Panasonic TZ200 vs Sony RX10 IV
The Panasonic Lumix DC-TZ200 (called Panasonic ZS200 in some regions) and the Sony Cyber-shot DSC-RX10 IV are two digital cameras that were officially introduced, respectively, in February 2018 and September 2017. Both the TZ200 and the RX10 IV are fixed lens compact cameras that are equipped with an one-inch sensor. Both cameras offer a resolution of 20 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-TZ200 and the Sony Cyber-shot DSC-RX10 IV? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic TZ200 and the Sony RX10 IV. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The TZ200 can be obtained in two different colors (black, silver), while the RX10 IV is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX10 IV is considerably larger (73 percent) than the Panasonic TZ200. Moreover, the RX10 IV is substantially heavier (222 percent) than the TZ200. It is noteworthy in this context that the RX10 IV is splash and dust-proof, while the TZ200 does not feature any corresponding weather-sealing.
Concerning battery life, the TZ200 gets 370 shots out of its DMW-BLG10 battery, while the RX10 IV can take 400 images on a single charge of its NP-FW50 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Panasonic TZ200||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799|
|2.||Sony RX10 IV||133 mm||94 mm||145 mm||1095 g||400||Y||Sep 2017||1,699|
|3.||Canon G5 X Mark II||111 mm||61 mm||46 mm||340 g||230||n||Jul 2019||899|
|4.||Canon G1 X Mark III||115 mm||78 mm||51 mm||399 g||200||Y||Oct 2017||1,299|
|5.||Fujifilm X-Pro2||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699|
|6.||Panasonic FZ1000 II||136 mm||97 mm||131 mm||810 g||350||n||Feb 2019||899|
|7.||Panasonic TZ95||112 mm||69 mm||42 mm||327 g||380||n||Feb 2019||449|
|8.||Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999|
|9.||Panasonic GX9||124 mm||72 mm||47 mm||407 g||260||n||Feb 2018||849|
|10.||Panasonic TZ90||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449|
|11.||Panasonic LX15||106 mm||60 mm||42 mm||310 g||260||n||Sep 2016||699|
|12.||Panasonic TZ100||111 mm||65 mm||44 mm||312 g||300||n||Jan 2016||699|
|13.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899|
|14.||Ricoh GR III||109 mm||62 mm||33 mm||257 g||200||n||Feb 2019||899|
|15.||Sony A6300||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999|
|16.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399|
|17.||Sony RX10 III||133 mm||94 mm||127 mm||1051 g||420||Y||Mar 2016||1,499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The TZ200 was launched at a markedly lower price (by 53 percent) than the RX10 IV, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an one-inch sensor and have a format factor (sometimes also referred to as "crop factor") of 2.7. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 20 megapixels. This similarity in sensor specs implies that both the TZ200 and the RX10 IV have the same pixel density, as well as the same pixel size. It should, however, be noted that the TZ200 is a somewhat more recent model (by 5 months) than the RX10 IV, and its sensor might have benefitted from technological advances during this time.
The RX10 IV has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DC-TZ200 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Sony Cyber-shot DSC-RX10 IV are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 64-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Sony RX10 IV||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|3.||Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|4.||Canon G1 X Mark III||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|6.||Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|8.||Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||..||..||..||..|
|9.||Panasonic GX9||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|14.||Ricoh GR III||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|17.||Sony RX10 III||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the RX10 IV offers a slightly higher resolution than the one in the TZ200 (2359k vs 2330k dots). The following table reports on some other key feature differences and similarities of the Panasonic TZ200, the Sony RX10 IV, and comparable cameras.
