Panasonic ZS200 vs Pentax MX-1
The Panasonic Lumix DC-ZS200 (called Panasonic TZ200 in some regions) and the Pentax MX-1 are two digital cameras that were officially introduced, respectively, in February 2018 and January 2013. Both the ZS200 and the MX-1 are fixed lens compact cameras that are based on an one-inch (ZS200) and a 1/1.7-inch (MX-1) sensor. The Panasonic has a resolution of 20 megapixels, whereas the Pentax provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic ZS200||Pentax MX-1|
|Fixed lens compact camera||Fixed lens compact camera|
|24-360mm f/3.3-6.4||28-112mm f/1.8-2.5|
|20 MP, 1" Sensor||12 MP, 1/1.7" Sensor|
|4K/30p Video||1080/30p Video|
|ISO 125-12800 (80-25600)||ISO 100-12800|
|Electronic viewfinder (2330k dots)||No viewfinder, LCD framing|
|3.0" LCD, 1240k dots||3.0" LCD, 920k dots|
|Fixed touchscreen||Tilting screen (not touch-sensitive)|
|10 shutter flaps per second||1 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|370 shots per battery charge||290 shots per battery charge|
|111 x 65 x 45 mm, 340 g||122 x 61 x 51 mm, 391 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-ZS200 and the Pentax MX-1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Panasonic ZS200 vs Pentax MX-1
An illustration of the physical size and weight of the Panasonic ZS200 and the Pentax MX-1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The ZS200 can be obtained in two different colors (black, silver), while the MX-1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax MX-1 is somewhat larger (3 percent) than the Panasonic ZS200. Moreover, the MX-1 is markedly heavier (15 percent) than the ZS200. In this context, it is worth noting that neither the ZS200 nor the MX-1 are weather-sealed.
The power pack in the ZS200 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Panasonic ZS200»||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Feb 2018||799||Panasonic ZS200|
|Pentax MX-1«||4.8 in||2.4 in||2.0 in||13.8 oz||290||n||Jan 2013||499||-||Pentax MX-1|
|Canon G7 X Mark II« »||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699||Canon G7 X Mark II|
|Canon G5 X« »||4.4 in||3.0 in||1.7 in||12.5 oz||210||n||Oct 2015||799||Canon G5 X|
|Canon G7 X« »||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699||-||Canon G7 X|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon G15« »||4.2 in||3.0 in||1.6 in||12.4 oz||350||n||Sep 2012||499||-||Canon G15|
|Nikon P7800« »||4.7 in||3.1 in||2.0 in||14.1 oz||350||n||Sep 2013||549||-||Nikon P7800|
|Olympus XZ-2« »||4.4 in||2.6 in||1.9 in||12.2 oz||340||n||Sep 2012||599||-||Olympus XZ-2|
|Panasonic FZ1000 II« »||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic GX9« »||4.9 in||2.8 in||1.9 in||14.4 oz||260||n||Feb 2018||849||Panasonic GX9|
|Panasonic ZS70« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||-||Panasonic ZS70|
|Panasonic LX10« »||4.2 in||2.4 in||1.7 in||10.9 oz||260||n||Sep 2016||699||Panasonic LX10|
|Panasonic ZS100« »||4.4 in||2.6 in||1.7 in||11.0 oz||300||n||Jan 2016||699||-||Panasonic ZS100|
|Panasonic FZ1000« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899||-||Panasonic FZ1000|
|Panasonic LF1« »||4.1 in||2.4 in||1.1 in||6.8 oz||250||n||Apr 2013||499||Panasonic LF1|
|Sony RX100 III« »||4.0 in||2.3 in||1.6 in||10.2 oz||320||n||May 2014||799||-||Sony RX100 III|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The MX-1 was launched at a markedly lower price (by 38 percent) than the ZS200, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic ZS200 vs Pentax MX-1
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic ZS200 features an one-inch sensor and the Pentax MX-1 a 1/1.7-inch sensor. The sensor area in the MX-1 is 63 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 4.5. The sensor in the ZS200 has a native 3:2 aspect ratio, while the one in the MX-1 offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 20MP, the ZS200 offers a higher resolution than the MX-1 (12MP), but the ZS200 nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 1.89μm for the MX-1) due to its larger sensor. Moreover, the ZS200 is a much more recent model (by 5 years and 1 month) than the MX-1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Panasonic ZS200 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the ZS200 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inch or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inch or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inch or 46.3 x 30.9 cm. The corresponding values for the Pentax MX-1 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
