Pentax K-5 vs Sony A7R

The Pentax K-5 and the Sony Alpha A7R are two enthusiast cameras that were revealed to the public, respectively, in September 2010 and October 2013. The K-5 is a DSLR, while the A7R is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (K-5) and a full frame (A7R) sensor. The Pentax has a resolution of 16.1 megapixels, whereas the Sony provides 36.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Pentax K-5		Sony A7R
Digital single lens reflex		Mirrorless system camera
Pentax K mount lenses		Sony E mount lenses
16.1 MP – APS-C sensor		36.2 MP – Full Frame sensor
1080/25p Video		1080/60p Video
ISO 100-12,800 (80 - 51,200)		ISO 100-25,600 (50 - 51,200)
Optical viewfinder		Electronic viewfinder (2400k dots)
3.0" LCD – 921k dots		3.0" LCD – 1230k dots
Fixed screen (not touch-sensitive)		Tilting screen (no touchscreen)
7 shutter flaps per second		4 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		Weathersealed body
740 shots per battery charge		340 shots per battery charge
131 x 97 x 73 mm, 760 g		127 x 94 x 48 mm, 465 g

Check K-5 offers at
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Check A7R offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Pentax K-5 and the Sony Alpha A7R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Pentax K-5 and the Sony A7R are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R is notably smaller (6 percent) than the Pentax K-5. Moreover, the A7R is substantially lighter (39 percent) than the K-5. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the K-5 gets 740 shots out of its Pentax D-LI90 battery, while the A7R can take 340 images on a single charge of its Sony NP-FW50 power pack. The power pack in the A7R can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Pentax K-5	131 mm	97 mm	73 mm	760 g	740	Y	Sep 2010	1,099	ebay.com
2.		Sony A7R	127 mm	94 mm	48 mm	465 g	340	Y	Oct 2013	2,299	ebay.com
3.		Nikon D7000	132 mm	105 mm	77 mm	780 g	1050	Y	Sep 2010	1,499	ebay.com
4.		Pentax KP	132 mm	101 mm	76 mm	703 g	390	Y	Jan 2017	1,099	ebay.com
5.		Pentax K-70	126 mm	93 mm	74 mm	688 g	410	Y	Jun 2016	649	ebay.com
6.		Pentax K-3 II	131 mm	100 mm	77 mm	800 g	720	Y	Apr 2015	1,099	ebay.com
7.		Pentax K-50	130 mm	97 mm	71 mm	650 g	410	Y	Jun 2013	599	ebay.com
8.		Pentax K-500	130 mm	97 mm	71 mm	646 g	710	n	Jun 2013	549	ebay.com
9.		Pentax K-3	131 mm	100 mm	77 mm	800 g	560	Y	Oct 2013	1,299	ebay.com
10.		Pentax K-30	130 mm	97 mm	71 mm	650 g	410	Y	May 2012	849	ebay.com
11.		Pentax K-5 II	131 mm	97 mm	73 mm	760 g	740	Y	Sep 2012	1,099	ebay.com
12.		Sony A7C II	124 mm	71 mm	63 mm	514 g	540	Y	Aug 2023	2,199	amazon.com
13.		Sony A7 IV	131 mm	96 mm	80 mm	659 g	580	Y	Oct 2021	2,499	amazon.com
14.		Sony A7R II	127 mm	96 mm	60 mm	625 g	290	Y	Jun 2015	3,199	ebay.com
15.		Sony A7S	127 mm	94 mm	48 mm	489 g	380	Y	Apr 2014	2,499	ebay.com
16.		Sony A7	127 mm	94 mm	48 mm	474 g	340	Y	Oct 2013	1,699	ebay.com
17.		Sony A77	143 mm	104 mm	81 mm	732 g	470	Y	Aug 2011	1,399	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The K-5 was launched at a markedly lower price (by 52 percent) than the A7R, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Pentax K-5 features an APS-C sensor and the Sony A7R a full frame sensor. The sensor area in the A7R is 132 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 36.2MP, the A7R offers a higher resolution than the K-5 (16.1MP), but the A7R nevertheless has marginally larger individual pixels (pixel pitch of 4.88μm versus 4.81μm for the K-5) due to its larger sensor. Moreover, the A7R is a much more recent model (by 3 years) than the K-5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A7R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony A7R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R for good quality output (200 dots per inch) amounts to 36.8 x 24.6 inches or 93.5 x 62.4 cm, for very good quality (250 dpi) 29.4 x 19.6 inches or 74.8 x 49.9 cm, and for excellent quality (300 dpi) 24.5 x 16.4 inches or 62.3 x 41.6 cm. The corresponding values for the Pentax K-5 are 24.6 x 16.3 inches or 62.6 x 41.5 cm for good quality, 19.7 x 13.1 inches or 50.1 x 33.2 cm for very good quality, and 16.4 x 10.9 inches or 41.7 x 27.6 cm for excellent quality prints.

