Panasonic TZ95 vs Ricoh WG-60
The Panasonic Lumix DC-TZ95 (called Panasonic ZS80 in some regions) and the Ricoh WG-60 are two digital cameras that were announced, respectively, in February 2019 and October 2018. Both the TZ95 and the WG-60 are fixed lens compact cameras that are equipped with a 1/2.3-inch sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Ricoh provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-TZ95 and the Ricoh WG-60? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic TZ95 and the Ricoh WG-60. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The TZ95 can be obtained in two different colors (black, silver), while the WG-60 is also available in two color-versions, but different ones (black, red).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Ricoh WG-60 is somewhat smaller (1 percent) than the Panasonic TZ95. Moreover, the WG-60 is substantially lighter (41 percent) than the TZ95. It is noteworthy in this context that the WG-60 is splash and dust-proof, while the TZ95 does not feature any corresponding weather-sealing. More than that, the WG-60 is water-proof up to 14m and can, thus, be used for underwater photography.
The power pack in the TZ95 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Panasonic TZ95||112 mm||69 mm||42 mm||327 g||380||n||Feb 2019||449||amazon.com|
|2.||Ricoh WG-60||123 mm||62 mm||30 mm||193 g||300||Y||Oct 2018||279||ebay.com|
|3.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399||amazon.com|
|4.||Fujifilm XP140||110 mm||71 mm||28 mm||207 g||240||Y||Feb 2019||229||amazon.com|
|5.||Fujifilm X-A5||117 mm||68 mm||40 mm||361 g||450||n||Jan 2018||399||ebay.com|
|6.||Fujifilm XF10||113 mm||64 mm||41 mm||279 g||330||n||Jul 2018||499||ebay.com|
|7.||Fujifilm XP130||110 mm||71 mm||28 mm||207 g||240||Y||Jan 2018||229||ebay.com|
|8.||Fujifilm XP120||110 mm||71 mm||28 mm||203 g||210||Y||Jan 2017||229||ebay.com|
|9.||Nikon D3500||124 mm||97 mm||70 mm||415 g||1550||n||Aug 2018||429||amazon.com|
|10.||Nikon W300||112 mm||66 mm||29 mm||231 g||280||Y||May 2017||389||amazon.com|
|11.||Panasonic FT7||117 mm||76 mm||37 mm||319 g||300||Y||May 2018||449||ebay.com|
|12.||Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999||amazon.com|
|13.||Panasonic TZ200||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799||amazon.com|
|14.||Panasonic TZ90||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449||ebay.com|
|15.||Sony RX100 VI||102 mm||58 mm||43 mm||301 g||240||n||Jun 2018||1,199||ebay.com|
|16.||Sony HX99||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||449||amazon.com|
|17.||Sony WX800||102 mm||58 mm||36 mm||233 g||370||n||Oct 2018||399||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The WG-60 was launched at a markedly lower price (by 38 percent) than the TZ95, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a 1/2.3-inch sensor and have a format factor (sometimes also referred to as "crop factor") of 5.6. Within the spectrum of camera sensors, this places the review cameras among the smaller-sensor digicams that favor affordability and compact design. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the TZ95 offers a higher resolution of 20.2 megapixels, compared with 15.9 MP of the WG-60. This megapixels advantage translates into a 13 percent gain in linear resolution. On the other hand, these sensor specs imply that the TZ95 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 1.33μm for the WG-60). In this context, it should be noted, however, that the TZ95 is a somewhat more recent model (by 3 months) than the WG-60, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Panasonic TZ95 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the TZ95 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Ricoh WG-60 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The Panasonic Lumix DC-TZ95 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-6400. The corresponding ISO settings for the Ricoh WG-60 are ISO 125 to ISO 6400 (no boost).
In terms of underlying technology, the TZ95 is build around a BSI-CMOS sensor, while the WG-60 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|12.||Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||22.8||12.7||979||72|
|15.||Sony RX100 VI||1-inch||20.0||5472||3648||4K/30p||22.1||12.3||478||64|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the TZ95 provides a higher video resolution than the WG-60. It can shoot video footage at 4K/30p, while the Ricoh is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the TZ95 has an electronic viewfinder (2330k dots), which can be very helpful when shooting in bright sunlight. In contrast, the WG-60 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Panasonic TZ95, the Ricoh WG-60, and comparable cameras.
