Panasonic ZS200 vs Sony RX100 V
The Panasonic Lumix DC-ZS200 (called Panasonic TZ200 in some regions) and the Sony Cyber-shot DSC-RX100 V are two digital cameras that were officially introduced, respectively, in February 2018 and October 2016. Both the ZS200 and the RX100 V are fixed lens compact cameras that are equipped with an one-inch sensor. Both cameras offer a resolution of 20 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-ZS200 and the Sony Cyber-shot DSC-RX100 V? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic ZS200 and the Sony RX100 V. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The ZS200 can be obtained in two different colors (black, silver), while the RX100 V is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX100 V is notably smaller (18 percent) than the Panasonic ZS200. Moreover, the RX100 V is markedly lighter (12 percent) than the ZS200. In this context, it is worth noting that neither the ZS200 nor the RX100 V are weather-sealed.
Concerning battery life, the ZS200 gets 370 shots out of its DMW-BLG10 battery, while the RX100 V can take 220 images on a single charge of its NP-BX1 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Panasonic ZS200||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799|
|2.||Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999|
|3.||Canon G5 X Mark II||111 mm||61 mm||46 mm||340 g||230||n||Jul 2019||899|
|4.||Canon G7 X Mark III||105 mm||61 mm||41 mm||304 g||235||n||Jul 2019||749|
|5.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699|
|6.||Canon G3 X||123 mm||77 mm||105 mm||733 g||300||Y||Jun 2015||999|
|7.||Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799|
|8.||Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699|
|9.||Panasonic FZ1000 II||136 mm||97 mm||131 mm||810 g||350||n||Feb 2019||899|
|10.||Panasonic GX9||124 mm||72 mm||47 mm||407 g||260||n||Feb 2018||849|
|11.||Panasonic LX10||106 mm||60 mm||42 mm||310 g||260||n||Sep 2016||699|
|12.||Panasonic ZS100||111 mm||65 mm||44 mm||312 g||300||n||Jan 2016||699|
|13.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899|
|14.||Sony RX100 VII||102 mm||58 mm||43 mm||302 g||260||n||Jul 2019||1,199|
|15.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The ZS200 was launched at a somewhat lower price (by 20 percent) than the RX100 V, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an one-inch sensor and have a format factor (sometimes also referred to as "crop factor") of 2.7. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 20 megapixels. This similarity in sensor specs implies that both the ZS200 and the RX100 V have the same pixel density, as well as the same pixel size. It should, however, be noted that the ZS200 is a somewhat more recent model (by 1 year and 4 months) than the RX100 V, and its sensor might have benefitted from technological advances during this time.
The Panasonic Lumix DC-ZS200 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The Sony Cyber-shot DSC-RX100 V offers exactly the same ISO settings.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|3.||Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|4.||Canon G7 X Mark III||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|5.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|6.||Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|7.||Canon G5 X||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|8.||Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|9.||Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|10.||Panasonic GX9||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|14.||Sony RX100 VII||1-inch||20.0||5472||3648||4K/30p||21.8||12.4||418||63|
|15.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the RX100 V offers a slightly higher resolution than the one in the ZS200 (2359k vs 2330k dots). The adjacent table lists some of the other core features of the Panasonic ZS200 and Sony RX100 V along with similar information for a selection of comparators.
|1.||Panasonic ZS200||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0||Y||Y|
|2.||Sony RX100 V||2359||n||3.0 / 1229||tilting||n||1/2000s||24.0||Y||Y|
|3.||Canon G5 X Mark II||2360||n||3.0 / 1040||tilting||Y||1/2000s||30||Y||Y|
|4.||Canon G7 X Mark III||none||n||3.0 / 1040||tilting||Y||1/2000s||30||Y||Y|
|5.||Canon G7 X Mark II||none||n||3.0 / 1040||tilting||Y||1/2000s||8.0||Y||Y|
|6.||Canon G3 X||optional||n||3.2 / 1620||tilting||Y||1/2000s||5.9||Y||Y|
|7.||Canon G5 X||2360||n||3.0 / 1040||swivel||Y||1/2000s||5.9||Y||Y|
|8.||Canon G7 X||none||n||3.0 / 1040||tilting||Y||1/2000s||6.5||Y||Y|
|9.||Panasonic FZ1000 II||2360||n||3.0 / 1240||swivel||Y||1/4000s||12.0||Y||Y|
|10.||Panasonic GX9||2760||n||3.0 / 1240||tilting||Y||1/4000s||9.0||Y||Y|
|11.||Panasonic LX10||none||n||3.0 / 1040||tilting||Y||1/4000s||10.0||Y||Y|
|12.||Panasonic ZS100||1166||n||3.0 / 1040||fixed||Y||1/2000s||10.0||Y||Y|
|13.||Panasonic FZ1000||2359||n||3.0 / 921||swivel||n||1/4000s||12.0||Y||Y|
|14.||Sony RX100 VII||2359||n||3.0 / 921||tilting||Y||1/2000s||90.0||Y||Y|
|15.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The ZS200 has a touchscreen, while the RX100 V has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The RX100 V has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the ZS200 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic ZS200 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the ZS200 and the RX100 V have zoom lenses built in. The ZS200 has a 24-360mm f/3.3-6.4 optic and the RX100 V offers a 24-70mm f/1.8-2.8 (focal lengths in full frame equivalent terms). Hence, the Panasonic and Sony provide the same view at the wide-angle end, but the Sony has less tele-photo reach at the long end. The RX100 V offers the faster maximum aperture.