The Pentax K-5 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 80-51200. The corresponding ISO settings for the Sony Alpha A7R are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A7R offers substantially better image quality than the K-5 (overall score 13 points higher). The advantage is based on 1.9 bits higher color depth, and 1.2 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Pentax K-5	APS-C	16.1	4928	3264	1080/25p	23.7	14.1	1162	82
2.		Sony A7R	Full Frame	36.2	7360	4912	1080/60p	25.6	14.1	2746	95
3.		Nikon D7000	APS-C	16.1	4928	3264	1080/24p	23.5	13.9	1167	80
4.		Pentax KP	APS-C	24.1	6016	4000	1080/60i	23.9	13.2	1699	81
5.		Pentax K-70	APS-C	24.0	6000	4000	1080/60i	23.8	13.1	1639	80
6.		Pentax K-3 II	APS-C	24.1	6016	4000	1080/60i	23.6	13.6	1106	80
7.		Pentax K-50	APS-C	16.1	4928	3264	1080/30p	23.7	13.0	1120	79
8.		Pentax K-500	APS-C	16.1	4928	3264	1080/30p	23.7	13.1	1087	79
9.		Pentax K-3	APS-C	24.1	6016	4000	1080/60i	23.7	13.4	1216	80
10.		Pentax K-30	APS-C	16.1	4928	3264	1080/30p	23.7	13.0	1129	79
11.		Pentax K-5 II	APS-C	16.1	4928	3264	1080/25p	23.8	14.1	1235	82
12.		Sony A7C II	Full Frame	32.7	7008	4672	4K/60p	25.4	14.7	3237	96
13.		Sony A7 IV	Full Frame	32.7	7008	4672	4K/60p	25.4	14.7	3379	97
14.		Sony A7R II	Full Frame	42.2	7952	5304	4K/30p	26.0	13.9	3434	98
15.		Sony A7S	Full Frame	12.0	4240	2832	1080/60p	23.9	13.2	3702	87
16.		Sony A7	Full Frame	24.0	6000	4000	1080/60p	24.8	14.2	2248	90
17.		Sony A77	APS-C	24.0	6000	4000	1080/60p	24.0	13.2	801	78
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A7R provides a faster frame rate than the K-5. It can shoot movie footage at 1080/60p, while the Pentax is limited to 1080/25p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A7R has an electronic viewfinder (2400k dots), while the K-5 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the A7R has a higher magnification than the one of the K-5 (0.71x vs 0.61x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Pentax K-5, the Sony A7R, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Pentax K-5	optical	Y	3.0 / 921	fixed	n	1/8000s	7.0/s	Y	Y
2.		Sony A7R	2400	n	3.0 / 1230	tilting	n	1/8000s	4.0/s	n	n
3.		Nikon D7000	optical	Y	3.0 / 921	fixed	n	1/8000s	6.0/s	Y	n
4.		Pentax KP	optical	n	3.0 / 921	tilting	n	1/6000s	7.0/s	Y	Y
5.		Pentax K-70	optical	n	3.0 / 921	swivel	n	1/6000s	6.0/s	Y	Y
6.		Pentax K-3 II	optical	Y	3.2 / 1037	fixed	n	1/8000s	8.3/s	n	Y
7.		Pentax K-50	optical	n	3.0 / 921	fixed	n	1/6000s	6.0/s	Y	Y
8.		Pentax K-500	optical	n	3.0 / 921	fixed	n	1/6000s	6.0/s	Y	Y
9.		Pentax K-3	optical	Y	3.2 / 1037	fixed	n	1/8000s	8.3/s	Y	Y
10.		Pentax K-30	optical	n	3.0 / 921	fixed	n	1/6000s	6.0/s	Y	Y
11.		Pentax K-5 II	optical	Y	3.0 / 921	fixed	n	1/8000s	7.0/s	Y	Y
12.		Sony A7C II	2360	n	3.0 / 1037	swivel	Y	1/4000s	10.0/s	n	Y
13.		Sony A7 IV	3686	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
14.		Sony A7R II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
15.		Sony A7S	2400	n	3.0 / 921	tilting	n	1/8000s	5.0/s	n	n
16.		Sony A7	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	n
17.		Sony A77	2359	Y	3.0 / 921	full-flex	n	1/8000s	12.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The K-5 has one, while the A7R does not. While the built-in flash of the K-5 is not very powerful, it can at times be useful as a fill-in light.

