Pentax K-3 II vs Nikon D5500

The Pentax K-3 II and the Nikon D5500 are two digital cameras that were revealed to the public, respectively, in April 2015 and January 2015. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with an APS-C sensor. The Pentax has a resolution of 24.1 megapixels, whereas the Nikon provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Pentax K-3 II		Nikon D5500
Digital single lens reflex		Digital single lens reflex
Pentax K mount lenses		Nikon F mount lenses
24.1 MP – APS-C sensor		24 MP – APS-C sensor
1080/60i Video		1080/60p Video
ISO 100-51,200		ISO 100-25,600
Optical viewfinder		Optical viewfinder
3.2" LCD – 1037k dots		3.2" LCD – 1037k dots
Fixed screen (not touch-sensitive)		Swivel touchscreen
8.3 shutter flaps per second		5 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		not weather sealed
720 shots per battery charge		820 shots per battery charge
131 x 100 x 77 mm, 800 g		124 x 97 x 70 mm, 470 g

Check K-3 II offers at
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Check D5500 offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Pentax K-3 II and the Nikon D5500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Pentax K-3 II and the Nikon D5500 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The K-3 II can be obtained in two different colors (black, silver), while the D5500 is also available in two color-versions, but different ones (black, red).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D5500 is notably smaller (8 percent) than the Pentax K-3 II. Moreover, the D5500 is substantially lighter (41 percent) than the K-3 II. It is worth mentioning in this context that the K-3 II is splash and dust resistant, while the D5500 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the K-3 II gets 720 shots out of its Pentax D-LI90 battery, while the D5500 can take 820 images on a single charge of its Nikon EN-EL14a power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Pentax K-3 II	131 mm	100 mm	77 mm	800 g	720	Y	Apr 2015	1,099	ebay.com
2.		Nikon D5500	124 mm	97 mm	70 mm	470 g	820	n	Jan 2015	899	ebay.com
3.		Nikon D3300	124 mm	98 mm	76 mm	430 g	700	n	Jan 2014	499	ebay.com
4.		Nikon D3400	124 mm	98 mm	76 mm	445 g	1200	n	Aug 2016	499	ebay.com
5.		Nikon D5200	129 mm	98 mm	78 mm	555 g	500	n	Nov 2012	749	ebay.com
6.		Nikon D5300	125 mm	98 mm	76 mm	480 g	600	n	Oct 2013	799	ebay.com
7.		Nikon D5600	124 mm	97 mm	70 mm	465 g	970	n	Nov 2016	699	ebay.com
8.		Nikon D7200	136 mm	107 mm	76 mm	765 g	1110	Y	Mar 2015	1,199	ebay.com
9.		Pentax K-3	131 mm	100 mm	77 mm	800 g	560	Y	Oct 2013	1,299	ebay.com
10.		Pentax K-3 III	135 mm	104 mm	74 mm	820 g	800	Y	Mar 2021	1,999	amazon.com
11.		Pentax K-5	131 mm	97 mm	73 mm	760 g	740	Y	Sep 2010	1,099	ebay.com
12.		Pentax K-5 II	131 mm	97 mm	73 mm	760 g	740	Y	Sep 2012	1,099	ebay.com
13.		Pentax K-70	126 mm	93 mm	74 mm	688 g	410	Y	Jun 2016	649	ebay.com
14.		Pentax KP	132 mm	101 mm	76 mm	703 g	390	Y	Jan 2017	1,099	ebay.com
15.		Pentax K-S1	121 mm	93 mm	70 mm	558 g	410	n	Aug 2014	749	ebay.com
16.		Pentax K-S2	123 mm	91 mm	73 mm	678 g	410	Y	Feb 2015	749	ebay.com
17.		Sony A77 II	143 mm	104 mm	81 mm	647 g	480	Y	May 2014	1,199	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The D5500 was launched at a somewhat lower price (by 18 percent) than the K-3 II, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Both cameras under consideration feature an APS-C sensor and have a format factor (sometimes also referred to as "crop factor") of 1.5. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

While the two cameras under review share the same sensor size, the K-3 II offers a slightly higher resolution of 24.1 megapixels, compared with 24 MP of the D5500. This megapixels advantage translates into a 0.3 percent gain in linear resolution. On the other hand, these sensor specs imply that the K-3 II has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.90μm versus 3.91μm for the D5500). In this context, it should be noted, however, that the K-3 II is a somewhat more recent model (by 3 months) than the D5500, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

