Pentax K-1 II vs Pentax Q
The Pentax K-1 II and the Pentax Q are two digital cameras that were announced, respectively, in February 2018 and June 2011. The K-1 II is a DSLR, while the Pentax Q is a mirrorless interchangeable lens camera. The cameras are based on a full frame (K-1 II) and a 1/2.3-inch (Pentax Q) sensor. The K-1 II has a resolution of 36.2 megapixels, whereas the Pentax Q provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Pentax K-1 II||Pentax Q|
|Digital single lens reflex||Mirrorless system camera|
|Pentax K mount lenses||Pentax Q mount lenses|
|36.2 MP, Full Frame Sensor||12 MP, 1/2.3" Sensor|
|1080/60i Video||1080/30p Video|
|ISO 100-819200||ISO 125-6400|
|Optical viewfinder||Viewfinder optional|
|3.2" LCD, 1037k dots||3.0" LCD, 460k dots|
|Fully flexible screen (no touchscreen)||Fixed screen (not touch-sensitive)|
|4.4 shutter flaps per second||1.5 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|Weathersealed body||Not weather sealed|
|670 shots per battery charge||230 shots per battery charge|
|137 x 110 x 86 mm, 1010 g||98 x 57 x 31 mm, 180 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Pentax K-1 II and the Pentax Q? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Pentax K-1 II vs Pentax Q
The physical size and weight of the Pentax K-1 II and the Pentax Q are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The K-1 II can be obtained in two different colors (black, silver), while the Pentax Q is also available in two color-versions, but different ones (black, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax Q is considerably smaller (63 percent) than the Pentax K-1 II. Moreover, the Pentax Q is substantially lighter (82 percent) than the K-1 II. It is worth mentioning in this context that the K-1 II is splash and dust resistant, while the Pentax Q does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Pentax K-1 II»||5.4 in||4.3 in||3.4 in||35.6 oz||670||Y||Feb 2018||1,999||Pentax K-1 II|
|Pentax Q«||3.9 in||2.2 in||1.2 in||6.3 oz||230||n||Jun 2011||649||-||Pentax Q|
|Canon R« »||5.5 in||3.9 in||3.3 in||23.3 oz||370||Y||Sep 2018||2,299||Canon R|
|Nikon Z6« »||5.3 in||4.0 in||2.6 in||23.8 oz||310||Y||Aug 2018||1,999||Nikon Z6|
|Olympus XZ-2« »||4.4 in||2.6 in||1.9 in||12.2 oz||340||n||Sep 2012||599||-||Olympus XZ-2|
|Olympus E-PL2« »||4.5 in||2.8 in||1.7 in||12.8 oz||280||n||Jan 2011||599||-||Olympus E-PL2|
|Olympus E-PL3« »||4.3 in||2.5 in||1.5 in||11.0 oz||300||n||Jun 2011||599||-||Olympus E-PL3|
|Olympus E-5« »||5.6 in||4.6 in||3.0 in||30.8 oz||750||Y||Sep 2010||1,699||-||Olympus E-5|
|Olympus E-PL1« »||4.5 in||2.8 in||1.7 in||11.8 oz||290||n||Feb 2010||599||-||Olympus E-PL1|
|Olympus E-620« »||5.1 in||3.7 in||2.4 in||18.4 oz||500||n||Feb 2009||699||-||Olympus E-620|
|Panasonic S1« »||5.9 in||4.3 in||3.8 in||35.9 oz||400||Y||Feb 2019||2,499||Panasonic S1|
|Panasonic S1R« »||5.9 in||4.3 in||3.8 in||35.8 oz||380||Y||Feb 2019||3,699||Panasonic S1R|
|Pentax K-1« »||5.4 in||4.3 in||3.4 in||35.6 oz||760||Y||Feb 2016||1,799||-||Pentax K-1|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A7R III« »||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199||Sony A7R III|
|Sony A99 II« »||5.6 in||4.1 in||3.0 in||29.9 oz||490||Y||Sep 2016||3,199||Sony A99 II|
|Sony A850« »||6.1 in||4.6 in||3.2 in||31.6 oz||880||Y||Aug 2009||1,999||-||Sony A850|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The Pentax Q was launched at a markedly lower price (by 68 percent) than the K-1 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Pentax K-1 II vs Pentax Q
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Pentax K-1 II features a full frame sensor and the Pentax Q a 1/2.3-inch sensor. The sensor area in the Pentax Q is 97 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 5.6. The sensor in the K-1 II has a native 3:2 aspect ratio, while the one in the Pentax Q offers a 4:3 aspect.
