131 mm | 97 mm | 73 mm | 760 g | 740 | Y | Sep 2010 | 1,099 | ebay.com | |
17. | Sony A68 | 143 mm | 104 mm | 81 mm | 610 g | 540 | n | Nov 2015 | 699 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The K-70 was launched at a markedly lower price (by 35 percent) than the X-E2, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the Pentax K-70 offers a higher resolution of 24 megapixels, compared with 16 MP of the Fujifilm X-E2. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.91μm versus 4.80μm for the X-E2). However, it should be noted that the K-70 is much more recent (by 2 years and 7 months) than the X-E2, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Pentax K-70 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-70 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Fujifilm X-E2 are 24.5 x 16.3 inches or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inches or 41.5 x 27.6 cm for excellent quality prints.
Unlike the X-E2, the K-70 has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Pentax K-70 has a native sensitivity range from ISO 100 to ISO 102400. The corresponding ISO settings for the Fujifilm X-E2 are ISO 200 to ISO 6400, with the possibility to increase the ISO range to 100-51200.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Like most digital cameras, the K-70 uses a Bayer filter for capturing RGB colors on a square grid of photosensors. In contrast, the X-E2 employs a more randomized X-Trans layout of photosites, which according to Fujifilm helps to minimize moiré.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Pentax K-70 | APS-C | 24.0 | 6000 | 4000 | 1080/60i | 23.8 | 13.1 | 1639 | 80 | |
2. | Fujifilm X-E2 | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.4 | 12.6 | 1400 | 77 | |
3. | Fujifilm X-T20 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 23.9 | 13.2 | 1704 | 81 | |
4. | Fujifilm X-E2S | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.7 | 13.0 | 1608 | 80 | |
5. | Fujifilm X-T10 | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.7 | 12.9 | 1546 | 79 | |
6. | Fujifilm X-M1 | APS-C | 16.0 | 4896 | 3264 | 1080/30p | 23.4 | 12.6 | 1371 | 76 | |
7. | Fujifilm X-E1 | APS-C | 16.0 | 4896 | 3264 | 1080/24p | 23.2 | 12.4 | 1298 | 75 | |
8. | Pentax K-3 III | APS-C | 25.6 | 6192 | 4128 | 4K/30p | 24.2 | 13.7 | 2083 | 85 | |
9. | Pentax KP | APS-C | 24.1 | 6016 | 4000 | 1080/60i | 23.9 | 13.2 | 1699 | 81 | |
10. | Pentax K-S2 | APS-C | 20.0 | 5472 | 3648 | 1080/30p | 23.6 | 12.9 | 1514 | 79 | |
11. | Pentax K-3 II | APS-C | 24.1 | 6016 | 4000 | 1080/60i | 23.6 | 13.6 | 1106 | 80 | |
12. | Pentax K-S1 | APS-C | 20.0 | 5472 | 3648 | 1080/30p | 23.5 | 13.0 | 1061 | 78 | |
13. | Pentax K-50 | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.7 | 13.0 | 1120 | 79 | |
14. | Pentax K-500 | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.7 | 13.1 | 1087 | 79 | |
15. | Pentax K-3 | APS-C | 24.1 | 6016 | 4000 | 1080/60i | 23.7 | 13.4 | 1216 | 80 | |
16. | Pentax K-5 | APS-C | 16.1 | 4928 | 3264 | 1080/25p | 23.7 | 14.1 | 1162 | 82 | |
17. | Sony A68 | APS-C | 24.0 | 6000 | 4000 | 1080/60i | 24.1 | 13.5 | 701 | 79 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the X-E2 provides a faster frame rate than the K-70. It can shoot movie footage at 1080/60p, while the Pentax is limited to 1080/60i.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the X-E2 has an electronic viewfinder (2360k dots), while the K-70 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the K-70 has a higher magnification than the one of the X-E2 (0.63x vs 0.41x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Pentax K-70 and Fujifilm X-E2 along with similar information for a selection of comparators.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Pentax K-70 | optical | n | 3.0 / 921 | swivel | n | 1/6000s | 6.0/s | Y | Y | |
2. | Fujifilm X-E2 | 2360 | n | 3.0 / 1040 | fixed | n | 1/4000s | 7.0/s | Y | n | |
3. | Fujifilm X-T20 | 2360 | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.0/s | Y | n | |
4. | Fujifilm X-E2S | 2360 | n | 3.0 / 1040 | fixed | n | 1/4000s | 7.0/s | Y | n | |
5. | Fujifilm X-T10 | 2360 | n | 3.0 / 920 | tilting | n | 1/4000s | 8.0/s | Y | n | |
6. | Fujifilm X-M1 | none | n | 3.0 / 920 | tilting | n | 1/4000s | 5.6/s | Y | n | |
