Pentax K-5 vs Olympus E-M5

The Pentax K-5 and the Olympus OM-D E-M5 are two enthusiast cameras that were revealed to the public, respectively, in September 2010 and February 2012. The K-5 is a DSLR, while the E-M5 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (K-5) and a Four Thirds (E-M5) sensor. The Pentax has a resolution of 16.1 megapixels, whereas the Olympus provides 15.9 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Pentax K-5		Olympus E-M5
Digital single lens reflex		Mirrorless system camera
Pentax K mount lenses		Micro Four Thirds lenses
16.1 MP – APS-C sensor		15.9 MP – Four Thirds sensor
1080/25p Video		1080/60i Video
ISO 100-12,800 (80 - 51,200)		ISO 200-25,600
Optical viewfinder		Electronic viewfinder (1440k dots)
3.0" LCD – 921k dots		3.0" LCD – 610k dots
Fixed screen (not touch-sensitive)		Tilting touchscreen
7 shutter flaps per second		9 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		Weathersealed body
740 shots per battery charge		360 shots per battery charge
131 x 97 x 73 mm, 760 g		122 x 89 x 43 mm, 425 g

Check K-5 offers at
ebay.com
Check E-M5 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Pentax K-5 and the Olympus OM-D E-M5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Pentax K-5 and the Olympus E-M5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

The E-M5 can be obtained in two different colors (black, silver), while the K-5 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 is notably smaller (15 percent) than the Pentax K-5. Moreover, the E-M5 is substantially lighter (44 percent) than the K-5. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the K-5 gets 740 shots out of its Pentax D-LI90 battery, while the E-M5 can take 360 images on a single charge of its Olympus BLN-1 power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Pentax K-5	131 mm	97 mm	73 mm	760 g	740	Y	Sep 2010	1,099	ebay.com
2.		Olympus E-M5	122 mm	89 mm	43 mm	425 g	360	Y	Feb 2012	1,299	ebay.com
3.		Nikon D7000	132 mm	105 mm	77 mm	780 g	1050	Y	Sep 2010	1,499	ebay.com
4.		Olympus E-M1	130 mm	94 mm	63 mm	497 g	350	Y	Sep 2013	1,399	ebay.com
5.		Olympus E-M5 II	124 mm	85 mm	45 mm	469 g	310	Y	Feb 2015	1,099	ebay.com
6.		Olympus E-P5	122 mm	69 mm	37 mm	420 g	330	n	May 2013	999	ebay.com
7.		Olympus PEN-F	125 mm	72 mm	37 mm	427 g	330	n	Jan 2016	1,199	ebay.com
8.		Panasonic GX7	123 mm	71 mm	55 mm	402 g	350	n	Aug 2013	999	ebay.com
9.		Pentax K-3	131 mm	100 mm	77 mm	800 g	560	Y	Oct 2013	1,299	ebay.com
10.		Pentax K-3 II	131 mm	100 mm	77 mm	800 g	720	Y	Apr 2015	1,099	ebay.com
11.		Pentax K-5 II	131 mm	97 mm	73 mm	760 g	740	Y	Sep 2012	1,099	ebay.com
12.		Pentax K-30	130 mm	97 mm	71 mm	650 g	410	Y	May 2012	849	ebay.com
13.		Pentax K-50	130 mm	97 mm	71 mm	650 g	410	Y	Jun 2013	599	ebay.com
14.		Pentax K-70	126 mm	93 mm	74 mm	688 g	410	Y	Jun 2016	649	ebay.com
15.		Pentax K-500	130 mm	97 mm	71 mm	646 g	710	n	Jun 2013	549	ebay.com
16.		Pentax KP	132 mm	101 mm	76 mm	703 g	390	Y	Jan 2017	1,099	ebay.com
17.		Sony A77	143 mm	104 mm	81 mm	732 g	470	Y	Aug 2011	1,399	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The K-5 was launched at a somewhat lower price (by 15 percent) than the E-M5, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Pentax K-5 features an APS-C sensor and the Olympus E-M5 a Four Thirds sensor. The sensor area in the E-M5 is 40 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the K-5 has a native 3:2 aspect ratio, while the one in the E-M5 offers a 4:3 aspect.

With 16.1MP, the K-5 offers a slightly higher resolution than the E-M5 (15.9MP), but the K-5 nevertheless has larger individual pixels (pixel pitch of 4.81μm versus 3.76μm for the E-M5) due to its larger sensor. However, the E-M5 is a somewhat more recent model (by 1 year and 4 months) than the K-5, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.

