Pentax K-50 vs Sony A6500
The Pentax K-50 and the Sony Alpha A6500 are two digital cameras that were officially introduced, respectively, in June 2013 and October 2016. The K-50 is a DSLR, while the A6500 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. The Pentax has a resolution of 16.1 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Pentax K-50 and the Sony Alpha A6500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Pentax K-50 and the Sony A6500. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The K-50 can be obtained in three different colors (black, red, white), while the A6500 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is considerably smaller (36 percent) than the Pentax K-50. Moreover, the A6500 is markedly lighter (30 percent) than the K-50. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the K-50 gets 410 shots out of its Pentax D-LI109 battery, while the A6500 can take 350 images on a single charge of its Sony NP-FW50 power pack. The power pack in the A6500 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Pentax K-50 | 130 mm | 97 mm | 71 mm | 650 g | 410 | Y | Jun 2013 | 599 | ebay.com | |
2. | Sony A6500 | 120 mm | 67 mm | 53 mm | 453 g | 350 | Y | Oct 2016 | 1,399 | ebay.com | |
3. | Panasonic GX8 | 133 mm | 78 mm | 63 mm | 487 g | 330 | Y | Jul 2015 | 1,199 | ebay.com | |
4. | Pentax KP | 132 mm | 101 mm | 76 mm | 703 g | 390 | Y | Jan 2017 | 1,099 | ebay.com | |
5. | Pentax K-70 | 126 mm | 93 mm | 74 mm | 688 g | 410 | Y | Jun 2016 | 649 | ebay.com | |
6. | Pentax K-S2 | 123 mm | 91 mm | 73 mm | 678 g | 410 | Y | Feb 2015 | 749 | ebay.com | |
7. | Pentax K-3 II | 131 mm | 100 mm | 77 mm | 800 g | 720 | Y | Apr 2015 | 1,099 | ebay.com | |
8. | Pentax K-S1 | 121 mm | 93 mm | 70 mm | 558 g | 410 | n | Aug 2014 | 749 | ebay.com | |
9. | Pentax K-500 | 130 mm | 97 mm | 71 mm | 646 g | 710 | n | Jun 2013 | 549 | ebay.com | |
10. | Pentax K-3 | 131 mm | 100 mm | 77 mm | 800 g | 560 | Y | Oct 2013 | 1,299 | ebay.com | |
11. | Pentax K-30 | 130 mm | 97 mm | 71 mm | 650 g | 410 | Y | May 2012 | 849 | ebay.com | |
12. | Pentax K-5 II | 131 mm | 97 mm | 73 mm | 760 g | 740 | Y | Sep 2012 | 1,099 | ebay.com | |
13. | Pentax K-5 | 131 mm | 97 mm | 73 mm | 760 g | 740 | Y | Sep 2010 | 1,099 | ebay.com | |
14. | Sony A6700 | 122 mm | 69 mm | 64 mm | 493 g | 570 | Y | Jul 2023 | 1,399 | amazon.com | |
15. | Sony A6600 | 120 mm | 67 mm | 69 mm | 503 g | 810 | Y | Aug 2019 | 1,399 | amazon.com | |
16. | Sony A6300 | 120 mm | 67 mm | 49 mm | 404 g | 400 | Y | Feb 2016 | 999 | ebay.com | |
17. | Sony A77 | 143 mm | 104 mm | 81 mm | 732 g | 470 | Y | Aug 2011 | 1,399 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The K-50 was launched at a markedly lower price (by 57 percent) than the A6500, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor and have a format factor (sometimes also referred to as "crop factor") of 1.5. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
While the two cameras under review share the same sensor size, the A6500 offers a higher resolution of 24 megapixels, compared with 16.1 MP of the K-50. This megapixels advantage translates into a 22 percent gain in linear resolution. On the other hand, these sensor specs imply that the A6500 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.91μm versus 4.77μm for the K-50). However, it should be noted that the A6500 is much more recent (by 3 years and 3 months) than the K-50, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.
The resolution advantage of the Sony A6500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6500 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Pentax K-50 are 24.6 x 16.3 inches or 62.6 x 41.5 cm for good quality, 19.7 x 13.1 inches or 50.1 x 33.2 cm for very good quality, and 16.4 x 10.9 inches or 41.7 x 27.6 cm for excellent quality prints.