|1.||Panasonic TZ200||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0||Y||Y|
|2.||Sony RX10 IV||2359||Y||3.0 / 1440||tilting||Y||1/2000s||24.0||Y||Y|
|3.||Canon G5 X Mark II||2360||n||3.0 / 1040||tilting||Y||1/2000s||30||Y||Y|
|4.||Canon G1 X Mark III||2360||n||3.0 / 1040||swivel||Y||1/2000s||9.0||Y||Y|
|5.||Fujifilm X-Pro2||2360||n||3.0 / 1620||fixed||n||1/8000s||8.0||n||n|
|6.||Panasonic FZ1000 II||2360||n||3.0 / 1240||swivel||Y||1/4000s||12.0||Y||Y|
|7.||Panasonic TZ95||2330||n||3.0 / 1040||tilting||Y||1/2000s||10.0||Y||Y|
|8.||Panasonic LX100 II||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0||n||Y|
|9.||Panasonic GX9||2760||n||3.0 / 1240||tilting||Y||1/4000s||9.0||Y||Y|
|10.||Panasonic TZ90||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0||Y||Y|
|11.||Panasonic LX15||none||n||3.0 / 1040||tilting||Y||1/4000s||10.0||Y||Y|
|12.||Panasonic TZ100||1166||n||3.0 / 1040||fixed||Y||1/2000s||10.0||Y||Y|
|13.||Panasonic FZ1000||2359||n||3.0 / 921||swivel||n||1/4000s||12.0||Y||Y|
|14.||Ricoh GR III||optional||n||3.0 / 1037||fixed||Y||1/4000s||4.0||n||Y|
|15.||Sony A6300||2359||n||3.0 / 922||tilting||n||1/4000s||11.0||Y||n|
|16.||Sony A6500||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0||Y||Y|
|17.||Sony RX10 III||2359||Y||3.0 / 1229||tilting||n||1/2000s||14.0||Y||Y|
One feature that is present on the RX10 IV, but is missing on the TZ200 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic TZ200 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the TZ200 and the RX10 IV have zoom lenses built in. The TZ200 has a 24-360mm f/3.3-6.4 optic and the RX10 IV offers a 24-600mm f/2.4-4.0 (focal lengths in full frame equivalent terms). Hence, the Panasonic and Sony provide the same view at the wide-angle end, but the Sony has more tele-photo reach at the long end. The RX10 IV offers the faster maximum aperture.
The TZ200 writes its imaging data to SDXC cards, while the RX10 IV uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-TZ200 and Sony Cyber-shot DSC-RX10 IV and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic TZ200||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|2.||Sony RX10 IV||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|3.||Canon G5 X Mark II||-||stereo / mono||-||-||micro||3.1||Y||-||Y|
|4.||Canon G1 X Mark III||Y||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|5.||Fujifilm X-Pro2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|6.||Panasonic FZ1000 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|7.||Panasonic TZ95||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|8.||Panasonic LX100 II||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|9.||Panasonic GX9||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|10.||Panasonic TZ90||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Panasonic LX15||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|12.||Panasonic TZ100||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Panasonic FZ1000||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|14.||Ricoh GR III||Y||stereo / mono||-||-||-||3.0||Y||-||Y|
|15.||Sony A6300||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|16.||Sony A6500||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|17.||Sony RX10 III||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the RX10 IV has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The TZ200 does not feature such a mic input.
Both the TZ200 and the RX10 IV are recent models that are part of the current product line-up. The RX10 IV replaced the earlier Sony RX10 III, while the TZ200 followed on from the Panasonic TZ100. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what conclusions can be drawn? Is there a clear favorite between the Panasonic TZ200 and the Sony RX10 IV? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Panasonic Lumix DC-TZ200:
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (111x65mm vs 133x94mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 755g or 69 percent) and hence easier to carry around.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (53 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 5 months after the RX10 IV).
Reasons to prefer the Sony Cyber-shot DSC-RX10 IV:
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.53x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1440k vs 1240k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (24 vs 10 flaps/sec) to capture the decisive moment.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.4 vs f/3.3).
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been on the market for longer (launched in September 2017).