Unlike the D5500, the K-3 II has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Pentax K-3 II has a native sensitivity range from ISO 100 to ISO 51200. The corresponding ISO settings for the Nikon D5500 are ISO 100 to ISO 25600 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the D5500 has a markedly higher DXO score than the K-3 II (overall score 4 points higher), which will translate into better image quality. The advantage is based on 0.5 bits higher color depth, 0.4 EV in additional dynamic range, and 0.4 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Pentax K-3 II	APS-C	24.1	6016	4000	1080/60i	23.6	13.6	1106	80
2.		Nikon D5500	APS-C	24.0	6000	4000	1080/60p	24.1	14.0	1438	84
3.		Nikon D3300	APS-C	24.0	6000	4000	1080/60p	24.3	12.8	1385	82
4.		Nikon D3400	APS-C	24.0	6000	4000	1080/60p	24.8	13.9	1192	86
5.		Nikon D5200	APS-C	24.0	6000	4000	1080/60i	24.2	13.9	1284	84
6.		Nikon D5300	APS-C	24.0	6000	4000	1080/60p	24.0	13.9	1338	83
7.		Nikon D5600	APS-C	24.0	6000	4000	1080/60p	24.1	14.0	1306	84
8.		Nikon D7200	APS-C	24.0	6000	4000	1080/60p	24.5	14.6	1333	87
9.		Pentax K-3	APS-C	24.1	6016	4000	1080/60i	23.7	13.4	1216	80
10.		Pentax K-3 III	APS-C	25.6	6192	4128	4K/30p	24.2	13.7	2083	85
11.		Pentax K-5	APS-C	16.1	4928	3264	1080/25p	23.7	14.1	1162	82
12.		Pentax K-5 II	APS-C	16.1	4928	3264	1080/25p	23.8	14.1	1235	82
13.		Pentax K-70	APS-C	24.0	6000	4000	1080/60i	23.8	13.1	1639	80
14.		Pentax KP	APS-C	24.1	6016	4000	1080/60i	23.9	13.2	1699	81
15.		Pentax K-S1	APS-C	20.0	5472	3648	1080/30p	23.5	13.0	1061	78
16.		Pentax K-S2	APS-C	20.0	5472	3648	1080/30p	23.6	12.9	1514	79
17.		Sony A77 II	APS-C	24.0	6000	4000	1080/60p	24.4	13.4	1013	82
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the D5500 provides a faster frame rate than the K-3 II. It can shoot movie footage at 1080/60p, while the Pentax is limited to 1080/60i.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The K-3 II and the D5500 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the K-3 II offers a wider field of view (100%) than the one in the D5500 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the K-3 II has a higher magnification (0.63x vs 0.57x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Pentax K-3 II and Nikon D5500 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Pentax K-3 II	optical	Y	3.2 / 1037	fixed	n	1/8000s	8.3/s	n	Y
2.		Nikon D5500	optical	n	3.2 / 1037	swivel	Y	1/4000s	5.0/s	Y	n
3.		Nikon D3300	optical	n	3.0 / 921	fixed	n	1/4000s	5.0/s	Y	n
4.		Nikon D3400	optical	n	3.0 / 921	fixed	n	1/4000s	5.0/s	Y	n
5.		Nikon D5200	optical	n	3.0 / 921	swivel	n	1/4000s	5.0/s	Y	n
6.		Nikon D5300	optical	n	3.2 / 1037	swivel	n	1/4000s	5.0/s	Y	n
7.		Nikon D5600	optical	n	3.2 / 1037	swivel	Y	1/4000s	5.0/s	Y	n
8.		Nikon D7200	optical	Y	3.2 / 1229	fixed	n	1/8000s	6.0/s	Y	n
9.		Pentax K-3	optical	Y	3.2 / 1037	fixed	n	1/8000s	8.3/s	Y	Y
10.		Pentax K-3 III	optical	Y	3.2 / 1620	fixed	Y	1/8000s	12.0/s	n	Y
11.		Pentax K-5	optical	Y	3.0 / 921	fixed	n	1/8000s	7.0/s	Y	Y
12.		Pentax K-5 II	optical	Y	3.0 / 921	fixed	n	1/8000s	7.0/s	Y	Y
13.		Pentax K-70	optical	n	3.0 / 921	swivel	n	1/6000s	6.0/s	Y	Y
14.		Pentax KP	optical	n	3.0 / 921	tilting	n	1/6000s	7.0/s	Y	Y
15.		Pentax K-S1	optical	n	3.0 / 921	fixed	n	1/6000s	5.4/s	Y	Y
16.		Pentax K-S2	optical	n	3.0 / 921	swivel	n	1/6000s	5.4/s	Y	Y
17.		Sony A77 II	2359	Y	3.0 / 1229	full-flex	n	1/8000s	12.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the K-3 II, but is missing on the D5500 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The Pentax K-3 II and the Nikon D5500 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the K-3 II and the D5500 write their files to SDXC cards. The K-3 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the D5500 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Pentax K-3 II and Nikon D5500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Pentax K-3 II	Y	mono / mono	Y	Y	mini	3.0	-	-	-
2.		Nikon D5500	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
3.		Nikon D3300	Y	mono / mono	Y	-	mini	2.0	-	-	-
4.		Nikon D3400	Y	mono / mono	-	-	mini	2.0	-	-	Y
5.		Nikon D5200	Y	stereo / mono	Y	-	mini	2.0	-	-	-
6.		Nikon D5300	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
7.		Nikon D5600	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
8.		Nikon D7200	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
9.		Pentax K-3	Y	mono / mono	Y	Y	mini	3.0	-	-	-
10.		Pentax K-3 III	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
11.		Pentax K-5	Y	stereo / mono	Y	-	mini	2.0	-	-	-
12.		Pentax K-5 II	Y	stereo / mono	Y	-	mini	2.0	-	-	-
13.		Pentax K-70	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
14.		Pentax KP	Y	stereo / mono	Y	-	-	2.0	Y	-	-
15.		Pentax K-S1	Y	stereo / mono	-	-	micro	2.0	-	-	-
16.		Pentax K-S2	Y	mono / mono	Y	-	micro	2.0	Y	Y	-
17.		Sony A77 II	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-

