Panasonic ZS100 versus Panasonic LX10
The Panasonic Lumix DMC-ZS100 (called Panasonic TZ100 in some regions) and the Panasonic Lumix DMC-LX10 (called Panasonic LX15 in some regions) are two digital cameras that were revealed to the public, respectively, in January 2016 and September 2016. Both the ZS100 and the LX10 are fixed lens compact cameras that are equipped with an one-inch sensor. Both cameras offer a resolution of 20 megapixel.
The side-by-side display below illustrates the physical size and weight of the Panasonic ZS100 and the Panasonic LX10. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the ZS100 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX10 is notably smaller (12 percent) than the Panasonic ZS100. Moreover, the LX10 is slightly lighter (1 percent) than the ZS100. Cameras that are aimed at professionals or semi-pros tend to be a bit bulkier in order to give them the necessary environmental and shock resistance. In this context, it is worth noting that neither the ZS100 nor the LX10 are weather-sealed.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Panasonic ZS100 (⇒ rgt)||4.4 in||2.6 in||1.7 in||11.0 oz||300||no||2016||699||latest||check|
|Panasonic LX10 (⇒ lft)||4.2 in||2.4 in||1.7 in||10.9 oz||260||no||2016||699||latest||check|
|Canon G7 X Mark II (⇒ lft | rgt)||4.2 in||2.4 in||1.7 in||11.3 oz||265||no||2016||699||latest||check|
|Canon M3 (⇒ lft | rgt)||4.4 in||2.7 in||1.7 in||12.9 oz||250||no||2015||679||discont.||check|
|Canon T6i (⇒ lft | rgt)||5.2 in||4.0 in||3.1 in||19.6 oz||440||no||2015||749||discont.||check|
|Canon T6s (⇒ lft | rgt)||5.2 in||4.0 in||3.1 in||19.9 oz||440||no||2015||849||discont.||check|
|Canon G5 X (⇒ lft | rgt)||4.4 in||3.0 in||1.7 in||12.5 oz||210||no||2015||799||latest||check|
|Canon G7 X (⇒ lft | rgt)||4.1 in||2.4 in||1.6 in||10.7 oz||210||no||2014||699||discont.||check|
|Leica Q Typ 116 (⇒ lft | rgt)||5.1 in||3.1 in||3.7 in||22.6 oz||..||no||2015||4,249||latest||check|
|Panasonic FZ2500 (⇒ lft | rgt)||5.4 in||4.0 in||5.3 in||32.3 oz||350||no||2016||1,199||latest||check|
|Panasonic GX85 (⇒ lft | rgt)||4.8 in||2.8 in||1.7 in||15.0 oz||290||no||2016||799||latest||check|
|Sony RX100 IV (⇒ lft | rgt)||4.0 in||2.3 in||1.6 in||10.5 oz||280||no||2015||999||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The two cameras under review were launched at the same price and fall into the same market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an one-inch sensor and have a format factor (sometimes also referred to as "crop factor") of 2.7. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 20 megapixel. This similarity in sensor specs implies that both the ZS100 and the LX10 have the same pixel density, as well as the same pixel size. It should, however, be noted that the LX10 is a somewhat more recent model (by 8 months) than the ZS100, and its sensor might have benefitted from technological advances during this time.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic ZS100 (⇒ rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.5||559||70|
|Panasonic LX10 (⇒ lft)||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Canon G7 X Mark II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon M3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72|
|Canon T6i (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71|
|Canon T6s (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70|
|Canon G5 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon G7 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|Leica Q Typ 116 (⇒ lft | rgt)||Full Frame||24.0||6000||4000||1080/60p||24.3||12.7||2221||85|
|Panasonic FZ2500 (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Panasonic GX85 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|Sony RX100 IV (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the ZS100 has an electronic viewfinder (1166k dots), which can be very helpful when shooting in bright sunlight. In contrast, the LX10 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Panasonic ZS100, the Panasonic LX10, and comparable cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Panasonic ZS100 (⇒ rgt)||1166||no||3.0||1040||fixed||YES||2000||10.0||YES||YES|
