Panasonic TZ200 vs Pentax K-70
The Panasonic Lumix DC-TZ200 (called Panasonic ZS200 in some regions) and the Pentax K-70 are two digital cameras that were revealed to the public, respectively, in February 2018 and June 2016. The TZ200 is a fixed lens compact, while the K-70 is a DSLR. The cameras are based on an one-inch (TZ200) and an APS-C (K-70) sensor. The Panasonic has a resolution of 20 megapixels, whereas the Pentax provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic TZ200||Pentax K-70|
|Fixed lens compact camera||Digital single lens reflex|
|24-360mm f/3.3-6.4||Pentax K mount lenses|
|20 MP, 1" Sensor||24 MP, APS-C Sensor|
|4K/30p Video||1080/60i Video|
|ISO 125-12800 (80-25600)||ISO 100-102400|
|Electronic viewfinder (2330k dots)||Optical viewfinder|
|3.0" LCD, 1240k dots||3.0" LCD, 921k dots|
|Fixed touchscreen||Swivel screen (not touch-sensitive)|
|10 shutter flaps per second||6 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|Not weather sealed||Weathersealed body|
|370 shots per battery charge||410 shots per battery charge|
|111 x 65 x 45 mm, 340 g||126 x 93 x 74 mm, 688 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-TZ200 and the Pentax K-70? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Panasonic TZ200 vs Pentax K-70
The side-by-side display below illustrates the physical size and weight of the Panasonic TZ200 and the Pentax K-70. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-70 is considerably larger (62 percent) than the Panasonic TZ200. It is noteworthy in this context that the K-70 is splash and dust-proof, while the TZ200 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TZ200 has a lens built in, whereas the K-70 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the TZ200 gets 370 shots out of its DMW-BLG10 battery, while the K-70 can take 410 images on a single charge of its D-LI109 power pack. The power pack in the TZ200 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Panasonic TZ200»||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Feb 2018||799||Panasonic TZ200|
|Pentax K-70«||5.0 in||3.7 in||2.9 in||24.3 oz||410||Y||Jun 2016||649||Pentax K-70|
|Canon M6« »||4.4 in||2.7 in||1.8 in||13.8 oz||295||n||Feb 2017||779||Canon M6|
|Olympus E-M1 II« »||5.3 in||3.6 in||2.6 in||20.2 oz||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Panasonic FZ1000 II« »||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic TZ95« »||4.4 in||2.7 in||1.7 in||11.5 oz||380||n||Feb 2019||449||Panasonic TZ95|
|Panasonic LX100 II« »||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Aug 2018||999||Panasonic LX100 II|
|Panasonic GX9« »||4.9 in||2.8 in||1.9 in||14.4 oz||260||n||Feb 2018||849||Panasonic GX9|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999||Panasonic GH5|
|Panasonic TZ90« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||-||Panasonic TZ90|
|Panasonic LX15« »||4.2 in||2.4 in||1.7 in||10.9 oz||260||n||Sep 2016||699||Panasonic LX15|
|Panasonic TZ100« »||4.4 in||2.6 in||1.7 in||11.0 oz||300||n||Jan 2016||699||-||Panasonic TZ100|
|Panasonic FZ1000« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899||-||Panasonic FZ1000|
|Pentax KP« »||5.2 in||4.0 in||3.0 in||24.8 oz||390||Y||Jan 2017||1,099||Pentax KP|
|Pentax K-3 II« »||5.2 in||3.9 in||3.0 in||28.2 oz||720||Y||Apr 2015||1,099||Pentax K-3 II|
|Pentax K-3« »||5.2 in||3.9 in||3.0 in||28.2 oz||560||Y||Oct 2013||1,299||-||Pentax K-3|
|Ricoh GR III« »||4.3 in||2.4 in||1.3 in||9.1 oz||200||n||Feb 2019||899||Ricoh GR III|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic TZ200 vs Pentax K-70
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic TZ200 features an one-inch sensor and the Pentax K-70 an APS-C sensor. The sensor area in the K-70 is 216 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 24MP, the K-70 offers a higher resolution than the TZ200 (20MP), but the K-70 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 2.41μm for the TZ200) due to its larger sensor. However, the TZ200 is a somewhat more recent model (by 1 year and 8 months) than the K-70, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the K-70 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Pentax K-70 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-70 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Panasonic TZ200 are 27.4 x 18.2 inch or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inch or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inch or 46.3 x 30.9 cm for excellent quality prints.