7. | Fujifilm X-E1 | 2360 | n | 2.8 / 460 | fixed | n | 1/4000s | 6.0/s | Y | n | |
8. | Pentax K-3 III | optical | Y | 3.2 / 1620 | fixed | Y | 1/8000s | 12.0/s | n | Y | |
9. | Pentax KP | optical | n | 3.0 / 921 | tilting | n | 1/6000s | 7.0/s | Y | Y | |
10. | Pentax K-S2 | optical | n | 3.0 / 921 | swivel | n | 1/6000s | 5.4/s | Y | Y | |
11. | Pentax K-3 II | optical | Y | 3.2 / 1037 | fixed | n | 1/8000s | 8.3/s | n | Y | |
12. | Pentax K-S1 | optical | n | 3.0 / 921 | fixed | n | 1/6000s | 5.4/s | Y | Y | |
13. | Pentax K-50 | optical | n | 3.0 / 921 | fixed | n | 1/6000s | 6.0/s | Y | Y | |
14. | Pentax K-500 | optical | n | 3.0 / 921 | fixed | n | 1/6000s | 6.0/s | Y | Y | |
15. | Pentax K-3 | optical | Y | 3.2 / 1037 | fixed | n | 1/8000s | 8.3/s | Y | Y | |
16. | Pentax K-5 | optical | Y | 3.0 / 921 | fixed | n | 1/8000s | 7.0/s | Y | Y | |
17. | Sony A68 | 1440 | Y | 2.7 / 460 | tilting | n | 1/4000s | 8.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that differentiates the K-70 and the X-E2 is in-body image stabilization (IBIS). The K-70 reduces the risk of handshake-induced blur with all attached lenses, while the X-E2 offers no blur reduction with lenses that themselves do not provide optical image stabilization.
The K-70 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the X-E2 does not have a selfie-screen.The Pentax K-70 and the Fujifilm X-E2 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the K-70 and the X-E2 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Pentax K-70 and Fujifilm X-E2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Pentax K-70 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
2. | Fujifilm X-E2 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
3. | Fujifilm X-T20 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
4. | Fujifilm X-E2S | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
5. | Fujifilm X-T10 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
6. | Fujifilm X-M1 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
7. | Fujifilm X-E1 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
8. | Pentax K-3 III | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
9. | Pentax KP | Y | stereo / mono | Y | - | - | 2.0 | Y | - | - | |
10. | Pentax K-S2 | Y | mono / mono | Y | - | micro | 2.0 | Y | Y | - | |
11. | Pentax K-3 II | Y | mono / mono | Y | Y | mini | 3.0 | - | - | - | |
12. | Pentax K-S1 | Y | stereo / mono | - | - | micro | 2.0 | - | - | - | |
13. | Pentax K-50 | Y | mono / mono | - | - | micro | 2.0 | - | - | - | |
14. | Pentax K-500 | Y | mono / mono | - | - | - | 2.0 | - | - | - | |
15. | Pentax K-3 | Y | mono / mono | Y | Y | mini | 3.0 | - | - | - | |
16. | Pentax K-5 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
17. | Sony A68 | Y | stereo / mono | Y | - | micro | 2.0 | - | - | - |
Both the K-70 and the X-E2 have been discontinued, but can regularly be found used on ebay. The X-E2 was replaced by the Fujifilm X-E2S, while the K-70 does not have a direct successor. Further information on the features and operation of the K-70 and X-E2 can be found, respectively, in the Pentax K-70 Manual (free pdf) or the online Fujifilm X-E2 Manual.
Review summary
So what is the bottom line? Is the Pentax K-70 better than the Fujifilm X-E2 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Pentax K-70:
- More detail: Offers more megapixels (24 vs 16MP) with a 23% higher linear resolution.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.63x vs 0.41x).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/6000s vs 1/4000s) to freeze action.
- Longer lasting: Can take more shots (410 versus 350) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More affordable: Was introduced into a lower priced category (35 percent cheaper at launch).
- More modern: Reflects 2 years and 7 months of technical progress since the X-E2 launch.
Advantages of the Fujifilm X-E2:
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- Faster burst: Shoots at higher frequency (7 vs 6 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (129x75mm vs 126x93mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 338g or 49 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More heavily discounted: Has been around for much longer (launched in October 2013).
