Panasonic TZ95 vs Sony A7S
The Panasonic Lumix DC-TZ95 (called Panasonic ZS80 in some regions) and the Sony Alpha A7S are two digital cameras that were officially introduced, respectively, in February 2019 and April 2014. The TZ95 is a fixed lens compact, while the A7S is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (TZ95) and a full frame (A7S) sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Sony provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-TZ95 and the Sony Alpha A7S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic TZ95 and the Sony A7S are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The TZ95 can be obtained in two different colors (black, silver), while the A7S is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7S is considerably larger (54 percent) than the Panasonic TZ95. It is noteworthy in this context that the A7S is splash and dust-proof, while the TZ95 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TZ95 has a lens built in, whereas the A7S is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7S and their specifications in the Sony FE Lens Catalog.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Panasonic TZ95||112 mm||69 mm||42 mm||327 g||380||n||Feb 2019||449|
|2.||Sony A7S||127 mm||94 mm||48 mm||489 g||380||Y||Apr 2014||2,499|
|3.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399|
|4.||Fujifilm X-A5||117 mm||68 mm||40 mm||361 g||450||n||Jan 2018||399|
|5.||Fujifilm XF10||113 mm||64 mm||41 mm||279 g||330||n||Jul 2018||499|
|6.||Nikon D3500||124 mm||97 mm||70 mm||415 g||1550||n||Aug 2018||429|
|7.||Nikon Df||144 mm||110 mm||67 mm||760 g||1400||Y||Nov 2013||2,749|
|8.||Panasonic FT7||117 mm||76 mm||37 mm||319 g||300||Y||May 2018||449|
|9.||Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999|
|10.||Panasonic TZ200||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799|
|11.||Panasonic TZ90||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449|
|12.||Sony RX100 VI||102 mm||58 mm||43 mm||301 g||240||n||Jun 2018||1,199|
|13.||Sony HX99||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||449|
|14.||Sony A7S II||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999|
|15.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|16.||Sony A7||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699|
|17.||Sony A7R||127 mm||94 mm||48 mm||465 g||340||Y||Oct 2013||2,299|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The TZ95 was launched at a lower price than the A7S, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic TZ95 features a 1/2.3-inch sensor and the Sony A7S a full frame sensor. The sensor area in the A7S is 2957 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the TZ95 has a native 4:3 aspect ratio, while the one in the A7S offers a 3:2 aspect.
Despite having a smaller sensor, the Panasonic TZ95 offers a higher resolution of 20.2 megapixels, compared with 12 MP of the Sony A7S. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 8.45μm for the A7S). However, it should be noted that the TZ95 is much more recent (by 4 years and 10 months) than the A7S, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the TZ95 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic TZ95 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the TZ95 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Sony A7S are 21.2 x 14.2 inches or 53.8 x 36 cm for good quality, 17 x 11.3 inches or 43.1 x 28.8 cm for very good quality, and 14.1 x 9.4 inches or 35.9 x 24 cm for excellent quality prints.
The Panasonic Lumix DC-TZ95 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-6400. The corresponding ISO settings for the Sony Alpha A7S are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-409600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Sony A7S||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87|
|7.||Nikon Df||Full Frame||16.2||4928||3280||none||24.6||13.1||3279||89|
|9.||Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||..||..||..||..|
|12.||Sony RX100 VI||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|14.||Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|15.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|16.||Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
|17.||Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the TZ95 provides a higher video resolution than the A7S. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7S offers a slightly higher resolution than the one in the TZ95 (2400k vs 2330k dots). The table below summarizes some of the other core capabilities of the Panasonic TZ95 and Sony A7S in connection with corresponding information for a sample of similar cameras.
|1.||Panasonic TZ95||2330||n||3.0 / 1040||tilting||Y||1/2000s||10.0||Y||Y|
|2.||Sony A7S||2400||n||3.0 / 921||tilting||n||1/8000s||5.0||n||n|
|3.||Canon SX740||none||n||3.0 / 922||tilting||n||1/3200s||10.0||Y||Y|
|4.||Fujifilm X-A5||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0||Y||n|
|5.||Fujifilm XF10||none||n||3.0 / 1040||fixed||Y||1/4000s||6.0||Y||n|
|6.||Nikon D3500||optical||n||3.0 / 921||fixed||n||1/4000s||5.0||Y||n|
|7.||Nikon Df||optical||Y||3.2 / 921||fixed||n||1/4000s||5.5||n||n|
|8.||Panasonic FT7||1170||n||3.0 / 1040||fixed||n||1/1300s||10.0||Y||Y|
|9.||Panasonic LX100 II||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0||n||Y|
|10.||Panasonic TZ200||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0||Y||Y|
|11.||Panasonic TZ90||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0||Y||Y|
|12.||Sony RX100 VI||2359||n||3.0 / 1229||tilting||Y||1/2000s||24.0||Y||Y|
|13.||Sony HX99||638||n||3.0 / 922||tilting||Y||1/2000s||10.0||Y||Y|
|14.||Sony A7S II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0||n||Y|
|15.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||Y|
|16.||Sony A7||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||n|
|17.||Sony A7R||2400||n||3.0 / 1230||tilting||n||1/8000s||4.0||n||n|
One difference between the cameras concerns the presence of an on-board flash. The TZ95 has one, while the A7S does not. While the built-in flash of the TZ95 is not very powerful, it can at times be useful as a fill-in light.The TZ95 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A7S does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The TZ95 writes its imaging data to SDXC cards, while the A7S uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-TZ95 and Sony Alpha A7S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic TZ95||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|2.||Sony A7S||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|3.||Canon SX740||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|4.||Fujifilm X-A5||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|5.||Fujifilm XF10||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|6.||Nikon D3500||Y||mono / mono||-||-||mini||2.0||-||-||Y|
|7.||Nikon Df||Y||- / -||-||-||mini||2.0||-||-||-|
|8.||Panasonic FT7||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Panasonic LX100 II||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|10.||Panasonic TZ200||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|11.||Panasonic TZ90||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|12.||Sony RX100 VI||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|13.||Sony HX99||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|14.||Sony A7S II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|15.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony A7||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony A7R||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A7S has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The TZ95 does not feature such a mic input.