|1.||Panasonic TZ95||2330||n||3.0 / 1040||tilting||Y||1/2000s||10.0/s||Y||Y|
|2.||Ricoh WG-60||none||n||2.7 / 230||fixed||n||1/4000s||8.0/s||Y||n|
|3.||Canon SX740||none||n||3.0 / 922||tilting||n||1/3200s||10.0/s||Y||Y|
|4.||Fujifilm XP140||none||n||3.0 / 920||fixed||n||1/2000s||10.0/s||Y||Y|
|5.||Fujifilm X-A5||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0/s||Y||n|
|6.||Fujifilm XF10||none||n||3.0 / 1040||fixed||Y||1/4000s||6.0/s||Y||n|
|7.||Fujifilm XP130||none||n||3.0 / 920||fixed||n||1/2000s||10.0/s||Y||Y|
|8.||Fujifilm XP120||none||n||3.0 / 920||fixed||n||1/2000s||10.0/s||Y||Y|
|9.||Nikon D3500||optical||n||3.0 / 921||fixed||n||1/4000s||5.0/s||Y||n|
|10.||Nikon W300||none||n||3.0 / 921||fixed||n||1/4000s||7.0/s||Y||Y|
|11.||Panasonic FT7||1170||n||3.0 / 1040||fixed||n||1/1300s||10.0/s||Y||Y|
|12.||Panasonic LX100 II||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0/s||n||Y|
|13.||Panasonic TZ200||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0/s||Y||Y|
|14.||Panasonic TZ90||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0/s||Y||Y|
|15.||Sony RX100 VI||2359||n||3.0 / 1229||tilting||Y||1/2000s||24.0/s||Y||Y|
|16.||Sony HX99||638||n||3.0 / 922||tilting||Y||1/2000s||10.0/s||Y||Y|
|17.||Sony WX800||none||n||3.0 / 922||tilting||Y||1/2000s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The TZ95 has a touchscreen, while the WG-60 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The TZ95 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the WG-60 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the TZ95 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Ricoh WG-60 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the TZ95 and the WG-60 have zoom lenses built in. The TZ95 has a 24-720mm f/3.3-6.4 optic and the WG-60 offers a 28-140mm f/3.5-5.5 (focal lengths in full frame equivalent terms). Hence, the Panasonic provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Ricoh. The TZ95 offers the faster maximum aperture.
Concerning the storage of imaging data, both the TZ95 and the WG-60 write their files to SDXC cards. The TZ95 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the WG-60 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-TZ95 and Ricoh WG-60 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic TZ95||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|2.||Ricoh WG-60||-||mono / mono||-||-||micro||2.0||-||-||-|
|3.||Canon SX740||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|4.||Fujifilm XP140||-||mono / mono||-||-||micro||2.0||Y||-||Y|
|5.||Fujifilm X-A5||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|6.||Fujifilm XF10||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|7.||Fujifilm XP130||-||mono / mono||-||-||micro||2.0||Y||-||Y|
|8.||Fujifilm XP120||-||mono / mono||-||-||micro||2.0||Y||-||-|
|9.||Nikon D3500||Y||mono / mono||-||-||mini||2.0||-||-||Y|
|10.||Nikon W300||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|11.||Panasonic FT7||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|12.||Panasonic LX100 II||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|13.||Panasonic TZ200||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|14.||Panasonic TZ90||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|15.||Sony RX100 VI||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|16.||Sony HX99||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|17.||Sony WX800||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the TZ95 offers wifi support, while the WG-60 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The TZ95 is a recent model that features in the current product line-up of Panasonic. In contrast, the WG-60 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the WG-60 from Ricoh. Further information on the features and operation of the TZ95 and WG-60 can be found, respectively, in the Panasonic TZ95 Manual (free pdf) or the online Ricoh WG-60 Manual.
So how do things add up? Is the Panasonic TZ95 better than the Ricoh WG-60 or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Panasonic Lumix DC-TZ95:
- More detail: Offers more megapixels (20.2 vs 15.9MP) with a 13% higher linear resolution.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/3.3 vs f/3.5).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Can take more shots (380 versus 300) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Is somewhat more recent (announced 3 months after the WG-60).
Arguments in favor of the Ricoh WG-60:
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Less heavy: Has a lower weight (by 134g or 41 percent) and is thus easier to take along.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 14m).
- More affordable: Was introduced into a lower priced category (38 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in October 2018).
