Panasonic TZ95 vs Sony A7R V
The Panasonic Lumix DC-TZ95 (called Panasonic ZS80 in some regions) and the Sony Alpha A7R V are two digital cameras that were officially introduced, respectively, in February 2019 and October 2022. The TZ95 is a fixed lens compact, while the A7R V is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (TZ95) and a full frame (A7R V) sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Sony provides 60.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-TZ95 and the Sony Alpha A7R V? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Panasonic TZ95 and the Sony A7R V is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The TZ95 can be obtained in two different colors (black, silver), while the A7R V is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R V is considerably larger (64 percent) than the Panasonic TZ95. It is noteworthy in this context that the A7R V is splash and dust-proof, while the TZ95 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TZ95 has a lens built in, whereas the A7R V is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7R V and their specifications in the Sony FE Lens Catalog.
Concerning battery life, the TZ95 gets 380 shots out of its Panasonic DMW-BLG10 battery, while the A7R V can take 530 images on a single charge of its Sony NP-FZ100 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic TZ95 | 112 mm | 69 mm | 42 mm | 327 g | 380 | n | Feb 2019 | 449 | ebay.com | |
2. | Sony A7R V | 131 mm | 97 mm | 82 mm | 723 g | 530 | Y | Oct 2022 | 3,899 | amazon.com | |
3. | Canon SX740 | 110 mm | 64 mm | 40 mm | 299 g | 265 | n | Jul 2018 | 399 | amazon.com | |
4. | Fujifilm X-A5 | 117 mm | 68 mm | 40 mm | 361 g | 450 | n | Jan 2018 | 399 | ebay.com | |
5. | Fujifilm XF10 | 113 mm | 64 mm | 41 mm | 279 g | 330 | n | Jul 2018 | 499 | ebay.com | |
6. | Nikon D3500 | 124 mm | 97 mm | 70 mm | 415 g | 1550 | n | Aug 2018 | 429 | ebay.com | |
7. | Panasonic FT7 | 117 mm | 76 mm | 37 mm | 319 g | 300 | Y | May 2018 | 449 | ebay.com | |
8. | Panasonic LX100 II | 115 mm | 66 mm | 65 mm | 392 g | 300 | n | Aug 2018 | 999 | ebay.com | |
9. | Panasonic TZ200 | 111 mm | 65 mm | 45 mm | 340 g | 370 | n | Feb 2018 | 799 | amazon.com | |
10. | Panasonic TZ90 | 112 mm | 67 mm | 41 mm | 322 g | 380 | n | Apr 2017 | 449 | ebay.com | |
11. | Sony A7R IVA | 129 mm | 96 mm | 78 mm | 665 g | 670 | Y | Apr 2021 | 3,499 | amazon.com | |
12. | Sony A7S III | 127 mm | 97 mm | 81 mm | 699 g | 600 | Y | Jul 2020 | 3,499 | amazon.com | |
13. | Sony A9 II | 129 mm | 96 mm | 76 mm | 678 g | 690 | Y | Oct 2019 | 4,499 | amazon.com | |
14. | Sony A7R IV | 129 mm | 96 mm | 78 mm | 665 g | 670 | Y | Jul 2019 | 3,499 | ebay.com | |
15. | Sony RX100 VI | 102 mm | 58 mm | 43 mm | 301 g | 240 | n | Jun 2018 | 1,199 | ebay.com | |
16. | Sony HX99 | 102 mm | 58 mm | 36 mm | 242 g | 370 | n | Aug 2018 | 449 | ebay.com | |
17. | Sony A7R III | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Oct 2017 | 3,199 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The TZ95 was launched at a lower price than the A7R V, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic TZ95 features a 1/2.3-inch sensor and the Sony A7R V a full frame sensor. The sensor area in the A7R V is 2936 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the TZ95 has a native 4:3 aspect ratio, while the one in the A7R V offers a 3:2 aspect.
