Pentax K-5 II vs Sony A7R III
The Pentax K-5 II and the Sony Alpha A7R III are two enthusiast cameras that were officially introduced, respectively, in September 2012 and October 2017. The K-5 II is a DSLR, while the A7R III is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (K-5 II) and a full frame (A7R III) sensor. The Pentax has a resolution of 16.1 megapixels, whereas the Sony provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Pentax K-5 II and the Sony Alpha A7R III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Pentax K-5 II and the Sony A7R III are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R III is somewhat smaller (4 percent) than the Pentax K-5 II. Moreover, the A7R III is markedly lighter (14 percent) than the K-5 II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the K-5 II gets 740 shots out of its Pentax D-LI90 battery, while the A7R III can take 650 images on a single charge of its Sony NP-FZ100 power pack. The power pack in the A7R III can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Pentax K-5 II | 131 mm | 97 mm | 73 mm | 760 g | 740 | Y | Sep 2012 | 1,099 | ebay.com | |
2. | Sony A7R III | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Oct 2017 | 3,199 | ebay.com | |
3. | Nikon Df | 144 mm | 110 mm | 67 mm | 760 g | 1400 | Y | Nov 2013 | 2,749 | ebay.com | |
4. | Olympus E-M5 II | 124 mm | 85 mm | 45 mm | 469 g | 310 | Y | Feb 2015 | 1,099 | ebay.com | |
5. | Olympus E-M5 | 122 mm | 89 mm | 43 mm | 425 g | 360 | Y | Feb 2012 | 1,299 | ebay.com | |
6. | Pentax KP | 132 mm | 101 mm | 76 mm | 703 g | 390 | Y | Jan 2017 | 1,099 | ebay.com | |
7. | Pentax K-3 II | 131 mm | 100 mm | 77 mm | 800 g | 720 | Y | Apr 2015 | 1,099 | ebay.com | |
8. | Pentax K-50 | 130 mm | 97 mm | 71 mm | 650 g | 410 | Y | Jun 2013 | 599 | ebay.com | |
9. | Pentax K-500 | 130 mm | 97 mm | 71 mm | 646 g | 710 | n | Jun 2013 | 549 | ebay.com | |
10. | Pentax K-3 | 131 mm | 100 mm | 77 mm | 800 g | 560 | Y | Oct 2013 | 1,299 | ebay.com | |
11. | Pentax K-30 | 130 mm | 97 mm | 71 mm | 650 g | 410 | Y | May 2012 | 849 | ebay.com | |
12. | Pentax K-5 | 131 mm | 97 mm | 73 mm | 760 g | 740 | Y | Sep 2010 | 1,099 | ebay.com | |
13. | Sony A7R IIIA | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Apr 2021 | 3,199 | amazon.com | |
14. | Sony A7R IV | 129 mm | 96 mm | 78 mm | 665 g | 670 | Y | Jul 2019 | 3,499 | ebay.com | |
15. | Sony A9 | 127 mm | 96 mm | 63 mm | 673 g | 650 | Y | Apr 2017 | 4,499 | ebay.com | |
16. | Sony A7R II | 127 mm | 96 mm | 60 mm | 625 g | 290 | Y | Jun 2015 | 3,199 | ebay.com | |
17. | Sony A7S II | 127 mm | 96 mm | 60 mm | 627 g | 370 | Y | Sep 2015 | 2,999 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The K-5 II was launched at a markedly lower price (by 66 percent) than the A7R III, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Pentax K-5 II features an APS-C sensor and the Sony A7R III a full frame sensor. The sensor area in the A7R III is 132 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 42.2MP, the A7R III offers a higher resolution than the K-5 II (16.1MP), but the A7R III has smaller individual pixels (pixel pitch of 4.52μm versus 4.81μm for the K-5 II). Yet, the A7R III is a much more recent model (by 5 years and 1 month) than the K-5 II, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A7R III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A7R III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R III for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inches or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inches or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inches or 67.3 x 44.9 cm. The corresponding values for the Pentax K-5 II are 24.6 x 16.3 inches or 62.6 x 41.5 cm for good quality, 19.7 x 13.1 inches or 50.1 x 33.2 cm for very good quality, and 16.4 x 10.9 inches or 41.7 x 27.6 cm for excellent quality prints.
The A7R III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the K-5 II, the A7R III has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Pentax K-5 II has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 80-51200. The corresponding ISO settings for the Sony Alpha A7R III are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.