The K-70 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the TZ200, the K-70 has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Panasonic Lumix DC-TZ200 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Pentax K-70 are ISO 100 to ISO 102400 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic TZ200»||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic TZ200|
|Pentax K-70«||APS-C||24.0||6000||4000||1080/60i||-||-||-||-||Pentax K-70|
|Canon M6« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon M6|
|Olympus E-M1 II« »||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Panasonic FZ1000 II« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ1000 II|
|Panasonic TZ95« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic TZ95|
|Panasonic LX100 II« »||Four Thirds||16.8||4736||3552||4K/30p||-||-||-||-||Panasonic LX100 II|
|Panasonic GX9« »||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic GX9|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Panasonic TZ90« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic TZ90|
|Panasonic LX15« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic LX15|
|Panasonic TZ100« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.5||559||70||Panasonic TZ100|
|Panasonic FZ1000« »||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Pentax KP« »||APS-C||24.1||6016||4000||1080/60i||-||-||-||-||Pentax KP|
|Pentax K-3 II« »||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80||Pentax K-3 II|
|Pentax K-3« »||APS-C||24.1||6016||4000||1080/60i||23.7||13.4||1216||80||Pentax K-3|
|Ricoh GR III« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Ricoh GR III|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the TZ200 provides a higher video resolution than the K-70. It can shoot video footage at 4K/30p, while the Pentax is limited to 1080/60i.
Feature comparison: Panasonic TZ200 vs Pentax K-70
Apart from body and sensor, cameras can and do differ across a range of features. For example, the TZ200 has an electronic viewfinder (2330k dots), while the K-70 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the K-70 has a higher magnification than the one of the TZ200 (0.63x vs 0.53x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Panasonic TZ200 and Pentax K-70 along with similar information for a selection of comparators.
|Panasonic TZ200»||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Panasonic TZ200|
|Pentax K-70«||optical||n||3.0||921||swivel||n||1/6000s||6.0||Y||Y||Pentax K-70|
|Canon M6« »||-||n||3.0||1040||tilting||Y||1/4000s||9.0||Y||n||Canon M6|
|Olympus E-M1 II« »||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1 II|
|Panasonic FZ1000 II« »||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ1000 II|
|Panasonic TZ95« »||2330||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic TZ95|
|Panasonic LX100 II« »||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y||Panasonic LX100 II|
|Panasonic GX9« »||2760||n||3.0||1240||tilting||Y||1/4000s||9.0||Y||Y||Panasonic GX9|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Panasonic TZ90« »||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic TZ90|
|Panasonic LX15« »||-||n||3.0||1040||tilting||Y||1/4000s||10.0||Y||Y||Panasonic LX15|
|Panasonic TZ100« »||1166||n||3.0||1040||fixed||Y||1/2000s||10.0||Y||Y||Panasonic TZ100|
|Panasonic FZ1000« »||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ1000|
|Pentax KP« »||optical||n||3.0||921||tilting||n||1/6000s||7.0||Y||Y||Pentax KP|
|Pentax K-3 II« »||optical||Y||3.2||1037||fixed||n||1/8000s||8.3||n||Y||Pentax K-3 II|
|Pentax K-3« »||optical||Y||3.2||1037||fixed||n||1/8000s||8.3||Y||Y||Pentax K-3|
|Ricoh GR III« »||-||n||3.0||1037||fixed||Y||1/4000s||4.0||n||Y||Ricoh GR III|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The TZ200 has a touchscreen, while the K-70 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The K-70 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the TZ200 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the TZ200 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic TZ200 and the Pentax K-70 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the TZ200 and the K-70 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison: Panasonic TZ200 vs Pentax K-70
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-TZ200 and Pentax K-70 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic TZ200»||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ200|
|Pentax K-70«||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Pentax K-70|
|Canon M6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M6|
|Olympus E-M1 II« »||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Panasonic FZ1000 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic FZ1000 II|
|Panasonic TZ95« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic TZ95|
|Panasonic LX100 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic LX100 II|
|Panasonic GX9« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic GX9|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Panasonic TZ90« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ90|
|Panasonic LX15« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic LX15|
|Panasonic TZ100« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ100|
|Panasonic FZ1000« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Pentax KP« »||Y||stereo||mono||Y||-||-||2.0||Y||-||-||Pentax KP|
|Pentax K-3 II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Pentax K-3 II|
|Pentax K-3« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Pentax K-3|
|Ricoh GR III« »||Y||stereo||mono||-||-||-||3.0||Y||-||Y||Ricoh GR III|
It is notable that the K-70 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The TZ200 does not feature such a mic input.
Both the TZ200 and the K-70 are recent models that are part of the current product line-up. The K-70 replaced the earlier Pentax K-50, while the TZ200 followed on from the Panasonic TZ100. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Pentax websites.
Review summary: Panasonic TZ200 vs Pentax K-70
So what conclusions can be drawn? Is there a clear favorite between the Panasonic TZ200 and the Pentax K-70? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Panasonic Lumix DC-TZ200:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1240k vs 921k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (10 vs 6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with a built-in lens, while the K-70 requires a separate lens.
- More compact: Is smaller (111x65mm vs 126x93mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the K-70).
- Easier travel charging: Can be conveniently charged via its USB port.
- More modern: Is somewhat more recent (announced 1 year and 8 months after the K-70).
