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Panasonic TZ100 versus Sony A6500

The Panasonic Lumix DMC-TZ100 (called Panasonic ZS100 in some regions) and the Sony Alpha A6500 are two digital cameras that were announced, respectively, in January 2016 and October 2016. The TZ100 is a fixed lens compact, while the A6500 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (TZ100) and an APS-C (A6500) sensor. The Panasonic has a resolution of 20 megapixel, whereas the Sony provides 24 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Panasonic TZ100 vs Sony A6500

The physical size and weight of the Panasonic TZ100 and the Sony A6500 are illustrated in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All size dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the TZ100 – represents 100 percent across all the size and weight measures).

Compare Panasonic TZ100 vs Sony A6500
TZ100 versus A6500 top view
TZ100 and A6500 rear side
Body view (TZ100 on the left)

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is notably larger (11 percent) than the Panasonic TZ100. It is noteworthy in this context that the A6500 is splash and dust-proof, while the TZ100 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TZ100 has a lens build in, whereas the A6500 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can find an overview of optics for the A6500 and their specifications in the Sony E-Mount Lens Catalog.

Concerning battery life, the TZ100 gets 300 shots out of its DMW-BLG10 battery, while the A6500 can take 350 images on a single charge of its NP-FW50 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
Camera Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(y/n)
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Panasonic TZ100 (⇒ rgt) 111 mm 65 mm 44 mm 312 g 300 no 2016 699discont. check
Sony A6500 (⇒ lft) 120 mm 67 mm 53 mm 453 g 350 YES 2016 1,399 latest check
Canon G7 X Mark II (⇒ lft | rgt) 106 mm 61 mm 42 mm 319 g 265 no 2016 699 latest check
Canon M3 (⇒ lft | rgt) 111 mm 68 mm 44 mm 366 g 250 no 2015 679discont. check
Canon G5 X (⇒ lft | rgt) 112 mm 76 mm 44 mm 353 g 210 no 2015 799 latest check
Canon G7 X (⇒ lft | rgt) 103 mm 60 mm 40 mm 304 g 210 no 2014 699discont. check
Olympus PEN-F (⇒ lft | rgt) 125 mm 72 mm 37 mm 427 g 330 no 2016 1,199 latest check
Panasonic TZ200 (⇒ lft | rgt) 111 mm 65 mm 45 mm 340 g 370 no 2018 799 latest check
Panasonic LX15 (⇒ lft | rgt) 106 mm 60 mm 42 mm 310 g 260 no 2016 699 latest check
Panasonic GX8 (⇒ lft | rgt) 133 mm 78 mm 63 mm 487 g 330 YES 2015 1,199discont. check
Sony A9 (⇒ lft | rgt) 127 mm 96 mm 63 mm 673 g 650 YES 2017 4,499 latest check
Sony A6300 (⇒ lft | rgt) 120 mm 67 mm 49 mm 404 g 400 YES 2016 999discont. check
Sony RX100 V (⇒ lft | rgt) 102 mm 58 mm 41 mm 299 g 220 no 2016 999 latest check
Sony RX100 IV (⇒ lft | rgt) 102 mm 58 mm 41 mm 298 g 280 no 2015 999discont. check
Sony RX100 III (⇒ lft | rgt) 102 mm 58 mm 41 mm 290 g 320 no 2014 799discont. check
Sony A7 (⇒ lft | rgt) 127 mm 94 mm 48 mm 474 g 340 YES 2013 1,699discont. check
Sony RX100 II (⇒ lft | rgt) 102 mm 58 mm 38 mm 281 g 350 no 2013 749discont. check

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The TZ100 was launched at a lower price than the A6500, despite having a lens build in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.


Sensor comparison: Panasonic TZ100 vs Sony A6500

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic TZ100 features an one-inch sensor and the Sony A6500 an APS-C sensor. The sensor area in the A6500 is 216 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.75 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Panasonic TZ100 and Sony A6500 sensor measures
Sensor size

With 24MP, the A6500 offers a higher resolution than the TZ100 (20MP), but the A6500 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 2.41μm for the TZ100) due to its larger sensor. Moreover, the A6500 is a somewhat more recent model (by 9 months) than the TZ100, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