In terms of underlying technology, the K-5 II is build around a CMOS sensor, while the A7R III uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A7R III offers substantially better image quality than the K-5 II (overall score 18 points higher). The advantage is based on 2.2 bits higher color depth, 0.6 EV in additional dynamic range, and 1.5 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Pentax K-5 II | APS-C | 16.1 | 4928 | 3264 | 1080/25p | 23.8 | 14.1 | 1235 | 82 | |
2. | Sony A7R III | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
3. | Nikon Df | Full Frame | 16.2 | 4928 | 3280 | none | 24.6 | 13.1 | 3279 | 89 | |
4. | Olympus E-M5 II | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 23.0 | 12.5 | 842 | 73 | |
5. | Olympus E-M5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60i | 22.8 | 12.3 | 826 | 71 | |
6. | Pentax KP | APS-C | 24.1 | 6016 | 4000 | 1080/60i | 23.9 | 13.2 | 1699 | 81 | |
7. | Pentax K-3 II | APS-C | 24.1 | 6016 | 4000 | 1080/60i | 23.6 | 13.6 | 1106 | 80 | |
8. | Pentax K-50 | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.7 | 13.0 | 1120 | 79 | |
9. | Pentax K-500 | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.7 | 13.1 | 1087 | 79 | |
10. | Pentax K-3 | APS-C | 24.1 | 6016 | 4000 | 1080/60i | 23.7 | 13.4 | 1216 | 80 | |
11. | Pentax K-30 | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.7 | 13.0 | 1129 | 79 | |
12. | Pentax K-5 | APS-C | 16.1 | 4928 | 3264 | 1080/25p | 23.7 | 14.1 | 1162 | 82 | |
13. | Sony A7R IIIA | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
14. | Sony A7R IV | Full Frame | 60.2 | 9504 | 6336 | 4K/30p | 26.0 | 14.8 | 3344 | 99 | |
15. | Sony A9 | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 24.9 | 13.3 | 3517 | 92 | |
16. | Sony A7R II | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 13.9 | 3434 | 98 | |
17. | Sony A7S II | Full Frame | 12.0 | 4240 | 2832 | 4K/30p | 23.6 | 13.3 | 2993 | 85 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A7R III provides a better video resolution than the K-5 II. It can shoot movie footage at 4K/30p, while the Pentax is limited to 1080/25p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A7R III has an electronic viewfinder (3686k dots), while the K-5 II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the A7R III has a higher magnification than the one of the K-5 II (0.78x vs 0.61x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Pentax K-5 II, the Sony A7R III, and comparable cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Pentax K-5 II | optical | Y | 3.0 / 921 | fixed | n | 1/8000s | 7.0/s | Y | Y | |
2. | Sony A7R III | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
3. | Nikon Df | optical | Y | 3.2 / 921 | fixed | n | 1/4000s | 5.5/s | n | n | |
4. | Olympus E-M5 II | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
5. | Olympus E-M5 | 1440 | n | 3.0 / 610 | tilting | Y | 1/4000s | 9.0/s | n | Y | |
6. | Pentax KP | optical | n | 3.0 / 921 | tilting | n | 1/6000s | 7.0/s | Y | Y | |
7. | Pentax K-3 II | optical | Y | 3.2 / 1037 | fixed | n | 1/8000s | 8.3/s | n | Y | |
8. | Pentax K-50 | optical | n | 3.0 / 921 | fixed | n | 1/6000s | 6.0/s | Y | Y | |
9. | Pentax K-500 | optical | n | 3.0 / 921 | fixed | n | 1/6000s | 6.0/s | Y | Y | |
10. | Pentax K-3 | optical | Y | 3.2 / 1037 | fixed | n | 1/8000s | 8.3/s | Y | Y | |
11. | Pentax K-30 | optical | n | 3.0 / 921 | fixed | n | 1/6000s | 6.0/s | Y | Y | |
12. | Pentax K-5 | optical | Y | 3.0 / 921 | fixed | n | 1/8000s | 7.0/s | Y | Y | |
13. | Sony A7R IIIA | 3686 | n | 3.0 / 2340 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
14. | Sony A7R IV | 5760 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
15. | Sony A9 | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 20.0/s | n | Y | |
16. | Sony A7R II | 2400 | n | 3.0 / 1229 | tilting | n | 1/8000s | 5.0/s | n | Y | |
