Panasonic ZS100 vs Pentax K-5
The Panasonic Lumix DMC-ZS100 (called Panasonic TZ100 in some regions) and the Pentax K-5 are two digital cameras that were officially introduced, respectively, in January 2016 and September 2010. The ZS100 is a fixed lens compact, while the K-5 is a DSLR. The cameras are based on an one-inch (ZS100) and an APS-C (K-5) sensor. The Panasonic has a resolution of 20 megapixels, whereas the Pentax provides 16.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-ZS100 and the Pentax K-5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic ZS100 and the Pentax K-5. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The ZS100 can be obtained in two different colors (black, silver), while the K-5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-5 is considerably larger (76 percent) than the Panasonic ZS100. It is noteworthy in this context that the K-5 is splash and dust-proof, while the ZS100 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the ZS100 has a lens built in, whereas the K-5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the ZS100 gets 300 shots out of its DMW-BLG10 battery, while the K-5 can take 740 images on a single charge of its D-LI90 power pack. The power pack in the ZS100 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Panasonic ZS100||111 mm||65 mm||44 mm||312 g||300||n||Jan 2016||699|
|2.||Pentax K-5||131 mm||97 mm||73 mm||760 g||740||Y||Sep 2010||1,099|
|3.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699|
|4.||Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799|
|5.||Canon M3||111 mm||68 mm||44 mm||366 g||250||n||Feb 2015||679|
|6.||Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699|
|7.||Panasonic ZS200||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799|
|8.||Panasonic LX10||106 mm||60 mm||42 mm||310 g||260||n||Sep 2016||699|
|9.||Pentax K-3 II||131 mm||100 mm||77 mm||800 g||720||Y||Apr 2015||1,099|
|10.||Pentax K-50||130 mm||97 mm||71 mm||650 g||410||Y||Jun 2013||599|
|11.||Pentax K-3||131 mm||100 mm||77 mm||800 g||560||Y||Oct 2013||1,299|
|12.||Pentax K-30||130 mm||97 mm||71 mm||650 g||410||Y||May 2012||849|
|13.||Pentax K-5 II||131 mm||97 mm||73 mm||760 g||740||Y||Sep 2012||1,099|
|14.||Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999|
|15.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|16.||Sony RX100 III||102 mm||58 mm||41 mm||290 g||320||n||May 2014||799|
|17.||Sony RX100 II||102 mm||58 mm||38 mm||281 g||350||n||Jun 2013||749|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The ZS100 was launched at a lower price than the K-5, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic ZS100 features an one-inch sensor and the Pentax K-5 an APS-C sensor. The sensor area in the K-5 is 221 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
Despite having a smaller sensor, the Panasonic ZS100 offers a higher resolution of 20 megapixels, compared with 16.1 MP of the Pentax K-5. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.81μm for the K-5). However, it should be noted that the ZS100 is much more recent (by 5 years and 3 months) than the K-5, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic ZS100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the ZS100 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Pentax K-5 are 24.6 x 16.3 inches or 62.6 x 41.5 cm for good quality, 19.7 x 13.1 inches or 50.1 x 33.2 cm for very good quality, and 16.4 x 10.9 inches or 41.7 x 27.6 cm for excellent quality prints.
The Panasonic Lumix DMC-ZS100 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Pentax K-5 are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 80-51200.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the K-5 offers substantially better image quality than the ZS100 (overall score 12 points higher). The advantage is based on 0.9 bits higher color depth, 1.6 EV in additional dynamic range, and 1.1 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|3.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|4.||Canon G5 X||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|6.||Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|9.||Pentax K-3 II||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80|
|13.||Pentax K-5 II||APS-C||16.1||4928||3264||1080/25p||23.8||14.1||1235||82|
|14.||Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|15.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|16.||Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|17.||Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the ZS100 provides a higher video resolution than the K-5. It can shoot video footage at 4K/30p, while the Pentax is limited to 1080/25p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the ZS100 has an electronic viewfinder (1166k dots), while the K-5 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the K-5 has a higher magnification than the one of the ZS100 (0.61x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Panasonic ZS100 and Pentax K-5 along with similar information for a selection of comparators.
