Pentax K-1 II vs Sony A5000
The Pentax K-1 II and the Sony Alpha A5000 are two digital cameras that were officially introduced, respectively, in February 2018 and January 2014. The K-1 II is a DSLR, while the A5000 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (K-1 II) and an APS-C (A5000) sensor. The Pentax has a resolution of 36.2 megapixels, whereas the Sony provides 19.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Pentax K-1 II||Sony A5000|
|Digital single lens reflex||Mirrorless system camera|
|Pentax K mount lenses||Sony E mount lenses|
|36.2 MP, Full Frame Sensor||19.8 MP, APS-C Sensor|
|1080/60i Video||1080/60i Video|
|ISO 100-819,200||ISO 100-16,000|
|Optical viewfinder||No viewfinder, LCD framing|
|3.2 LCD, 1037k dots||3.0 LCD, 461k dots|
|Fully flexible screen (no touchscreen)||Tilting screen (not touch-sensitive)|
|4.4 shutter flaps per second||3.5 shutter flaps per second|
|In-body stabilization||Lens stabilization only|
|Weathersealed body||not weather sealed|
|670 shots per battery charge||420 shots per battery charge|
|137 x 110 x 86 mm, 1010 g||110 x 63 x 36 mm, 269 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Pentax K-1 II and the Sony Alpha A5000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Pentax K-1 II and the Sony A5000 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The K-1 II can be obtained in two different colors (black, silver), while the A5000 is available in three color-versions (black, silver, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A5000 is considerably smaller (54 percent) than the Pentax K-1 II. Moreover, the A5000 is substantially lighter (73 percent) than the K-1 II. It is worth mentioning in this context that the K-1 II is splash and dust resistant, while the A5000 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the K-1 II gets 670 shots out of its D-LI90 battery, while the A5000 can take 420 images on a single charge of its NP-FW50 power pack. The power pack in the A5000 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Pentax K-1 II||5.4 in||4.3 in||3.4 in||35.6 oz||670||Y||Feb 2018||1,999|
|Sony A5000||4.3 in||2.5 in||1.4 in||9.5 oz||420||n||Jan 2014||449|
|Canon R||5.5 in||3.9 in||3.3 in||23.3 oz||370||Y||Sep 2018||2,299|
|Canon M10||4.3 in||2.6 in||1.4 in||10.6 oz||255||n||Oct 2015||499|
|Nikon Z6||5.3 in||4.0 in||2.6 in||23.8 oz||310||Y||Aug 2018||1,999|
|Nikon D3300||4.9 in||3.9 in||3.0 in||15.2 oz||700||n||Jan 2014||499|
|Panasonic S1||5.9 in||4.3 in||3.8 in||35.9 oz||400||Y||Feb 2019||2,499|
|Panasonic S1R||5.9 in||4.3 in||3.8 in||35.8 oz||380||Y||Feb 2019||3,699|
|Panasonic S1H||5.9 in||4.5 in||4.3 in||37.1 oz||400||Y||May 2019||3,999|
|Pentax K-1||5.4 in||4.3 in||3.4 in||35.6 oz||760||Y||Feb 2016||1,799|
|Sony A7 III||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999|
|Sony A7R III||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199|
|Sony A99 II||5.6 in||4.1 in||3.0 in||29.9 oz||490||Y||Sep 2016||3,199|
|Sony RX100 IV||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999|
|Sony A5100||4.3 in||2.5 in||1.4 in||10.0 oz||400||n||Aug 2014||549|
|Sony NEX-3N||4.3 in||2.4 in||1.4 in||9.5 oz||480||n||Feb 2013||499|
|Sony A850||6.1 in||4.6 in||3.2 in||31.6 oz||880||Y||Aug 2009||1,999|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A5000 was launched at a markedly lower price (by 78 percent) than the K-1 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Pentax K-1 II features a full frame sensor and the Sony A5000 an APS-C sensor. The sensor area in the A5000 is 59 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 36.2MP, the K-1 II offers a higher resolution than the A5000 (19.8MP), but the K-1 II nevertheless has larger individual pixels (pixel pitch of 4.88μm versus 4.25μm for the A5000) due to its larger sensor. Moreover, the K-1 II is a much more recent model (by 4 years and 1 month) than the A5000, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the K-1 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Pentax K-1 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-1 II for good quality output (200 dots per inch) amounts to 36.8 x 24.6 inches or 93.5 x 62.4 cm, for very good quality (250 dpi) 29.4 x 19.6 inches or 74.8 x 49.9 cm, and for excellent quality (300 dpi) 24.5 x 16.4 inches or 62.3 x 41.6 cm. The corresponding values for the Sony A5000 are 27.3 x 18.2 inches or 69.3 x 46.1 cm for good quality, 21.8 x 14.5 inches or 55.4 x 36.9 cm for very good quality, and 18.2 x 12.1 inches or 46.2 x 30.8 cm for excellent quality prints.
Unlike the A5000, the K-1 II has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Pentax K-1 II has a native sensitivity range from ISO 100 to ISO 819200. The corresponding ISO settings for the Sony Alpha A5000 are ISO 100 to ISO 16000 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Pentax K-1 II||Full Frame||36.2||7360||4912||1080/60i||..||..||..||..|
|Canon R||Full Frame||30.1||6720||4480||4K/30p||24.5||13.5||2742||89|
|Nikon Z6||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95|
|Panasonic S1||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95|
|Panasonic S1R||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100|
|Panasonic S1H||Full Frame||24.0||6000||4000||6K/30p||..||..||..||..|
|Pentax K-1||Full Frame||36.2||7360||4912||1080/60i||25.4||14.6||3280||96|
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Sony A850||Full Frame||24.4||6048||4032||none||23.8||12.2||1415||79|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60i).