The Panasonic Lumix DC-ZS200 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Pentax MX-1 are ISO 100 to ISO 12800 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic ZS200»||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic ZS200|
|Pentax MX-1«||1/1.7||12.0||4000||3000||1080/30p||20.4||11.3||208||49||Pentax MX-1|
|Canon G7 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-||Canon G7 X Mark II|
|Canon G5 X« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-||Canon G5 X|
|Canon G7 X« »||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71||Canon G7 X|
|Canon G16« »||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon G15« »||1/1.7||12.0||4000||3000||1080/24p||19.9||11.5||165||46||Canon G15|
|Nikon P7800« »||1/1.7||12.0||4000||3000||1080/30p||21.2||11.7||200||54||Nikon P7800|
|Olympus XZ-2« »||1/1.7||11.8||3968||2976||1080/30p||20.4||11.3||216||49||Olympus XZ-2|
|Panasonic FZ1000 II« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ1000 II|
|Panasonic GX9« »||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic GX9|
|Panasonic ZS70« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic ZS70|
|Panasonic LX10« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic LX10|
|Panasonic ZS100« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.5||559||70||Panasonic ZS100|
|Panasonic FZ1000« »||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Panasonic LF1« »||1/1.7||12.0||4000||3000||1080/60i||20.8||11.6||211||52||Panasonic LF1|
|Sony RX100 III« »||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67||Sony RX100 III|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the ZS200 provides a higher video resolution than the MX-1. It can shoot video footage at 4K/30p, while the Pentax is limited to 1080/30p.
Feature comparison: Panasonic ZS200 vs Pentax MX-1
Apart from body and sensor, cameras can and do differ across a range of features. For example, the ZS200 has an electronic viewfinder (2330k dots), which can be very helpful when shooting in bright sunlight. In contrast, the MX-1 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Panasonic ZS200 and Pentax MX-1 in connection with corresponding information for a sample of similar cameras.
|Panasonic ZS200»||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Panasonic ZS200|
|Pentax MX-1«||-||n||3.0||920||tilting||n||1/8000s||1.0||Y||Y||Pentax MX-1|
|Canon G7 X Mark II« »||-||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y||Canon G7 X Mark II|
|Canon G5 X« »||2360||n||3.0||1040||swivel||Y||1/2000s||5.9||Y||Y||Canon G5 X|
|Canon G7 X« »||-||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y||Canon G7 X|
|Canon G16« »||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon G15« »||optical||n||3.0||922||fixed||n||1/4000s||2.1||Y||Y||Canon G15|
|Nikon P7800« »||921||n||3.0||921||swivel||n||1/4000s||8.0||Y||Y||Nikon P7800|
|Olympus XZ-2« »||-||n||3.0||920||tilting||Y||1/2000s||5.0||Y||Y||Olympus XZ-2|
|Panasonic FZ1000 II« »||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ1000 II|
|Panasonic GX9« »||2760||n||3.0||1240||tilting||Y||1/4000s||9.0||Y||Y||Panasonic GX9|
|Panasonic ZS70« »||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic ZS70|
|Panasonic LX10« »||-||n||3.0||1040||tilting||Y||1/4000s||10.0||Y||Y||Panasonic LX10|
|Panasonic ZS100« »||1166||n||3.0||1040||fixed||Y||1/2000s||10.0||Y||Y||Panasonic ZS100|
|Panasonic FZ1000« »||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ1000|
|Panasonic LF1« »||200||n||3.0||920||fixed||n||1/4000s||10.0||Y||Y||Panasonic LF1|
|Sony RX100 III« »||1440||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 III|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The ZS200 has a touchscreen, while the MX-1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the ZS200 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic ZS200 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the ZS200 and the MX-1 have zoom lenses built in. The ZS200 has a 24-360mm f/3.3-6.4 optic and the MX-1 offers a 28-112mm f/1.8-2.5 (focal lengths in full frame equivalent terms). Hence, the Panasonic provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Pentax. The MX-1 offers the faster maximum aperture.