TZ100 versus A6500 MP
Sensor resolution

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A6500 offers substantially better image quality than the TZ100 (overall score 15 points higher). The advantage is based on 1.7 bits higher color depth, 1.2 EV in additional dynamic range, and 1.3 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
Camera Sensor
Class
Resolution
(Megapixel)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Panasonic TZ100 (⇒ rgt) 1-inch 20.0 5472 3648 4K/30p 22.8 12.5 559 70
Sony A6500 (⇒ lft) APS-C 24.0 6000 4000 4K/30p 24.5 13.7 1405 85
Canon G7 X Mark II (⇒ lft | rgt) 1-inch 20.0 5472 3648 1080/60p - - - -
Canon M3 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/30p 22.8 11.8 1169 72
Canon G5 X (⇒ lft | rgt) 1-inch 20.0 5472 3648 1080/60p - - - -
Canon G7 X (⇒ lft | rgt) 1-inch 20.0 5472 3648 1080/60p 23.0 12.7 556 71
Olympus PEN-F (⇒ lft | rgt) Four Thirds 20.2 5184 3888 1080/60p 23.1 12.4 894 74
Panasonic TZ200 (⇒ lft | rgt) 1-inch 20.0 5472 3648 4K/30p .. .. .. ..
Panasonic LX15 (⇒ lft | rgt) 1-inch 20.0 5472 3648 4K/30p .. .. .. ..
Panasonic GX8 (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/30p 23.5 12.6 806 75
Sony A9 (⇒ lft | rgt) Full Frame 24.0 6000 4000 4K/30p 24.9 13.3 3517 92
Sony A6300 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p 24.4 13.7 1437 85
Sony RX100 V (⇒ lft | rgt) 1-inch 20.0 5472 3648 4K/30p 22.8 12.4 586 70
Sony RX100 IV (⇒ lft | rgt) 1-inch 20.0 5472 3648 4K/30p 22.8 12.6 591 70
Sony RX100 III (⇒ lft | rgt) 1-inch 20.0 5472 3648 1080/60p 22.4 12.3 495 67
Sony A7 (⇒ lft | rgt) Full Frame 24.0 6000 4000 1080/60p 24.8 14.2 2248 90
Sony RX100 II (⇒ lft | rgt) 1-inch 20.0 5472 3648 1080/60p 22.5 12.4 483 67

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).

Feature comparison: Panasonic TZ100 vs Sony A6500

Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A6500 offers a substantially higher resolution than the one in the TZ100 (2300k vs 1166k dots). The adjacent table lists some of the other core features of the Panasonic TZ100 and Sony A6500 along with similar information for a selection of comparators. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.

Core Features
Camera Viewfinder
(Type or
'000 dots)
Control
Panel
(Y/n)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(Y/n)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(GN)
Build-in
Image
Stab
Panasonic TZ100 (⇒ rgt) 1166 no 3.0 1040 fixed YES 2000 10.0 YES YES
Sony A6500 (⇒ lft) 2300 no 3.0 922 tilting YES 4000 11.0 6 YES
Canon G7 X Mark II (⇒ lft | rgt) no no 3.0 1040 tilting YES 2000 8.0 7 YES
Canon M3 (⇒ lft | rgt) no no 3.0 1040 tilting YES 4000 4.2 5 no
Canon G5 X (⇒ lft | rgt) 2360 no 3.0 1040 swivel YES 2000 5.9 7 YES
Canon G7 X (⇒ lft | rgt) no no 3.0 1040 tilting YES 2000 6.5 7 YES
Olympus PEN-F (⇒ lft | rgt) 2360 no 3.0 1037 swivel YES 8000 10.0 no YES
Panasonic TZ200 (⇒ lft | rgt) 2330 no 3.0 1240 fixed YES 2000 10.0 6.8 YES
Panasonic LX15 (⇒ lft | rgt) no no 3.0 1040 tilting YES 4000 10.0 12.1 YES
Panasonic GX8 (⇒ lft | rgt) 2360 no 3.0 1040 swivel YES 8000 10.0 no YES
Sony A9 (⇒ lft | rgt) 3686 no 3.0 1440 tilting YES 8000 20.0 no YES
Sony A6300 (⇒ lft | rgt) 2300 no 3.0 922 tilting no 4000 11.0 6 no
Sony RX100 V (⇒ lft | rgt) 2359 no 3.0 1229 tilting no 2000 24.0 10.2 YES
Sony RX100 IV (⇒ lft | rgt) 2359 no 3.0 1228 tilting no 2000 16.0 10.2 YES
Sony RX100 III (⇒ lft | rgt) 1440 no 3.0 1229 tilting no 2000 10.0 YES YES
Sony A7 (⇒ lft | rgt) 2400 no 3.0 1230 tilting no 8000 5.0 no no
Sony RX100 II (⇒ lft | rgt) no no 3.0 1229 tilting no 2000 10.0 15 YES

The A6500 is a current model that online retailers, such as amazon, will have in stock. In contrast, the TZ100 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the TZ100 was succeeded by the Panasonic TZ200.

