Panasonic ZS200 vs Sony A6100
The Panasonic Lumix DC-ZS200 (called Panasonic TZ200 in some regions) and the Sony Alpha A6100 are two digital cameras that were officially introduced, respectively, in February 2018 and August 2019. The ZS200 is a fixed lens compact, while the A6100 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (ZS200) and an APS-C (A6100) sensor. The Panasonic has a resolution of 20 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic ZS200||Sony A6100|
|Fixed lens compact camera||Mirrorless system camera|
|24-360mm f/3.3-6.4||Sony E mount lenses|
|20 MP, 1" Sensor||24 MP, APS-C Sensor|
|4K/30p Video||4K/30p Video|
|ISO 125-12,800 (80 - 25,600)||ISO 100-32,000 (100 - 51,200)|
|Electronic viewfinder (2330k dots)||Electronic viewfinder (1440k dots)|
|3.0 LCD, 1240k dots||3.0 LCD, 922k dots|
|Fixed touchscreen||Tilting touchscreen|
|10 shutter flaps per second||11 shutter flaps per second|
|In-body stabilization||Lens stabilization only|
|370 shots per battery charge||420 shots per battery charge|
|111 x 65 x 45 mm, 340 g||120 x 67 x 59 mm, 396 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-ZS200 and the Sony Alpha A6100? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic ZS200 and the Sony A6100 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The ZS200 can be obtained in two different colors (black, silver), while the A6100 is available in three color-versions (black, silver, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6100 is notably larger (11 percent) than the Panasonic ZS200. In this context, it is worth noting that neither the ZS200 nor the A6100 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the ZS200 has a lens built in, whereas the A6100 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A6100 and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the ZS200 gets 370 shots out of its DMW-BLG10 battery, while the A6100 can take 420 images on a single charge of its NP-FW50 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Panasonic ZS200||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799|
|Sony A6100||120 mm||67 mm||59 mm||396 g||420||n||Aug 2019||749|
|Canon G5 X Mark II||111 mm||61 mm||46 mm||340 g||230||n||Jul 2019||899|
|Canon G7 X Mark III||105 mm||61 mm||41 mm||304 g||235||n||Jul 2019||749|
|Canon M50||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779|
|Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699|
|Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799|
|Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699|
|Panasonic FZ1000 II||136 mm||97 mm||131 mm||810 g||350||n||Feb 2019||899|
|Panasonic GX9||124 mm||72 mm||47 mm||407 g||260||n||Feb 2018||849|
|Panasonic LX10||106 mm||60 mm||42 mm||310 g||260||n||Sep 2016||699|
|Panasonic ZS100||111 mm||65 mm||44 mm||312 g||300||n||Jan 2016||699|
|Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899|
|Sony A6400||120 mm||67 mm||50 mm||403 g||410||n||Jan 2019||899|
|Sony A6000||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599|
|Sony A3000||128 mm||91 mm||85 mm||411 g||470||n||Aug 2013||329|
|Sony NEX-7||120 mm||67 mm||43 mm||400 g||430||n||Aug 2011||1,349|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic ZS200 features an one-inch sensor and the Sony A6100 an APS-C sensor. The sensor area in the A6100 is 216 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A6100 offers a higher resolution than the ZS200 (20MP), but the A6100 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 2.41μm for the ZS200) due to its larger sensor. Moreover, the A6100 is a somewhat more recent model (by 1 year and 6 months) than the ZS200, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A6100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6100 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic ZS200 are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The A6100 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DC-ZS200 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Sony Alpha A6100 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 100-51200.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Canon G7 X Mark III||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|Canon G5 X||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Panasonic GX9||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the ZS200 offers a substantially higher resolution than the one in the A6100 (2330k vs 1440k dots). The following table reports on some other key feature differences and similarities of the Panasonic ZS200, the Sony A6100, and comparable cameras.
|Canon G5 X Mark II||2360||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y|
|Canon G7 X Mark III||none||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y|
|Canon G7 X Mark II||none||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y|
|Canon G5 X||2360||n||3.0||1040||swivel||Y||1/2000s||5.9||Y||Y|
|Canon G7 X||none||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y|
|Panasonic FZ1000 II||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic ZS200 and the Sony A6100 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The ZS200 writes its imaging data to SDXC cards, while the A6100 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-ZS200 and Sony Alpha A6100 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Canon G5 X Mark II||-||stereo||mono||-||-||micro||3.1||Y||-||Y|
|Canon G7 X Mark III||-||stereo||mono||Y||-||micro||3.1||Y||-||Y|
|Canon G7 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Canon G5 X||Y||stereo||mono||-||-||mini||2.0||Y||Y||-|
|Canon G7 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Panasonic FZ1000 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y|
It is notable that the A6100 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The ZS200 does not feature such a mic input.
