Panasonic TZ100 vs Ricoh WG-60
The Panasonic Lumix DMC-TZ100 (called Panasonic ZS100 in some regions) and the Ricoh WG-60 are two digital cameras that were revealed to the public, respectively, in January 2016 and October 2018. Both the TZ100 and the WG-60 are fixed lens compact cameras that are based on an one-inch (TZ100) and a 1/2.3-inch (WG-60) sensor. The Panasonic has a resolution of 20 megapixels, whereas the Ricoh provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic TZ100||Ricoh WG-60|
|Fixed lens compact camera||Fixed lens compact camera|
|25-250mm f/2.8-5.9||28-140mm f/3.5-5.5|
|20 MP, 1" Sensor||15.9 MP, 1/2.3" Sensor|
|4K/30p Video||1080/60p Video|
|ISO 125-12800 (80-25600)||ISO 125-6400|
|Electronic viewfinder (1166k dots)||No viewfinder, LCD framing|
|3.0" LCD, 1040k dots||2.7" LCD, 230k dots|
|Fixed touchscreen||Fixed screen (not touch-sensitive)|
|10 shutter flaps per second||8 shutter flaps per second|
|In-body stabilization||No shake reduction|
|Not weather sealed||Waterproof body (14m)|
|300 shots per battery charge||300 shots per battery charge|
|111 x 65 x 44 mm, 312 g||123 x 62 x 30 mm, 193 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-TZ100 and the Ricoh WG-60? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic TZ100 and the Ricoh WG-60. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The TZ100 can be obtained in two different colors (black, silver), while the WG-60 is also available in two color-versions, but different ones (black, red).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Ricoh WG-60 is notably larger (6 percent) than the Panasonic TZ100. However, the WG-60 is substantially lighter (38 percent) than the TZ100. It is noteworthy in this context that the WG-60 is splash and dust-proof, while the TZ100 does not feature any corresponding weather-sealing. More than that, the WG-60 is water-proof up to 14m and can, thus, be used for underwater photography.
The power pack in the TZ100 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Panasonic TZ100»||4.4 in||2.6 in||1.7 in||11.0 oz||300||n||Jan 2016||699||-||Panasonic TZ100|
|Ricoh WG-60«||4.8 in||2.4 in||1.2 in||6.8 oz||300||Y||Oct 2018||279||Ricoh WG-60|
|Canon G7 X Mark II« »||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699||-||Canon G7 X Mark II|
|Canon G5 X« »||4.4 in||3.0 in||1.7 in||12.5 oz||210||n||Oct 2015||799||-||Canon G5 X|
|Canon M3« »||4.4 in||2.7 in||1.7 in||12.9 oz||250||n||Feb 2015||679||-||Canon M3|
|Canon G7 X« »||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699||-||Canon G7 X|
|Fujifilm XP140« »||4.3 in||2.8 in||1.1 in||7.3 oz||240||Y||Feb 2019||229||Fujifilm XP140|
|Fujifilm XP130« »||4.3 in||2.8 in||1.1 in||7.3 oz||240||n||Jan 2018||229||-||Fujifilm XP130|
|Fujifilm XP120« »||4.3 in||2.8 in||1.1 in||7.2 oz||210||Y||Jan 2017||229||-||Fujifilm XP120|
|Nikon W300« »||4.4 in||2.6 in||1.1 in||8.1 oz||280||Y||May 2017||389||Nikon W300|
|Panasonic TZ200« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Feb 2018||799||Panasonic TZ200|
|Panasonic TZ90« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||-||Panasonic TZ90|
|Panasonic GX80« »||4.8 in||2.8 in||1.7 in||15.0 oz||290||n||Apr 2016||799||Panasonic GX80|
|Panasonic LX15« »||4.2 in||2.4 in||1.7 in||10.9 oz||260||n||Sep 2016||699||Panasonic LX15|
|Sony WX800« »||4.0 in||2.3 in||1.4 in||8.2 oz||370||n||Oct 2018||399||Sony WX800|
|Sony RX100 V« »||4.0 in||2.3 in||1.6 in||10.5 oz||220||n||Oct 2016||999||Sony RX100 V|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-||Sony RX100 IV|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The WG-60 was launched at a markedly lower price (by 60 percent) than the TZ100, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic TZ100 features an one-inch sensor and the Ricoh WG-60 a 1/2.3-inch sensor. The sensor area in the WG-60 is 76 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 5.6. The sensor in the TZ100 has a native 3:2 aspect ratio, while the one in the WG-60 offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 20MP, the TZ100 offers a higher resolution than the WG-60 (15.9MP), but the TZ100 nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 1.33μm for the WG-60) due to its larger sensor. However, the WG-60 is a much more recent model (by 2 years and 9 months) than the TZ100, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the WG-60 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic TZ100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the TZ100 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inch or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inch or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inch or 46.3 x 30.9 cm. The corresponding values for the Ricoh WG-60 are 23 x 17.3 inch or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inch or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inch or 39 x 29.3 cm for excellent quality prints.
