Pentax K-1 vs Canon 6D Mark II
The Pentax K-1 and the Canon EOS 6D Mark II are two enthusiast cameras that were revealed to the public, respectively, in February 2016 and June 2017. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with a full frame sensor. The Pentax has a resolution of 36.2 megapixels, whereas the Canon provides 26 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Pentax K-1||Canon 6D Mark II|
|Digital single lens reflex||Digital single lens reflex|
|Pentax K mount lenses||Canon EF mount lenses|
|36.2 MP, Full Frame Sensor||26 MP, Full Frame Sensor|
|1080/60i Video||1080/60p Video|
|ISO 100-204800||ISO 100-40000 (50-102400)|
|Optical viewfinder||Optical viewfinder|
|3.2" LCD, 1037k dots||3.0" LCD, 1040k dots|
|Fully flexible screen (no touchscreen)||Swivel touchscreen|
|4.4 shutter flaps per second||6.5 shutter flaps per second|
|In-body stabilization||Lens stabilization only|
|Weathersealed body||Weathersealed body|
|760 shots per battery charge||1200 shots per battery charge|
|137 x 110 x 86 mm, 1010 g||144 x 111 x 75 mm, 765 g|
Body comparison: Pentax K-1 vs Canon 6D Mark II
An illustration of the physical size and weight of the Pentax K-1 and the Canon 6D Mark II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the K-1 – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 6D Mark II is notably larger (6 percent) than the Pentax K-1. However, the 6D Mark II is markedly lighter (24 percent) than the K-1. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Pentax K-1»||5.4 in||4.3 in||3.4 in||35.6 oz||760||Y||Feb 2016||1,799||-||Pentax K-1|
|Canon 6D Mark II«||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon 5D Mark IV« »||5.9 in||4.6 in||3.0 in||31.4 oz||900||Y||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 80D« »||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199||Canon 80D|
|Canon 6D« »||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099||-||Canon 6D|
|Nikon D500« »||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999||Nikon D500|
|Nikon D750« »||5.6 in||4.4 in||3.1 in||26.5 oz||1230||Y||Sep 2014||2,299||Nikon D750|
|Nikon D610« »||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Oct 2013||1,999||Nikon D610|
|Olympus E-M1 II« »||5.3 in||3.6 in||2.6 in||20.2 oz||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Pentax K-1 II« »||5.4 in||4.3 in||3.4 in||35.6 oz||670||Y||Feb 2018||1,999||Pentax K-1 II|
|Pentax K-3 II« »||5.2 in||3.9 in||3.0 in||28.2 oz||720||Y||Apr 2015||1,099||Pentax K-3 II|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A7R III« »||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199||Sony A7R III|
|Sony A99 II« »||5.6 in||4.1 in||3.0 in||29.9 oz||490||Y||Sep 2016||3,199||Sony A99 II|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-||Sony A7R II|
|Sony A850« »||6.1 in||4.6 in||3.2 in||31.6 oz||880||Y||Aug 2009||1,999||-||Sony A850|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The K-1 was somewhat cheaper (by 10 percent) than the 6D Mark II at launch, but both cameras fall into the same price category. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Pentax K-1 vs Canon 6D Mark II
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a full frame sensor and have a format factor (sometimes also referred to as "crop factor") of 1.0. Within the spectrum of camera sensors, this places the review cameras among the large-sensor cameras that aim for top notch image quality. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
While the two cameras under review share the same sensor size, the K-1 offers a higher resolution of 36.2 megapixels, compared with 26 MP of the 6D Mark II. This megapixels advantage translates into a 18 percent gain in linear resolution. On the other hand, these sensor specs imply that the K-1 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.88μm versus 5.76μm for the 6D Mark II). Moreover, it should be noted that the 6D Mark II is a somewhat more recent model (by 1 year and 4 months) than the K-1, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of individual pixels. Coming back to sensor resolution, it should be mentioned that the K-1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The 6D Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.
Unlike the 6D Mark II, the K-1 has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Pentax K-1 has a native sensitivity range from ISO 100 to ISO 204800 The corresponding ISO settings for the Canon EOS 6D Mark II are ISO 100 to ISO 40000, with the possibility to increase the ISO range to 50-102400..