The Pentax K-5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The K-5 writes its imaging data to SDXC cards, while the A7R uses SDXC or Memory Stick PRO Duo cards. The A7R supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the K-5 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Pentax K-5 and Sony Alpha A7R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Pentax K-5	Y	stereo / mono	Y	-	mini	2.0	-	-	-
2.		Sony A7R	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
3.		Nikon D7000	Y	mono / mono	Y	-	mini	2.0	-	-	-
4.		Pentax KP	Y	stereo / mono	Y	-	-	2.0	Y	-	-
5.		Pentax K-70	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
6.		Pentax K-3 II	Y	mono / mono	Y	Y	mini	3.0	-	-	-
7.		Pentax K-50	Y	mono / mono	-	-	micro	2.0	-	-	-
8.		Pentax K-500	Y	mono / mono	-	-	-	2.0	-	-	-
9.		Pentax K-3	Y	mono / mono	Y	Y	mini	3.0	-	-	-
10.		Pentax K-30	Y	mono / mono	-	-	-	2.0	-	-	-
11.		Pentax K-5 II	Y	stereo / mono	Y	-	mini	2.0	-	-	-
12.		Sony A7C II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
13.		Sony A7 IV	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
14.		Sony A7R II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
15.		Sony A7S	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
16.		Sony A7	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
17.		Sony A77	Y	stereo / mono	Y	-	mini	2.0	-	-	-

It is notable that the A7R offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the K-5 does not provide wifi capability.

Studio photographers will appreciate that the Pentax K-5 (unlike the A7R) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the K-5 and the A7R have been discontinued, but can regularly be found used on ebay. The K-5 was replaced by the Pentax K-5 II, while the A7R was followed by the Sony A7R II. Further information on the features and operation of the K-5 and A7R can be found, respectively, in the Pentax K-5 Manual (free pdf) or the online Sony A7R Manual.

Review summary

So how do things add up? Is the Pentax K-5 better than the Sony A7R or vice versa? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Pentax K-5:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Faster burst: Shoots at higher frequency (7 vs 4 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Longer lasting: Can take more shots (740 versus 340) on a single battery charge.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• More affordable: Was introduced into a lower priced category (52 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in September 2010).

Arguments in favor of the Sony Alpha A7R:

• More detail: Has more megapixels (36.2 vs 16.1MP), which boosts linear resolution by 50%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Scores substantially higher (13 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (1.9 bits more color depth).
• Better low-light sensitivity: Can shoot in dim conditions (1.2 stops ISO advantage).
• Better video: Provides higher movie framerates (1080/60p versus 1080/25p).
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More framing info: Has an electronic viewfinder that displays shooting data.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.61x).
• More detailed LCD: Has a higher resolution rear screen (1230k vs 921k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Less heavy: Has a lower weight (by 295g or 39 percent) and is thus easier to take along.
• Easier travel charging: Can be conveniently charged via its USB port.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More modern: Reflects 3 years of technical progress since the K-5 launch.

If the number of relative strengths (bullet points above) is taken as a guide, the A7R is the clear winner of the contest (18 : 11 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Pentax K-5 and the Sony A7R place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the K-5 or the A7R. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Pentax K-5	4/5	..	..	83/100	5/5	4.5/5	Sep 2010	1,099	ebay.com
2.		Sony A7R	5/5	+ +	..	82/100	4.5/5	5/5	Oct 2013	2,299	ebay.com
3.		Nikon D7000	4/5	..	..	80/100	4.5/5	4.5/5	Sep 2010	1,499	ebay.com
4.		Pentax KP	4/5	..	3/5	82/100	5/5	4.5/5	Jan 2017	1,099	ebay.com
5.		Pentax K-70	4.5/5	..	4/5	79/100	4.5/5	4.5/5	Jun 2016	649	ebay.com
6.		Pentax K-3 II	4.5/5	..	..	..	5/5	5/5	Apr 2015	1,099	ebay.com
7.		Pentax K-50	5/5	..	..	..	5/5	4.5/5	Jun 2013	599	ebay.com
8.		Pentax K-500	..	..	..	..	4.5/5	4.5/5	Jun 2013	549	ebay.com
9.		Pentax K-3	4/5	..	..	83/100	5/5	5/5	Oct 2013	1,299	ebay.com
10.		Pentax K-30	4/5	..	..	78/100	4.5/5	4.5/5	May 2012	849	ebay.com
11.		Pentax K-5 II	5/5	..	..	80/100	5/5	4.5/5	Sep 2012	1,099	ebay.com
12.		Sony A7C II	4/5	..	4/5	87/100	4.5/5	4.5/5	Aug 2023	2,199	amazon.com
13.		Sony A7 IV	5/5	+ +	4.5/5	89/100	4.5/5	4.5/5	Oct 2021	2,499	amazon.com
14.		Sony A7R II	5/5	+ +	5/5	90/100	5/5	5/5	Jun 2015	3,199	ebay.com
15.		Sony A7S	4/5	..	..	86/100	4.5/5	5/5	Apr 2014	2,499	ebay.com
16.		Sony A7	5/5	+ +	..	80/100	5/5	5/5	Oct 2013	1,699	ebay.com
17.		Sony A77	5/5	91/100	..	81/100	..	5/5	Aug 2011	1,399	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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