The Pentax K-5 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 80-51200. The corresponding ISO settings for the Olympus OM-D E-M5 are ISO 200 to ISO 25600 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the K-5 provides substantially higher image quality than the E-M5, with an overall score that is 11 points higher. This advantage is based on 0.9 bits higher color depth, 1.8 EV in additional dynamic range, and 0.5 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Pentax K-5	APS-C	16.1	4928	3264	1080/25p	23.7	14.1	1162	82
2.		Olympus E-M5	Four Thirds	15.9	4608	3456	1080/60i	22.8	12.3	826	71
3.		Nikon D7000	APS-C	16.1	4928	3264	1080/24p	23.5	13.9	1167	80
4.		Olympus E-M1	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.7	757	73
5.		Olympus E-M5 II	Four Thirds	15.9	4608	3456	1080/60p	23.0	12.5	842	73
6.		Olympus E-P5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.4	895	72
7.		Olympus PEN-F	Four Thirds	20.2	5184	3888	1080/60p	23.1	12.4	894	74
8.		Panasonic GX7	Four Thirds	15.8	4592	3448	1080/60p	22.6	12.2	718	70
9.		Pentax K-3	APS-C	24.1	6016	4000	1080/60i	23.7	13.4	1216	80
10.		Pentax K-3 II	APS-C	24.1	6016	4000	1080/60i	23.6	13.6	1106	80
11.		Pentax K-5 II	APS-C	16.1	4928	3264	1080/25p	23.8	14.1	1235	82
12.		Pentax K-30	APS-C	16.1	4928	3264	1080/30p	23.7	13.0	1129	79
13.		Pentax K-50	APS-C	16.1	4928	3264	1080/30p	23.7	13.0	1120	79
14.		Pentax K-70	APS-C	24.0	6000	4000	1080/60i	23.8	13.1	1639	80
15.		Pentax K-500	APS-C	16.1	4928	3264	1080/30p	23.7	13.1	1087	79
16.		Pentax KP	APS-C	24.1	6016	4000	1080/60i	23.9	13.2	1699	81
17.		Sony A77	APS-C	24.0	6000	4000	1080/60p	24.0	13.2	801	78
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the E-M5 provides a faster frame rate than the K-5. It can shoot movie footage at 1080/60i, while the Pentax is limited to 1080/25p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the E-M5 has an electronic viewfinder (1440k dots), while the K-5 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the K-5 has a higher magnification than the one of the E-M5 (0.61x vs 0.58x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Pentax K-5 and Olympus E-M5 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Pentax K-5	optical	Y	3.0 / 921	fixed	n	1/8000s	7.0/s	Y	Y
2.		Olympus E-M5	1440	n	3.0 / 610	tilting	Y	1/4000s	9.0/s	n	Y
3.		Nikon D7000	optical	Y	3.0 / 921	fixed	n	1/8000s	6.0/s	Y	n
4.		Olympus E-M1	2360	n	3.0 / 1037	tilting	Y	1/8000s	10.0/s	n	Y
5.		Olympus E-M5 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
6.		Olympus E-P5	optional	n	3.0 / 1037	tilting	Y	1/8000s	9.0/s	Y	Y
7.		Olympus PEN-F	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
8.		Panasonic GX7	2760	n	3.0 / 1040	tilting	Y	1/8000s	5.0/s	Y	Y
9.		Pentax K-3	optical	Y	3.2 / 1037	fixed	n	1/8000s	8.3/s	Y	Y
10.		Pentax K-3 II	optical	Y	3.2 / 1037	fixed	n	1/8000s	8.3/s	n	Y
11.		Pentax K-5 II	optical	Y	3.0 / 921	fixed	n	1/8000s	7.0/s	Y	Y
12.		Pentax K-30	optical	n	3.0 / 921	fixed	n	1/6000s	6.0/s	Y	Y
13.		Pentax K-50	optical	n	3.0 / 921	fixed	n	1/6000s	6.0/s	Y	Y
14.		Pentax K-70	optical	n	3.0 / 921	swivel	n	1/6000s	6.0/s	Y	Y
15.		Pentax K-500	optical	n	3.0 / 921	fixed	n	1/6000s	6.0/s	Y	Y
16.		Pentax KP	optical	n	3.0 / 921	tilting	n	1/6000s	7.0/s	Y	Y
17.		Sony A77	2359	Y	3.0 / 921	full-flex	n	1/8000s	12.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The K-5 has one, while the E-M5 does not. While the built-in flash of the K-5 is not very powerful, it can at times be useful as a fill-in light.

