Pentax K-1 vs Canon 5D
The Pentax K-1 and the Canon EOS 5D are two digital cameras that were officially introduced, respectively, in February 2016 and August 2005. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with a full frame sensor. The Pentax has a resolution of 36.2 megapixels, whereas the Canon provides 12.7 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Pentax K-1||Canon 5D|
|Digital single lens reflex||Digital single lens reflex|
|Pentax K mount lenses||Canon EF mount lenses|
|36.2 MP, Full Frame Sensor||12.7 MP, Full Frame Sensor|
|1080/60i Video||no Video|
|ISO 100-204800||ISO 100-1600 (50-3200)|
|Optical viewfinder||Optical viewfinder|
|3.2" LCD, 1037k dots||2.5" LCD, 230k dots|
|Fully flexible screen (no touchscreen)||Fixed screen (not touch-sensitive)|
|4.4 shutter flaps per second||3 shutter flaps per second|
|In-body stabilization||Lens stabilization only|
|Weathersealed body||Weathersealed body|
|760 shots per battery charge||400 shots per battery charge|
|137 x 110 x 86 mm, 1010 g||152 x 113 x 75 mm, 895 g|
Body comparison: Pentax K-1 vs Canon 5D
The physical size and weight of the Pentax K-1 and the Canon 5D are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the K-1 – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 5D is notably larger (14 percent) than the Pentax K-1. However, the 5D is markedly lighter (11 percent) than the K-1. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Pentax K-1»||5.4 in||4.3 in||3.4 in||35.6 oz||760||Y||Feb 2016||1,799||-||Pentax K-1|
|Canon 5D«||6.0 in||4.4 in||3.0 in||31.6 oz||400||Y||Aug 2005||3,299||-||Canon 5D|
|Canon 5D Mark IV« »||5.9 in||4.6 in||3.0 in||31.4 oz||900||Y||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 5DS R« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS R|
|Canon 5D Mark III« »||6.0 in||4.6 in||3.0 in||33.5 oz||950||Y||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 5D Mark II« »||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 1Ds Mark II« »||6.1 in||6.2 in||3.1 in||42.9 oz||1200||Y||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Canon 1Ds« »||6.1 in||6.2 in||3.1 in||44.6 oz||600||Y||Sep 2002||8,999||-||Canon 1Ds|
|Nikon D500« »||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999||Nikon D500|
|Olympus E-M1 II« »||5.3 in||3.6 in||2.6 in||20.2 oz||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Pentax K-1 II« »||5.4 in||4.3 in||3.4 in||35.6 oz||670||Y||Feb 2018||1,999||Pentax K-1 II|
|Pentax K-3 II« »||5.2 in||3.9 in||3.0 in||28.2 oz||720||Y||Apr 2015||1,099||Pentax K-3 II|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A7R III« »||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199||Sony A7R III|
|Sony A99 II« »||5.6 in||4.1 in||3.0 in||29.9 oz||490||Y||Sep 2016||3,199||Sony A99 II|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-||Sony A7R II|
|Sony A850« »||6.1 in||4.6 in||3.2 in||31.6 oz||880||Y||Aug 2009||1,999||-||Sony A850|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The K-1 was launched at a markedly lower price (by 45 percent) than the 5D, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Pentax K-1 vs Canon 5D
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the Pentax K-1 offers a higher resolution of 36.2 megapixels, compared with 12.7 MP of the Canon 5D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.88μm versus 8.25μm for the 5D). However, it should be noted that the K-1 is much more recent (by 10 years and 6 months) than the 5D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the K-1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Unlike the 5D, the K-1 has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Pentax K-1 has a native sensitivity range from ISO 100 to ISO 204800 The corresponding ISO settings for the Canon EOS 5D are ISO 100 to ISO 1600, with the possibility to increase the ISO range to 50-3200..
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the K-1 provides substantially higher image quality than the 5D, with an overall score that is 25 points higher. This advantage is based on 2.5 bits higher color depth, 3.5 EV in additional dynamic range, and 1.3 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Pentax K-1»||Full Frame||36.2||7360||4912||1080/60i||25.4||14.6||3280||96||Pentax K-1|
|Canon 5D«||Full Frame||12.7||4368||2912||-||22.9||11.1||1368||71||Canon 5D|
|Canon 5D Mark IV« »||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91||Canon 5D Mark IV|
|Canon 5DS R« »||Full Frame||50.3||8688||5792||1080/60p||24.6||12.4||2308||86||Canon 5DS R|
|Canon 5D Mark III« »||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81||Canon 5D Mark III|
|Canon 5D Mark II« »||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Canon 1Ds Mark II« »||Full Frame||16.6||4992||3328||-||23.3||11.3||1480||74||Canon 1Ds Mark II|
|Canon 1Ds« »||Full Frame||11.0||4064||2704||-||21.8||11.0||954||63||Canon 1Ds|
|Nikon D500« »||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83||Nikon D500|
|Olympus E-M1 II« »||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Pentax K-1 II« »||Full Frame||36.2||7360||4912||1080/60i||-||-||-||-||Pentax K-1 II|
|Pentax K-3 II« »||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80||Pentax K-3 II|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A7R III« »||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100||Sony A7R III|
|Sony A99 II« »||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92||Sony A99 II|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A850« »||Full Frame||24.4||6048||4032||-||23.8||12.2||1415||79||Sony A850|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The K-1 indeed provides movie recording capabilities, while the 5D does not. The highest resolution format that the K-1 can use is 1080/60i.
