Pentax K-3 vs Canon 200D
The Pentax K-3 and the Canon EOS 200D (labelled Canon SL2 in some countries) are two digital cameras that were officially introduced, respectively, in October 2013 and June 2017. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with an APS-C sensor. The Pentax has a resolution of 24.1 megapixels, whereas the Canon provides 24 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Pentax K-3||Canon 200D|
|Digital single lens reflex||Digital single lens reflex|
|Pentax K mount lenses||Canon EF mount lenses|
|24.1 MP, APS-C Sensor||24 MP, APS-C Sensor|
|1080/60i Video||1080/60p Video|
|ISO 100-51200||ISO 100-25600 (100-51200)|
|Optical viewfinder||Optical viewfinder|
|3.2" LCD, 1037k dots||3.0" LCD, 1040k dots|
|Fixed screen (not touch-sensitive)||Swivel touchscreen|
|8.3 shutter flaps per second||5 shutter flaps per second|
|In-body stabilization||Lens stabilization only|
|Weathersealed body||Not weather sealed|
|560 shots per battery charge||650 shots per battery charge|
|131 x 100 x 77 mm, 800 g||122 x 93 x 70 mm, 453 g|
Body comparison: Pentax K-3 vs Canon 200D
An illustration of the physical size and weight of the Pentax K-3 and the Canon 200D is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 200D is notably smaller (13 percent) than the Pentax K-3. Moreover, the 200D is substantially lighter (43 percent) than the K-3. It is worth mentioning in this context that the K-3 is splash and dust resistant, while the 200D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Pentax K-3»||5.2 in||3.9 in||3.0 in||28.2 oz||560||Y||Oct 2013||1,299||-||Pentax K-3|
|Canon 200D«||4.8 in||3.7 in||2.8 in||16.0 oz||650||n||Jun 2017||549||Canon 200D|
|Canon 2000D« »||5.1 in||4.0 in||3.1 in||16.8 oz||500||n||Feb 2018||449||Canon 2000D|
|Canon 77D« »||5.2 in||3.9 in||3.0 in||19.0 oz||600||n||Feb 2017||899||Canon 77D|
|Canon M100« »||4.3 in||2.6 in||1.4 in||10.7 oz||295||n||Aug 2017||499||Canon M100|
|Canon M5« »||4.6 in||3.5 in||2.4 in||15.1 oz||295||n||Sep 2016||979||Canon M5|
|Canon 70D« »||5.5 in||4.1 in||3.1 in||26.6 oz||920||Y||Jul 2013||1,199||-||Canon 70D|
|Canon 100D« »||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||-||Canon 100D|
|Nikon D7200« »||5.4 in||4.2 in||3.0 in||27.0 oz||1110||Y||Mar 2015||1,199||-||Nikon D7200|
|Nikon D7100« »||5.4 in||4.2 in||3.0 in||27.0 oz||950||Y||Feb 2013||1,199||-||Nikon D7100|
|Pentax KP« »||5.2 in||4.0 in||3.0 in||24.8 oz||390||Y||Jan 2017||1,099||Pentax KP|
|Pentax K-70« »||5.0 in||3.7 in||2.9 in||24.3 oz||410||Y||Jun 2016||649||Pentax K-70|
|Pentax K-3 II« »||5.2 in||3.9 in||3.0 in||28.2 oz||720||Y||Apr 2015||1,099||Pentax K-3 II|
|Pentax K-5« »||5.2 in||3.8 in||2.9 in||26.8 oz||740||Y||Sep 2010||1,099||-||Pentax K-5|
|Sony A6500« »||4.7 in||2.6 in||2.1 in||16.0 oz||350||Y||Oct 2016||1,399||Sony A6500|
|Sony RX10« »||5.1 in||3.5 in||4.0 in||28.7 oz||420||Y||Oct 2013||1,299||-||Sony RX10|
|Sony A99« »||5.8 in||4.4 in||3.1 in||28.6 oz||500||Y||Sep 2012||2,799||-||Sony A99|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 200D was launched at a markedly lower price (by 58 percent) than the K-3, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Pentax K-3 vs Canon 200D
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the 200D is 10 percent smaller. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.5 (K-3) and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 24.1MP, the K-3 offers a slightly higher resolution than the 200D (24MP), but the K-3 nevertheless has larger individual pixels (pixel pitch of 3.90μm versus 3.72μm for the 200D) due to its larger sensor. However, the 200D is a somewhat more recent model (by 3 years and 8 months) than the K-3, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the K-3 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The 200D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.
The Pentax K-3 has a native sensitivity range from ISO 100 to ISO 51200 The corresponding ISO settings for the Canon EOS 200D are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200..