With 60.2MP, the A7R V offers a higher resolution than the TZ95 (20.2MP), but the A7R V nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 1.18μm for the TZ95) due to its larger sensor. Moreover, the A7R V is a much more recent model (by 3 years and 8 months) than the TZ95, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Sony A7R V implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R V for good quality output (200 dots per inch) amounts to 47.5 x 31.7 inches or 120.7 x 80.5 cm, for very good quality (250 dpi) 38 x 25.3 inches or 96.6 x 64.4 cm, and for excellent quality (300 dpi) 31.7 x 21.1 inches or 80.5 x 53.6 cm. The corresponding values for the Panasonic TZ95 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
The A7R V has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the TZ95, the A7R V has the capacity to capture high quality composite images (240MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Panasonic Lumix DC-TZ95 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-6400. The corresponding ISO settings for the Sony Alpha A7R V are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.
Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic TZ95 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.7 | 12.2 | 1103 | 52 | |
2. | Sony A7R V | Full Frame | 60.2 | 9504 | 6336 | 8k/24p | 26.5 | 14.8 | 3187 | 100 | |
3. | Canon SX740 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1050 | 51 | |
4. | Fujifilm X-A5 | APS-C | 24.0 | 6000 | 4000 | 4K/15p | 24.0 | 13.3 | 1800 | 82 | |
5. | Fujifilm XF10 | APS-C | 24.0 | 6000 | 4000 | 4K/15p | 24.0 | 13.4 | 1844 | 83 | |
6. | Nikon D3500 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.0 | 13.4 | 1851 | 83 | |
7. | Panasonic FT7 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1028 | 51 | |
8. | Panasonic LX100 II | Four Thirds | 16.8 | 4736 | 3552 | 4K/30p | 22.8 | 12.7 | 979 | 72 | |
9. | Panasonic TZ200 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.0 | 12.2 | 449 | 64 | |
10. | Panasonic TZ90 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 19.1 | 10.6 | 106 | 36 | |
11. | Sony A7R IVA | Full Frame | 60.2 | 9504 | 6336 | 4K/30p | 26.0 | 14.8 | 3344 | 99 | |
12. | Sony A7S III | Full Frame | 12.0 | 4240 | 2832 | 4K/120p | 23.7 | 13.9 | 2520 | 86 | |
13. | Sony A9 II | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 14.0 | 3434 | 93 | |
14. | Sony A7R IV | Full Frame | 60.2 | 9504 | 6336 | 4K/30p | 26.0 | 14.8 | 3344 | 99 | |
15. | Sony RX100 VI | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 12.3 | 478 | 64 | |
16. | Sony HX99 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.6 | 12.1 | 1058 | 51 | |
17. | Sony A7R III | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A7R V provides a better video resolution than the TZ95. It can shoot movie footage at 8k/24p, while the Panasonic is limited to 4K/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7R V offers a substantially higher resolution than the one in the TZ95 (9440k vs 2330k dots). The table below summarizes some of the other core capabilities of the Panasonic TZ95 and Sony A7R V in connection with corresponding information for a sample of similar cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic TZ95 | 2330 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
2. | Sony A7R V | 9440 | n | 3.2 / 2100 | full-flex | Y | 1/8000s | 10.0/s | n | Y | |
3. | Canon SX740 | none | n | 3.0 / 922 | tilting | n | 1/3200s | 10.0/s | Y | Y | |
4. | Fujifilm X-A5 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 6.0/s | Y | n | |
5. | Fujifilm XF10 | none | n | 3.0 / 1040 | fixed | Y | 1/4000s | 6.0/s | Y | n | |
6. | Nikon D3500 | optical | n | 3.0 / 921 | fixed | n | 1/4000s | 5.0/s | Y | n | |
7. | Panasonic FT7 | 1170 | n | 3.0 / 1040 | fixed | n | 1/1300s | 10.0/s | Y | Y | |
8. | Panasonic LX100 II | 2764 | n | 3.0 / 1240 | fixed | Y | 1/4000s | 11.0/s | n | Y | |
9. | Panasonic TZ200 | 2330 | n | 3.0 / 1240 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
10. | Panasonic TZ90 | 1166 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
11. | Sony A7R IVA | 5760 | n | 3.0 / 2340 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
12. | Sony A7S III | 9440 | n | 3.0 / 1440 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
13. | Sony A9 II | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 20.0/s | n | Y | |
14. | Sony A7R IV | 5760 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
15. | Sony RX100 VI | 2359 | n | 3.0 / 1229 | tilting | Y | 1/2000s | 24.0/s | Y | Y | |
16. | Sony HX99 | 638 | n | 3.0 / 922 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
17. | Sony A7R III | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The TZ95 has one, while the A7R V does not. While the built-in flash of the TZ95 is not very powerful, it can at times be useful as a fill-in light.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A7R V has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The TZ95 writes its imaging data to SDXC cards, while the A7R V uses CFexpress (type A) or SDXC cards. The A7R V features dual card slots, which can be very useful in case a memory card fails. In contrast, the TZ95 only has one slot. The A7R V supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the TZ95 can use UHS-I cards (up to 104 MB/s).