With 36.2MP, the K-1 II offers a higher resolution than the Pentax Q (12MP), but the K-1 II nevertheless has larger individual pixels (pixel pitch of 4.88μm versus 1.53μm for the Pentax Q) due to its larger sensor. Moreover, the K-1 II is a much more recent model (by 6 years and 8 months) than the Pentax Q, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the K-1 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Pentax K-1 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-1 II for good quality output (200 dots per inch) amounts to 36.8 x 24.6 inch or 93.5 x 62.4 cm, for very good quality (250 dpi) 29.4 x 19.6 inch or 74.8 x 49.9 cm, and for excellent quality (300 dpi) 24.5 x 16.4 inch or 62.3 x 41.6 cm. The corresponding values for the Pentax Q are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
Unlike the Pentax Q, the K-1 II has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Pentax K-1 II has a native sensitivity range from ISO 100 to ISO 819200. The corresponding ISO settings for the Pentax Q are ISO 125 to ISO 6400 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Pentax K-1 II»||Full Frame||36.2||7360||4912||1080/60i||-||-||-||-||Pentax K-1 II|
|Pentax Q«||1/2.3||12.0||4000||3000||1080/30p||20.2||11.1||189||47||Pentax Q|
|Canon R« »||Full Frame||30.1||6720||4480||4K/30p||24.5||13.5||2742||89||Canon R|
|Nikon Z6« »||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95||Nikon Z6|
|Olympus XZ-2« »||1/1.7||11.8||3968||2976||1080/30p||20.4||11.3||216||49||Olympus XZ-2|
|Olympus E-PL2« »||Four Thirds||12.2||4032||3024||720/30p||21.4||10.2||573||55||Olympus E-PL2|
|Olympus E-PL3« »||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52||Olympus E-PL3|
|Olympus E-5« »||Four Thirds||12.2||4032||3024||720/30p||21.6||10.5||519||56||Olympus E-5|
|Olympus E-PL1« »||Four Thirds||12.2||4032||3024||720/30p||21.5||10.1||487||54||Olympus E-PL1|
|Olympus E-620« »||Four Thirds||12.2||4032||3024||-||21.3||10.3||536||55||Olympus E-620|
|Panasonic S1« »||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95||Panasonic S1|
|Panasonic S1R« »||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100||Panasonic S1R|
|Pentax K-1« »||Full Frame||36.2||7360||4912||1080/60i||25.4||14.6||3280||96||Pentax K-1|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A7R III« »||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100||Sony A7R III|
|Sony A99 II« »||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92||Sony A99 II|
|Sony A850« »||Full Frame||24.4||6048||4032||-||23.8||12.2||1415||79||Sony A850|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the K-1 II provides a higher frame rate than the Pentax Q. It can shoot video footage at 1080/60i, while the Pentax Q is limited to 1080/30p.
Feature comparison: Pentax K-1 II vs Pentax Q
Beyond body and sensor, cameras can and do differ across a range of features. For example, the K-1 II has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the Pentax Q relies on live view and the rear LCD for framing. That said, the Pentax Q can be equipped with an optional viewfinder – the O-VF1. The following table reports on some other key feature differences and similarities of the Pentax K-1 II, the Pentax Q, and comparable cameras.