The ZS200 writes its imaging data to SDXC cards, while the RX100 V uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-ZS200 and Sony Cyber-shot DSC-RX100 V and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic ZS200||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|2.||Sony RX100 V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|3.||Canon G5 X Mark II||-||stereo / mono||-||-||micro||3.1||Y||-||Y|
|4.||Canon G7 X Mark III||-||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|5.||Canon G7 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|6.||Canon G3 X||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|7.||Canon G5 X||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|8.||Canon G7 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|9.||Panasonic FZ1000 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|10.||Panasonic GX9||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|11.||Panasonic LX10||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|12.||Panasonic ZS100||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Panasonic FZ1000||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|14.||Sony RX100 VII||-||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|15.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
Both the ZS200 and the RX100 V are recent models that are part of the current product line-up. The RX100 V replaced the earlier Sony RX100 IV, while the ZS200 followed on from the Panasonic ZS100. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So how do things add up? Which of the two cameras – the Panasonic ZS200 or the Sony RX100 V – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Panasonic Lumix DC-ZS200:
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Can take more shots (370 versus 220) on a single battery charge.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced segment (20 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 1 year and 4 months after the RX100 V).
Advantages of the Sony Cyber-shot DSC-RX100 V:
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.59x vs 0.53x).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (24 vs 10 flaps/sec) to capture the decisive moment.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.8 vs f/3.3).
- More compact: Is smaller (102x58mm vs 111x65mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 41g or 12 percent) and is thus easier to take along.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been on the market for longer (launched in October 2016).
If the number of relative strengths (bullet points above) is taken as a guide, the RX100 V emerges as the winner of the match-up (9 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic ZS200 and the Sony RX100 V place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the ZS200 or the RX100 V. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic ZS200||..||+ +||..||81/100||4.5/5||4.5/5||Feb 2018||799|
|2.||Sony RX100 V||4.5/5||+ +||..||83/100||4/5||4.5/5||Oct 2016||999|
|3.||Canon G5 X Mark II||4/5||+||4/5||82/100||..||4/5||Jul 2019||899|
|4.||Canon G7 X Mark III||..||+ +||4/5||81/100||4/5||..||Jul 2019||749|
|5.||Canon G7 X Mark II||4.5/5||+ +||..||81/100||4.5/5||4.5/5||Feb 2016||699|
|6.||Canon G3 X||3.5/5||+||..||..||4.5/5||4/5||Jun 2015||999|
|7.||Canon G5 X||5/5||+ +||..||78/100||4.5/5||4.5/5||Oct 2015||799|
|8.||Canon G7 X||4/5||+ +||..||77/100||4.5/5||4.5/5||Sep 2014||699|
|9.||Panasonic FZ1000 II||..||..||..||83/100||4.5/5||4.5/5||Feb 2019||899|
|10.||Panasonic GX9||4/5||+||4/5||84/100||4.5/5||4.5/5||Feb 2018||849|
|11.||Panasonic LX10||..||+ +||..||81/100||4/5||4.5/5||Sep 2016||699|
|12.||Panasonic ZS100||4.5/5||+ +||..||82/100||4.5/5||4.5/5||Jan 2016||699|
|13.||Panasonic FZ1000||4/5||+ +||..||82/100||4.5/5||4.5/5||Jun 2014||899|
|14.||Sony RX100 VII||4.5/5||..||4/5||..||4/5||5/5||Jul 2019||1,199|
|15.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Panasonic ZS200 vs Sony RX100 V
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic ZS200||Sony RX100 V|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-360mm f/3.3-6.4||24-70mm f/1.8-2.8|
|Launch Date||February 2018||October 2016|
|Launch Price||USD 799||USD 999|
|Sensor Specs||Panasonic ZS200||Sony RX100 V|
|Sensor Format||1" Sensor||1" Sensor|
|Sensor Size||13.2 x 8.8 mm||13.2 x 8.8 mm|
|Sensor Area||116.16 mm2||116.16 mm2|
|Sensor Diagonal||15.9 mm||15.9 mm|
|Sensor Resolution||20 Megapixels||20 Megapixels|
|Image Resolution||5472 x 3648 pixels||5472 x 3648 pixels|
|Pixel Pitch||2.41 μm||2.41 μm|
|Pixel Density||17.18 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||125 - 12,800 ISO||125 - 12,800 ISO|
|ISO Boost||80 - 25,600 ISO||80 - 25,600 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||..||70|
|DXO Color Depth (bits)||..||22.8|
|DXO Dynamic Range (EV)||..||12.4|
|DXO Low Light (ISO)||..||586|
|Screen Specs||Panasonic ZS200||Sony RX100 V|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2330k dots||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1240k dots||1229k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic ZS200||Sony RX100 V|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/2000s|
|Continuous Shooting||10 shutter flaps/s||24 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic ZS200||Sony RX100 V|
|External Flash||no Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Panasonic ZS200||Sony RX100 V|
|Battery Life (CIPA)||370 shots per charge||220 shots per charge|
|In-Camera Charging||USB charging||USB charging|
111 x 65 x 45 mm
(4.4 x 2.6 x 1.8 in)
102 x 58 x 41 mm
(4.0 x 2.3 x 1.6 in)
|Camera Weight||340 g (12.0 oz)||299 g (10.5 oz)|
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