Pentax K-3 vs Olympus E-M1 II

The Pentax K-3 and the Olympus OM-D E-M1 Mark II are two enthusiast cameras that were revealed to the public, respectively, in October 2013 and September 2016. The K-3 is a DSLR, while the E-M1 II is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (K-3) and a Four Thirds (E-M1 II) sensor. The Pentax has a resolution of 24.1 megapixels, whereas the Olympus provides 20.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Pentax K-3		Olympus E-M1 II
Digital single lens reflex		Mirrorless system camera
Pentax K mount lenses		Micro Four Thirds lenses
24.1 MP – APS-C sensor		20.2 MP – Four Thirds sensor
1080/60i Video		4K/30p Video
ISO 100-51,200		ISO 200-25,600
Optical viewfinder		Electronic viewfinder (2360k dots)
3.2" LCD – 1037k dots		3.0" LCD – 1037k dots
Fixed screen (not touch-sensitive)		Swivel touchscreen
8.3 shutter flaps per second		18 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		Weathersealed body
560 shots per battery charge		440 shots per battery charge
131 x 100 x 77 mm, 800 g		134 x 91 x 67 mm, 574 g

Check K-3 offers at
ebay.com
Check E-M1 II offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Pentax K-3 and the Olympus OM-D E-M1 Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Pentax K-3 and the Olympus E-M1 II. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

The K-3 can be obtained in two different colors (black, silver), while the E-M1 II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M1 II is notably smaller (7 percent) than the Pentax K-3. Moreover, the E-M1 II is markedly lighter (28 percent) than the K-3. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the K-3 gets 560 shots out of its Pentax D-LI90 battery, while the E-M1 II can take 440 images on a single charge of its Olympus BLH-1 power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Pentax K-3	131 mm	100 mm	77 mm	800 g	560	Y	Oct 2013	1,299	ebay.com
2.		Olympus E-M1 II	134 mm	91 mm	67 mm	574 g	440	Y	Sep 2016	1,999	ebay.com
3.		Nikon D7100	136 mm	107 mm	76 mm	765 g	950	Y	Feb 2013	1,199	ebay.com
4.		Olympus E-M1	130 mm	94 mm	63 mm	497 g	350	Y	Sep 2013	1,399	ebay.com
5.		Olympus E-M1 III	134 mm	91 mm	69 mm	580 g	420	Y	Feb 2020	1,799	ebay.com
6.		Olympus PEN-F	125 mm	72 mm	37 mm	427 g	330	n	Jan 2016	1,199	ebay.com
7.		Panasonic G85	128 mm	89 mm	74 mm	505 g	330	Y	Sep 2016	899	ebay.com
8.		Panasonic GH5	139 mm	98 mm	87 mm	725 g	410	Y	Jan 2017	1,999	ebay.com
9.		Pentax K-3 II	131 mm	100 mm	77 mm	800 g	720	Y	Apr 2015	1,099	ebay.com
10.		Pentax K-5	131 mm	97 mm	73 mm	760 g	740	Y	Sep 2010	1,099	ebay.com
11.		Pentax K-5 II	131 mm	97 mm	73 mm	760 g	740	Y	Sep 2012	1,099	ebay.com
12.		Pentax K-50	130 mm	97 mm	71 mm	650 g	410	Y	Jun 2013	599	ebay.com
13.		Pentax K-70	126 mm	93 mm	74 mm	688 g	410	Y	Jun 2016	649	ebay.com
14.		Pentax KP	132 mm	101 mm	76 mm	703 g	390	Y	Jan 2017	1,099	ebay.com
15.		Pentax K-S1	121 mm	93 mm	70 mm	558 g	410	n	Aug 2014	749	ebay.com
16.		Pentax K-S2	123 mm	91 mm	73 mm	678 g	410	Y	Feb 2015	749	ebay.com
17.		Sony A77	143 mm	104 mm	81 mm	732 g	470	Y	Aug 2011	1,399	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The K-3 was launched at a markedly lower price (by 35 percent) than the E-M1 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Pentax K-3 features an APS-C sensor and the Olympus E-M1 II a Four Thirds sensor. The sensor area in the E-M1 II is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the K-3 has a native 3:2 aspect ratio, while the one in the E-M1 II offers a 4:3 aspect.

With 24.1MP, the K-3 offers a higher resolution than the E-M1 II (20.2MP), but the K-3 nevertheless has larger individual pixels (pixel pitch of 3.90μm versus 3.34μm for the E-M1 II) due to its larger sensor. However, the E-M1 II is a much more recent model (by 2 years and 11 months) than the K-3, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Pentax K-3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-3 for good quality output (200 dots per inch) amounts to 30.1 x 20 inches or 76.4 x 50.8 cm, for very good quality (250 dpi) 24.1 x 16 inches or 61.1 x 40.6 cm, and for excellent quality (300 dpi) 20.1 x 13.3 inches or 50.9 x 33.9 cm. The corresponding values for the Olympus E-M1 II are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.