|Pentax K-1 II»||optical||Y||3.2||1037||full-flex||n||1/8000s||4.4||n||Y||Pentax K-1 II|
|Pentax Q«||-||n||3.0||460||fixed||n||1/2000s||1.5||Y||Y||Pentax Q|
|Canon R« »||3690||Y||3.2||2100||swivel||Y||1/8000s||8.0||n||n||Canon R|
|Nikon Z6« »||3690||Y||3.2||2100||tilting||Y||1/8000s||12.0||n||Y||Nikon Z6|
|Olympus XZ-2« »||-||n||3.0||920||tilting||Y||1/2000s||5.0||Y||Y||Olympus XZ-2|
|Olympus E-PL2« »||-||n||3.0||460||fixed||n||1/4000s||3.0||Y||Y||Olympus E-PL2|
|Olympus E-PL3« »||-||n||3.0||460||tilting||n||1/4000s||5.5||n||Y||Olympus E-PL3|
|Olympus E-5« »||optical||Y||3.0||920||swivel||n||1/8000s||5.0||Y||Y||Olympus E-5|
|Olympus E-PL1« »||-||n||2.7||230||fixed||n||1/2000s||3.0||Y||Y||Olympus E-PL1|
|Olympus E-620« »||optical||n||2.7||230||swivel||n||1/4000s||4.0||Y||Y||Olympus E-620|
|Panasonic S1« »||5760||Y||3.2||2100||full-flex||Y||1/8000s||9.0||n||Y||Panasonic S1|
|Panasonic S1R« »||5760||Y||3.2||2100||full-flex||Y||1/8000s||9.0||n||Y||Panasonic S1R|
|Pentax K-1« »||optical||Y||3.2||1037||full-flex||n||1/8000s||4.4||n||Y||Pentax K-1|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A7R III« »||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y||Sony A7R III|
|Sony A99 II« »||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y||Sony A99 II|
|Sony A850« »||optical||Y||3.0||922||fixed||n||1/8000s||3.0||n||Y||Sony A850|
One feature that is present on the K-1 II, but is missing on the Pentax Q is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Pentax K-1 II and the Pentax Q both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the K-1 II and the Pentax Q write their files to SDXC cards. The K-1 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the Pentax Q only has one slot. The K-1 II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the Pentax Q cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison: Pentax K-1 II vs Pentax Q
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Pentax K-1 II and Pentax Q and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Pentax K-1 II»||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Pentax K-1 II|
|Pentax Q«||Y||mono||mono||-||-||mini||2.0||-||-||-||Pentax Q|
|Canon R« »||Y||stereo||mono||Y||-||mini||3.1||Y||-||Y||Canon R|
|Nikon Z6« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z6|
|Olympus XZ-2« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus XZ-2|
|Olympus E-PL2« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Olympus E-PL2|
|Olympus E-PL3« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Olympus E-PL3|
|Olympus E-5« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Olympus E-5|
|Olympus E-PL1« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Olympus E-PL1|
|Olympus E-620« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-620|
|Panasonic S1« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1|
|Panasonic S1R« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1R|
|Pentax K-1« »||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Pentax K-1|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A7R III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R III|
|Sony A99 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A99 II|
|Sony A850« »||Y||-||-||-||-||mini||2.0||-||-||-||Sony A850|
It is notable that the K-1 II has a microphone port, which is missing on the Pentax Q. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Pentax K-1 II (unlike the Pentax Q) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The K-1 II is a recent model that features in the current product line-up of Pentax. In contrast, the Pentax Q has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the Pentax Q was succeeded by the Pentax Q10. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Pentax website.
Review summary: Pentax K-1 II vs Pentax Q
So what conclusions can be drawn? Is there a clear favorite between the Pentax K-1 II and the Pentax Q? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Pentax K-1 II:
- More detail: Offers more megapixels (36.2 vs 12MP) with a 77% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an optical viewfinder for image framing and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 460k dots).
- More flexible LCD: Has full-flex screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (4.4 vs 1.5 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (670 versus 230) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 6 years and 8 months of technical progress since the Pentax Q launch.
Arguments in favor of the Pentax Q:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More compact: Is smaller (98x57mm vs 137x110mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 830g or 82 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (68 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in June 2011).