Beyond body and sensor, cameras can and do differ across a range of features. For example, the K-1 II has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the A5000 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Pentax K-1 II, the Sony A5000, and comparable cameras.
|Pentax K-1 II||optical||Y||3.2||1037||full-flex||n||1/8000s||4.4||n||Y|
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y|
|Sony A7R III||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|Sony A99 II||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y|
|Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y|
One feature that is present on the K-1 II, but is missing on the A5000 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The A5000 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the K-1 II does not have a selfie-screen.
The Pentax K-1 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The K-1 II writes its imaging data to SDXC cards, while the A5000 uses SDXC or Memory Stick PRO Duo cards. The K-1 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the A5000 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Pentax K-1 II and Sony Alpha A5000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Pentax K-1 II||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-|
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|Sony A7R III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|Sony A99 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y|
|Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
It is notable that the K-1 II has a hotshoe, while the A5000 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Pentax K-1 II (unlike the A5000) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the K-1 II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The K-1 II is a recent model that features in the current product line-up of Pentax. In contrast, the A5000 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the A5000 was succeeded by the Sony A5100. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Pentax and Sony websites.
So what is the bottom line? Is there a clear favorite between the Pentax K-1 II and the Sony A5000? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Pentax K-1 II:
- More detail: Offers more megapixels (36.2 vs 19.8MP) with a 35% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 461k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (4.4 vs 3.5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (670 versus 420) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 4 years and 1 month of technical progress since the A5000 launch.
Arguments in favor of the Sony Alpha A5000:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (110x63mm vs 137x110mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 741g or 73 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (78 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in January 2014).
If the count of relative strengths (bullet points above) is taken as a measure, the K-1 II is the clear winner of the match-up (25 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Pentax K-1 II and the Sony A5000 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the K-1 II and the A5000 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Pentax K-1 II||..||79/100||4.5/5||4.5/5||4.5/5||Feb 2018||1,999|
|Sony A5000||+||..||4.5/5||o||4.5/5||Jan 2014||449|
|Canon R||o||79/100||4.5/5||4/5||4/5||Sep 2018||2,299|
|Canon M10||..||..||..||o||4/5||Oct 2015||499|
|Nikon Z6||..||..||4.5/5||4.5/5||5/5||Aug 2018||1,999|
|Nikon D3300||+||77/100||4.5/5||4.5/5||4.5/5||Jan 2014||499|
|Panasonic S1||+ +||88/100||4.5/5||..||4/5||Feb 2019||2,499|
|Panasonic S1R||..||89/100||4.5/5||5/5||4.5/5||Feb 2019||3,699|
|Panasonic S1H||..||90/100||..||..||..||May 2019||3,999|
|Pentax K-1||..||84/100||5/5||4.5/5||5/5||Feb 2016||1,799|
|Sony A7 III||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999|
|Sony A7R III||+ +||90/100||4.5/5||5/5||5/5||Oct 2017||3,199|
|Sony A99 II||..||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199|
|Sony RX100 IV||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999|
|Sony A5100||+||..||4.5/5||4.5/5||5/5||Aug 2014||549|
|Sony NEX-3N||..||..||4.5/5||4/5||4.5/5||Feb 2013||499|
|Sony A850||..||75/100||..||4/5||4.5/5||Aug 2009||1,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 30D vs Pentax K-1 II
- Canon 40D vs Sony A5000
- Canon M200 vs Sony A5000
- Fujifilm X-T1 vs Sony A5000
- Fujifilm X70 vs Sony A5000
- Hasselblad X1D II vs Pentax K-1 II
- Leica D-LUX 6 vs Pentax K-1 II
- Panasonic FZ150 vs Sony A5000
- Panasonic LF1 vs Pentax K-1 II
- Pentax K-1 II vs Sony A6500
- Sony A5000 vs Sony A7 III
- Sony A5000 vs Sony H300
Specifications: Pentax K-1 II vs Sony A5000
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Pentax K-1 II||Sony A5000|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Pentax K mount lenses||Sony E mount lenses|
|Launch Date||February 2018||January 2014|
|Launch Price||USD 1,999||USD 449|
|Sensor Specs||Pentax K-1 II||Sony A5000|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||35.9 x 24.0 mm||23.2 x 15.4 mm|
|Sensor Area||861.6 mm2||357.28 mm2|
|Sensor Diagonal||43.2 mm||27.8 mm|
|Sensor Resolution||36.2 Megapixels||19.8 Megapixels|
|Image Resolution||7360 x 4912 pixels||5456 x 3632 pixels|
|Pixel Pitch||4.88 μm||4.25 μm|
|Pixel Density||4.20 MP/cm2||5.55 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60i Video||1080/60i Video|
|ISO Setting||100 - 819,200 ISO||100 - 16,000 ISO|
|Image Processor||PRIME IV||BIONZ X|
|DXO Sensor Quality (score)||..||79|
|DXO Color Depth (bits)||..||23.8|
|DXO Dynamic Range (EV)||..||13.0|
|DXO Low Light (ISO)||..||1089|
|Screen Specs||Pentax K-1 II||Sony A5000|
|Viewfinder Type||Optical viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1037k dots||461k dots|
|LCD Attachment||Fully flexible screen||Tilting screen|
|Shooting Specs||Pentax K-1 II||Sony A5000|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||4.4 shutter flaps/s||3.5 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Pentax K-1 II||Sony A5000|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Pentax K-1 II||Sony A5000|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||670 shots per charge||420 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
137 x 110 x 86 mm
(5.4 x 4.3 x 3.4 in)
110 x 63 x 36 mm
(4.3 x 2.5 x 1.4 in)
|Camera Weight||1010 g (35.6 oz)||269 g (9.5 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.