The A6500 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Pentax K-50 has a native sensitivity range from ISO 100 to ISO 51200. The corresponding ISO settings for the Sony Alpha A6500 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A6500 has a markedly higher DXO score than the K-50 (overall score 6 points higher), which will translate into better image quality. The advantage is based on 0.8 bits higher color depth, 0.7 EV in additional dynamic range, and 0.3 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Pentax K-50 | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.7 | 13.0 | 1120 | 79 | |
2. | Sony A6500 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.5 | 13.7 | 1405 | 85 | |
3. | Panasonic GX8 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.5 | 12.6 | 806 | 75 | |
4. | Pentax KP | APS-C | 24.1 | 6016 | 4000 | 1080/60i | 23.9 | 13.2 | 1699 | 81 | |
5. | Pentax K-70 | APS-C | 24.0 | 6000 | 4000 | 1080/60i | 23.8 | 13.1 | 1639 | 80 | |
6. | Pentax K-S2 | APS-C | 20.0 | 5472 | 3648 | 1080/30p | 23.6 | 12.9 | 1514 | 79 | |
7. | Pentax K-3 II | APS-C | 24.1 | 6016 | 4000 | 1080/60i | 23.6 | 13.6 | 1106 | 80 | |
8. | Pentax K-S1 | APS-C | 20.0 | 5472 | 3648 | 1080/30p | 23.5 | 13.0 | 1061 | 78 | |
9. | Pentax K-500 | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.7 | 13.1 | 1087 | 79 | |
10. | Pentax K-3 | APS-C | 24.1 | 6016 | 4000 | 1080/60i | 23.7 | 13.4 | 1216 | 80 | |
11. | Pentax K-30 | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.7 | 13.0 | 1129 | 79 | |
12. | Pentax K-5 II | APS-C | 16.1 | 4928 | 3264 | 1080/25p | 23.8 | 14.1 | 1235 | 82 | |
13. | Pentax K-5 | APS-C | 16.1 | 4928 | 3264 | 1080/25p | 23.7 | 14.1 | 1162 | 82 | |
14. | Sony A6700 | APS-C | 25.6 | 6192 | 4128 | 4K/120p | 24.3 | 14.0 | 2329 | 86 | |
15. | Sony A6600 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 23.8 | 13.4 | 1497 | 82 | |
16. | Sony A6300 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.4 | 13.7 | 1437 | 85 | |
17. | Sony A77 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.0 | 13.2 | 801 | 78 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A6500 provides a better video resolution than the K-50. It can shoot movie footage at 4K/30p, while the Pentax is limited to 1080/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A6500 has an electronic viewfinder (2359k dots), while the K-50 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the A6500 has a higher magnification than the one of the K-50 (0.70x vs 0.61x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Pentax K-50 and Sony A6500 along with similar information for a selection of comparators.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Pentax K-50 | optical | n | 3.0 / 921 | fixed | n | 1/6000s | 6.0/s | Y | Y | |
2. | Sony A6500 | 2359 | n | 3.0 / 922 | tilting | Y | 1/4000s | 11.0/s | Y | Y | |
3. | Panasonic GX8 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
4. | Pentax KP | optical | n | 3.0 / 921 | tilting | n | 1/6000s | 7.0/s | Y | Y | |
5. | Pentax K-70 | optical | n | 3.0 / 921 | swivel | n | 1/6000s | 6.0/s | Y | Y | |
6. | Pentax K-S2 | optical | n | 3.0 / 921 | swivel | n | 1/6000s | 5.4/s | Y | Y | |
7. | Pentax K-3 II | optical | Y | 3.2 / 1037 | fixed | n | 1/8000s | 8.3/s | n | Y | |
8. | Pentax K-S1 | optical | n | 3.0 / 921 | fixed | n | 1/6000s | 5.4/s | Y | Y | |
9. | Pentax K-500 | optical | n | 3.0 / 921 | fixed | n | 1/6000s | 6.0/s | Y | Y | |
10. | Pentax K-3 | optical | Y | 3.2 / 1037 | fixed | n | 1/8000s | 8.3/s | Y | Y | |
11. | Pentax K-30 | optical | n | 3.0 / 921 | fixed | n | 1/6000s | 6.0/s | Y | Y | |
12. | Pentax K-5 II | optical | Y | 3.0 / 921 | fixed | n | 1/8000s | 7.0/s | Y | Y | |
13. | Pentax K-5 | optical | Y | 3.0 / 921 | fixed | n | 1/8000s | 7.0/s | Y | Y | |
14. | Sony A6700 | 2360 | n | 3.0 / 1037 | swivel | Y | 1/4000s | 11.0/s | n | Y | |
15. | Sony A6600 | 2359 | n | 3.0 / 922 | tilting | Y | 1/4000s | 11.0/s | n | Y | |
16. | Sony A6300 | 2359 | n | 3.0 / 922 | tilting | n | 1/4000s | 11.0/s | Y | n | |