The TZ95 is a recent model that features in the current product line-up of Panasonic. In contrast, the A7S has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the A7S was succeeded by the Sony A7S II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what is the bottom line? Is there a clear favorite between the Panasonic TZ95 and the Sony A7S? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Panasonic Lumix DC-TZ95:
- More detail: Offers more megapixels (20.2 vs 12MP) with a 27% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the A7S requires a separate lens.
- More compact: Is smaller (112x69mm vs 127x94mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A7S).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 4 years and 10 months of technical progress since the A7S launch.
Arguments in favor of the Sony Alpha A7S:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.53x).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been around for much longer (launched in April 2014).
If the count of relative strengths (bullet points above) is taken as a measure, the TZ95 comes out slightly ahead of the A7S (15 : 14 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic TZ95 and the Sony A7S place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the TZ95 or the A7S. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic TZ95||..||+ +||..||..||4.5/5||..||Feb 2019||449|
|2.||Sony A7S||4/5||..||..||86/100||4.5/5||5/5||Apr 2014||2,499|
|3.||Canon SX740||..||+||3.5/5||..||4/5||4/5||Jul 2018||399|
|4.||Fujifilm X-A5||..||+||4.1/5||..||4/5||3.5/5||Jan 2018||399|
|5.||Fujifilm XF10||..||..||4/5||75/100||4/5||4.5/5||Jul 2018||499|
|6.||Nikon D3500||..||..||4/5||75/100||4/5||4.5/5||Aug 2018||429|
|7.||Nikon Df||4/5||..||..||81/100||4/5||4/5||Nov 2013||2,749|
|8.||Panasonic FT7||..||+||..||..||3.5/5||3.5/5||May 2018||449|
|9.||Panasonic LX100 II||4.5/5||+||4.2/5||82/100||4.5/5||4.5/5||Aug 2018||999|
|10.||Panasonic TZ200||..||+ +||..||81/100||4.5/5||4.5/5||Feb 2018||799|
|11.||Panasonic TZ90||..||+ +||..||..||4/5||4/5||Apr 2017||449|
|12.||Sony RX100 VI||4.5/5||+ +||..||83/100||4/5||4.5/5||Jun 2018||1,199|
|13.||Sony HX99||..||..||..||..||4/5||4.5/5||Aug 2018||449|
|14.||Sony A7S II||5/5||+||..||..||4.5/5||5/5||Sep 2015||2,999|
|15.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999|
|16.||Sony A7||5/5||+ +||..||80/100||5/5||5/5||Oct 2013||1,699|
|17.||Sony A7R||5/5||+ +||..||82/100||4.5/5||5/5||Oct 2013||2,299|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D X vs Sony A7S
- Canon 5D vs Panasonic TZ95
- Leica X Typ 113 vs Panasonic TZ95
- Nikon D4 vs Panasonic TZ95
- Nikon D800E vs Sony A7S
- Panasonic FZ1000 vs Sony A7S
- Panasonic G90 vs Sony A7S
- Panasonic GX85 vs Sony A7S
- Panasonic TZ95 vs Sigma fp L
- Panasonic TZ95 vs Sony NEX-3
- Panasonic TZ95 vs Sony NEX-5R
- Ricoh WG-6 vs Sony A7S
Specifications: Panasonic TZ95 vs Sony A7S
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic TZ95||Sony A7S|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-720mm f/3.3-6.4||Sony E mount lenses|
|Launch Date||February 2019||April 2014|
|Launch Price||USD 449||USD 2,499|
|Sensor Specs||Panasonic TZ95||Sony A7S|
|Sensor Format||1/2.3" Sensor||Full Frame Sensor|
|Sensor Size||6.17 x 4.55 mm||35.8 x 23.9 mm|
|Sensor Area||28.0735 mm2||855.62 mm2|
|Sensor Diagonal||7.7 mm||43 mm|
|Sensor Resolution||20.2 Megapixels||12 Megapixels|
|Image Resolution||5184 x 3888 pixels||4240 x 2832 pixels|
|Pixel Pitch||1.18 μm||8.45 μm|
|Pixel Density||71.80 MP/cm2||1.40 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||80 - 3,200 ISO||100 - 102,400 ISO|
|ISO Boost||80 - 6,400 ISO||50 - 409,600 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||..||87|
|DXO Color Depth (bits)||..||23.9|
|DXO Dynamic Range (EV)||..||13.2|
|DXO Low Light (ISO)||..||3702|
|Screen Specs||Panasonic TZ95||Sony A7S|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2330k dots||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||921k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic TZ95||Sony A7S|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/8000s|
|Continuous Shooting||10 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||YES|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic TZ95||Sony A7S|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Panasonic TZ95||Sony A7S|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||380 shots per charge||380 shots per charge|
|In-Camera Charging||USB charging||USB charging|
112 x 69 x 42 mm
(4.4 x 2.7 x 1.7 in)
127 x 94 x 48 mm
(5.0 x 3.7 x 1.9 in)
|Camera Weight||327 g (11.5 oz)||489 g (17.2 oz)|
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