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the K-1 provides substantially higher image quality than the 6D Mark II, with an overall score that is 11 points higher. This advantage is based on 1 bits higher color depth, 2.7 EV in additional dynamic range, and 0.2 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Pentax K-1»||Full Frame||36.2||7360||4912||1080/60i||25.4||14.6||3280||96||Pentax K-1|
|Canon 6D Mark II«||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon 5D Mark IV« »||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91||Canon 5D Mark IV|
|Canon 80D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Canon 6D« »||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Nikon D500« »||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83||Nikon D500|
|Nikon D750« »||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93||Nikon D750|
|Nikon D610« »||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94||Nikon D610|
|Olympus E-M1 II« »||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Pentax K-1 II« »||Full Frame||36.2||7360||4912||1080/60i||-||-||-||-||Pentax K-1 II|
|Pentax K-3 II« »||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80||Pentax K-3 II|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A7R III« »||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100||Sony A7R III|
|Sony A99 II« »||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92||Sony A99 II|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A850« »||Full Frame||24.4||6048||4032||-||23.8||12.2||1415||79||Sony A850|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the 6D Mark II provides a faster frame rate than the K-1. It can shoot movie footage at 1080/60p, while the Pentax is limited to 1080/60i.
Feature comparison: Pentax K-1 vs Canon 6D Mark II
Beyond body and sensor, cameras can and do differ across a range of features. The K-1 and the 6D Mark II are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The adjacent table lists some of the other core features of the Pentax K-1 and Canon 6D Mark II along with similar information for a selection of comparators.
|Pentax K-1»||optical||Y||3.2||1037||full-flex||n||8000||4.4||n||Y||Pentax K-1|
|Canon 6D Mark II«||optical||Y||3.0||1040||swivel||Y||4000||6.5||n||n||Canon 6D Mark II|
|Canon 5D Mark IV« »||optical||Y||3.2||1620||fixed||Y||8000||7.0||n||n||Canon 5D Mark IV|
|Canon 80D« »||optical||Y||3.0||1040||swivel||Y||8000||7.0||Y||n||Canon 80D|
|Canon 6D« »||optical||Y||3.0||1040||fixed||n||4000||4.5||n||n||Canon 6D|
|Nikon D500« »||optical||Y||3.2||2359||tilting||Y||8000||10.0||n||n||Nikon D500|
|Nikon D750« »||optical||Y||3.2||1229||tilting||n||4000||6.0||Y||n||Nikon D750|
|Nikon D610« »||optical||Y||3.2||921||fixed||n||4000||6.0||Y||n||Nikon D610|
|Olympus E-M1 II« »||2360||n||3.0||1037||swivel||Y||8000||18.0||n||Y||Olympus E-M1 II|
|Pentax K-1 II« »||optical||Y||3.2||1037||full-flex||n||8000||4.4||n||Y||Pentax K-1 II|
|Pentax K-3 II« »||optical||Y||3.2||1037||fixed||n||8000||8.3||n||Y||Pentax K-3 II|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||8000||10.0||n||Y||Sony A7 III|
|Sony A7R III« »||3686||n||3.0||1440||tilting||Y||8000||10.0||n||Y||Sony A7R III|
|Sony A99 II« »||2400||Y||3.0||1229||full-flex||n||8000||12.0||n||Y||Sony A99 II|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||8000||5.0||n||Y||Sony A7R II|
|Sony A850« »||optical||Y||3.0||922||fixed||n||8000||3.0||n||Y||Sony A850|
One feature that differentiates the K-1 and the 6D Mark II is in-body image stabilization (IBIS). The K-1 reduces the risk of handshake-induced blur with all attached lenses, while the 6D Mark II has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.The 6D Mark II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the K-1 does not have a selfie-screen.
Concerning the storage of imaging data, both the K-1 and the 6D Mark II write their files to SDXC cards. The K-1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the 6D Mark II only has one slot.
Connectivity comparison: Pentax K-1 vs Canon 6D Mark II
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Pentax K-1 and Canon EOS 6D Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Pentax K-1»||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Pentax K-1|
|Canon 6D Mark II«||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon 5D Mark IV« »||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-||Canon 5D Mark IV|
|Canon 80D« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Canon 6D« »||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Nikon D500« »||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D500|
|Nikon D750« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||-||Nikon D750|
|Nikon D610« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D610|
|Olympus E-M1 II« »||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Pentax K-1 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Pentax K-1 II|
|Pentax K-3 II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Pentax K-3 II|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A7R III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R III|
|Sony A99 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A99 II|
|Sony A7R II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A850« »||Y||-||-||-||-||mini||2.0||-||-||-||Sony A850|
It is notable that the K-1 has a headphone jack, which is not present on the 6D Mark II This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.
The 6D Mark II is a recent model that features in the current product line-up of Canon. In contrast, the K-1 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the K-1 was succeeded by the Pentax K-1 II.