The Panasonic Lumix DMC-TZ100 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Ricoh WG-60 are ISO 125 to ISO 6400 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic TZ100»||1-inch||20.0||5472||3648||4K/30p||22.8||12.5||559||70||Panasonic TZ100|
|Ricoh WG-60«||1/2.3||15.9||4608||3456||1080/60p||-||-||-||-||Ricoh WG-60|
|Canon G7 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-||Canon G7 X Mark II|
|Canon G5 X« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-||Canon G5 X|
|Canon M3« »||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72||Canon M3|
|Canon G7 X« »||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71||Canon G7 X|
|Fujifilm XP140« »||1/2.3||15.9||4608||3456||4K/15p||-||-||-||-||Fujifilm XP140|
|Fujifilm XP130« »||1/2.3||15.9||4608||3456||1080/60p||-||-||-||-||Fujifilm XP130|
|Fujifilm XP120« »||1/2.3||15.9||4608||3456||1080/60p||-||-||-||-||Fujifilm XP120|
|Nikon W300« »||1/2.3||15.9||4608||3456||4K/30p||-||-||-||-||Nikon W300|
|Panasonic TZ200« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic TZ200|
|Panasonic TZ90« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic TZ90|
|Panasonic GX80« »||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71||Panasonic GX80|
|Panasonic LX15« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic LX15|
|Sony WX800« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony WX800|
|Sony RX100 V« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70||Sony RX100 V|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the TZ100 provides a higher video resolution than the WG-60. It can shoot video footage at 4K/30p, while the Ricoh is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the TZ100 has an electronic viewfinder (1166k dots), which can be very helpful when shooting in bright sunlight. In contrast, the WG-60 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Panasonic TZ100, the Ricoh WG-60, and comparable cameras.
|Panasonic TZ100»||1166||n||3.0||1040||fixed||Y||1/2000s||10.0||Y||Y||Panasonic TZ100|
|Ricoh WG-60«||-||n||2.7||230||fixed||n||1/4000s||8.0||Y||n||Ricoh WG-60|
|Canon G7 X Mark II« »||-||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y||Canon G7 X Mark II|
|Canon G5 X« »||2360||n||3.0||1040||swivel||Y||1/2000s||5.9||Y||Y||Canon G5 X|
|Canon M3« »||-||n||3.0||1040||tilting||Y||1/4000s||4.2||Y||n||Canon M3|
|Canon G7 X« »||-||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y||Canon G7 X|
|Fujifilm XP140« »||-||n||3.0||920||fixed||n||1/2000s||10.0||Y||Y||Fujifilm XP140|
|Fujifilm XP130« »||-||n||3.0||920||fixed||n||1/2000s||10.0||Y||Y||Fujifilm XP130|
|Fujifilm XP120« »||-||n||3.0||920||fixed||n||1/2000s||10.0||Y||Y||Fujifilm XP120|
|Nikon W300« »||-||n||3.0||921||fixed||n||1/4000s||7.0||Y||Y||Nikon W300|
|Panasonic TZ200« »||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Panasonic TZ200|
|Panasonic TZ90« »||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic TZ90|
|Panasonic GX80« »||2765||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y||Panasonic GX80|
|Panasonic LX15« »||-||n||3.0||1040||tilting||Y||1/4000s||10.0||Y||Y||Panasonic LX15|
|Sony WX800« »||-||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony WX800|
|Sony RX100 V« »||2359||n||3.0||1229||tilting||n||1/2000s||24.0||Y||Y||Sony RX100 V|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The TZ100 has a touchscreen, while the WG-60 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the TZ100 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic TZ100 and the Ricoh WG-60 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the TZ100 and the WG-60 have zoom lenses built in. The TZ100 has a 25-250mm f/2.8-5.9 optic and the WG-60 offers a 28-140mm f/3.5-5.5 (focal lengths in full frame equivalent terms). Hence, the Panasonic provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Ricoh. The TZ100 offers the faster maximum aperture.