|1.||Panasonic ZS100||1166||n||3.0 / 1040||fixed||Y||1/2000s||10.0||Y||Y|
|2.||Pentax K-5||optical||Y||3.0 / 921||fixed||n||1/8000s||7.0||Y||Y|
|3.||Canon G7 X Mark II||none||n||3.0 / 1040||tilting||Y||1/2000s||8.0||Y||Y|
|4.||Canon G5 X||2360||n||3.0 / 1040||swivel||Y||1/2000s||5.9||Y||Y|
|5.||Canon M3||optional||n||3.0 / 1040||tilting||Y||1/4000s||4.2||Y||n|
|6.||Canon G7 X||none||n||3.0 / 1040||tilting||Y||1/2000s||6.5||Y||Y|
|7.||Panasonic ZS200||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0||Y||Y|
|8.||Panasonic LX10||none||n||3.0 / 1040||tilting||Y||1/4000s||10.0||Y||Y|
|9.||Pentax K-3 II||optical||Y||3.2 / 1037||fixed||n||1/8000s||8.3||n||Y|
|10.||Pentax K-50||optical||n||3.0 / 921||fixed||n||1/6000s||6.0||Y||Y|
|11.||Pentax K-3||optical||Y||3.2 / 1037||fixed||n||1/8000s||8.3||Y||Y|
|12.||Pentax K-30||optical||n||3.0 / 921||fixed||n||1/6000s||6.0||Y||Y|
|13.||Pentax K-5 II||optical||Y||3.0 / 921||fixed||n||1/8000s||7.0||Y||Y|
|14.||Sony RX100 V||2359||n||3.0 / 1229||tilting||n||1/2000s||24.0||Y||Y|
|15.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0||Y||Y|
|16.||Sony RX100 III||1440||n||3.0 / 1229||tilting||n||1/2000s||10.0||Y||Y|
|17.||Sony RX100 II||optional||n||3.0 / 1229||tilting||n||1/2000s||10.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The ZS100 has a touchscreen, while the K-5 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the ZS100 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic ZS100 and the Pentax K-5 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the ZS100 and the K-5 write their files to SDXC cards. The ZS100 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the K-5 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-ZS100 and Pentax K-5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic ZS100||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|2.||Pentax K-5||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|3.||Canon G7 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|4.||Canon G5 X||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon M3||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|6.||Canon G7 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|7.||Panasonic ZS200||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|8.||Panasonic LX10||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Pentax K-3 II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|10.||Pentax K-50||Y||mono / mono||-||-||micro||2.0||-||-||-|
|11.||Pentax K-3||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|12.||Pentax K-30||Y||mono / mono||-||-||-||2.0||-||-||-|
|13.||Pentax K-5 II||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|14.||Sony RX100 V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|15.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony RX100 III||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony RX100 II||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the ZS100 offers wifi support, while the K-5 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Pentax K-5 (unlike the ZS100) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the ZS100 and the K-5 have been discontinued, but can regularly be found used on eBay. The K-5 was replaced by the Pentax K-5 II, while the ZS100 was followed by the Panasonic ZS200. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Pentax websites.
So what conclusions can be drawn? Is there a clear favorite between the Panasonic ZS100 and the Pentax K-5? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Panasonic Lumix DMC-ZS100:
- More detail: Offers more megapixels (20 vs 16.1MP) with a 11% higher linear resolution.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/25p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (10 vs 7 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with a built-in lens, while the K-5 requires a separate lens.
- More compact: Is smaller (111x65mm vs 131x97mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the K-5).
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 5 years and 3 months of technical progress since the K-5 launch.
Arguments in favor of the Pentax K-5:
- Better image quality: Scores substantially higher (12 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (1.6 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.1 stops ISO advantage).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.61x vs 0.46x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (740 versus 300) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been around for much longer (launched in September 2010).