Feature comparison: Pentax K-1 vs Canon 5D
Beyond body and sensor, cameras can and do differ across a range of features. The K-1 and the 5D are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The table below summarizes some of the other core capabilities of the Pentax K-1 and Canon 5D in connection with corresponding information for a sample of similar cameras.
|Pentax K-1»||optical||Y||3.2||1037||full-flex||n||8000||4.4||n||Y||Pentax K-1|
|Canon 5D«||optical||Y||2.5||230||fixed||n||8000||3.0||n||n||Canon 5D|
|Canon 5D Mark IV« »||optical||Y||3.2||1620||fixed||Y||8000||7.0||n||n||Canon 5D Mark IV|
|Canon 5DS R« »||optical||Y||3.2||1040||fixed||n||8000||5.0||n||n||Canon 5DS R|
|Canon 5D Mark III« »||optical||Y||3.2||1040||fixed||n||8000||6.0||n||n||Canon 5D Mark III|
|Canon 5D Mark II« »||optical||Y||3.0||920||fixed||n||8000||3.9||n||n||Canon 5D Mark II|
|Canon 1Ds Mark II« »||optical||Y||2.0||230||fixed||n||8000||4.0||n||n||Canon 1Ds Mark II|
|Canon 1Ds« »||optical||Y||2.0||120||fixed||n||8000||3.0||n||n||Canon 1Ds|
|Nikon D500« »||optical||Y||3.2||2359||tilting||Y||8000||10.0||n||n||Nikon D500|
|Olympus E-M1 II« »||2360||n||3.0||1037||swivel||Y||8000||18.0||n||Y||Olympus E-M1 II|
|Pentax K-1 II« »||optical||Y||3.2||1037||full-flex||n||8000||4.4||n||Y||Pentax K-1 II|
|Pentax K-3 II« »||optical||Y||3.2||1037||fixed||n||8000||8.3||n||Y||Pentax K-3 II|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||8000||10.0||n||Y||Sony A7 III|
|Sony A7R III« »||3686||n||3.0||1440||tilting||Y||8000||10.0||n||Y||Sony A7R III|
|Sony A99 II« »||2400||Y||3.0||1229||full-flex||n||8000||12.0||n||Y||Sony A99 II|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||8000||5.0||n||Y||Sony A7R II|
|Sony A850« »||optical||Y||3.0||922||fixed||n||8000||3.0||n||Y||Sony A850|
One feature that differentiates the K-1 and the 5D is in-body image stabilization (IBIS). The K-1 reduces the risk of handshake-induced blur with all attached lenses, while the 5D has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.
The K-1 writes its imaging data to SDXC cards, while the 5D uses Compact Flash cards. The K-1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the 5D only has one slot.
Connectivity comparison: Pentax K-1 vs Canon 5D
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Pentax K-1 and Canon EOS 5D and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Pentax K-1»||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Pentax K-1|
|Canon 5D«||Y||-||-||-||-||-||2.0||-||-||-||Canon 5D|
|Canon 5D Mark IV« »||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-||Canon 5D Mark IV|
|Canon 5DS R« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS R|
|Canon 5D Mark III« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 5D Mark III|
|Canon 5D Mark II« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Canon 1Ds Mark II« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark II|
|Canon 1Ds« »||Y||-||-||-||-||-||FW||-||-||-||Canon 1Ds|
|Nikon D500« »||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D500|
|Olympus E-M1 II« »||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Pentax K-1 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Pentax K-1 II|
|Pentax K-3 II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Pentax K-3 II|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A7R III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R III|
|Sony A99 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A99 II|
|Sony A7R II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A850« »||Y||-||-||-||-||mini||2.0||-||-||-||Sony A850|
It is notable that the K-1 offers wifi support, while the 5D does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the K-1 and the 5D have been discontinued, but can regularly be found used on eBay. The 5D was replaced by the Canon 5D Mark II, while the K-1 was followed by the Pentax K-1 II.
Review summary: Pentax K-1 vs Canon 5D
So what is the bottom line? Is there a clear favorite between the Pentax K-1 and the Canon 5D? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Pentax K-1:
- More detail: Offers more megapixels (36.2 vs 12.7MP) with a 69% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (25 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.5 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (3.5 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (1.3 stops ISO advantage).