Concerning the storage of imaging data, both the TZ100 and the WG-60 write their files to SDXC cards. The TZ100 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the WG-60 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-TZ100 and Ricoh WG-60 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic TZ100»||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ100|
|Ricoh WG-60«||-||mono||mono||-||-||micro||2.0||-||-||-||Ricoh WG-60|
|Canon G7 X Mark II« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X Mark II|
|Canon G5 X« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G5 X|
|Canon M3« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon M3|
|Canon G7 X« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X|
|Fujifilm XP140« »||-||mono||mono||-||-||micro||2.0||Y||-||Y||Fujifilm XP140|
|Fujifilm XP130« »||-||mono||mono||-||-||micro||2.0||Y||-||Y||Fujifilm XP130|
|Fujifilm XP120« »||-||mono||mono||-||-||micro||2.0||Y||-||-||Fujifilm XP120|
|Nikon W300« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon W300|
|Panasonic TZ200« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic TZ200|
|Panasonic TZ90« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ90|
|Panasonic GX80« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GX80|
|Panasonic LX15« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic LX15|
|Sony WX800« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony WX800|
|Sony RX100 V« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 V|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
It is notable that the TZ100 offers wifi support, while the WG-60 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The WG-60 is a recent model that features in the current product line-up of Ricoh. In contrast, the TZ100 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the TZ100 was succeeded by the Panasonic TZ200. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Ricoh websites.
So what conclusions can be drawn? Which of the two cameras – the Panasonic TZ100 or the Ricoh WG-60 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Panasonic Lumix DMC-TZ100:
- More detail: Offers more megapixels (20 vs 15.9MP) with a 14% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.8 vs f/3.5).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been available for much longer (launched in January 2016).
Arguments in favor of the Ricoh WG-60:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Less heavy: Has a lower weight (by 119g or 38 percent) and is thus easier to take along.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 14m).
- More affordable: Was introduced into a lower priced category (60 percent cheaper at launch).