Concerning the storage of imaging data, both the ZS200 and the MX-1 write their files to SDXC cards. The ZS200 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the MX-1 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison: Panasonic ZS200 vs Pentax MX-1
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-ZS200 and Pentax MX-1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic ZS200»||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS200|
|Pentax MX-1«||-||stereo||mono||-||-||mini||2.0||-||-||-||Pentax MX-1|
|Canon G7 X Mark II« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X Mark II|
|Canon G5 X« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G5 X|
|Canon G7 X« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X|
|Canon G16« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon G15« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G15|
|Nikon P7800« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Nikon P7800|
|Olympus XZ-2« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus XZ-2|
|Panasonic FZ1000 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic FZ1000 II|
|Panasonic GX9« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic GX9|
|Panasonic ZS70« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS70|
|Panasonic LX10« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic LX10|
|Panasonic ZS100« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS100|
|Panasonic FZ1000« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Panasonic LF1« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic LF1|
|Sony RX100 III« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 III|
It is notable that the ZS200 offers wifi support, while the MX-1 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The ZS200 is a recent model that features in the current product line-up of Panasonic. In contrast, the MX-1 has been discontinued (but it can be found pre-owned on eBay). There has not been a direct replacement model for the MX-1 from Pentax. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Pentax websites.
Review summary: Panasonic ZS200 vs Pentax MX-1
So what is the bottom line? Which of the two cameras – the Panasonic ZS200 or the Pentax MX-1 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Panasonic Lumix DC-ZS200:
- More detail: Offers more megapixels (20 vs 12MP) with a 32% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- More detailed LCD: Has a higher resolution rear screen (1240k vs 920k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (10 vs 1 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Less heavy: Is lighter (by 51g or 13 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (370 versus 290) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 5 years and 1 month of technical progress since the MX-1 launch.
Advantages of the Pentax MX-1:
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.8 vs f/3.3).
- More affordable: Was introduced into a lower priced category (38 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in January 2013).
If the count of relative strengths (bullet points above) is taken as a measure, the ZS200 is the clear winner of the match-up (19 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic ZS200 and the Pentax MX-1 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the ZS200 and the MX-1 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews: Panasonic ZS200 vs Pentax MX-1
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic ZS200»||+ +||81/100||4.5/5||-||4.5/5||Feb 2018||799||Panasonic ZS200|