If the number of relative strengths (bullet points above) is taken as a guide, the K-70 is the clear winner of the match-up (12 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Pentax K-70 and the Fujifilm X-E2 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the K-70 or the X-E2 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Pentax K-70 | 4.5/5 | .. | 4/5 | 79/100 | 4.5/5 | 4.5/5 | Jun 2016 | 649 | ebay.com | |
2. | Fujifilm X-E2 | 4/5 | .. | .. | 80/100 | 4.5/5 | 5/5 | Oct 2013 | 999 | ebay.com | |
3. | Fujifilm X-T20 | 5/5 | + + | 5/5 | 82/100 | 5/5 | 4.5/5 | Jan 2017 | 899 | ebay.com | |
4. | Fujifilm X-E2S | 4.5/5 | .. | .. | 77/100 | 4.5/5 | 4.5/5 | Jan 2016 | 699 | ebay.com | |
5. | Fujifilm X-T10 | 4.5/5 | + + | .. | 80/100 | 5/5 | 5/5 | May 2015 | 799 | ebay.com | |
6. | Fujifilm X-M1 | 3/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Jun 2013 | 699 | ebay.com | |
7. | Fujifilm X-E1 | 4/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Sep 2012 | 999 | ebay.com | |
8. | Pentax K-3 III | 4/5 | .. | 3/5 | .. | 4.5/5 | .. | Mar 2021 | 1,999 | amazon.com | |
9. | Pentax KP | 4/5 | .. | 3/5 | 82/100 | 5/5 | 4.5/5 | Jan 2017 | 1,099 | ebay.com | |
10. | Pentax K-S2 | 4.5/5 | .. | .. | .. | 5/5 | 4.5/5 | Feb 2015 | 749 | ebay.com | |
11. | Pentax K-3 II | 4.5/5 | .. | .. | .. | 5/5 | 5/5 | Apr 2015 | 1,099 | ebay.com | |
12. | Pentax K-S1 | 4/5 | .. | .. | .. | 4.5/5 | 4/5 | Aug 2014 | 749 | ebay.com | |
13. | Pentax K-50 | 5/5 | .. | .. | .. | 5/5 | 4.5/5 | Jun 2013 | 599 | ebay.com | |
14. | Pentax K-500 | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Jun 2013 | 549 | ebay.com | |
15. | Pentax K-3 | 4/5 | .. | .. | 83/100 | 5/5 | 5/5 | Oct 2013 | 1,299 | ebay.com | |
16. | Pentax K-5 | 4/5 | .. | .. | 83/100 | 5/5 | 4.5/5 | Sep 2010 | 1,099 | ebay.com | |
17. | Sony A68 | 3/5 | .. | .. | .. | 4/5 | 4/5 | Nov 2015 | 699 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 4000D vs Fujifilm X-E2
- Canon 80D vs Fujifilm X-E2
- Fujifilm X-E2 vs Fujifilm X-T3
- Fujifilm X-E2 vs Panasonic TZ200
- Fujifilm X-E2 vs Pentax K-5
- Fujifilm X-E2 vs Sony A58
- Nikon B700 vs Pentax K-70
- Nikon D3S vs Pentax K-70
- Nikon D4S vs Pentax K-70
- Panasonic FZ2000 vs Pentax K-70
- Pentax K-70 vs Samsung NX30
- Pentax K-70 vs Sony H200
Specifications: Pentax K-70 vs Fujifilm X-E2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Pentax K-70 | Fujifilm X-E2 |
---|---|---|
Camera Type | Digital single lens reflex | Mirrorless system camera |
Camera Lens | Pentax K mount lenses | Fujifilm X mount lenses |
Launch Date | June 2016 | October 2013 |
Launch Price | USD 649 | USD 999 |
Sensor Specs | Pentax K-70 | Fujifilm X-E2 |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | APS-C Sensor |
Sensor Size | 23.5 x 15.6 mm | 23.6 x 15.6 mm |
Sensor Area | 366.6 mm2 | 368.16 mm2 |
Sensor Diagonal | 28.2 mm | 28.3 mm |
Crop Factor | 1.5x | 1.5x |
Sensor Resolution | 24 Megapixels | 16 Megapixels |
Image Resolution | 6000 x 4000 pixels | 4896 x 3264 pixels |
Pixel Pitch | 3.91 μm | 4.80 μm |
Pixel Density | 6.55 MP/cm2 | 4.34 MP/cm2 |
Moiré control | no AA filter | no AA filter |
Movie Capability | 1080/60i Video | 1080/60p Video |
ISO Setting | 100 - 102,400 ISO | 200 - 6,400 ISO |
ISO Boost | no Enhancement | 100 - 51,200 ISO |
Image Processor | PRIME MII | EXR Processor II |
Screen Specs | Pentax K-70 | Fujifilm X-E2 |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.63x | 0.41x |
Viewfinder Resolution | 2360k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 921k dots | 1040k dots |
LCD Attachment | Swivel screen | Fixed screen |
Shooting Specs | Pentax K-70 | Fujifilm X-E2 |
Focus System | Phase-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/6000s | 1/4000s |
Continuous Shooting | 6 shutter flaps/s | 7 shutter flaps/s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | In-body stabilization | Lens stabilization only |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | UHS-I |
Connectivity Specs | Pentax K-70 | Fujifilm X-E2 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | External MIC port | External MIC port |
Wifi Support | Wifi built-in | Wifi built-in |
Body Specs | Pentax K-70 | Fujifilm X-E2 |
Environmental Sealing | Weathersealed body | not weather sealed |
Battery Type | Pentax D-LI109 | Fujifilm NP-W126 |
Battery Life (CIPA) | 410 shots per charge | 350 shots per charge |
Body Dimensions |
126 x 93 x 74 mm (5.0 x 3.7 x 2.9 in) |
129 x 75 x 37 mm (5.1 x 3.0 x 1.5 in) |
Camera Weight | 688 g (24.3 oz) | 350 g (12.3 oz) |
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