Pentax K-1 versus Olympus PEN-F
The Pentax K-1 and the Olympus PEN-F are two enthusiast cameras that were announced, respectively, in February 2016 and January 2016. The K-1 is a DSLR, while the PEN-F is a mirrorless interchangeable lens camera. The cameras are based on a full frame (K-1) and a Four Thirds sensor. The Pentax has a resolution of 36.2 megapixel, whereas the Olympus provides 20.2 MP.
An illustration of the physical size and weight of the Pentax K-1 and the Olympus PEN-F is provided in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All size dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the K-1 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus PEN-F is considerably smaller (40 percent) than the Pentax K-1. Moreover, the PEN-F is substantially lighter (58 percent) than the K-1. It is worth mentioning in this context that the K-1 is splash and dust resistant, while the PEN-F does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Pentax K-1 (⇒ rgt)||137 mm||110 mm||86 mm||1010 g||760||YES||2016||1,799||latest||check|
|Olympus PEN-F (⇒ lft)||125 mm||72 mm||37 mm||427 g||330||no||2016||1,199||latest||check|
|Canon 5D Mark IV (⇒ lft | rgt)||151 mm||116 mm||76 mm||890 g||900||YES||2016||3,499||latest||check|
|Nikon D500 (⇒ lft | rgt)||147 mm||115 mm||81 mm||860 g||1240||YES||2016||1,999||latest||check|
|Olympus E-M1 II (⇒ lft | rgt)||134 mm||91 mm||67 mm||574 g||440||YES||2016||1,999||latest||check|
|Olympus E-M10 II (⇒ lft | rgt)||120 mm||83 mm||47 mm||390 g||320||no||2015||799||discont.||check|
|Olympus E-M5 II (⇒ lft | rgt)||124 mm||85 mm||45 mm||469 g||310||YES||2015||1,099||latest||check|
|Olympus E-M10 (⇒ lft | rgt)||119 mm||82 mm||46 mm||396 g||320||no||2014||699||discont.||check|
|Panasonic GH5 (⇒ lft | rgt)||139 mm||98 mm||87 mm||725 g||410||YES||2017||1,999||latest||check|
|Pentax K-1 II (⇒ lft | rgt)||137 mm||110 mm||86 mm||1010 g||670||YES||2018||1,999||latest||check|
|Pentax K-3 II (⇒ lft | rgt)||131 mm||100 mm||77 mm||800 g||720||YES||2015||1,099||latest||check|
|Sony A7R III (⇒ lft | rgt)||127 mm||96 mm||74 mm||650 g||650||YES||2017||3,199||latest||check|
|Sony A99 II (⇒ lft | rgt)||143 mm||104 mm||76 mm||849 g||490||YES||2016||3,199||latest||check|
|Sony A7R II (⇒ lft | rgt)||127 mm||96 mm||60 mm||625 g||290||YES||2015||3,199||discont.||check|
|Sony RX100 IV (⇒ lft | rgt)||102 mm||58 mm||41 mm||298 g||280||no||2015||999||discont.||check|
|Sony A850 (⇒ lft | rgt)||156 mm||117 mm||82 mm||895 g||880||YES||2009||1,999||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The PEN-F was launched at a markedly lower price (by 33 percent) than the K-1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Pentax K-1 features a full frame sensor and the Olympus PEN-F a Four Thirds sensor. The sensor area in the PEN-F is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the K-1 has a native 3:2 aspect ratio, while the one in the PEN-F offers a 4:3 aspect.
With 36.2MP, the K-1 offers a higher resolution than the PEN-F (20.2MP), but the K-1 nevertheless has larger individual pixels (pixel pitch of 4.88μm versus 3.34μm for the PEN-F) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
Both cameras have the capacity to capture high quality composite images by combining multiple shots after shifting the sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the K-1 provides substantially higher image quality than the PEN-F, with an overall score that is 22 points higher. This advantage is based on 2.3 bits higher color depth, 2.2 EV in additional dynamic range, and 1.9 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Pentax K-1 (⇒ rgt)||Full Frame||36.2||7360||4912||1080/60i||25.4||14.6||3280||96|
|Olympus PEN-F (⇒ lft)||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|Canon 5D Mark IV (⇒ lft | rgt)||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|Nikon D500 (⇒ lft | rgt)||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83|
|Olympus E-M1 II (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|Olympus E-M10 II (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|Olympus E-M5 II (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|Olympus E-M10 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|Panasonic GH5 (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|Pentax K-1 II (⇒ lft | rgt)||Full Frame||36.2||7360||4912||1080/60i||..||..||..||..|
|Pentax K-3 II (⇒ lft | rgt)||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80|
|Sony A7R III (⇒ lft | rgt)||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|Sony A99 II (⇒ lft | rgt)||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|Sony A7R II (⇒ lft | rgt)||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|Sony RX100 IV (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Sony A850 (⇒ lft | rgt)||Full Frame||24.4||6048||4032||no||23.8||12.2||1415||79|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the PEN-F provides a faster frame rate than the K-1. It can shoot movie footage at 1080/60p, while the Pentax is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the PEN-F has an electronic viewfinder (2360k dots), while the K-1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Pentax K-1 and Olympus PEN-F along with similar information for a selection of comparators. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Pentax K-1 (⇒ rgt)||optical||YES||3.2||1037||full-flex||no||8000||4.4||no||YES|
