Pentax K-5 II vs Sony A6600
The Pentax K-5 II and the Sony Alpha A6600 are two enthusiast cameras that were announced, respectively, in September 2012 and August 2019. The K-5 II is a DSLR, while the A6600 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. The Pentax has a resolution of 16.1 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Pentax K-5 II and the Sony Alpha A6600? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Pentax K-5 II and the Sony A6600 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6600 is considerably smaller (37 percent) than the Pentax K-5 II. Moreover, the A6600 is markedly lighter (34 percent) than the K-5 II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the K-5 II gets 740 shots out of its D-LI90 battery, while the A6600 can take 810 images on a single charge of its NP-FZ100 power pack. The power pack in the A6600 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Pentax K-5 II||131 mm||97 mm||73 mm||760 g||740||Y||Sep 2012||1,099|
|2.||Sony A6600||120 mm||67 mm||69 mm||503 g||810||Y||Aug 2019||1,399|
|3.||Nikon Df||144 mm||110 mm||67 mm||760 g||1400||Y||Nov 2013||2,749|
|4.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099|
|5.||Olympus E-M5||122 mm||89 mm||43 mm||425 g||360||Y||Feb 2012||1,299|
|6.||Pentax KP||132 mm||101 mm||76 mm||703 g||390||Y||Jan 2017||1,099|
|7.||Pentax K-3 II||131 mm||100 mm||77 mm||800 g||720||Y||Apr 2015||1,099|
|8.||Pentax K-50||130 mm||97 mm||71 mm||650 g||410||Y||Jun 2013||599|
|9.||Pentax K-500||130 mm||97 mm||71 mm||646 g||710||n||Jun 2013||549|
|10.||Pentax K-3||131 mm||100 mm||77 mm||800 g||560||Y||Oct 2013||1,299|
|11.||Pentax K-30||130 mm||97 mm||71 mm||650 g||410||Y||May 2012||849|
|12.||Pentax K-5||131 mm||97 mm||73 mm||760 g||740||Y||Sep 2010||1,099|
|13.||Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999|
|14.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399|
|15.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|16.||Sony A7||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699|
|17.||Sony A77||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The K-5 II was launched at a somewhat lower price (by 21 percent) than the A6600, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the A6600 is 1 percent smaller. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
Despite having a slightly smaller sensor, the A6600 offers a higher resolution of 24 megapixels, compared with 16.1 MP of the K-5 II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.91μm versus 4.81μm for the K-5 II). However, it should be noted that the A6600 is much more recent (by 6 years and 11 months) than the K-5 II, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Sony A6600 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6600 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Pentax K-5 II are 24.6 x 16.3 inches or 62.6 x 41.5 cm for good quality, 19.7 x 13.1 inches or 50.1 x 33.2 cm for very good quality, and 16.4 x 10.9 inches or 41.7 x 27.6 cm for excellent quality prints.
The A6600 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Pentax K-5 II has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 80-51200. The corresponding ISO settings for the Sony Alpha A6600 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 100-102400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
| DXO |
|1.||Pentax K-5 II||APS-C||16.1||4928||3264||1080/25p||23.8||14.1||1235||82|
|3.||Nikon Df||Full Frame||16.2||4928||3280||none||24.6||13.1||3279||89|
|4.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|5.||Olympus E-M5||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71|
|7.||Pentax K-3 II||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80|
|13.||Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|15.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|16.||Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A6600 provides a better video resolution than the K-5 II. It can shoot movie footage at 4K/30p, while the Pentax is limited to 1080/25p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A6600 has an electronic viewfinder (2359k dots), while the K-5 II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the A6600 has a higher magnification than the one of the K-5 II (0.70x vs 0.61x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Pentax K-5 II and Sony A6600 along with similar information for a selection of comparators.
|1.||Pentax K-5 II||optical||Y||3.0||921||fixed||n||1/8000s||7.0||Y||Y|
|4.||Olympus E-M5 II||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y|
|7.||Pentax K-3 II||optical||Y||3.2||1037||fixed||n||1/8000s||8.3||n||Y|
|13.||Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y|
|15.||Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The K-5 II has one, while the A6600 does not. While the built-in flash of the K-5 II is not very powerful, it can at times be useful as a fill-in light.The A6600 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the K-5 II does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6600 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Pentax K-5 II and the Sony A6600 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The K-5 II writes its imaging data to SDXC cards, while the A6600 uses SDXC or Memory Stick PRO Duo cards. The A6600 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the K-5 II cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Pentax K-5 II and Sony Alpha A6600 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|1.||Pentax K-5 II||Y||stereo||mono||Y||-||mini||2.0||-||-||-|
|4.||Olympus E-M5 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||-|
|7.||Pentax K-3 II||Y||mono||mono||Y||Y||mini||3.0||-||-||-|
|13.||Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|15.||Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A6600 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the K-5 II does not provide wifi capability.