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Pentax K-3»||APS-C||24.1||6016||4000||1080/60i||23.7||13.4||1216||80||Pentax K-3|
|Canon 200D«||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon 200D|
|Canon 2000D« »||APS-C||24.0||6000||4000||1080/30p||22.6||11.9||1009||71||Canon 2000D|
|Canon 77D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.3||971||78||Canon 77D|
|Canon M100« »||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon M5« »||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77||Canon M5|
|Canon 70D« »||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68||Canon 70D|
|Canon 100D« »||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon 100D|
|Nikon D7200« »||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87||Nikon D7200|
|Nikon D7100« »||APS-C||24.0||6000||4000||1080/60p||24.2||13.7||1256||83||Nikon D7100|
|Pentax KP« »||APS-C||24.1||6016||4000||1080/60i||-||-||-||-||Pentax KP|
|Pentax K-70« »||APS-C||24.0||6000||4000||1080/60i||-||-||-||-||Pentax K-70|
|Pentax K-3 II« »||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80||Pentax K-3 II|
|Pentax K-5« »||APS-C||16.1||4928||3264||1080/25p||23.7||14.1||1162||82||Pentax K-5|
|Sony A6500« »||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85||Sony A6500|
|Sony RX10« »||1-inch||20.0||5472||3648||1080/60p||22.9||12.6||474||69||Sony RX10|
|Sony A99« »||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89||Sony A99|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the 200D provides a faster frame rate than the K-3. It can shoot movie footage at 1080/60p, while the Pentax is limited to 1080/60i.
Feature comparison: Pentax K-3 vs Canon 200D
Beyond body and sensor, cameras can and do differ across a range of features. The K-3 and the 200D are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The adjacent table lists some of the other core features of the Pentax K-3 and Canon 200D along with similar information for a selection of comparators.
|Pentax K-3»||optical||Y||3.2||1037||fixed||n||8000||8.3||Y||Y||Pentax K-3|
|Canon 200D«||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon 200D|
|Canon 2000D« »||optical||n||3.0||920||fixed||n||4000||3.0||Y||n||Canon 2000D|
|Canon 77D« »||optical||Y||3.0||1040||swivel||Y||4000||6.0||Y||n||Canon 77D|
|Canon M100« »||-||n||3.0||1040||tilting||Y||4000||6.1||Y||n||Canon M100|
|Canon M5« »||2360||n||3.2||1620||tilting||Y||4000||9.0||Y||n||Canon M5|
|Canon 70D« »||optical||Y||3.0||1040||swivel||Y||8000||7.0||Y||n||Canon 70D|
|Canon 100D« »||optical||n||3.0||1040||fixed||Y||4000||4.9||Y||n||Canon 100D|
|Nikon D7200« »||optical||Y||3.2||1229||fixed||n||8000||6.0||Y||n||Nikon D7200|
|Nikon D7100« »||optical||Y||3.2||1229||fixed||n||8000||6.0||Y||n||Nikon D7100|
|Pentax KP« »||optical||n||3.0||921||tilting||n||6000||7.0||Y||Y||Pentax KP|
|Pentax K-70« »||optical||n||3.0||921||swivel||n||6000||6.0||Y||Y||Pentax K-70|
|Pentax K-3 II« »||optical||Y||3.2||1037||fixed||n||8000||8.3||n||Y||Pentax K-3 II|
|Pentax K-5« »||optical||Y||3.0||921||fixed||n||8000||7.0||Y||Y||Pentax K-5|
|Sony A6500« »||2359||n||3.0||922||tilting||Y||4000||11.0||Y||Y||Sony A6500|
|Sony RX10« »||1440||Y||3.0||1229||tilting||n||3200||10.0||Y||Y||Sony RX10|
|Sony A99« »||2359||Y||3.0||1229||full-flex||n||8000||6.0||n||Y||Sony A99|
One feature that is present on the K-3, but is missing on the 200D is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The 200D has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the K-3 does not have a selfie-screen.
Concerning the storage of imaging data, both the K-3 and the 200D write their files to SDXC cards. The K-3 features dual card slots, which can be very useful in case a memory card fails. In contrast, the 200D only has one slot.
Connectivity comparison: Pentax K-3 vs Canon 200D
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Pentax K-3 and Canon EOS 200D and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Pentax K-3»||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Pentax K-3|
|Canon 200D«||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 200D|
|Canon 2000D« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 2000D|
|Canon 77D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 77D|
|Canon M100« »||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon M5« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M5|
|Canon 70D« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Canon 70D|
|Canon 100D« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 100D|
|Nikon D7200« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Nikon D7200|
|Nikon D7100« »||Y||stereo||mono||Y||Y||mini||2.0||-||-||-||Nikon D7100|
|Pentax KP« »||Y||stereo||mono||Y||-||-||2.0||Y||-||-||Pentax KP|
|Pentax K-70« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Pentax K-70|
|Pentax K-3 II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Pentax K-3 II|
|Pentax K-5« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Pentax K-5|
|Sony A6500« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6500|
|Sony RX10« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10|
|Sony A99« »||Y||stereo||mono||Y||Y||mini||2.0||-||-||-||Sony A99|
It is notable that the K-3 has a headphone jack, which is not present on the 200D This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.