|Panasonic LX10 (⇒ lft)||no||no||3.0||1040||tilting||YES||4000||10.0||12.1||YES|
|Canon G7 X Mark II (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||2000||8.0||7||no|
|Canon M3 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||4.2||5||no|
|Canon T6i (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon T6s (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon G5 X (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||2000||5.9||7||no|
|Canon G7 X (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||2000||6.5||7||no|
|Leica Q Typ 116 (⇒ lft | rgt)||3680||no||3.0||1040||fixed||YES||2000||10.0||no||no|
|Panasonic FZ2500 (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||4000||12.0||13.2||no|
|Panasonic GX85 (⇒ lft | rgt)||2765||no||3.0||1040||tilting||YES||4000||8.0||6||YES|
|Sony RX100 IV (⇒ lft | rgt)||2359||no||3.0||1228||tilting||no||2000||16.0||10.2||no|
Both the ZS100 and the LX10 have zoom lenses build in. The ZS100 has a 25-250mm f/2.8-5.9 optic and the LX10 offers a 24-72mm f/1.4-2.8 (focal lengths in full frame equivalent terms). Hence, the LX10 provides a wider angle of view at the short end than the ZS100, but less tele-photo reach at the long end. The LX10 offers the faster maximum aperture.
Both the ZS100 and the LX10 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The ZS100 replaced the earlier Panasonic ZS50, while the LX10 followed on from the Panasonic LX7.
So how do things add up? Is the Panasonic ZS100 better than the Panasonic LX10 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Panasonic Lumix DMC-ZS100:
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- Longer lasting: Can take more shots (300 versus 260) on a single battery charge.
- More heavily discounted: Has been on the market for longer (launched in January 2016).
Arguments in favor of the Panasonic Lumix DMC-LX10:
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has a higher mechanical shutter speed (4000/sec vs 2000/sec) to freeze action.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.4 vs f/2.8).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More compact: Is smaller (106x60mm vs 111x65mm) and will fit more readily into a bag.
- More modern: Was introduced somewhat (8 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the LX10 emerges as the winner of the match-up (6 : 3 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the ZS100 and the LX10 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Panasonic ZS100 (⇒ rgt)||HiRec||82/100 Gold||4.5/5||4/5||4.5/5||2016||699||latest||check|
|Panasonic LX10 (⇒ lft)||HiRec||81/100 Silver||4/5||4.5/5||4.5/5||2016||699||latest||check|
|Canon G7 X Mark II (⇒ lft | rgt)||HiRec||81/100 Silver||4.5/5||4/5||4.5/5||2016||699||latest||check|
|Canon M3 (⇒ lft | rgt)||reviewed||75/100||4.5/5||4.5/5||4/5||2015||679||discont.||check|
|Canon T6i (⇒ lft | rgt)||-||75/100||4.5/5||4.5/5||4.5/5||2015||749||discont.||check|
|Canon T6s (⇒ lft | rgt)||Rec||77/100 Silver||4.5/5||4.5/5||4.5/5||2015||849||discont.||check|
|Canon G5 X (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||4/5||4.5/5||2015||799||latest||check|
|Canon G7 X (⇒ lft | rgt)||HiRec||77/100 Silver||4.5/5||3.5/5||4.5/5||2014||699||discont.||check|
|Leica Q Typ 116 (⇒ lft | rgt)||-||80/100 Silver||4.5/5||-||4.5/5||2015||4,249||latest||check|
|Panasonic FZ2500 (⇒ lft | rgt)||Rec||82/100 Silver||4.5/5||4.5/5||5/5||2016||1,199||latest||check|
|Panasonic GX85 (⇒ lft | rgt)||HiRec||82/100 Silver||5/5||4.5/5||5/5||2016||799||latest||check|
|Sony RX100 IV (⇒ lft | rgt)||HiRec||85/100 Gold||4/5||4.5/5||4.5/5||2015||999||discont.||check|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
In case you are interested in seeing how other cameras pair up, just use the search menu below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If you cannot find the camera you are interested in, please contact me, and I will try to locate and add the respective data to the application.
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