Studio photographers will appreciate that the Pentax K-5 II (unlike the A6600) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The A6600 is a recent model that features in the current product line-up of Sony. In contrast, the K-5 II has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the K-5 II was succeeded by the Pentax K-3. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Pentax and Sony websites.
So how do things add up? Is there a clear favorite between the Pentax K-5 II and the Sony A6600? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Pentax K-5 II:
- More dynamic range: Captures a larger spectrum of light and dark details (0.7 EV of extra DR).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More affordable: Was introduced into a lower priced segment (21 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in September 2012).
Arguments in favor of the Sony Alpha A6600:
- More detail: Has more megapixels (24 vs 16.1MP), which boosts linear resolution by 22%.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/25p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.61x).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (11 vs 7 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (120x67mm vs 131x97mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 257g or 34 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 6 years and 11 months of technical progress since the K-5 II launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A6600 is the clear winner of the contest (20 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Pentax K-5 II and the Sony A6600 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the K-5 II and the A6600 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Pentax K-5 II||5/5||..||80/100||5/5||4.5/5||Sep 2012||1,099|
|2.||Sony A6600||4/5||+||83/100||4.5/5||4/5||Aug 2019||1,399|
|3.||Nikon Df||4/5||..||81/100||4/5||4/5||Nov 2013||2,749|
|4.||Olympus E-M5 II||5/5||+ +||81/100||5/5||5/5||Feb 2015||1,099|
|5.||Olympus E-M5||4/5||+ +||80/100||4.5/5||5/5||Feb 2012||1,299|
|6.||Pentax KP||4/5||..||82/100||5/5||4.5/5||Jan 2017||1,099|
|7.||Pentax K-3 II||4.5/5||..||..||5/5||5/5||Apr 2015||1,099|
|8.||Pentax K-50||5/5||..||..||5/5||4.5/5||Jun 2013||599|
|9.||Pentax K-500||..||..||..||4.5/5||4.5/5||Jun 2013||549|
|10.||Pentax K-3||4/5||..||83/100||5/5||5/5||Oct 2013||1,299|
|11.||Pentax K-30||4/5||..||78/100||4.5/5||4.5/5||May 2012||849|
|12.||Pentax K-5||4/5||..||83/100||5/5||4.5/5||Sep 2010||1,099|
|13.||Sony A7 III||..||+ +||89/100||5/5||5/5||Feb 2018||1,999|
|14.||Sony A6500||5/5||+ +||85/100||4.5/5||4.5/5||Oct 2016||1,399|
|15.||Sony A7 II||5/5||+||82/100||4.5/5||5/5||Nov 2014||1,999|
|16.||Sony A7||5/5||+ +||80/100||5/5||5/5||Oct 2013||1,699|
|17.||Sony A77||5/5||91/100||81/100||..||5/5||Aug 2011||1,399|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
Specifications: Pentax K-5 II vs Sony A6600
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Pentax K-5 II||Sony A6600|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Pentax K mount lenses||Sony E mount lenses|
|Launch Date||September 2012||August 2019|
|Launch Price||USD 1,099||USD 1,399|
|Sensor Specs||Pentax K-5 II||Sony A6600|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||23.7 x 15.7 mm||23.5 x 15.6 mm|
|Sensor Area||372.09 mm2||366.6 mm2|
|Sensor Diagonal||28.4 mm||28.2 mm|
|Sensor Resolution||16.1 Megapixels||24 Megapixels|
|Image Resolution||4928 x 3264 pixels||6000 x 4000 pixels|
|Pixel Pitch||4.81 μm||3.91 μm|
|Pixel Density||4.32 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/25p Video||4K/30p Video|
|ISO Setting||100 - 12,800 ISO||100 - 32,000 ISO|
|ISO Boost||80 - 51,200 ISO||100 - 102,400 ISO|
|Image Processor||PRIME II||BIONZ X|
|DXO Sensor Quality (score)||82||82|
|DXO Color Depth (bits)||23.8||23.8|
|DXO Dynamic Range (EV)||14.1||13.4|
|DXO Low Light (ISO)||1235||1497|
|Screen Specs||Pentax K-5 II||Sony A6600|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||921k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Pentax K-5 II||Sony A6600|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||7 shutter flaps/s||11 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||100 000 actuations|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Pentax K-5 II||Sony A6600|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||YES HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Pentax K-5 II||Sony A6600|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||740 shots per charge||810 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
131 x 97 x 73 mm
(5.2 x 3.8 x 2.9 in)
120 x 67 x 69 mm
(4.7 x 2.6 x 2.7 in)
|Camera Weight||760 g (26.8 oz)||503 g (17.7 oz)|
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