Both the ZS200 and the A6100 are recent models that are part of the current product line-up. The ZS200 replaced the earlier Panasonic ZS100, while the A6100 followed on from the Sony A6000. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what conclusions can be drawn? Which of the two cameras – the Panasonic ZS200 or the Sony A6100 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Panasonic Lumix DC-ZS200:
- More detailed viewfinder: Has higher resolution electronic viewfinder (2330k vs 1440k dots).
- More detailed LCD: Has a higher resolution rear screen (1240k vs 922k dots).
- Ready to shoot: Has a lens built-in, whereas the A6100 requires a separate lens.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A6100).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More heavily discounted: Has been on the market for longer (launched in February 2018).
Reasons to prefer the Sony Alpha A6100:
- More detail: Has more megapixels (24 vs 20MP), which boosts linear resolution by 10%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.53x).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (420 versus 370) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Was introduced somewhat (1 year and 6 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the A6100 is the clear winner of the contest (16 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic ZS200 and the Sony A6100 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the ZS200 or the A6100 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic ZS200||+ +||81/100||4.5/5||..||4.5/5||Feb 2018||799|
|Sony A6100||..||82/100||4/5||..||5/5||Aug 2019||749|
|Canon G5 X Mark II||+||82/100||..||..||4/5||Jul 2019||899|
|Canon G7 X Mark III||+ +||81/100||4/5||..||..||Jul 2019||749|
|Canon M50||+||79/100||..||4/5||3.5/5||Feb 2018||779|
|Canon G7 X Mark II||+ +||81/100||4.5/5||4/5||4.5/5||Feb 2016||699|
|Canon G5 X||+ +||78/100||4.5/5||4/5||4.5/5||Oct 2015||799|
|Canon G7 X||+ +||77/100||4.5/5||3.5/5||4.5/5||Sep 2014||699|
|Panasonic FZ1000 II||..||83/100||4.5/5||..||4.5/5||Feb 2019||899|
|Panasonic GX9||+||84/100||4.5/5||4.5/5||4.5/5||Feb 2018||849|
|Panasonic LX10||+ +||81/100||4/5||4.5/5||4.5/5||Sep 2016||699|
|Panasonic ZS100||+ +||82/100||4.5/5||4/5||4.5/5||Jan 2016||699|
|Panasonic FZ1000||+ +||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899|
|Sony A6400||+||85/100||4.5/5||..||4/5||Jan 2019||899|
|Sony A6000||+||80/100||4.5/5||5/5||5/5||Feb 2014||599|
|Sony A3000||+||..||4/5||4.5/5||4/5||Aug 2013||329|
|Sony NEX-7||+ +||81/100||4.5/5||5/5||5/5||Aug 2011||1,349|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D vs Sony A6100
- Canon M6 Mark II vs Sony A6100
- Leica C-LUX vs Sony A6100
- Nikon B700 vs Panasonic ZS200
- Nikon D6 vs Panasonic ZS200
- Olympus E-450 vs Sony A6100
- Panasonic FZ80 vs Sony A6100
- Panasonic G10 vs Panasonic ZS200
- Panasonic G3 vs Sony A6100
- Panasonic GF3 vs Sony A6100
- Panasonic ZS200 vs Sony A77 II
- Panasonic ZS200 vs Sony NEX-7
Specifications: Panasonic ZS200 vs Sony A6100
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic ZS200||Sony A6100|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-360mm f/3.3-6.4||Sony E mount lenses|
|Launch Date||February 2018||August 2019|
|Launch Price||USD 799||USD 749|
|Sensor Specs||Panasonic ZS200||Sony A6100|
|Sensor Format||1" Sensor||APS-C Sensor|
|Sensor Size||13.2 x 8.8 mm||23.5 x 15.6 mm|
|Sensor Area||116.16 mm2||366.6 mm2|
|Sensor Diagonal||15.9 mm||28.2 mm|
|Sensor Resolution||20 Megapixels||24 Megapixels|
|Image Resolution||5472 x 3648 pixels||6000 x 4000 pixels|
|Pixel Pitch||2.41 μm||3.91 μm|
|Pixel Density||17.18 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||125 - 12,800 ISO||100 - 32,000 ISO|
|ISO Boost||80 - 25,600 ISO||100 - 51,200 ISO|
|Image Processor||Venus||BIONZ X|
|Screen Specs||Panasonic ZS200||Sony A6100|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2330k dots||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1240k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Panasonic ZS200||Sony A6100|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/4000s|
|Continuous Shooting||10 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||YES|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic ZS200||Sony A6100|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Panasonic ZS200||Sony A6100|
|Battery Life (CIPA)||370 shots per charge||420 shots per charge|
|In-Camera Charging||USB charging||USB charging|
111 x 65 x 45 mm
(4.4 x 2.6 x 1.8 in)
120 x 67 x 59 mm
(4.7 x 2.6 x 2.3 in)
|Camera Weight||340 g (12.0 oz)||396 g (14.0 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.