Panasonic TZ95 vs Sony RX10 III
The Panasonic Lumix DC-TZ95 (called Panasonic ZS80 in some regions) and the Sony Cyber-shot DSC-RX10 III are two digital cameras that were officially introduced, respectively, in February 2019 and March 2016. Both the TZ95 and the RX10 III are fixed lens compact cameras that are based on a 1/2.3-inch (TZ95) and an one-inch (RX10 III) sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic TZ95||Sony RX10 III|
|Fixed lens compact camera||Fixed lens compact camera|
|24-720mm f/3.3-6.4||24-600mm f/2.4-4.0|
|20.2 MP, 1/2.3" Sensor||20 MP, 1" Sensor|
|4K/30p Video||4K/30p Video|
|ISO 80-3200 (80-6400)||ISO 100-12800 (64-25600)|
|Electronic viewfinder (2330k dots)||Electronic viewfinder (2359k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 1229k dots|
|Tilting touchscreen||Tilting screen (not touch-sensitive)|
|10 shutter flaps per second||14 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|380 shots per battery charge||420 shots per battery charge|
|112 x 69 x 42 mm, 327 g||133 x 94 x 127 mm, 1051 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-TZ95 and the Sony Cyber-shot DSC-RX10 III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Panasonic TZ95 vs Sony RX10 III
The physical size and weight of the Panasonic TZ95 and the Sony RX10 III are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The TZ95 can be obtained in two different colors (black, silver), while the RX10 III is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX10 III is considerably larger (62 percent) than the Panasonic TZ95. Moreover, the RX10 III is substantially heavier (221 percent) than the TZ95. It is noteworthy in this context that the RX10 III is splash and dust-proof, while the TZ95 does not feature any corresponding weather-sealing.
Concerning battery life, the TZ95 gets 380 shots out of its DMW-BLG10 battery, while the RX10 III can take 420 images on a single charge of its NP-FW50 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Panasonic TZ95»||4.4 in||2.7 in||1.7 in||11.5 oz||380||n||Feb 2019||449||Panasonic TZ95|
|Sony RX10 III«||5.2 in||3.7 in||5.0 in||37.1 oz||420||Y||Mar 2016||1,499||Sony RX10 III|
|Canon SX740« »||4.3 in||2.5 in||1.6 in||10.5 oz||265||n||Jul 2018||399||Canon SX740|
|Fujifilm X-A5« »||4.6 in||2.7 in||1.6 in||12.7 oz||450||n||Jan 2018||399||Fujifilm X-A5|
|Fujifilm XF10« »||4.4 in||2.5 in||1.6 in||9.8 oz||330||n||Jul 2018||499||Fujifilm XF10|
|Nikon D3500« »||4.9 in||3.8 in||2.8 in||12.9 oz||1550||n||Aug 2018||429||Nikon D3500|
|Panasonic FT7« »||4.6 in||3.0 in||1.5 in||11.3 oz||300||Y||May 2018||449||Panasonic FT7|
|Panasonic LX100 II« »||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Aug 2018||999||Panasonic LX100 II|
|Panasonic TZ200« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Feb 2018||799||Panasonic TZ200|
|Panasonic TZ90« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||-||Panasonic TZ90|
|Sony RX100 VI« »||4.0 in||2.3 in||1.7 in||10.6 oz||240||n||Jun 2018||1,199||Sony RX100 VI|
|Sony HX99« »||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||449||Sony HX99|
|Sony RX10 IV« »||5.2 in||3.7 in||5.7 in||38.6 oz||400||Y||Sep 2017||1,699||Sony RX10 IV|
|Sony RX0« »||2.3 in||1.6 in||1.2 in||3.9 oz||240||Y||Aug 2017||699||-||Sony RX0|
|Sony RX100 V« »||4.0 in||2.3 in||1.6 in||10.5 oz||220||n||Oct 2016||999||Sony RX100 V|
|Sony RX10 II« »||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299||-||Sony RX10 II|
|Sony RX10« »||5.1 in||3.5 in||4.0 in||28.7 oz||420||Y||Oct 2013||1,299||-||Sony RX10|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The TZ95 was launched at a markedly lower price (by 70 percent) than the RX10 III, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Panasonic TZ95 vs Sony RX10 III
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic TZ95 features a 1/2.3-inch sensor and the Sony RX10 III an one-inch sensor. The sensor area in the RX10 III is 314 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.7. The sensor in the TZ95 has a native 4:3 aspect ratio, while the one in the RX10 III offers a 3:2 aspect.
Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors.
Despite having a smaller sensor, the Panasonic TZ95 offers a higher resolution of 20.2 megapixels, compared with 20 MP of the Sony RX10 III. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 2.41μm for the RX10 III). However, it should be noted that the TZ95 is much more recent (by 2 years and 10 months) than the RX10 III, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the TZ95 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Panasonic Lumix DC-TZ95 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-6400. The corresponding ISO settings for the Sony Cyber-shot DSC-RX10 III are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 64-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic TZ95»||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic TZ95|
|Sony RX10 III«||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70||Sony RX10 III|
|Canon SX740« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Canon SX740|
|Fujifilm X-A5« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-||Fujifilm X-A5|
|Fujifilm XF10« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-||Fujifilm XF10|
|Nikon D3500« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Nikon D3500|
|Panasonic FT7« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic FT7|
|Panasonic LX100 II« »||Four Thirds||16.8||4736||3552||4K/30p||-||-||-||-||Panasonic LX100 II|
|Panasonic TZ200« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic TZ200|
|Panasonic TZ90« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic TZ90|
|Sony RX100 VI« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Sony RX100 VI|
|Sony HX99« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony HX99|
|Sony RX10 IV« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Sony RX10 IV|
|Sony RX0« »||1-inch||15.4||4800||3200||1080/60p||22.4||12.4||548||68||Sony RX0|
|Sony RX100 V« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70||Sony RX100 V|
|Sony RX10 II« »||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70||Sony RX10 II|
|Sony RX10« »||1-inch||20.0||5472||3648||1080/60p||22.9||12.6||474||69||Sony RX10|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).
Feature comparison: Panasonic TZ95 vs Sony RX10 III
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the RX10 III offers a slightly higher resolution than the one in the TZ95 (2359k vs 2330k dots). The adjacent table lists some of the other core features of the Panasonic TZ95 and Sony RX10 III along with similar information for a selection of comparators.
|Panasonic TZ95»||2330||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic TZ95|
|Sony RX10 III«||2359||Y||3.0||1229||tilting||n||1/2000s||14.0||Y||Y||Sony RX10 III|
|Canon SX740« »||-||n||3.0||922||tilting||n||1/3200s||10.0||Y||Y||Canon SX740|
|Fujifilm X-A5« »||-||n||3.0||1040||tilting||Y||1/4000s||6.0||Y||n||Fujifilm X-A5|
|Fujifilm XF10« »||-||n||3.0||1040||fixed||Y||1/4000s||6.0||Y||n||Fujifilm XF10|
|Nikon D3500« »||optical||n||3.0||921||fixed||n||1/4000s||5.0||Y||n||Nikon D3500|
|Panasonic FT7« »||1170||n||3.0||1040||fixed||n||1/1300s||10.0||Y||Y||Panasonic FT7|
|Panasonic LX100 II« »||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y||Panasonic LX100 II|
|Panasonic TZ200« »||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Panasonic TZ200|
|Panasonic TZ90« »||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic TZ90|
|Sony RX100 VI« »||2359||n||3.0||1229||tilting||Y||1/2000s||24.0||Y||Y||Sony RX100 VI|
|Sony HX99« »||638||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony HX99|
|Sony RX10 IV« »||2359||Y||3.0||1440||tilting||Y||1/2000s||24.0||Y||Y||Sony RX10 IV|
|Sony RX0« »||-||n||1.5||230||fixed||n||..||5.5||n||n||Sony RX0|
|Sony RX100 V« »||2359||n||3.0||1229||tilting||n||1/2000s||24.0||Y||Y||Sony RX100 V|
|Sony RX10 II« »||2359||Y||3.0||1229||tilting||n||1/3200s||14.0||Y||Y||Sony RX10 II|
|Sony RX10« »||1440||Y||3.0||1229||tilting||n||1/3200s||10.0||Y||Y||Sony RX10|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The TZ95 has a touchscreen, while the RX10 III has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The TZ95 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the RX10 III does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Both the TZ95 and the RX10 III have zoom lenses built in. The TZ95 has a 24-720mm f/3.3-6.4 optic and the RX10 III offers a 24-600mm f/2.4-4.0 (focal lengths in full frame equivalent terms). Hence, the Panasonic and Sony provide the same view at the wide-angle end, but the Sony has less tele-photo reach at the long end. The RX10 III offers the faster maximum aperture.