Review summary: Panasonic TZ100 vs Sony A6500

So what conclusions can be drawn? Is there a clear favorite between the Panasonic TZ100 and the Sony A6500? Below is a summary of the relative strengths of each of the two contestants.


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Arguments in favor of the Panasonic Lumix DMC-TZ100:

  • More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
  • Ready to shoot: Has a lens build-in, whereas the A6500 requires a separate lens.
  • Less heavy: Is lighter even though it comes with a build-in lens (unlike the A6500).
  • More affordable: Was introduced at a lower price, despite coming with a build-in lens.
  • More heavily discounted: Has been on the market for longer (launched in January 2016).

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Advantages of the Sony Alpha A6500:

  • More detail: Has more megapixels (24 vs 20MP), which boosts linear resolution by 10%.
  • Better image quality: Scores substantially higher (15 points) in the DXO overall evaluation.
  • Richer colors: Generates noticeably more natural colors (1.7 bits more color depth).
  • More dynamic range: Captures a broader range of light and dark details (1.2 EV of extra DR).
  • Better low-light sensitivity: Can shoot in dim conditions (1.3 stops ISO advantage).
  • More detailed viewfinder: Has higher resolution electronic viewfinder (2300k vs 1166k dots).
  • More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
  • Faster shutter: Has higher mechanical shutter speed (4000/sec vs 2000/sec) to freeze action.
  • More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
  • Longer lasting: Gets more shots (350 versus 300) out of a single battery charge.
  • Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
  • More modern: Was introduced somewhat (9 months) more recently.

If the count of individual advantages (bullet points above) is taken as a guide, the A6500 is the clear winner of the contest (12 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.

TZ100 05:12 A6500

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the TZ100 and the A6500 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.

Review scores
Camera camera
labs
.com
dp
review
.com
ephoto
zine
.com
imaging
resource
.com
photography
blog
.com
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Panasonic TZ100 (⇒ rgt) HiRec 82/100 Gold 4.5/5 4/5 4.5/5 2016 699discont. check
Sony A6500 (⇒ lft) HiRec 85/100 Silver 4.5/5 5/5 4.5/5 2016 1,399 latest check
Canon G7 X Mark II (⇒ lft | rgt) HiRec 81/100 Silver 4.5/5 4/5 4.5/5 2016 699 latest check
Canon M3 (⇒ lft | rgt) reviewed 75/100 4.5/5 4.5/5 4/5 2015 679discont. check
Canon G5 X (⇒ lft | rgt) HiRec 78/100 Silver 4.5/5 4/5 4.5/5 2015 799 latest check
Canon G7 X (⇒ lft | rgt) HiRec 77/100 Silver 4.5/5 3.5/5 4.5/5 2014 699discont. check
Olympus PEN-F (⇒ lft | rgt) - 82/100 Silver 4.5/5 4.5/5 5/5 2016 1,199 latest check
Panasonic TZ200 (⇒ lft | rgt) HiRec 81/100 Silver 4.5/5 .. 4.5/5 2018 799 latest check
Panasonic LX15 (⇒ lft | rgt) HiRec 81/100 Silver 4/5 4.5/5 4.5/5 2016 699 latest check
Panasonic GX8 (⇒ lft | rgt) Rec 82/100 Silver 4.5/5 5/5 4.5/5 2015 1,199discont. check
Sony A9 (⇒ lft | rgt) HiRec 89/100 Gold 5/5 5/5 5/5 2017 4,499 latest check
Sony A6300 (⇒ lft | rgt) Rec 85/100 Gold 5/5 5/5 5/5 2016 999discont. check
Sony RX100 V (⇒ lft | rgt) HiRec 83/100 Silver 4/5 5/5 4.5/5 2016 999 latest check
Sony RX100 IV (⇒ lft | rgt) HiRec 85/100 Gold 4/5 4.5/5 4.5/5 2015 999discont. check
Sony RX100 III (⇒ lft | rgt) HiRec 82/100 Gold 4.5/5 4.5/5 5/5 2014 799discont. check
Sony A7 (⇒ lft | rgt) HiRec 80/100 Silver 5/5 4.5/5 5/5 2013 1,699discont. check
Sony RX100 II (⇒ lft | rgt) HiRec 79/100 Silver 4.5/5 5/5 4.5/5 2013 749discont. check

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.


Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If you cannot find the camera you are interested in, please contact me, and I will try to add information on that model to the database.

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