If the count of relative strengths (bullet points above) is taken as a measure, the RX10 IV is the clear winner of the contest (14 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic TZ200 and the Sony RX10 IV place the cameras among the top in their class? Find out in the latest Best Superzoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the TZ200 and the RX10 IV in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic TZ200||..||+ +||..||81/100||4.5/5||4.5/5||Feb 2018||799|
|2.||Sony RX10 IV||5/5||+||..||84/100||4.5/5||5/5||Sep 2017||1,699|
|3.||Canon G5 X Mark II||4/5||+||4/5||82/100||..||4/5||Jul 2019||899|
|4.||Canon G1 X Mark III||5/5||+||4/5||79/100||4.5/5||4.5/5||Oct 2017||1,299|
|5.||Fujifilm X-Pro2||..||+||..||83/100||4.5/5||4.5/5||Jan 2016||1,699|
|6.||Panasonic FZ1000 II||..||..||..||83/100||4.5/5||4.5/5||Feb 2019||899|
|7.||Panasonic TZ95||..||+ +||..||..||4.5/5||..||Feb 2019||449|
|8.||Panasonic LX100 II||4.5/5||+||4.2/5||82/100||4.5/5||4.5/5||Aug 2018||999|
|9.||Panasonic GX9||4/5||+||4/5||84/100||4.5/5||4.5/5||Feb 2018||849|
|10.||Panasonic TZ90||..||+ +||..||..||4/5||4/5||Apr 2017||449|
|11.||Panasonic LX15||..||+ +||..||81/100||4/5||4.5/5||Sep 2016||699|
|12.||Panasonic TZ100||4.5/5||+ +||..||82/100||4.5/5||4.5/5||Jan 2016||699|
|13.||Panasonic FZ1000||4/5||+ +||..||82/100||4.5/5||4.5/5||Jun 2014||899|
|14.||Ricoh GR III||4/5||..||3.5/5||81/100||4/5||..||Feb 2019||899|
|15.||Sony A6300||4.5/5||+||..||85/100||5/5||5/5||Feb 2016||999|
|16.||Sony A6500||5/5||+ +||3.5/5||85/100||4.5/5||4.5/5||Oct 2016||1,399|
|17.||Sony RX10 III||5/5||+||..||84/100||4.5/5||4.5/5||Mar 2016||1,499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon M10 vs Panasonic TZ200
- Canon SX520 vs Panasonic TZ200
- Canon T4i vs Sony RX10 IV
- Leica M Typ 262 vs Sony RX10 IV
- Nikon D2Xs vs Sony RX10 IV
- Olympus E-M1X vs Sony RX10 IV
- Panasonic GF7 vs Panasonic TZ200
- Panasonic LX100 II vs Panasonic TZ200
- Panasonic LX5 vs Sony RX10 IV
- Panasonic TZ200 vs Samsung NX500
- Panasonic TZ200 vs Sony RX100 V
- Sony A1 vs Sony RX10 IV
Specifications: Panasonic TZ200 vs Sony RX10 IV
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic TZ200||Sony RX10 IV|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-360mm f/3.3-6.4||24-600mm f/2.4-4.0|
|Launch Date||February 2018||September 2017|
|Launch Price||USD 799||USD 1,699|
|Sensor Specs||Panasonic TZ200||Sony RX10 IV|
|Sensor Format||1" Sensor||1" Sensor|
|Sensor Size||13.2 x 8.8 mm||13.2 x 8.8 mm|
|Sensor Area||116.16 mm2||116.16 mm2|
|Sensor Diagonal||15.9 mm||15.9 mm|
|Sensor Resolution||20 Megapixels||20 Megapixels|
|Image Resolution||5472 x 3648 pixels||5472 x 3648 pixels|
|Pixel Pitch||2.41 μm||2.41 μm|
|Pixel Density||17.18 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||125 - 12,800 ISO||100 - 12,800 ISO|
|ISO Boost||80 - 25,600 ISO||64 - 25,600 ISO|
|Image Processor||Venus||BIONZ X|
|Screen Specs||Panasonic TZ200||Sony RX10 IV|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2330k dots||2359k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1240k dots||1440k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Panasonic TZ200||Sony RX10 IV|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/2000s|
|Continuous Shooting||10 shutter flaps/s||24 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic TZ200||Sony RX10 IV|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Panasonic TZ200||Sony RX10 IV|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||370 shots per charge||400 shots per charge|
|In-Camera Charging||USB charging||USB charging|
111 x 65 x 45 mm
(4.4 x 2.6 x 1.8 in)
133 x 94 x 145 mm
(5.2 x 3.7 x 5.7 in)
|Camera Weight||340 g (12.0 oz)||1095 g (38.6 oz)|
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