The TZ95 writes its imaging data to SDXC cards, while the RX10 III uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison: Panasonic TZ95 vs Sony RX10 III
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-TZ95 and Sony Cyber-shot DSC-RX10 III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic TZ95»||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic TZ95|
|Sony RX10 III«||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 III|
|Canon SX740« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX740|
|Fujifilm X-A5« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Fujifilm X-A5|
|Fujifilm XF10« »||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm XF10|
|Nikon D3500« »||Y||mono||mono||-||-||mini||2.0||-||-||Y||Nikon D3500|
|Panasonic FT7« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic FT7|
|Panasonic LX100 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic LX100 II|
|Panasonic TZ200« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic TZ200|
|Panasonic TZ90« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ90|
|Sony RX100 VI« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony RX100 VI|
|Sony HX99« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX99|
|Sony RX10 IV« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 IV|
|Sony RX0« »||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Sony RX0|
|Sony RX100 V« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 V|
|Sony RX10 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 II|
|Sony RX10« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10|
It is notable that the RX10 III has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The TZ95 does not feature such a mic input.
Both the TZ95 and the RX10 III are recent models that are part of the current product line-up. The RX10 III replaced the earlier Sony RX10 II, while the TZ95 followed on from the Panasonic TZ90. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
Review summary: Panasonic TZ95 vs Sony RX10 III
So what is the bottom line? Is the Panasonic TZ95 better than the Sony RX10 III or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Panasonic Lumix DC-TZ95:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- More compact: Is smaller (112x69mm vs 133x94mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 724g or 69 percent) and hence easier to carry around.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (70 percent cheaper at launch).
- More modern: Reflects 2 years and 10 months of technical progress since the RX10 III launch.
Arguments in favor of the Sony Cyber-shot DSC-RX10 III:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.53x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- Faster burst: Shoots at higher frequency (14 vs 10 flaps/sec) to capture the decisive moment.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.4 vs f/3.3).
- Longer lasting: Gets more shots (420 versus 380) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been around for much longer (launched in March 2016).