|Olympus PEN-F (⇒ lft)||2360||no||3.0||1037||swivel||YES||8000||10.0||no||YES|
|Canon 5D Mark IV (⇒ lft | rgt)||optical||YES||3.2||1620||fixed||YES||8000||7.0||no||no|
|Nikon D500 (⇒ lft | rgt)||optical||YES||3.2||2359||tilting||YES||8000||10.0||no||no|
|Olympus E-M1 II (⇒ lft | rgt)||2360||no||3.0||1037||swivel||YES||8000||18.0||no||YES|
|Olympus E-M10 II (⇒ lft | rgt)||2360||no||3.0||1040||tilting||YES||4000||8.0||5.8||YES|
|Olympus E-M5 II (⇒ lft | rgt)||2360||no||3.0||1037||swivel||YES||8000||10.0||no||YES|
|Olympus E-M10 (⇒ lft | rgt)||1440||no||3.0||1037||tilting||YES||4000||8.0||5.8||YES|
|Panasonic GH5 (⇒ lft | rgt)||3680||no||3.2||1620||swivel||YES||8000||12.0||no||YES|
|Pentax K-1 II (⇒ lft | rgt)||optical||YES||3.2||1037||full-flex||no||8000||4.4||no||YES|
|Pentax K-3 II (⇒ lft | rgt)||optical||YES||3.2||1037||fixed||no||8000||8.3||no||YES|
|Sony A7R III (⇒ lft | rgt)||3686||no||3.0||1440||tilting||YES||8000||10.0||no||YES|
|Sony A99 II (⇒ lft | rgt)||2400||YES||3.0||1229||full-flex||no||8000||12.0||no||YES|
|Sony A7R II (⇒ lft | rgt)||2400||no||3.0||1229||tilting||no||8000||5.0||no||YES|
|Sony RX100 IV (⇒ lft | rgt)||2359||no||3.0||1228||tilting||no||2000||16.0||10.2||YES|
|Sony A850 (⇒ lft | rgt)||optical||YES||3.0||922||fixed||no||8000||3.0||no||YES|
Both the K-1 and the PEN-F are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. Neither of the two has a direct predecessor, so perhaps they will constitute the origins of new camera lines for Pentax and Olympus.
So what conclusions can be drawn? Is there a clear favorite between the Pentax K-1 and the Pentax K-1? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Pentax K-1:
- More detail: Offers more megapixels (36.2 vs 20.2MP) with a 37% higher linear resolution.
- Better image quality: Scores substantially higher (22 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.3 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (2.2 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (1.9 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Has an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Longer lasting: Can take more shots (760 versus 330) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
Advantages of the Olympus PEN-F:
- Better video: Provides higher movie framerates (1080/60p vs 1080/60i).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (10 vs 4.4 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (125x72mm vs 137x110mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 583g or 58 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More affordable: Was introduced into a lower priced category (33 percent cheaper at launch).
If the count of individual advantages (bullet points above) is taken as a guide, the K-1 emerges as the winner of the contest (10 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the K-1 and the PEN-F in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Pentax K-1 (⇒ rgt)||-||84/100 Silver||5/5||4.5/5||5/5||2016||1,799||latest||check|
|Olympus PEN-F (⇒ lft)||-||82/100 Silver||4.5/5||4.5/5||5/5||2016||1,199||latest||check|
|Canon 5D Mark IV (⇒ lft | rgt)||HiRec||87/100 Gold||4.5/5||5/5||4.5/5||2016||3,499||latest||check|
|Nikon D500 (⇒ lft | rgt)||HiRec||91/100 Gold||4.5/5||5/5||5/5||2016||1,999||latest||check|
|Olympus E-M1 II (⇒ lft | rgt)||HiRec||85/100 Gold||4.5/5||5/5||4.5/5||2016||1,999||latest||check|
|Olympus E-M10 II (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||5/5||5/5||2015||799||discont.||check|
|Olympus E-M5 II (⇒ lft | rgt)||HiRec||81/100 Silver||5/5||4.5/5||5/5||2015||1,099||latest||check|
|Olympus E-M10 (⇒ lft | rgt)||-||80/100 Gold||5/5||4.5/5||5/5||2014||699||discont.||check|
|Panasonic GH5 (⇒ lft | rgt)||HiRec||85/100 Gold||4.5/5||5/5||5/5||2017||1,999||latest||check|
|Pentax K-1 II (⇒ lft | rgt)||..||..||..||..||..||2018||1,999||latest||check|
|Pentax K-3 II (⇒ lft | rgt)||-||-||5/5||4.5/5||5/5||2015||1,099||latest||check|
|Sony A7R III (⇒ lft | rgt)||HiRec||90/100 Gold||4.5/5||5/5||5/5||2017||3,199||latest||check|
|Sony A99 II (⇒ lft | rgt)||-||85/100 Silver||4.5/5||4.5/5||4.5/5||2016||3,199||latest||check|
|Sony A7R II (⇒ lft | rgt)||HiRec||90/100 Gold||5/5||4.5/5||5/5||2015||3,199||discont.||check|
|Sony RX100 IV (⇒ lft | rgt)||HiRec||85/100 Gold||4/5||4.5/5||4.5/5||2015||999||discont.||check|
|Sony A850 (⇒ lft | rgt)||-||75/100||-||4/5||4.5/5||2009||1,999||discont.||check|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If you cannot find the camera you are interested in, please contact me, and I will try to add information on that model to the database.
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