If the count of relative strengths (bullet points above) is taken as a measure, the TZ95 is the clear winner of the match-up (20 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic TZ95 and the Ricoh WG-60 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the TZ95 or the WG-60 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic TZ95||..||+ +||..||4/5||4.5/5||..||Feb 2019||449||amazon.com|
|2.||Ricoh WG-60||..||..||..||..||..||..||Oct 2018||279||ebay.com|
|3.||Canon SX740||..||+||3.5/5||..||4/5||4/5||Jul 2018||399||amazon.com|
|4.||Fujifilm XP140||..||+||..||..||3.5/5||4/5||Feb 2019||229||amazon.com|
|5.||Fujifilm X-A5||..||+||4.1/5||..||4/5||3.5/5||Jan 2018||399||ebay.com|
|6.||Fujifilm XF10||..||..||4/5||75/100||4/5||4.5/5||Jul 2018||499||ebay.com|
|7.||Fujifilm XP130||..||o||..||..||3.5/5||4/5||Jan 2018||229||ebay.com|
|8.||Fujifilm XP120||..||o||..||..||3.5/5||4/5||Jan 2017||229||ebay.com|
|9.||Nikon D3500||4/5||..||4/5||75/100||4/5||4.5/5||Aug 2018||429||amazon.com|
|10.||Nikon W300||..||+||..||..||4/5||4/5||May 2017||389||amazon.com|
|11.||Panasonic FT7||..||+||..||..||3.5/5||3.5/5||May 2018||449||ebay.com|
|12.||Panasonic LX100 II||4.5/5||+||4.2/5||82/100||4.5/5||4.5/5||Aug 2018||999||amazon.com|
|13.||Panasonic TZ200||..||+ +||4.5/5||81/100||4.5/5||4.5/5||Feb 2018||799||amazon.com|
|14.||Panasonic TZ90||..||+ +||..||4/5||4/5||4/5||Apr 2017||449||ebay.com|
|15.||Sony RX100 VI||4.5/5||+ +||..||83/100||4/5||4.5/5||Jun 2018||1,199||ebay.com|
|16.||Sony HX99||..||..||..||..||4/5||4.5/5||Aug 2018||449||amazon.com|
|17.||Sony WX800||..||..||..||..||..||..||Oct 2018||399||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D X Mark III vs Ricoh WG-60
- Canon 1Ds vs Panasonic TZ95
- Canon 800D vs Panasonic TZ95
- Canon G12 vs Panasonic TZ95
- Canon G12 vs Ricoh WG-60
- Canon Rebel vs Panasonic TZ95
- Nikon D2Xs vs Ricoh WG-60
- Nikon D4 vs Ricoh WG-60
- Olympus E-300 vs Panasonic TZ95
- Panasonic FZ80 vs Panasonic TZ95
- Panasonic GH4 vs Ricoh WG-60
- Ricoh WG-60 vs Sony WX800
Specifications: Panasonic TZ95 vs Ricoh WG-60
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic TZ95||Ricoh WG-60|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-720mm f/3.3-6.4||28-140mm f/3.5-5.5|
|Launch Date||February 2019||October 2018|
|Launch Price||USD 449||USD 279|
|Sensor Specs||Panasonic TZ95||Ricoh WG-60|
|Sensor Format||1/2.3" Sensor||1/2.3" Sensor|
|Sensor Size||6.17 x 4.55 mm||6.17 x 4.55 mm|
|Sensor Area||28.0735 mm2||28.0735 mm2|
|Sensor Diagonal||7.7 mm||7.7 mm|
|Sensor Resolution||20.2 Megapixels||15.9 Megapixels|
|Image Resolution||5184 x 3888 pixels||4608 x 3456 pixels|
|Pixel Pitch||1.18 μm||1.33 μm|
|Pixel Density||71.80 MP/cm2||56.73 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||80 - 3,200 ISO||125 - 6,400 ISO|
|ISO Boost||80 - 6,400 ISO||no Enhancement|
|Screen Specs||Panasonic TZ95||Ricoh WG-60|
|Viewfinder Type||Electronic viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2330k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||2.7inch|
|LCD Resolution||1040k dots||230k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic TZ95||Ricoh WG-60|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||10 shutter flaps/s||8 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Panasonic TZ95||Ricoh WG-60|
|External Flash||no Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Panasonic TZ95||Ricoh WG-60|
|Environmental Sealing||not weather sealed||Waterproof body (14m)|
|Battery Life (CIPA)||380 shots per charge||300 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
112 x 69 x 42 mm
(4.4 x 2.7 x 1.7 in)
123 x 62 x 30 mm
(4.8 x 2.4 x 1.2 in)
|Camera Weight||327 g (11.5 oz)||193 g (6.8 oz)|
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