Panasonic ZS70 vs Sony A6600
The Panasonic Lumix DC-ZS70 (called Panasonic TZ90 in some regions) and the Sony Alpha A6600 are two digital cameras that were officially introduced, respectively, in April 2017 and August 2019. The ZS70 is a fixed lens compact, while the A6600 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (ZS70) and an APS-C (A6600) sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-ZS70 and the Sony Alpha A6600? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic ZS70 and the Sony A6600. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The ZS70 can be obtained in two different colors (black, silver), while the A6600 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6600 is notably larger (7 percent) than the Panasonic ZS70. It is noteworthy in this context that the A6600 is splash and dust-proof, while the ZS70 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the ZS70 has a lens built in, whereas the A6600 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A6600 and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the ZS70 gets 380 shots out of its DMW-BLG10 battery, while the A6600 can take 810 images on a single charge of its NP-FZ100 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Panasonic ZS70||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449|
|2.||Sony A6600||120 mm||67 mm||69 mm||503 g||810||Y||Aug 2019||1,399|
|3.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399|
|4.||Canon SX730||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399|
|5.||Canon SX720||110 mm||64 mm||36 mm||270 g||250||n||Feb 2016||379|
|6.||Fujifilm X-T4||135 mm||93 mm||64 mm||607 g||500||Y||Feb 2020||1,699|
|7.||Fujifilm XF10||113 mm||64 mm||41 mm||279 g||330||n||Jul 2018||499|
|8.||Kodak AZ901||139 mm||104 mm||119 mm||777 g||400||n||Jan 2016||499|
|9.||Panasonic ZS80||112 mm||69 mm||42 mm||327 g||380||n||Feb 2019||449|
|10.||Panasonic TS7||117 mm||76 mm||37 mm||319 g||300||Y||May 2018||449|
|11.||Panasonic FZ80||130 mm||94 mm||119 mm||616 g||330||n||Jan 2017||399|
|12.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|13.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499|
|14.||Sony A7C||124 mm||71 mm||60 mm||509 g||740||Y||Sep 2020||1,799|
|15.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399|
|16.||Sony A77 II||143 mm||104 mm||81 mm||647 g||480||Y||May 2014||1,199|
|17.||Sony A77||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The ZS70 was launched at a lower price than the A6600, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic ZS70 features a 1/2.3-inch sensor and the Sony A6600 an APS-C sensor. The sensor area in the A6600 is 1211 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.5. The sensor in the ZS70 has a native 4:3 aspect ratio, while the one in the A6600 offers a 3:2 aspect.
With 24MP, the A6600 offers a higher resolution than the ZS70 (20.2MP), but the A6600 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 1.18μm for the ZS70) due to its larger sensor. Moreover, the A6600 is a much more recent model (by 2 years and 4 months) than the ZS70, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the ZS70 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A6600 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6600 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic ZS70 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
The A6600 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DC-ZS70 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-6400. The corresponding ISO settings for the Sony Alpha A6600 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 100-102400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A6600 offers substantially better image quality than the ZS70 (overall score 46 points higher). The advantage is based on 4.7 bits higher color depth, 2.8 EV in additional dynamic range, and 3.8 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|14.||Sony A7C||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3407||95|
|16.||Sony A77 II||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A6600 offers a substantially higher resolution than the one in the ZS70 (2359k vs 1166k dots). The table below summarizes some of the other core capabilities of the Panasonic ZS70 and Sony A6600 in connection with corresponding information for a sample of similar cameras.
|1.||Panasonic ZS70||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0||Y||Y|
|2.||Sony A6600||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0||n||Y|
|3.||Canon SX740||none||n||3.0 / 922||tilting||n||1/3200s||10.0||Y||Y|
|4.||Canon SX730||none||n||3.0 / 922||tilting||n||1/3200s||5.9||Y||Y|
|5.||Canon SX720||none||n||3.0 / 922||fixed||n||1/3200s||5.9||Y||Y|
|6.||Fujifilm X-T4||3690||n||3.0 / 1620||swivel||Y||1/8000s||15.0||n||Y|
|7.||Fujifilm XF10||none||n||3.0 / 1040||fixed||Y||1/4000s||6.0||Y||n|
|8.||Kodak AZ901||202||n||3.0 / 920||swivel||n||1/2000s||5.0||Y||Y|
|9.||Panasonic ZS80||2330||n||3.0 / 1040||tilting||Y||1/2000s||10.0||Y||Y|
|10.||Panasonic TS7||1170||n||3.0 / 1040||fixed||n||1/1300s||10.0||Y||Y|
|11.||Panasonic FZ80||1166||n||3.0 / 1040||fixed||Y||1/2000s||10.0||Y||Y|
|12.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0||Y||Y|
|13.||Panasonic LX5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5||Y||Y|
|14.||Sony A7C||2360||n||3.0 / 922||swivel||Y||1/4000s||10.0||n||Y|
|15.||Sony A6500||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0||Y||Y|
|16.||Sony A77 II||2359||Y||3.0 / 1229||full-flex||n||1/8000s||12.0||Y||Y|
|17.||Sony A77||2359||Y||3.0 / 921||full-flex||n||1/8000s||12.0||Y||Y|
One difference between the cameras concerns the presence of an on-board flash. The ZS70 has one, while the A6600 does not. While the built-in flash of the ZS70 is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A6600 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The ZS70 writes its imaging data to SDXC cards, while the A6600 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-ZS70 and Sony Alpha A6600 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic ZS70||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|2.||Sony A6600||Y||stereo / mono||Y||Y||YES||2.0||Y||Y||Y|
|3.||Canon SX740||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|4.||Canon SX730||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|5.||Canon SX720||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|6.||Fujifilm X-T4||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|7.||Fujifilm XF10||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|8.||Kodak AZ901||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Panasonic ZS80||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|10.||Panasonic TS7||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Panasonic FZ80||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|12.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
|13.||Panasonic LX5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|14.||Sony A7C||Y||stereo / mono||Y||Y||micro||3.2||Y||Y||Y|
|15.||Sony A6500||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|16.||Sony A77 II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|17.||Sony A77||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the A6600 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The ZS70 does not feature such a mic input.