It is notable that the K-3 II has a headphone jack, which is not present on the D5500 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.

Studio photographers will appreciate that the Pentax K-3 II (unlike the D5500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Travel and landscape photographers will find it useful that the K-3 II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.

Both the K-3 II and the D5500 have been discontinued, but can regularly be found used on ebay. The D5500 was replaced by the Nikon D5600, while the K-3 II was followed by the Pentax K-3 III. Further information on the features and operation of the K-3 II and D5500 can be found, respectively, in the Pentax K-3 II Manual (free pdf) or the online Nikon D5500 Manual.

Review summary

So what conclusions can be drawn? Is the Pentax K-3 II better than the Nikon D5500 or vice versa? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Pentax K-3 II:

• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.63x vs 0.57x).
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (8.3 vs 5 flaps/sec) to capture the decisive moment.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Easier geotagging: Features an internal GPS sensor to log localization data.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More modern: Is somewhat more recent (announced 3 months after the D5500).

Arguments in favor of the Nikon D5500:

• Better image quality: Scores markedly higher (4 points) in the DXO overall evaluation.
• Better low-light sensitivity: Can shoot in dim conditions (0.4 stops ISO advantage).
• Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Less heavy: Has a lower weight (by 330g or 41 percent) and is thus easier to take along.
• Longer lasting: Gets more shots (820 versus 720) out of a single battery charge.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• More affordable: Was released into a lower priced segment (18 percent cheaper at launch).
• More heavily discounted: Has been on the market for longer (launched in January 2015).

If the count of relative strengths (bullet points above) is taken as a measure, the K-3 II emerges as the winner of the contest (14 : 12 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Pentax K-3 II and the Nikon D5500 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the K-3 II or the D5500 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Pentax K-3 II	4.5/5	..	..	..	5/5	5/5	Apr 2015	1,099	ebay.com
2.		Nikon D5500	5/5	+	..	79/100	4.5/5	4.5/5	Jan 2015	899	ebay.com
3.		Nikon D3300	3/5	+	..	77/100	4.5/5	4.5/5	Jan 2014	499	ebay.com
4.		Nikon D3400	4/5	+	4/5	76/100	4/5	4.5/5	Aug 2016	499	ebay.com
5.		Nikon D5200	4/5	+ +	..	79/100	4.5/5	4.5/5	Nov 2012	749	ebay.com
6.		Nikon D5300	4/5	+ +	..	79/100	4.5/5	4.5/5	Oct 2013	799	ebay.com
7.		Nikon D5600	4/5	..	4/5	79/100	4.5/5	4/5	Nov 2016	699	ebay.com
8.		Nikon D7200	4/5	+ +	..	84/100	4.5/5	4.5/5	Mar 2015	1,199	ebay.com
9.		Pentax K-3	4/5	..	..	83/100	5/5	5/5	Oct 2013	1,299	ebay.com
10.		Pentax K-3 III	4/5	..	3/5	..	4.5/5	..	Mar 2021	1,999	amazon.com
11.		Pentax K-5	4/5	..	..	83/100	5/5	4.5/5	Sep 2010	1,099	ebay.com
12.		Pentax K-5 II	5/5	..	..	80/100	5/5	4.5/5	Sep 2012	1,099	ebay.com
13.		Pentax K-70	4.5/5	..	4/5	79/100	4.5/5	4.5/5	Jun 2016	649	ebay.com
14.		Pentax KP	4/5	..	3/5	82/100	5/5	4.5/5	Jan 2017	1,099	ebay.com
15.		Pentax K-S1	4/5	..	..	..	4.5/5	4/5	Aug 2014	749	ebay.com
16.		Pentax K-S2	4.5/5	..	..	..	5/5	4.5/5	Feb 2015	749	ebay.com
17.		Sony A77 II	4/5	..	..	80/100	4.5/5	5/5	May 2014	1,199	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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