- Broader imaging potential: Can record not only still images but also 1080/60i movies.
- Larger screen: Has a bigger rear LCD (3.2" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 230k dots).
- More flexible LCD: Has full-flex screen for odd-angle shots in portrait or landscape orientation.
- Faster burst: Shoots at higher frequency (4.4 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (137x110mm vs 152x113mm) and thus needs less room in the bag.
- Longer lasting: Can take more shots (760 versus 400) on a single battery charge.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was introduced into a lower priced category (45 percent cheaper at launch).
- More modern: Reflects 10 years and 6 months of technical progress since the 5D launch.
Advantages of the Canon EOS 5D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Less heavy: Has a lower weight (by 115g or 11 percent) and is thus easier to take along.
- More heavily discounted: Has been around for much longer (launched in August 2005).
If the count of relative strengths (bullet points above) is taken as a measure, the K-1 is the clear winner of the match-up (19 : 3 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the K-1 or the 5D. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews: Pentax K-1 vs Canon 5D
This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Pentax K-1»||-||84/100||5/5||4.5/5||5/5||Feb 2016||1,799||-||Pentax K-1|
|Canon 5D«||88/100||HiRec||rev||rev||-||Aug 2005||3,299||-||Canon 5D|
|Canon 5D Mark IV« »||HiRec||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 5DS R« »||Rec||83/100||5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS R|
|Canon 5D Mark III« »||HiRec||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 5D Mark II« »||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 1Ds Mark II« »||-||HiRec||-||-||-||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Canon 1Ds« »||-||HiRec||-||-||-||Sep 2002||8,999||-||Canon 1Ds|
|Nikon D500« »||HiRec||91/100||4.5/5||5/5||5/5||Jan 2016||1,999||Nikon D500|
|Olympus E-M1 II« »||HiRec||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999||Olympus E-M1 II|
|Pentax K-1 II« »||-||79/100||4.5/5||-||4.5/5||Feb 2018||1,999||Pentax K-1 II|
|Pentax K-3 II« »||-||-||5/5||4.5/5||5/5||Apr 2015||1,099||Pentax K-3 II|
|Sony A7 III« »||HiRec||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony A7R III« »||HiRec||90/100||4.5/5||5/5||5/5||Oct 2017||3,199||Sony A7R III|
|Sony A99 II« »||-||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199||Sony A99 II|
|Sony A7R II« »||HiRec||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
|Sony A850« »||-||75/100||-||4/5||4.5/5||Aug 2009||1,999||-||Sony A850|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 5D Mark III vs Canon 800D
- Canon 7D II vs Pentax K-3 II
- Canon G9 X Mark II vs Canon G1 X Mark II
- Fujifilm X-E1 vs Fujifilm X100
- Fujifilm X-T2 vs Canon 1100D
- Fujifilm X-T20 vs Sony A6500
- Nikon D7100 vs Panasonic GX800
- Nikon D750 vs Fujifilm X-T100
- Nikon Z6 vs Panasonic FZ2000
- Pentax K-1 vs Fujifilm X70
- Sony HX99 vs Sony A6500
- Sony RX100 IV vs Sony HX400V
Specifications: Pentax K-1 vs Canon 5D
|Camera Model||Pentax K-1||Canon 5D|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Pentax K mount lenses||Canon EF mount lenses|
|Launch Date||February 2016||August 2005|
|Launch Price||USD 1799||USD 3299|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||35.9 x 24.0 mm||36.0 x 24.0 mm|
|Sensor Area||861.6 mm2||864 mm2|
|Sensor Diagonal||43.2 mm||43.3 mm|
|Sensor Resolution||36.2 Megapixels||12.7 Megapixels|
|Image Resolution||7360 x 4912 pixels||4368 x 2912 pixels|
|Pixel Pitch||4.88 μm||8.25 μm|
|Pixel Density||4.20 MP/cm2||1.47 MP/cm2|
|Movie Capability||1080/60i Video||no Video|
|ISO Setting||100-204800 ISO||100-1600 ISO|
|ISO Boost||no Enhancement||50-3200 ISO|
|Image Processor||PRIME IV||DIGIC 2|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Top-Level Screen||Control Panel||Control Panel|
|Rear LCD Size||3.2 inch||2.5 inch|
|LCD Resolution||1037k dots||230k dots|
|LCD Attachment||Fully flexible screen||Fixed screen|
|Maximum Shutter Speed||1/8000s||1/8000s|
|Continuous Shooting||4.4 shutter flaps/s||3 shutter flaps/s|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CF cards|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Type||D-LI90 power pack||BP-511A power pack|
|Battery Life (CIPA)||760 shots per charge||400 shots per charge|
137 x 110 x 86 mm
(5.4 x 4.3 x 3.4 in)
152 x 113 x 75 mm
(6.0 x 4.4 x 3.0 in)
|Camera Weight||1010 g (35.6 oz)||895 g (31.6 oz)|
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