|Pentax MX-1«||-||74/100||4/5||3.5/5||4/5||Jan 2013||499||-||Pentax MX-1|
|Canon G7 X Mark II« »||+ +||81/100||4.5/5||4/5||4.5/5||Feb 2016||699||Canon G7 X Mark II|
|Canon G5 X« »||+ +||78/100||4.5/5||4/5||4.5/5||Oct 2015||799||Canon G5 X|
|Canon G7 X« »||+ +||77/100||4.5/5||3.5/5||4.5/5||Sep 2014||699||-||Canon G7 X|
|Canon G16« »||+||-||4.5/5||4.5/5||4.5/5||Aug 2013||549||Canon G16|
|Canon G15« »||+||76/100||4.5/5||4.5/5||4.5/5||Sep 2012||499||-||Canon G15|
|Nikon P7800« »||-||-||4/5||3.5/5||4.5/5||Sep 2013||549||-||Nikon P7800|
|Olympus XZ-2« »||+||-||4.5/5||4/5||4.5/5||Sep 2012||599||-||Olympus XZ-2|
|Panasonic FZ1000 II« »||-||-||4.5/5||-||4.5/5||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic GX9« »||+||84/100||4.5/5||4.5/5||4.5/5||Feb 2018||849||Panasonic GX9|
|Panasonic ZS70« »||+ +||-||4/5||-||4/5||Apr 2017||449||-||Panasonic ZS70|
|Panasonic LX10« »||+ +||81/100||4/5||4.5/5||4.5/5||Sep 2016||699||Panasonic LX10|
|Panasonic ZS100« »||+ +||82/100||4.5/5||4/5||4.5/5||Jan 2016||699||-||Panasonic ZS100|
|Panasonic FZ1000« »||+ +||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899||-||Panasonic FZ1000|
|Panasonic LF1« »||+||-||4/5||-||4.5/5||Apr 2013||499||Panasonic LF1|
|Sony RX100 III« »||+ +||82/100||4.5/5||4.5/5||5/5||May 2014||799||-||Sony RX100 III|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon G5 X vs Panasonic ZS200
- Canon M50 vs Panasonic ZS200
- Leica M10 vs Panasonic ZS200
- Nikon D200 vs Panasonic ZS200
- Nikon W300 vs Panasonic ZS200
- Panasonic FZ1000 II vs Panasonic ZS200
- Panasonic FZ2500 vs Panasonic ZS200
- Panasonic GH5 vs Panasonic ZS200
- Panasonic S1 vs Panasonic ZS200
- Panasonic ZS200 vs Canon G7 X
- Panasonic ZS200 vs Panasonic ZS80
- Panasonic ZS200 vs YI M1
Specifications: Panasonic ZS200 vs Pentax MX-1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic ZS200||Pentax MX-1|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-360mm f/3.3-6.4||28-112mm f/1.8-2.5|
|Launch Date||February 2018||January 2013|
|Launch Price||USD 799||USD 499|
|Sensor Specs||Panasonic ZS200||Pentax MX-1|
|Sensor Format||1" Sensor||1/1.7" Sensor|
|Sensor Size||13.2 x 8.8 mm||7.6 x 5.7 mm|
|Sensor Area||116.16 mm2||43.32 mm2|
|Sensor Diagonal||15.9 mm||9.5 mm|
|Sensor Resolution||20 Megapixels||12 Megapixels|
|Image Resolution||5472 x 3648 pixels||4000 x 3000 pixels|
|Pixel Pitch||2.41 μm||1.89 μm|
|Pixel Density||17.18 MP/cm2||27.70 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/30p Video|
|ISO Setting||125-12800 ISO||100-12800 ISO|
|ISO Boost||80-25600 ISO||no Enhancement|
|DXO Sensor Quality (score)||..||49|
|DXO Color Depth (bits)||..||20.4|
|DXO Dynamic Range (EV)||..||11.3|
|DXO Low Light (ISO)||..||208|
|Screen Specs||Panasonic ZS200||Pentax MX-1|
|Viewfinder Type||Electronic viewfinder||No viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2330k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1240k dots||920k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic ZS200||Pentax MX-1|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||10 shutter flaps/s||1 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Panasonic ZS200||Pentax MX-1|
|External Flash||no Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Panasonic ZS200||Pentax MX-1|
|Battery Type||DMW-BLG10 power pack||D-LI106 power pack|
|Battery Life (CIPA)||370 shots per charge||290 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
111 x 65 x 45 mm
(4.4 x 2.6 x 1.8 in)
122 x 61 x 51 mm
(4.8 x 2.4 x 2.0 in)
|Camera Weight||340 g (12.0 oz)||391 g (13.8 oz)|
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