- More modern: Reflects 2 years and 9 months of technical progress since the TZ100 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the TZ100 is the clear winner of the match-up (20 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic TZ100 and the Ricoh WG-60 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the TZ100 or the WG-60 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic TZ100»||+ +||82/100||4.5/5||4/5||4.5/5||Jan 2016||699||-||Panasonic TZ100|
|Ricoh WG-60«||-||-||-||-||-||Oct 2018||279||Ricoh WG-60|
|Canon G7 X Mark II« »||+ +||81/100||4.5/5||4/5||4.5/5||Feb 2016||699||-||Canon G7 X Mark II|
|Canon G5 X« »||+ +||78/100||4.5/5||4/5||4.5/5||Oct 2015||799||-||Canon G5 X|
|Canon M3« »||o||75/100||4.5/5||4.5/5||4/5||Feb 2015||679||-||Canon M3|
|Canon G7 X« »||+ +||77/100||4.5/5||3.5/5||4.5/5||Sep 2014||699||-||Canon G7 X|
|Fujifilm XP140« »||+||-||3.5/5||-||4/5||Feb 2019||229||Fujifilm XP140|
|Fujifilm XP130« »||o||-||3.5/5||-||4/5||Jan 2018||229||-||Fujifilm XP130|
|Fujifilm XP120« »||o||-||3.5/5||-||4/5||Jan 2017||229||-||Fujifilm XP120|
|Nikon W300« »||+||-||4/5||-||4/5||May 2017||389||Nikon W300|
|Panasonic TZ200« »||+ +||81/100||4.5/5||-||4.5/5||Feb 2018||799||Panasonic TZ200|
|Panasonic TZ90« »||+ +||-||4/5||-||4/5||Apr 2017||449||-||Panasonic TZ90|
|Panasonic GX80« »||+ +||82/100||5/5||4.5/5||5/5||Apr 2016||799||Panasonic GX80|
|Panasonic LX15« »||+ +||81/100||4/5||4.5/5||4.5/5||Sep 2016||699||Panasonic LX15|
|Sony WX800« »||-||-||-||-||-||Oct 2018||399||Sony WX800|
|Sony RX100 V« »||+ +||83/100||4/5||5/5||4.5/5||Oct 2016||999||Sony RX100 V|
|Sony RX100 IV« »||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon G1 X Mark II vs Panasonic TZ100
- Canon SX540 vs Ricoh WG-60
- Canon SX70 vs Ricoh WG-60
- Fujifilm GFX 50R vs Panasonic TZ100
- Fujifilm X-A2 vs Panasonic TZ100
- Nikon D750 vs Ricoh WG-60
- Olympus E-P1 vs Panasonic TZ100
- Panasonic FZ80 vs Ricoh WG-60
- Panasonic GX85 vs Ricoh WG-60
- Panasonic TZ100 vs YI M1
- Ricoh WG-60 vs Sigma fp
- Ricoh WG-60 vs Sony A6500
Specifications: Panasonic TZ100 vs Ricoh WG-60
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic TZ100||Ricoh WG-60|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||25-250mm f/2.8-5.9||28-140mm f/3.5-5.5|
|Launch Date||January 2016||October 2018|
|Launch Price||USD 699||USD 279|
|Sensor Specs||Panasonic TZ100||Ricoh WG-60|
|Sensor Format||1" Sensor||1/2.3" Sensor|
|Sensor Size||13.2 x 8.8 mm||6.17 x 4.55 mm|
|Sensor Area||116.16 mm2||28.0735 mm2|
|Sensor Diagonal||15.9 mm||7.7 mm|
|Sensor Resolution||20 Megapixels||15.9 Megapixels|
|Image Resolution||5472 x 3648 pixels||4608 x 3456 pixels|
|Pixel Pitch||2.41 μm||1.33 μm|
|Pixel Density||17.18 MP/cm2||56.73 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||125-12800 ISO||125-6400 ISO|
|ISO Boost||80-25600 ISO||no Enhancement|
|DXO Sensor Quality (score)||70||..|
|DXO Color Depth (bits)||22.8||..|
|DXO Dynamic Range (EV)||12.5||..|
|DXO Low Light (ISO)||559||..|
|Screen Specs||Panasonic TZ100||Ricoh WG-60|
|Viewfinder Type||Electronic viewfinder||No viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1166k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||2.7 inch|
|LCD Resolution||1040k dots||230k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic TZ100||Ricoh WG-60|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||10 shutter flaps/s||8 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||No handshake reduction|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Panasonic TZ100||Ricoh WG-60|
|External Flash||no Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Panasonic TZ100||Ricoh WG-60|
|Environmental Sealing||Not weather sealed||Waterproof body (14m)|
|Battery Life (CIPA)||300 shots per charge||300 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
111 x 65 x 44 mm
(4.4 x 2.6 x 1.7 in)
123 x 62 x 30 mm
(4.8 x 2.4 x 1.2 in)
|Camera Weight||312 g (11.0 oz)||193 g (6.8 oz)|
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