The E-M1 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the K-3, the E-M1 II has the capacity to capture high quality composite images (50MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Pentax K-3 has a native sensitivity range from ISO 100 to ISO 51200. The corresponding ISO settings for the Olympus OM-D E-M1 Mark II are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 64-25600.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Pentax K-3	APS-C	24.1	6016	4000	1080/60i	23.7	13.4	1216	80
2.		Olympus E-M1 II	Four Thirds	20.2	5184	3888	4K/30p	23.7	12.8	1312	80
3.		Nikon D7100	APS-C	24.0	6000	4000	1080/60p	24.2	13.7	1256	83
4.		Olympus E-M1	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.7	757	73
5.		Olympus E-M1 III	Four Thirds	20.2	5184	3888	4K/30p	23.3	13.1	1356	76
6.		Olympus PEN-F	Four Thirds	20.2	5184	3888	1080/60p	23.1	12.4	894	74
7.		Panasonic G85	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.5	656	71
8.		Panasonic GH5	Four Thirds	20.2	5184	3888	4K/60p	23.9	13.0	807	77
9.		Pentax K-3 II	APS-C	24.1	6016	4000	1080/60i	23.6	13.6	1106	80
10.		Pentax K-5	APS-C	16.1	4928	3264	1080/25p	23.7	14.1	1162	82
11.		Pentax K-5 II	APS-C	16.1	4928	3264	1080/25p	23.8	14.1	1235	82
12.		Pentax K-50	APS-C	16.1	4928	3264	1080/30p	23.7	13.0	1120	79
13.		Pentax K-70	APS-C	24.0	6000	4000	1080/60i	23.8	13.1	1639	80
14.		Pentax KP	APS-C	24.1	6016	4000	1080/60i	23.9	13.2	1699	81
15.		Pentax K-S1	APS-C	20.0	5472	3648	1080/30p	23.5	13.0	1061	78
16.		Pentax K-S2	APS-C	20.0	5472	3648	1080/30p	23.6	12.9	1514	79
17.		Sony A77	APS-C	24.0	6000	4000	1080/60p	24.0	13.2	801	78
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the E-M1 II provides a better video resolution than the K-3. It can shoot movie footage at 4K/30p, while the Pentax is limited to 1080/60i.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the E-M1 II has an electronic viewfinder (2360k dots), while the K-3 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the E-M1 II has a higher magnification than the one of the K-3 (0.74x vs 0.63x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Pentax K-3 and Olympus E-M1 II in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Pentax K-3	optical	Y	3.2 / 1037	fixed	n	1/8000s	8.3/s	Y	Y
2.		Olympus E-M1 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
3.		Nikon D7100	optical	Y	3.2 / 1229	fixed	n	1/8000s	6.0/s	Y	n
4.		Olympus E-M1	2360	n	3.0 / 1037	tilting	Y	1/8000s	10.0/s	n	Y
5.		Olympus E-M1 III	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
6.		Olympus PEN-F	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
7.		Panasonic G85	2360	n	3.0 / 1040	swivel	Y	1/4000s	9.0/s	Y	Y
8.		Panasonic GH5	3680	n	3.2 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
9.		Pentax K-3 II	optical	Y	3.2 / 1037	fixed	n	1/8000s	8.3/s	n	Y
10.		Pentax K-5	optical	Y	3.0 / 921	fixed	n	1/8000s	7.0/s	Y	Y
11.		Pentax K-5 II	optical	Y	3.0 / 921	fixed	n	1/8000s	7.0/s	Y	Y
12.		Pentax K-50	optical	n	3.0 / 921	fixed	n	1/6000s	6.0/s	Y	Y
13.		Pentax K-70	optical	n	3.0 / 921	swivel	n	1/6000s	6.0/s	Y	Y
14.		Pentax KP	optical	n	3.0 / 921	tilting	n	1/6000s	7.0/s	Y	Y
15.		Pentax K-S1	optical	n	3.0 / 921	fixed	n	1/6000s	5.4/s	Y	Y
16.		Pentax K-S2	optical	n	3.0 / 921	swivel	n	1/6000s	5.4/s	Y	Y
17.		Sony A77	2359	Y	3.0 / 921	full-flex	n	1/8000s	12.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The K-3 has one, while the E-M1 II does not. While the built-in flash of the K-3 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M1 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Pentax K-3 and the Olympus E-M1 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the K-3 and the E-M1 II write their files to SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The E-M1 II supports UHS-II cards (on its first slot), while the K-3 can use UHS-I cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Pentax K-3 and Olympus OM-D E-M1 Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Pentax K-3	Y	mono / mono	Y	Y	mini	3.0	-	-	-
2.		Olympus E-M1 II	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
3.		Nikon D7100	Y	stereo / mono	Y	Y	mini	2.0	-	-	-
4.		Olympus E-M1	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
5.		Olympus E-M1 III	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
6.		Olympus PEN-F	Y	stereo / mono	-	-	micro	2.0	Y	-	-
7.		Panasonic G85	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
8.		Panasonic GH5	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
9.		Pentax K-3 II	Y	mono / mono	Y	Y	mini	3.0	-	-	-
10.		Pentax K-5	Y	stereo / mono	Y	-	mini	2.0	-	-	-
11.		Pentax K-5 II	Y	stereo / mono	Y	-	mini	2.0	-	-	-
12.		Pentax K-50	Y	mono / mono	-	-	micro	2.0	-	-	-
13.		Pentax K-70	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
14.		Pentax KP	Y	stereo / mono	Y	-	-	2.0	Y	-	-
15.		Pentax K-S1	Y	stereo / mono	-	-	micro	2.0	-	-	-
16.		Pentax K-S2	Y	mono / mono	Y	-	micro	2.0	Y	Y	-
17.		Sony A77	Y	stereo / mono	Y	-	mini	2.0	-	-	-