The Pentax K-5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the K-5 and the E-M5 write their files to SDXC cards. The E-M5 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the K-5 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Pentax K-5 and Olympus OM-D E-M5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Pentax K-5	Y	stereo / mono	Y	-	mini	2.0	-	-	-
2.		Olympus E-M5	Y	stereo / mono	-	-	mini	2.0	-	-	-
3.		Nikon D7000	Y	mono / mono	Y	-	mini	2.0	-	-	-
4.		Olympus E-M1	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
5.		Olympus E-M5 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
6.		Olympus E-P5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
7.		Olympus PEN-F	Y	stereo / mono	-	-	micro	2.0	Y	-	-
8.		Panasonic GX7	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
9.		Pentax K-3	Y	mono / mono	Y	Y	mini	3.0	-	-	-
10.		Pentax K-3 II	Y	mono / mono	Y	Y	mini	3.0	-	-	-
11.		Pentax K-5 II	Y	stereo / mono	Y	-	mini	2.0	-	-	-
12.		Pentax K-30	Y	mono / mono	-	-	-	2.0	-	-	-
13.		Pentax K-50	Y	mono / mono	-	-	micro	2.0	-	-	-
14.		Pentax K-70	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
15.		Pentax K-500	Y	mono / mono	-	-	-	2.0	-	-	-
16.		Pentax KP	Y	stereo / mono	Y	-	-	2.0	Y	-	-
17.		Sony A77	Y	stereo / mono	Y	-	mini	2.0	-	-	-

It is notable that the K-5 has a microphone port, which is missing on the E-M5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Studio photographers will appreciate that the Pentax K-5 (unlike the E-M5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the K-5 and the E-M5 have been discontinued, but can regularly be found used on ebay. The K-5 was replaced by the Pentax K-5 II, while the E-M5 was followed by the Olympus E-M5 II. Further information on the features and operation of the K-5 and E-M5 can be found, respectively, in the Pentax K-5 Manual (free pdf) or the online Olympus E-M5 Manual.

Review summary

So what conclusions can be drawn? Is the Pentax K-5 better than the Olympus E-M5 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Pentax K-5:

• Better image quality: Scores substantially higher (11 points) in the DXO overall assessment.
• More dynamic range: Captures a larger spectrum of light and dark details (1.8 EV of extra DR).
• Better low-light sensitivity: Requires less light for good images (0.5 stops ISO advantage).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.61x vs 0.58x).
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• More detailed LCD: Has a higher resolution rear screen (921k vs 610k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Longer lasting: Can take more shots (740 versus 360) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• More affordable: Was introduced into a lower priced segment (15 percent cheaper at launch).
• More heavily discounted: Has been on the market for longer (launched in September 2010).

Advantages of the Olympus OM-D E-M5:

• Better video: Provides higher movie framerates (1080/60i versus 1080/25p).
• More framing info: Has an electronic viewfinder that displays shooting data.
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• Faster burst: Shoots at higher frequency (9 vs 7 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (122x89mm vs 131x97mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 335g or 44 percent) and is thus easier to take along.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More modern: Was introduced somewhat (1 year and 4 months) more recently.

If the count of individual advantages (bullet points above) is taken as a guide, the K-5 is the clear winner of the match-up (15 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Pentax K-5 and the Olympus E-M5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the K-5 or the E-M5. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Pentax K-5	4/5	..	..	83/100	5/5	4.5/5	Sep 2010	1,099	ebay.com
2.		Olympus E-M5	4/5	+ +	..	80/100	4.5/5	5/5	Feb 2012	1,299	ebay.com
3.		Nikon D7000	4/5	..	..	80/100	4.5/5	4.5/5	Sep 2010	1,499	ebay.com
4.		Olympus E-M1	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2013	1,399	ebay.com
5.		Olympus E-M5 II	5/5	+ +	4.5/5	81/100	5/5	5/5	Feb 2015	1,099	ebay.com
6.		Olympus E-P5	5/5	+ +	..	78/100	4.5/5	5/5	May 2013	999	ebay.com
7.		Olympus PEN-F	..	..	4/5	82/100	4.5/5	5/5	Jan 2016	1,199	ebay.com
8.		Panasonic GX7	4/5	+	..	79/100	5/5	5/5	Aug 2013	999	ebay.com
9.		Pentax K-3	4/5	..	..	83/100	5/5	5/5	Oct 2013	1,299	ebay.com
10.		Pentax K-3 II	4.5/5	..	..	..	5/5	5/5	Apr 2015	1,099	ebay.com
11.		Pentax K-5 II	5/5	..	..	80/100	5/5	4.5/5	Sep 2012	1,099	ebay.com
12.		Pentax K-30	4/5	..	..	78/100	4.5/5	4.5/5	May 2012	849	ebay.com
13.		Pentax K-50	5/5	..	..	..	5/5	4.5/5	Jun 2013	599	ebay.com
14.		Pentax K-70	4.5/5	..	4/5	79/100	4.5/5	4.5/5	Jun 2016	649	ebay.com
15.		Pentax K-500	..	..	..	..	4.5/5	4.5/5	Jun 2013	549	ebay.com
16.		Pentax KP	4/5	..	3/5	82/100	5/5	4.5/5	Jan 2017	1,099	ebay.com
17.		Sony A77	5/5	91/100	..	81/100	..	5/5	Aug 2011	1,399	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Check K-5 offers at
ebay.com
Check E-M5 offers at
ebay.com

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

~

Check K-5 offers at
ebay.com
Check E-M5 offers at
ebay.com

Did you notice an error on this page? If so, please get in touch, so that we can correct the information.