17. | Sony A7S II | 2400 | n | 3.0 / 1229 | tilting | n | 1/8000s | 5.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The K-5 II has one, while the A7R III does not. While the built-in flash of the K-5 II is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7R III is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Pentax K-5 II and the Sony A7R III both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The K-5 II writes its imaging data to SDXC cards, while the A7R III uses SDXC or Memory Stick PRO Duo cards. The A7R III features dual card slots, which can be very useful in case a memory card fails. In contrast, the K-5 II only has one slot. The A7R III supports UHS-II cards on its first slot and UHS-I on its second one, while the K-5 II cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Pentax K-5 II and Sony Alpha A7R III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Pentax K-5 II | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
2. | Sony A7R III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
3. | Nikon Df | Y | - / - | - | - | mini | 2.0 | - | - | - | |
4. | Olympus E-M5 II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
5. | Olympus E-M5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
6. | Pentax KP | Y | stereo / mono | Y | - | - | 2.0 | Y | - | - | |
7. | Pentax K-3 II | Y | mono / mono | Y | Y | mini | 3.0 | - | - | - | |
8. | Pentax K-50 | Y | mono / mono | - | - | micro | 2.0 | - | - | - | |
9. | Pentax K-500 | Y | mono / mono | - | - | - | 2.0 | - | - | - | |
10. | Pentax K-3 | Y | mono / mono | Y | Y | mini | 3.0 | - | - | - | |
11. | Pentax K-30 | Y | mono / mono | - | - | - | 2.0 | - | - | - | |
12. | Pentax K-5 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
13. | Sony A7R IIIA | Y | stereo / mono | Y | Y | micro | 3.2 | Y | Y | Y | |
14. | Sony A7R IV | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
15. | Sony A9 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | Y | |
16. | Sony A7R II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
17. | Sony A7S II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - |
It is notable that the A7R III offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the K-5 II does not provide wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the K-5 II and the A7R III have been discontinued, but can regularly be found used on ebay. The K-5 II was replaced by the Pentax K-3, while the A7R III was followed by the Sony A7R IV. Further information on the features and operation of the K-5 II and A7R III can be found, respectively, in the Pentax K-5 II Manual (free pdf) or the online Sony A7R III Manual.
Review summary
So how do things add up? Which of the two cameras – the Pentax K-5 II or the Sony A7R III – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Pentax K-5 II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Longer lasting: Can take more shots (740 versus 650) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (66 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in September 2012).
Arguments in favor of the Sony Alpha A7R III:
- More detail: Has more megapixels (42.2 vs 16.1MP), which boosts linear resolution by 62%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (18 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (0.6 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.5 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/25p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.61x).
- More detailed LCD: Has a higher resolution rear screen (1440k vs 921k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (10 vs 7 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Less heavy: Has a lower weight (by 110g or 14 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II and UHS-I) SDXC cards.
- More modern: Reflects 5 years and 1 month of technical progress since the K-5 II launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A7R III is the clear winner of the contest (27 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Pentax K-5 II and the Sony A7R III place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the K-5 II and the A7R III in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Pentax K-5 II | 5/5 | .. | .. | 80/100 | 5/5 | 4.5/5 | Sep 2012 | 1,099 | ebay.com | |
2. | Sony A7R III | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Oct 2017 | 3,199 | ebay.com | |
3. | Nikon Df | 4/5 | .. | .. | 81/100 | 4/5 | 4/5 | Nov 2013 | 2,749 | ebay.com | |
4. | Olympus E-M5 II | 5/5 | + + | 4.5/5 | 81/100 | 5/5 | 5/5 | Feb 2015 | 1,099 | ebay.com | |