Advantages of the Pentax K-70:
- More detail: Has more megapixels (24 vs 20MP), which boosts linear resolution by 10%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better live-view autofocus: Features on-sensor phase-detection for quicker and more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.63x vs 0.53x).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/6000s vs 1/2000s) to freeze action.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (410 versus 370) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been on the market for longer (launched in June 2016).
If the count of relative strengths (bullet points above) is taken as a measure, the K-70 is the clear winner of the contest (19 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic TZ200 and the Pentax K-70 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the TZ200 and the K-70 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Panasonic TZ200 vs Pentax K-70
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic TZ200»||+ +||81/100||4.5/5||-||4.5/5||Feb 2018||799||Panasonic TZ200|
|Pentax K-70«||-||79/100||4.5/5||4/5||4.5/5||Jun 2016||649||Pentax K-70|
|Canon M6« »||-||80/100||4/5||4.5/5||4/5||Feb 2017||779||Canon M6|
|Olympus E-M1 II« »||+ +||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999||Olympus E-M1 II|
|Panasonic FZ1000 II« »||-||-||4.5/5||-||4.5/5||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic TZ95« »||-||-||4.5/5||-||-||Feb 2019||449||Panasonic TZ95|
|Panasonic LX100 II« »||+||82/100||4.5/5||-||4.5/5||Aug 2018||999||Panasonic LX100 II|
|Panasonic GX9« »||+||84/100||4.5/5||4.5/5||4.5/5||Feb 2018||849||Panasonic GX9|
|Panasonic GH5« »||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Panasonic TZ90« »||+ +||-||4/5||-||4/5||Apr 2017||449||-||Panasonic TZ90|
|Panasonic LX15« »||+ +||81/100||4/5||4.5/5||4.5/5||Sep 2016||699||Panasonic LX15|
|Panasonic TZ100« »||+ +||82/100||4.5/5||4/5||4.5/5||Jan 2016||699||-||Panasonic TZ100|
|Panasonic FZ1000« »||+ +||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899||-||Panasonic FZ1000|
|Pentax KP« »||-||82/100||5/5||-||4.5/5||Jan 2017||1,099||Pentax KP|
|Pentax K-3 II« »||-||-||5/5||4.5/5||5/5||Apr 2015||1,099||Pentax K-3 II|
|Pentax K-3« »||-||83/100||5/5||4.5/5||5/5||Oct 2013||1,299||-||Pentax K-3|
|Ricoh GR III« »||-||81/100||4/5||-||-||Feb 2019||899||Ricoh GR III|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D Mark II N vs Panasonic TZ200
- Canon R vs Pentax K-70
- Fujifilm X-H1 vs Pentax K-70
- Nikon D750 vs Pentax K-70
- Nikon D810 vs Pentax K-70
- Nikon Df vs Pentax K-70
- Olympus E-520 vs Pentax K-70
- Olympus E-M10 III vs Pentax K-70
- Panasonic G7 vs Panasonic TZ200
- Panasonic G9 vs Pentax K-70
- Panasonic GX8 vs Pentax K-70
- Panasonic TZ200 vs Panasonic ZS200
Specifications: Panasonic TZ200 vs Pentax K-70
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic TZ200||Pentax K-70|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||24-360mm f/3.3-6.4||Pentax K mount lenses|
|Launch Date||February 2018||June 2016|
|Launch Price||USD 799||USD 649|
|Sensor Specs||Panasonic TZ200||Pentax K-70|
|Sensor Format||1" Sensor||APS-C Sensor|
|Sensor Size||13.2 x 8.8 mm||23.5 x 15.6 mm|
|Sensor Area||116.16 mm2||366.6 mm2|
|Sensor Diagonal||15.9 mm||28.2 mm|
|Sensor Resolution||20 Megapixels||24 Megapixels|
|Image Resolution||5472 x 3648 pixels||6000 x 4000 pixels|
|Pixel Pitch||2.41 μm||3.91 μm|
|Pixel Density||17.18 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||1080/60i Video|
|ISO Setting||125-12800 ISO||100-102400 ISO|
|ISO Boost||80-25600 ISO||no Enhancement|
|Image Processor||Venus||PRIME MII|
|Screen Specs||Panasonic TZ200||Pentax K-70|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2330k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1240k dots||921k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic TZ200||Pentax K-70|
|Autofocus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000/s||1/6000/s|
|Continuous Shooting||10 shutter flaps/s||6 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic TZ200||Pentax K-70|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Panasonic TZ200||Pentax K-70|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Type||DMW-BLG10 power pack||D-LI109 power pack|
|Battery Life (CIPA)||370 shots per charge||410 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
111 x 65 x 45 mm
(4.4 x 2.6 x 1.8 in)
126 x 93 x 74 mm
(5.0 x 3.7 x 2.9 in)
|Camera Weight||340 g (12.0 oz)||688 g (24.3 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.