The A6600 is a recent model that features in the current product line-up of Sony. In contrast, the ZS70 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the ZS70 was succeeded by the Panasonic ZS80. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what conclusions can be drawn? Which of the two cameras – the Panasonic ZS70 or the Sony A6600 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Panasonic Lumix DC-ZS70:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- Ready to shoot: Has a lens built-in, whereas the A6600 requires a separate lens.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A6600).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in April 2017).
Reasons to prefer the Sony Alpha A6600:
- More detail: Has more megapixels (24 vs 20.2MP), which boosts linear resolution by 11%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (46 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (4.7 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.8 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (3.8 stops ISO advantage).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2359k vs 1166k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.46x).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (810 versus 380) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 2 years and 4 months of technical progress since the ZS70 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A6600 is the clear winner of the contest (20 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic ZS70 and the Sony A6600 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the ZS70 and the A6600 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic ZS70||..||+ +||..||..||4/5||4/5||Apr 2017||449|
|2.||Sony A6600||4/5||+||4/5||83/100||4.5/5||4/5||Aug 2019||1,399|
|3.||Canon SX740||..||+||3.5/5||..||4/5||4/5||Jul 2018||399|
|4.||Canon SX730||..||+||..||..||4/5||4/5||Apr 2017||399|
|5.||Canon SX720||..||+||..||..||4/5||4.5/5||Feb 2016||379|
|6.||Fujifilm X-T4||5/5||+ +||5/5||88/100||5/5||5/5||Feb 2020||1,699|
|7.||Fujifilm XF10||..||..||4/5||75/100||4/5||4.5/5||Jul 2018||499|
|8.||Kodak AZ901||..||..||..||..||3.5/5||3/5||Jan 2016||499|
|9.||Panasonic ZS80||..||+ +||..||..||4.5/5||..||Feb 2019||449|
|10.||Panasonic TS7||..||+||..||..||..||3.5/5||May 2018||449|
|11.||Panasonic FZ80||..||+ +||..||..||4.5/5||4.5/5||Jan 2017||399|
|12.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499|
|13.||Panasonic LX5||4/5||+||..||73/100||4.5/5||4.5/5||Jul 2010||499|
|14.||Sony A7C||3.5/5||..||3.5/5||86/100||4/5||4/5||Sep 2020||1,799|
|15.||Sony A6500||5/5||+ +||3.5/5||85/100||4.5/5||4.5/5||Oct 2016||1,399|
|16.||Sony A77 II||4/5||..||..||80/100||4.5/5||5/5||May 2014||1,199|
|17.||Sony A77||5/5||91/100||..||81/100||..||5/5||Aug 2011||1,399|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1Ds vs Sony A6600
- Canon 40D vs Panasonic ZS70
- Canon 5D Mark III vs Sony A6600
- Canon M6 vs Sony A6600
- Leica Q Typ 116 vs Panasonic ZS70
- Leica V-LUX Typ 114 vs Panasonic ZS70
- Olympus E-M1X vs Sony A6600
- Olympus E-PL9 vs Panasonic ZS70
- Panasonic FZ150 vs Sony A6600
- Panasonic GF7 vs Panasonic ZS70
- Panasonic ZS70 vs Sony H200
- Sony A6600 vs Sony NEX-C3
Specifications: Panasonic ZS70 vs Sony A6600
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic ZS70||Sony A6600|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-720mm f/3.3-6.4||Sony E mount lenses|
|Launch Date||April 2017||August 2019|
|Launch Price||USD 449||USD 1,399|
|Sensor Specs||Panasonic ZS70||Sony A6600|
|Sensor Format||1/2.3" Sensor||APS-C Sensor|
|Sensor Size||6.17 x 4.55 mm||23.5 x 15.6 mm|
|Sensor Area||28.0735 mm2||366.6 mm2|
|Sensor Diagonal||7.7 mm||28.2 mm|
|Sensor Resolution||20.2 Megapixels||24 Megapixels|
|Image Resolution||5184 x 3888 pixels||6000 x 4000 pixels|
|Pixel Pitch||1.18 μm||3.91 μm|
|Pixel Density||71.80 MP/cm2||6.55 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||80 - 3,200 ISO||100 - 32,000 ISO|
|ISO Boost||80 - 6,400 ISO||100 - 102,400 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||36||82|
|DXO Color Depth (bits)||19.1||23.8|
|DXO Dynamic Range (EV)||10.6||13.4|
|DXO Low Light (ISO)||106||1497|
|Screen Specs||Panasonic ZS70||Sony A6600|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1166k dots||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||922k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Panasonic ZS70||Sony A6600|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/4000s|
|Continuous Shooting||10 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||YES|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic ZS70||Sony A6600|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||YES HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Panasonic ZS70||Sony A6600|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||380 shots per charge||810 shots per charge|
|In-Camera Charging||USB charging||USB charging|
112 x 67 x 41 mm
(4.4 x 2.6 x 1.6 in)
120 x 67 x 69 mm
(4.7 x 2.6 x 2.7 in)
|Camera Weight||322 g (11.4 oz)||503 g (17.7 oz)|
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