17. | Sony A77 | 2359 | Y | 3.0 / 921 | full-flex | n | 1/8000s | 12.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The A6500 has a touchscreen, while the K-50 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Pentax K-50 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The K-50 writes its imaging data to SDXC cards, while the A6500 uses SDXC or Memory Stick PRO Duo cards. The A6500 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the K-50 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Pentax K-50 and Sony Alpha A6500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Pentax K-50 | Y | mono / mono | - | - | micro | 2.0 | - | - | - | |
2. | Sony A6500 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
3. | Panasonic GX8 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
4. | Pentax KP | Y | stereo / mono | Y | - | - | 2.0 | Y | - | - | |
5. | Pentax K-70 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
6. | Pentax K-S2 | Y | mono / mono | Y | - | micro | 2.0 | Y | Y | - | |
7. | Pentax K-3 II | Y | mono / mono | Y | Y | mini | 3.0 | - | - | - | |
8. | Pentax K-S1 | Y | stereo / mono | - | - | micro | 2.0 | - | - | - | |
9. | Pentax K-500 | Y | mono / mono | - | - | - | 2.0 | - | - | - | |
10. | Pentax K-3 | Y | mono / mono | Y | Y | mini | 3.0 | - | - | - | |
11. | Pentax K-30 | Y | mono / mono | - | - | - | 2.0 | - | - | - | |
12. | Pentax K-5 II | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
13. | Pentax K-5 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
14. | Sony A6700 | Y | stereo / mono | Y | Y | YES | 3.2 | Y | Y | Y | |
15. | Sony A6600 | Y | stereo / mono | Y | Y | YES | 2.0 | Y | Y | Y | |
16. | Sony A6300 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
17. | Sony A77 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - |
It is notable that the A6500 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the K-50 does not provide wifi capability.
Both the K-50 and the A6500 have been discontinued, but can regularly be found used on ebay. The K-50 was replaced by the Pentax K-70, while the A6500 was followed by the Sony A6600. Further information on the features and operation of the K-50 and A6500 can be found, respectively, in the Pentax K-50 Manual (free pdf) or the online Sony A6500 Manual.
Review summary
So how do things add up? Is there a clear favorite between the Pentax K-50 and the Sony A6500? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Pentax K-50:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster shutter: Has higher mechanical shutter speed (1/6000s vs 1/4000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (410 versus 350) on a single battery charge.
- More affordable: Was introduced into a lower priced category (57 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in June 2013).
Arguments in favor of the Sony Alpha A6500:
- More detail: Has more megapixels (24 vs 16.1MP), which boosts linear resolution by 22%.
- Better image quality: Scores markedly higher (6 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (0.7 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.3 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.61x).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (11 vs 6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (120x67mm vs 130x97mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 197g or 30 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 3 years and 3 months of technical progress since the K-50 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A6500 is the clear winner of the contest (21 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Pentax K-50 and the Sony A6500 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the K-50 or the A6500. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Pentax K-50 | 5/5 | .. | .. | .. | 5/5 | 4.5/5 | Jun 2013 | 599 | ebay.com | |
2. | Sony A6500 | 5/5 | + + | 3.5/5 | 85/100 | 4.5/5 | 4.5/5 | Oct 2016 | 1,399 | ebay.com | |
3. | Panasonic GX8 | 5/5 | + | .. | 82/100 | 4.5/5 | 4.5/5 | Jul 2015 | 1,199 | ebay.com | |