Studio photographers will appreciate that the Pentax K-3 (unlike the 200D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The 200D is a recent model that features in the current product line-up of Canon. In contrast, the K-3 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the K-3 was succeeded by the Pentax K-3 II.
Review summary: Pentax K-3 vs Canon 200D
So what is the bottom line? Is the Pentax K-3 better than the Canon 200D or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Pentax K-3:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (8.3 vs 5 flaps/sec) to capture the decisive moment.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in October 2013).
Advantages of the Canon EOS 200D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (122x93mm vs 131x100mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 347g or 43 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (650 versus 560) out of a single battery charge.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (58 percent cheaper at launch).
- More modern: Reflects 3 years and 8 months of technical progress since the K-3 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the 200D emerges as the winner of the match-up (14 : 12 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the K-3 or the 200D handle or perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews: Pentax K-3 vs Canon 200D
This is why hands-on reviews by experts are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Pentax K-3»||-||83/100||5/5||4.5/5||5/5||Oct 2013||1,299||-||Pentax K-3|
|Canon 200D«||HiRec||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549||Canon 200D|
|Canon 2000D« »||rev||-||3.5/5||-||3.5/5||Feb 2018||449||Canon 2000D|
|Canon 77D« »||-||82/100||4.5/5||4.5/5||4/5||Feb 2017||899||Canon 77D|
|Canon M100« »||Rec||-||4/5||-||3.5/5||Aug 2017||499||Canon M100|
|Canon M5« »||Rec||82/100||4/5||4.5/5||4/5||Sep 2016||979||Canon M5|
|Canon 70D« »||HiRec||83/100||4.5/5||4.5/5||5/5||Jul 2013||1,199||-||Canon 70D|
|Canon 100D« »||Rec||78/100||4/5||4/5||4/5||Mar 2013||549||-||Canon 100D|
|Nikon D7200« »||HiRec||84/100||4.5/5||4/5||4.5/5||Mar 2015||1,199||-||Nikon D7200|
|Nikon D7100« »||HiRec||85/100||4.5/5||5/5||4.5/5||Feb 2013||1,199||-||Nikon D7100|
|Pentax KP« »||-||82/100||5/5||-||4.5/5||Jan 2017||1,099||Pentax KP|
|Pentax K-70« »||-||79/100||4.5/5||4/5||4.5/5||Jun 2016||649||Pentax K-70|
|Pentax K-3 II« »||-||-||5/5||4.5/5||5/5||Apr 2015||1,099||Pentax K-3 II|
|Pentax K-5« »||-||83/100||5/5||4.5/5||4.5/5||Sep 2010||1,099||-||Pentax K-5|
|Sony A6500« »||HiRec||85/100||4.5/5||5/5||4.5/5||Oct 2016||1,399||Sony A6500|
|Sony RX10« »||Rec||80/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,299||-||Sony RX10|
|Sony A99« »||-||84/100||4.5/5||rev||4.5/5||Sep 2012||2,799||-||Sony A99|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
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Specifications: Pentax K-3 vs Canon 200D
|Camera Model||Pentax K-3||Canon 200D|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Pentax K mount lenses||Canon EF mount lenses|
|Launch Date||October 2013||June 2017|
|Launch Price||USD 1299||USD 549|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||23.5 x 15.6 mm||22.3 x 15.6 mm|
|Sensor Area||366.6 mm2||332.27 mm2|
|Sensor Diagonal||28.2 mm||26.8 mm|
|Sensor Resolution||24.1 Megapixels||24 Megapixels|
|Image Resolution||6016 x 4000 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.90 μm||3.72 μm|
|Pixel Density||6.56 MP/cm2||7.22 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60i Video||1080/60p Video|
|ISO Setting||100-51200 ISO||100-25600 ISO|
|ISO Boost||no Enhancement||100-51200 ISO|
|Image Processor||PRIME III||DIGIC 7|
|DXO Sensor Quality (score)||80||79|
|DXO Color Depth (bits)||23.7||23.6|
|DXO Dynamic Range (EV)||13.4||13.4|
|DXO Low Light (ISO)||1216||1041|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||1037k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Autofocus System||Phase-detect AF||Phase-detect AF|
|Maximum Shutter Speed||1/8000s||1/4000s|
|Continuous Shooting||8.3 shutter flaps/s||5 shutter flaps/s|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Type||D-LI90 power pack||LP-E17 power pack|
|Battery Life (CIPA)||560 shots per charge||650 shots per charge|
131 x 100 x 77 mm
(5.2 x 3.9 x 3.0 in)
122 x 93 x 70 mm
(4.8 x 3.7 x 2.8 in)
|Camera Weight||800 g (28.2 oz)||453 g (16.0 oz)|
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