Review summary: Pentax K-1 vs Canon 6D Mark II
So what is the bottom line? Which of the two cameras – the Pentax K-1 or the Canon 6D Mark II – has the upper hand? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Pentax K-1:
- More detail: Offers more megapixels (36.2 vs 26MP) with a 18% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (11 points) in the DXO overall assessment.
- More dynamic range: Captures a larger spectrum of light and dark details (2.7 EV of extra DR).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been on the market for longer (launched in February 2016).
Arguments in favor of the Canon EOS 6D Mark II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (6.5 vs 4.4 flaps/sec) to capture the decisive moment.
- Less heavy: Has a lower weight (by 245g or 24 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (1200 versus 760) out of a single battery charge.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Was introduced somewhat (1 year and 4 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the match-up finishes in a tie (11 points each). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the K-1 or the 6D Mark II. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Pentax K-1 vs Canon 6D Mark II
This is why expert reviews are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Pentax K-1»||-||84/100||5/5||4.5/5||5/5||Feb 2016||1,799||-||Pentax K-1|
|Canon 6D Mark II«||Rec||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Canon 5D Mark IV« »||HiRec||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 80D« »||HiRec||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199||Canon 80D|
|Canon 6D« »||HiRec||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Canon 6D|
|Nikon D500« »||HiRec||91/100||4.5/5||5/5||5/5||Jan 2016||1,999||Nikon D500|
|Nikon D750« »||HiRec||90/100||4.5/5||5/5||4.5/5||Sep 2014||2,299||Nikon D750|
|Nikon D610« »||HiRec||87/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,999||Nikon D610|
|Olympus E-M1 II« »||HiRec||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999||Olympus E-M1 II|
|Pentax K-1 II« »||-||79/100||4.5/5||-||4.5/5||Feb 2018||1,999||Pentax K-1 II|
|Pentax K-3 II« »||-||-||5/5||4.5/5||5/5||Apr 2015||1,099||Pentax K-3 II|
|Sony A7 III« »||HiRec||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony A7R III« »||HiRec||90/100||4.5/5||5/5||5/5||Oct 2017||3,199||Sony A7R III|
|Sony A99 II« »||-||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199||Sony A99 II|
|Sony A7R II« »||HiRec||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
|Sony A850« »||-||75/100||-||4/5||4.5/5||Aug 2009||1,999||-||Sony A850|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 400D vs Canon 650D
- Canon 70D vs Nikon D850
- Canon 7D vs Leica CL
- Canon SL2 vs Pentax K-3 II
- Canon SX70 vs Panasonic LX15
- Leica M Typ 240 vs Fujifilm X-A10
- Nikon D3400 vs Sony A6000
- Panasonic GH3 vs Panasonic G7
- Panasonic TS7 vs Leica TL2
- Panasonic TZ90 vs Nikon P900
- Sony A7R vs Canon 7D II
- Sony RX100 vs Canon 5DS
Specifications: Pentax K-1 vs Canon 6D Mark II
|Camera Model||Pentax K-1||Canon 6D Mark II|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Pentax K mount lenses||Canon EF mount lenses|
|Launch Date||February 2016||June 2017|
|Launch Price||USD 1799||USD 1999|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||35.9 x 24.0 mm||35.9 x 24.0 mm|
|Sensor Area||861.6 mm2||861.6 mm2|
|Sensor Diagonal||43.2 mm||43.2 mm|
|Sensor Resolution||36.2 Megapixels||26 Megapixels|
|Image Resolution||7360 x 4912 pixels||6240 x 4160 pixels|
|Pixel Pitch||4.88 μm||5.76 μm|
|Pixel Density||4.20 MP/cm2||3.01 MP/cm2|
|Movie Capability||1080/60i Video||1080/60p Video|
|ISO Setting||100-204800 ISO||100-40000 ISO|
|ISO Boost||no Enhancement||50-102400 ISO|
|Image Processor||PRIME IV||DIGIC 7|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Top-Level Screen||Control Panel||Control Panel|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||1037k dots||1040k dots|
|LCD Attachment||Fully flexible screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Maximum Shutter Speed||1/8000s||1/4000s|
|Continuous Shooting||4.4 shutter flaps/s||6.5 shutter flaps/s|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Type||D-LI90 power pack||LP-E6N power pack|
|Battery Life (CIPA)||760 shots per charge||1200 shots per charge|
137 x 110 x 86 mm
(5.4 x 4.3 x 3.4 in)
144 x 111 x 75 mm
(5.7 x 4.4 x 3.0 in)
|Camera Weight||1010 g (35.6 oz)||765 g (27.0 oz)|
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