If the count of relative strengths (bullet points above) is taken as a measure, the K-1 II is the clear winner of the match-up (24 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Pentax K-1 II and the Pentax Q place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the K-1 II or the Pentax Q perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews: Pentax K-1 II vs Pentax Q
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Pentax K-1 II»||-||79/100||4.5/5||-||4.5/5||Feb 2018||1,999||Pentax K-1 II|
|Pentax Q«||-||-||4/5||3.5/5||3.5/5||Jun 2011||649||-||Pentax Q|
|Canon R« »||o||79/100||4.5/5||4/5||4/5||Sep 2018||2,299||Canon R|
|Nikon Z6« »||-||-||4.5/5||-||5/5||Aug 2018||1,999||Nikon Z6|
|Olympus XZ-2« »||+||-||4.5/5||4/5||4.5/5||Sep 2012||599||-||Olympus XZ-2|
|Olympus E-PL2« »||83/100||71/100||4.5/5||4.5/5||4.5/5||Jan 2011||599||-||Olympus E-PL2|
|Olympus E-PL3« »||+ +||72/100||4.5/5||-||4/5||Jun 2011||599||-||Olympus E-PL3|
|Olympus E-5« »||-||75/100||4/5||-||4.5/5||Sep 2010||1,699||-||Olympus E-5|
|Olympus E-PL1« »||86/100||69/100||4/5||4.5/5||4.5/5||Feb 2010||599||-||Olympus E-PL1|
|Olympus E-620« »||88/100||72/100||4.5/5||o||5/5||Feb 2009||699||-||Olympus E-620|
|Panasonic S1« »||+ +||-||-||-||4/5||Feb 2019||2,499||Panasonic S1|
|Panasonic S1R« »||-||-||4.5/5||-||4.5/5||Feb 2019||3,699||Panasonic S1R|
|Pentax K-1« »||-||84/100||5/5||4.5/5||5/5||Feb 2016||1,799||-||Pentax K-1|
|Sony A7 III« »||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony A7R III« »||+ +||90/100||4.5/5||5/5||5/5||Oct 2017||3,199||Sony A7R III|
|Sony A99 II« »||-||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199||Sony A99 II|
|Sony A850« »||-||75/100||-||4/5||4.5/5||Aug 2009||1,999||-||Sony A850|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5D Mark II vs Pentax Q
- Canon 7D II vs Pentax K-1 II
- Canon G1 X Mark III vs Pentax K-1 II
- Canon M5 vs Pentax K-1 II
- Fujifilm GFX 50R vs Pentax K-1 II
- Fujifilm XP130 vs Pentax Q
- Nikon D7200 vs Pentax K-1 II
- Panasonic FT7 vs Pentax K-1 II
- Pentax K-1 II vs Samsung NX1
- Pentax K-1 II vs Sony RX10 III
- Pentax K-1 II vs Sony RX100 IV
- Pentax Q vs Sony NEX-5
Specifications: Pentax K-1 II vs Pentax Q
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Pentax K-1 II||Pentax Q|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Pentax K mount lenses||Pentax Q mount lenses|
|Launch Date||February 2018||June 2011|
|Launch Price||USD 1999||USD 649|
|Sensor Specs||Pentax K-1 II||Pentax Q|
|Sensor Format||Full Frame Sensor||1/2.3" Sensor|
|Sensor Size||35.9 x 24.0 mm||6.17 x 4.55 mm|
|Sensor Area||861.6 mm2||28.0735 mm2|
|Sensor Diagonal||43.2 mm||7.7 mm|
|Sensor Resolution||36.2 Megapixels||12 Megapixels|
|Image Resolution||7360 x 4912 pixels||4000 x 3000 pixels|
|Pixel Pitch||4.88 μm||1.53 μm|
|Pixel Density||4.20 MP/cm2||42.74 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60i Video||1080/30p Video|
|ISO Setting||100-819200 ISO||125-6400 ISO|
|DXO Sensor Quality (score)||..||47|
|DXO Color Depth (bits)||..||20.2|
|DXO Dynamic Range (EV)||..||11.1|
|DXO Low Light (ISO)||..||189|
|Screen Specs||Pentax K-1 II||Pentax Q|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||1037k dots||460k dots|
|LCD Attachment||Fully flexible screen||Fixed screen|
|Shooting Specs||Pentax K-1 II||Pentax Q|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||4.4 shutter flaps/s||1.5 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Pentax K-1 II||Pentax Q|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Pentax K-1 II||Pentax Q|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Type||D-LI90 power pack||D-LI68 power pack|
|Battery Life (CIPA)||670 shots per charge||230 shots per charge|
137 x 110 x 86 mm
(5.4 x 4.3 x 3.4 in)
98 x 57 x 31 mm
(3.9 x 2.2 x 1.2 in)
|Camera Weight||1010 g (35.6 oz)||180 g (6.3 oz)|
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