If the count of relative strengths (bullet points above) is taken as a measure, the RX10 III is the clear winner of the contest (17 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic TZ95 and the Sony RX10 III place the cameras among the top in their class? Find out in the latest Best Superzoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the TZ95 or the RX10 III. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews: Panasonic TZ95 vs Sony RX10 III
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic TZ95»||-||-||4.5/5||-||-||Feb 2019||449||Panasonic TZ95|
|Sony RX10 III«||+||84/100||4.5/5||4.5/5||4.5/5||Mar 2016||1,499||Sony RX10 III|
|Canon SX740« »||+||-||4/5||-||4/5||Jul 2018||399||Canon SX740|
|Fujifilm X-A5« »||+||-||4/5||4/5||3.5/5||Jan 2018||399||Fujifilm X-A5|
|Fujifilm XF10« »||-||75/100||4/5||-||4.5/5||Jul 2018||499||Fujifilm XF10|
|Nikon D3500« »||-||-||4/5||4.5/5||4.5/5||Aug 2018||429||Nikon D3500|
|Panasonic FT7« »||+||-||3.5/5||-||3.5/5||May 2018||449||Panasonic FT7|
|Panasonic LX100 II« »||+||82/100||4.5/5||-||4.5/5||Aug 2018||999||Panasonic LX100 II|
|Panasonic TZ200« »||+ +||81/100||4.5/5||-||4.5/5||Feb 2018||799||Panasonic TZ200|
|Panasonic TZ90« »||+ +||-||4/5||-||4/5||Apr 2017||449||-||Panasonic TZ90|
|Sony RX100 VI« »||+ +||83/100||4/5||-||4.5/5||Jun 2018||1,199||Sony RX100 VI|
|Sony HX99« »||-||-||4/5||-||4.5/5||Aug 2018||449||Sony HX99|
|Sony RX10 IV« »||+||84/100||4.5/5||-||5/5||Sep 2017||1,699||Sony RX10 IV|
|Sony RX0« »||-||-||3.5/5||-||4/5||Aug 2017||699||-||Sony RX0|
|Sony RX100 V« »||+ +||83/100||4/5||5/5||4.5/5||Oct 2016||999||Sony RX100 V|
|Sony RX10 II« »||+ +||82/100||4.5/5||4.5/5||4/5||Jun 2015||1,299||-||Sony RX10 II|
|Sony RX10« »||+||80/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,299||-||Sony RX10|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 6D Mark II vs Sony RX10 III
- Leica C-LUX vs Panasonic TZ95
- Leica M Typ 240 vs Sony RX10 III
- Nikon B600 vs Panasonic TZ95
- Nikon D5500 vs Sony RX10 III
- Olympus E-PL9 vs Sony RX10 III
- Panasonic FT7 vs Panasonic TZ95
- Panasonic FZ82 vs Sony RX10 III
- Panasonic GX850 vs Sony RX10 III
- Panasonic TZ90 vs Sony RX10 III
- Panasonic TZ95 vs Sony RX100 V
- Sony A7R IV vs Sony RX10 III
Specifications: Panasonic TZ95 vs Sony RX10 III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic TZ95||Sony RX10 III|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-720mm f/3.3-6.4||24-600mm f/2.4-4.0|
|Launch Date||February 2019||March 2016|
|Launch Price||USD 449||USD 1499|
|Sensor Specs||Panasonic TZ95||Sony RX10 III|
|Sensor Format||1/2.3" Sensor||1" Sensor|
|Sensor Size||6.17 x 4.55 mm||13.2 x 8.8 mm|
|Sensor Area||28.0735 mm2||116.16 mm2|
|Sensor Diagonal||7.7 mm||15.9 mm|
|Sensor Resolution||20.2 Megapixels||20 Megapixels|
|Image Resolution||5184 x 3888 pixels||5472 x 3648 pixels|
|Pixel Pitch||1.18 μm||2.41 μm|
|Pixel Density||71.80 MP/cm2||17.18 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||80-3200 ISO||100-12800 ISO|
|ISO Boost||80-6400 ISO||64-25600 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||..||70|
|DXO Color Depth (bits)||..||23.1|
|DXO Dynamic Range (EV)||..||12.6|
|DXO Low Light (ISO)||..||472|
|Screen Specs||Panasonic TZ95||Sony RX10 III|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2330k dots||2359k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1229k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic TZ95||Sony RX10 III|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000/s||1/2000/s|
|Continuous Shooting||10 shutter flaps/s||14 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/32000s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic TZ95||Sony RX10 III|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Panasonic TZ95||Sony RX10 III|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Type||DMW-BLG10 power pack||NP-FW50 power pack|
|Battery Life (CIPA)||380 shots per charge||420 shots per charge|
|In-Camera Charging||USB charging||USB charging|
112 x 69 x 42 mm
(4.4 x 2.7 x 1.7 in)
133 x 94 x 127 mm
(5.2 x 3.7 x 5.0 in)
|Camera Weight||327 g (11.5 oz)||1051 g (37.1 oz)|
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