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-TZ95 and Sony Alpha A7R V and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic TZ95 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
2. | Sony A7R V | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
3. | Canon SX740 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
4. | Fujifilm X-A5 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
5. | Fujifilm XF10 | - | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
6. | Nikon D3500 | Y | mono / mono | - | - | mini | 2.0 | - | - | Y | |
7. | Panasonic FT7 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
8. | Panasonic LX100 II | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
9. | Panasonic TZ200 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
10. | Panasonic TZ90 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
11. | Sony A7R IVA | Y | stereo / mono | Y | Y | micro | 3.2 | Y | Y | Y | |
12. | Sony A7S III | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
13. | Sony A9 II | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
14. | Sony A7R IV | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
15. | Sony RX100 VI | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
16. | Sony HX99 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
17. | Sony A7R III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y |
It is notable that the A7R V has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The TZ95 does not feature such a mic input.
Studio photographers will appreciate that the Sony A7R V (unlike the TZ95) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The A7R V is a recent model that features in the current product line-up of Sony. In contrast, the TZ95 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the TZ95 from Panasonic. Further information on the features and operation of the TZ95 and A7R V can be found, respectively, in the Panasonic TZ95 Manual (free pdf) or the online Sony A7R V Manual.
Review summary
So what conclusions can be drawn? Is the Panasonic TZ95 better than the Sony A7R V or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Panasonic Lumix DC-TZ95:
- Ready to shoot: Has a lens built-in, whereas the A7R V requires a separate lens.
- More compact: Is smaller (112x69mm vs 131x97mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A7R V).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in February 2019).
Reasons to prefer the Sony Alpha A7R V:
- More detail: Has more megapixels (60.2 vs 20.2MP), which boosts linear resolution by 76%.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (8k/24p vs 4K/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (9440k vs 2330k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.9x vs 0.53x).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1040k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (530 versus 380) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 3 years and 8 months of technical progress since the TZ95 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A7R V is the clear winner of the contest (27 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic TZ95 and the Sony A7R V place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the TZ95 or the A7R V perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic TZ95 | .. | + + | .. | .. | 4.5/5 | .. | Feb 2019 | 449 | ebay.com | |
2. | Sony A7R V | 5/5 | + + | 4.5/5 | 92/100 | .. | .. | Oct 2022 | 3,899 | amazon.com | |
3. | Canon SX740 | .. | + | 3.5/5 | .. | 4/5 | 4/5 | Jul 2018 | 399 | amazon.com | |
4. | Fujifilm X-A5 | .. | + | 4.1/5 | .. | 4/5 | 3.5/5 | Jan 2018 | 399 | ebay.com | |
5. | Fujifilm XF10 | .. | .. | 4/5 | 75/100 | 4/5 | 4.5/5 | Jul 2018 | 499 | ebay.com | |
6. | Nikon D3500 | 4/5 | .. | 4/5 | 75/100 | 4/5 | 4.5/5 | Aug 2018 | 429 | ebay.com | |
7. | Panasonic FT7 | .. | + | .. | .. | 3.5/5 | 3.5/5 | May 2018 | 449 | ebay.com | |
8. | Panasonic LX100 II | 4.5/5 | + | 4.2/5 | 82/100 | 4.5/5 | 4.5/5 | Aug 2018 | 999 | ebay.com | |