4. | Pentax KP | 4/5 | .. | 3/5 | 82/100 | 5/5 | 4.5/5 | Jan 2017 | 1,099 | ebay.com | |
5. | Pentax K-70 | 4.5/5 | .. | 4/5 | 79/100 | 4.5/5 | 4.5/5 | Jun 2016 | 649 | ebay.com | |
6. | Pentax K-S2 | 4.5/5 | .. | .. | .. | 5/5 | 4.5/5 | Feb 2015 | 749 | ebay.com | |
7. | Pentax K-3 II | 4.5/5 | .. | .. | .. | 5/5 | 5/5 | Apr 2015 | 1,099 | ebay.com | |
8. | Pentax K-S1 | 4/5 | .. | .. | .. | 4.5/5 | 4/5 | Aug 2014 | 749 | ebay.com | |
9. | Pentax K-500 | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Jun 2013 | 549 | ebay.com | |
10. | Pentax K-3 | 4/5 | .. | .. | 83/100 | 5/5 | 5/5 | Oct 2013 | 1,299 | ebay.com | |
11. | Pentax K-30 | 4/5 | .. | .. | 78/100 | 4.5/5 | 4.5/5 | May 2012 | 849 | ebay.com | |
12. | Pentax K-5 II | 5/5 | .. | .. | 80/100 | 5/5 | 4.5/5 | Sep 2012 | 1,099 | ebay.com | |
13. | Pentax K-5 | 4/5 | .. | .. | 83/100 | 5/5 | 4.5/5 | Sep 2010 | 1,099 | ebay.com | |
14. | Sony A6700 | 4.5/5 | + | 4.5/5 | 88/100 | 4.5/5 | 4.5/5 | Jul 2023 | 1,399 | amazon.com | |
15. | Sony A6600 | 4/5 | + | 4/5 | 83/100 | 4.5/5 | 4/5 | Aug 2019 | 1,399 | amazon.com | |
16. | Sony A6300 | 4.5/5 | + | .. | 85/100 | 5/5 | 5/5 | Feb 2016 | 999 | ebay.com | |
17. | Sony A77 | 5/5 | 91/100 | .. | 81/100 | .. | 5/5 | Aug 2011 | 1,399 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D Mark II vs Sony A6500
- Canon M100 vs Sony A6500
- Leica SL2 vs Pentax K-50
- Nikon B600 vs Sony A6500
- Nikon D500 vs Pentax K-50
- Nikon D5200 vs Sony A6500
- Nikon D5600 vs Pentax K-50
- Nikon P1000 vs Sony A6500
- Olympus E-500 vs Pentax K-50
- Olympus E-520 vs Sony A6500
- Panasonic S5 vs Pentax K-50
- Pentax K-50 vs Sony A7 II
Specifications: Pentax K-50 vs Sony A6500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Pentax K-50 | Sony A6500 |
---|---|---|
Camera Type | Digital single lens reflex | Mirrorless system camera |
Camera Lens | Pentax K mount lenses | Sony E mount lenses |
Launch Date | June 2013 | October 2016 |
Launch Price | USD 599 | USD 1,399 |
Sensor Specs | Pentax K-50 | Sony A6500 |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | APS-C Sensor |
Sensor Size | 23.5 x 15.6 mm | 23.5 x 15.6 mm |
Sensor Area | 366.6 mm2 | 366.6 mm2 |
Sensor Diagonal | 28.2 mm | 28.2 mm |
Crop Factor | 1.5x | 1.5x |
Sensor Resolution | 16.1 Megapixels | 24 Megapixels |
Image Resolution | 4928 x 3264 pixels | 6000 x 4000 pixels |
Pixel Pitch | 4.77 μm | 3.91 μm |
Pixel Density | 4.39 MP/cm2 | 6.55 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 1080/30p Video | 4K/30p Video |
ISO Setting | 100 - 51,200 ISO | 100 - 25,600 ISO |
ISO Boost | no Enhancement | 100 - 51,200 ISO |
Image Processor | PRIME M | BIONZ X |
DXO Sensor Quality (score) | 79 | 85 |
DXO Color Depth (bits) | 23.7 | 24.5 |
DXO Dynamic Range (EV) | 13.0 | 13.7 |
DXO Low Light (ISO) | 1120 | 1405 |
Screen Specs | Pentax K-50 | Sony A6500 |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.61x | 0.70x |
Viewfinder Resolution | 2359k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 921k dots | 922k dots |
LCD Attachment | Fixed screen | Tilting screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Pentax K-50 | Sony A6500 |
Focus System | Phase-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/6000s | 1/4000s |
Continuous Shooting | 6 shutter flaps/s | 11 shutter flaps/s |
Electronic Shutter | no E-Shutter | YES |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Image Stabilization | In-body stabilization | In-body stabilization |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | no | UHS-I |
Connectivity Specs | Pentax K-50 | Sony A6500 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Wifi Support | no Wifi | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Body Specs | Pentax K-50 | Sony A6500 |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Pentax D-LI109 | Sony NP-FW50 |
Battery Life (CIPA) | 410 shots per charge | 350 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
130 x 97 x 71 mm (5.1 x 3.8 x 2.8 in) |
120 x 67 x 53 mm (4.7 x 2.6 x 2.1 in) |
Camera Weight | 650 g (22.9 oz) | 453 g (16.0 oz) |
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