5. | Olympus E-M5 | 4/5 | + + | .. | 80/100 | 4.5/5 | 5/5 | Feb 2012 | 1,299 | ebay.com | |
6. | Pentax KP | 4/5 | .. | 3/5 | 82/100 | 5/5 | 4.5/5 | Jan 2017 | 1,099 | ebay.com | |
7. | Pentax K-3 II | 4.5/5 | .. | .. | .. | 5/5 | 5/5 | Apr 2015 | 1,099 | ebay.com | |
8. | Pentax K-50 | 5/5 | .. | .. | .. | 5/5 | 4.5/5 | Jun 2013 | 599 | ebay.com | |
9. | Pentax K-500 | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Jun 2013 | 549 | ebay.com | |
10. | Pentax K-3 | 4/5 | .. | .. | 83/100 | 5/5 | 5/5 | Oct 2013 | 1,299 | ebay.com | |
11. | Pentax K-30 | 4/5 | .. | .. | 78/100 | 4.5/5 | 4.5/5 | May 2012 | 849 | ebay.com | |
12. | Pentax K-5 | 4/5 | .. | .. | 83/100 | 5/5 | 4.5/5 | Sep 2010 | 1,099 | ebay.com | |
13. | Sony A7R IIIA | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Apr 2021 | 3,199 | amazon.com | |
14. | Sony A7R IV | 5/5 | + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Jul 2019 | 3,499 | ebay.com | |
15. | Sony A9 | 5/5 | + + | 4.8/5 | 89/100 | 5/5 | 5/5 | Apr 2017 | 4,499 | ebay.com | |
16. | Sony A7R II | 5/5 | + + | 5/5 | 90/100 | 5/5 | 5/5 | Jun 2015 | 3,199 | ebay.com | |
17. | Sony A7S II | 5/5 | + | .. | .. | 4.5/5 | 5/5 | Sep 2015 | 2,999 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D X Mark III vs Pentax K-5 II
- Canon 550D vs Sony A7R III
- Canon 5D Mark II vs Pentax K-5 II
- Canon S120 vs Sony A7R III
- Nikon A1000 vs Pentax K-5 II
- Nikon Z5 vs Sony A7R III
- Pentax K-1 vs Pentax K-5 II
- Pentax K-5 II vs Sony A99 II
- Pentax K-5 II vs Zeiss ZX1
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Specifications: Pentax K-5 II vs Sony A7R III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Pentax K-5 II | Sony A7R III |
---|---|---|
Camera Type | Digital single lens reflex | Mirrorless system camera |
Camera Lens | Pentax K mount lenses | Sony E mount lenses |
Launch Date | September 2012 | October 2017 |
Launch Price | USD 1,099 | USD 3,199 |
Sensor Specs | Pentax K-5 II | Sony A7R III |
Sensor Technology | CMOS | BSI-CMOS |
Sensor Format | APS-C Sensor | Full Frame Sensor |
Sensor Size | 23.7 x 15.7 mm | 35.9 x 24.0 mm |
Sensor Area | 372.09 mm2 | 861.6 mm2 |
Sensor Diagonal | 28.4 mm | 43.2 mm |
Crop Factor | 1.5x | 1.0x |
Sensor Resolution | 16.1 Megapixels | 42.2 Megapixels |
Image Resolution | 4928 x 3264 pixels | 7952 x 5304 pixels |
Pixel Pitch | 4.81 μm | 4.52 μm |
Pixel Density | 4.32 MP/cm2 | 4.90 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 1080/25p Video | 4K/30p Video |
ISO Setting | 100 - 12,800 ISO | 100 - 32,000 ISO |
ISO Boost | 80 - 51,200 ISO | 50 - 102,400 ISO |
Image Processor | PRIME II | BIONZ X |
DXO Sensor Quality (score) | 82 | 100 |
DXO Color Depth (bits) | 23.8 | 26.0 |
DXO Dynamic Range (EV) | 14.1 | 14.7 |
DXO Low Light (ISO) | 1235 | 3523 |
Screen Specs | Pentax K-5 II | Sony A7R III |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.61x | 0.78x |
Viewfinder Resolution | 3686k dots | |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 921k dots | 1440k dots |
LCD Attachment | Fixed screen | Tilting screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Pentax K-5 II | Sony A7R III |
Focus System | Phase-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/8000s | 1/8000s |
Continuous Shooting | 7 shutter flaps/s | 10 shutter flaps/s |
Shutter Life Expectancy | 100 000 actuations | 500 000 actuations |
Electronic Shutter | no E-Shutter | YES |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | In-body stabilization | In-body stabilization |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | no | Single UHS-II |
Connectivity Specs | Pentax K-5 II | Sony A7R III |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | PC Sync socket |
USB Connector | USB 2.0 | USB 3.1 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | no Wifi | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Body Specs | Pentax K-5 II | Sony A7R III |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Pentax D-LI90 | Sony NP-FZ100 |
Battery Life (CIPA) | 740 shots per charge | 650 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
131 x 97 x 73 mm (5.2 x 3.8 x 2.9 in) |
127 x 96 x 74 mm (5.0 x 3.8 x 2.9 in) |
Camera Weight | 760 g (26.8 oz) | 650 g (22.9 oz) |
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