It is notable that the E-M1 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the K-3 does not provide wifi capability.

Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.

Both the K-3 and the E-M1 II have been discontinued, but can regularly be found used on ebay. The K-3 was replaced by the Pentax K-3 II, while the E-M1 II was followed by the Olympus E-M1 III. Further information on the features and operation of the K-3 and E-M1 II can be found, respectively, in the Pentax K-3 Manual (free pdf) or the online Olympus E-M1 II Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Pentax K-3 or the Olympus E-M1 II – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Pentax K-3:

• More detail: Offers more megapixels (24.1 vs 20.2MP) with a 11% higher linear resolution.
• More dynamic range: Captures a larger spectrum of light and dark details (0.6 EV of extra DR).
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• Longer lasting: Can take more shots (560 versus 440) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (35 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in October 2013).

Reasons to prefer the Olympus OM-D E-M1 Mark II:

• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• More framing info: Has an electronic viewfinder that displays shooting data.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.63x).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (18 vs 8.3 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Less heavy: Has a lower weight (by 226g or 28 percent) and is thus easier to take along.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 2 years and 11 months of technical progress since the K-3 launch.

If the number of relative strengths (bullet points above) is taken as a guide, the E-M1 II is the clear winner of the contest (15 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Pentax K-3 and the Olympus E-M1 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the K-3 and the E-M1 II in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Pentax K-3	4/5	..	..	83/100	5/5	5/5	Oct 2013	1,299	ebay.com
2.		Olympus E-M1 II	5/5	+ +	5/5	85/100	4.5/5	4.5/5	Sep 2016	1,999	ebay.com
3.		Nikon D7100	5/5	+ +	..	85/100	4.5/5	4.5/5	Feb 2013	1,199	ebay.com
4.		Olympus E-M1	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2013	1,399	ebay.com
5.		Olympus E-M1 III	5/5	..	5/5	83/100	4.5/5	4/5	Feb 2020	1,799	ebay.com
6.		Olympus PEN-F	..	..	4/5	82/100	4.5/5	5/5	Jan 2016	1,199	ebay.com
7.		Panasonic G85	..	+ +	..	84/100	5/5	4.5/5	Sep 2016	899	ebay.com
8.		Panasonic GH5	4.5/5	+ +	..	85/100	4.5/5	5/5	Jan 2017	1,999	ebay.com
9.		Pentax K-3 II	4.5/5	..	..	..	5/5	5/5	Apr 2015	1,099	ebay.com
10.		Pentax K-5	4/5	..	..	83/100	5/5	4.5/5	Sep 2010	1,099	ebay.com
11.		Pentax K-5 II	5/5	..	..	80/100	5/5	4.5/5	Sep 2012	1,099	ebay.com
12.		Pentax K-50	5/5	..	..	..	5/5	4.5/5	Jun 2013	599	ebay.com
13.		Pentax K-70	4.5/5	..	4/5	79/100	4.5/5	4.5/5	Jun 2016	649	ebay.com
14.		Pentax KP	4/5	..	3/5	82/100	5/5	4.5/5	Jan 2017	1,099	ebay.com
15.		Pentax K-S1	4/5	..	..	..	4.5/5	4/5	Aug 2014	749	ebay.com
16.		Pentax K-S2	4.5/5	..	..	..	5/5	4.5/5	Feb 2015	749	ebay.com
17.		Sony A77	5/5	91/100	..	81/100	..	5/5	Aug 2011	1,399	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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