If the number of relative strengths (bullet points above) is taken as a guide, the ZS100 comes out slightly ahead of the K-5 (15 : 14 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic ZS100 and the Pentax K-5 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the ZS100 or the K-5. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic ZS100||4.5/5||+ +||..||82/100||4.5/5||4.5/5||Jan 2016||699|
|2.||Pentax K-5||4/5||..||..||83/100||5/5||4.5/5||Sep 2010||1,099|
|3.||Canon G7 X Mark II||4.5/5||+ +||..||81/100||4.5/5||4.5/5||Feb 2016||699|
|4.||Canon G5 X||5/5||+ +||..||78/100||4.5/5||4.5/5||Oct 2015||799|
|5.||Canon M3||4/5||o||..||75/100||4.5/5||4/5||Feb 2015||679|
|6.||Canon G7 X||4/5||+ +||..||77/100||4.5/5||4.5/5||Sep 2014||699|
|7.||Panasonic ZS200||..||+ +||..||81/100||4.5/5||4.5/5||Feb 2018||799|
|8.||Panasonic LX10||..||+ +||..||81/100||4/5||4.5/5||Sep 2016||699|
|9.||Pentax K-3 II||4.5/5||..||..||..||5/5||5/5||Apr 2015||1,099|
|10.||Pentax K-50||5/5||..||..||..||5/5||4.5/5||Jun 2013||599|
|11.||Pentax K-3||4/5||..||..||83/100||5/5||5/5||Oct 2013||1,299|
|12.||Pentax K-30||4/5||..||..||78/100||4.5/5||4.5/5||May 2012||849|
|13.||Pentax K-5 II||5/5||..||..||80/100||5/5||4.5/5||Sep 2012||1,099|
|14.||Sony RX100 V||4.5/5||+ +||..||83/100||4/5||4.5/5||Oct 2016||999|
|15.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999|
|16.||Sony RX100 III||5/5||+ +||..||82/100||4.5/5||5/5||May 2014||799|
|17.||Sony RX100 II||5/5||+ +||..||79/100||4.5/5||4.5/5||Jun 2013||749|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon SL3 vs Panasonic ZS100
- Canon SX520 vs Panasonic ZS100
- Fujifilm GFX 50S vs Pentax K-5
- Fujifilm X-E3 vs Panasonic ZS100
- Fujifilm X-T10 vs Pentax K-5
- Leica D-LUX Typ 109 vs Panasonic ZS100
- Leica S3 vs Pentax K-5
- Nikon Df vs Panasonic ZS100
- Panasonic FZ200 vs Panasonic ZS100
- Panasonic FZ300 vs Pentax K-5
- Panasonic FZ82 vs Pentax K-5
- Pentax K-5 vs Sony A1
Specifications: Panasonic ZS100 vs Pentax K-5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic ZS100||Pentax K-5|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||25-250mm f/2.8-5.9||Pentax K mount lenses|
|Launch Date||January 2016||September 2010|
|Launch Price||USD 699||USD 1,099|
|Sensor Specs||Panasonic ZS100||Pentax K-5|
|Sensor Format||1" Sensor||APS-C Sensor|
|Sensor Size||13.2 x 8.8 mm||23.7 x 15.7 mm|
|Sensor Area||116.16 mm2||372.09 mm2|
|Sensor Diagonal||15.9 mm||28.4 mm|
|Sensor Resolution||20 Megapixels||16.1 Megapixels|
|Image Resolution||5472 x 3648 pixels||4928 x 3264 pixels|
|Pixel Pitch||2.41 μm||4.81 μm|
|Pixel Density||17.18 MP/cm2||4.32 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/25p Video|
|ISO Setting||125 - 12,800 ISO||100 - 12,800 ISO|
|ISO Boost||80 - 25,600 ISO||80 - 51,200 ISO|
|Image Processor||Venus||PRIME II|
|DXO Sensor Quality (score)||70||82|
|DXO Color Depth (bits)||22.8||23.7|
|DXO Dynamic Range (EV)||12.5||14.1|
|DXO Low Light (ISO)||559||1162|
|Screen Specs||Panasonic ZS100||Pentax K-5|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1166k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||921k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic ZS100||Pentax K-5|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||10 shutter flaps/s||7 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Panasonic ZS100||Pentax K-5|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Panasonic ZS100||Pentax K-5|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||300 shots per charge||740 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
111 x 65 x 44 mm
(4.4 x 2.6 x 1.7 in)
131 x 97 x 73 mm
(5.2 x 3.8 x 2.9 in)
|Camera Weight||312 g (11.0 oz)||760 g (26.8 oz)|
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