9. | Panasonic TZ200 | .. | + + | 4.5/5 | 81/100 | 4.5/5 | 4.5/5 | Feb 2018 | 799 | amazon.com | |
10. | Panasonic TZ90 | .. | + + | 4/5 | .. | 4/5 | 4/5 | Apr 2017 | 449 | ebay.com | |
11. | Sony A7R IVA | 5/5 | + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Apr 2021 | 3,499 | amazon.com | |
12. | Sony A7S III | 4.5/5 | + + | 5/5 | 91/100 | 4.5/5 | 5/5 | Jul 2020 | 3,499 | amazon.com | |
13. | Sony A9 II | .. | .. | 5/5 | 90/100 | 5/5 | 5/5 | Oct 2019 | 4,499 | amazon.com | |
14. | Sony A7R IV | 5/5 | + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Jul 2019 | 3,499 | ebay.com | |
15. | Sony RX100 VI | 4.5/5 | + + | .. | 83/100 | 4/5 | 4.5/5 | Jun 2018 | 1,199 | ebay.com | |
16. | Sony HX99 | .. | .. | .. | .. | 4/5 | 4.5/5 | Aug 2018 | 449 | ebay.com | |
17. | Sony A7R III | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Oct 2017 | 3,199 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon M50 Mark II vs Panasonic TZ95
- Kodak S-1 vs Sony A7R V
- Leica Q Typ 116 vs Sony A7R V
- Nikon D850 vs Sony A7R V
- Nikon Z50 vs Panasonic TZ95
- OM System OM-5 vs Panasonic TZ95
- Olympus E-M10 IV vs Panasonic TZ95
- Panasonic GX85 vs Sony A7R V
- Panasonic S5 II vs Sony A7R V
- Panasonic TZ95 vs Pentax K-500
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Specifications: Panasonic TZ95 vs Sony A7R V
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic TZ95 | Sony A7R V |
---|---|---|
Camera Type | Fixed lens compact camera | Mirrorless system camera |
Camera Lens | 24-720mm f/3.3-6.4 | Sony E mount lenses |
Launch Date | February 2019 | October 2022 |
Launch Price | USD 449 | USD 3,899 |
Sensor Specs | Panasonic TZ95 | Sony A7R V |
Sensor Technology | BSI-CMOS | BSI-CMOS |
Sensor Format | 1/2.3" Sensor | Full Frame Sensor |
Sensor Size | 6.17 x 4.55 mm | 35.7 x 23.8 mm |
Sensor Area | 28.0735 mm2 | 849.66 mm2 |
Sensor Diagonal | 7.7 mm | 42.9 mm |
Crop Factor | 5.6x | 1.0x |
Sensor Resolution | 20.2 Megapixels | 60.2 Megapixels |
Image Resolution | 5184 x 3888 pixels | 9504 x 6336 pixels |
Pixel Pitch | 1.18 μm | 3.76 μm |
Pixel Density | 71.80 MP/cm2 | 7.09 MP/cm2 |
Moiré control | no AA filter | no AA filter |
Movie Capability | 4K/30p Video | 8k/24p Video |
ISO Setting | 80 - 3,200 ISO | 100 - 32,000 ISO |
ISO Boost | 80 - 6,400 ISO | 50 - 102,400 ISO |
Image Processor | Venus | Dual BIONZ XR |
DXO Sensor Quality (score) | .. | 100 |
DXO Color Depth (bits) | .. | 26.5 |
DXO Dynamic Range (EV) | .. | 14.8 |
DXO Low Light (ISO) | .. | 3187 |
Screen Specs | Panasonic TZ95 | Sony A7R V |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.53x | 0.9x |
Viewfinder Resolution | 2330k dots | 9440k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.2inch |
LCD Resolution | 1040k dots | 2100k dots |
LCD Attachment | Tilting screen | Fully flexible screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Panasonic TZ95 | Sony A7R V |
Focus System | Contrast-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/2000s | 1/8000s |
Continuous Shooting | 10 shutter flaps/s | 10 shutter flaps/s |
Electronic Shutter | up to 1/16000s | up to 1/8000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Image Stabilization | Lens-based stabilization | In-body stabilization |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | CFexA or SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | UHS-I | UHS-II |
Connectivity Specs | Panasonic TZ95 | Sony A7R V |
External Flash | no Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 2.0 | USB 3.2 |
HDMI Port | micro HDMI | full HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
Body Specs | Panasonic TZ95 | Sony A7R V |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Panasonic DMW-BLG10 | Sony NP-FZ100 |
Battery Life (CIPA) | 380 shots per charge | 530 shots per charge |
In-Camera Charging | USB charging | USB charging |
Body Dimensions |
112 x 69 x 42 mm (4.4 x 2.7 x 1.7 in) |
131 x 97 x 82 mm (5.2 x 3.8 x 3.2 in) |
Camera Weight | 327 g (11.5 oz) | 723 g (25.5 oz) |
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