Panasonic TZ100 versus Panasonic LX100
The Panasonic Lumix DMC-TZ100 (called Panasonic ZS100 in some regions) and the Panasonic Lumix DMC-LX100 are two digital cameras that were officially introduced, respectively, in January 2016 and September 2014. Both the TZ100 and the LX100 are fixed lens compact cameras that are based on an one-inch (TZ100) and a Four Thirds sensor. The TZ100 has a resolution of 20 megapixel, whereas the LX100 provides 12.7 MP.
The side-by-side display below illustrates the physical size and weight of the Panasonic TZ100 and the Panasonic LX100. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the TZ100 – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX100 is somewhat larger (5 percent) than the Panasonic TZ100. Moreover, the LX100 is markedly heavier (26 percent) than the TZ100. In this context, it is worth noting that neither the TZ100 nor the LX100 are weather-sealed.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Panasonic TZ100 (⇒ rgt)||111 mm||65 mm||44 mm||312 g||300||no||2016||699||latest||check|
|Panasonic LX100 (⇒ lft)||115 mm||66 mm||55 mm||393 g||300||no||2014||899||latest||check|
|Canon G7 X Mark II (⇒ lft | rgt)||106 mm||61 mm||42 mm||319 g||265||no||2016||699||latest||check|
|Canon M3 (⇒ lft | rgt)||111 mm||68 mm||44 mm||366 g||250||no||2015||679||discont.||check|
|Canon G5 X (⇒ lft | rgt)||112 mm||76 mm||44 mm||353 g||210||no||2015||799||latest||check|
|Canon G1 X Mark II (⇒ lft | rgt)||116 mm||74 mm||66 mm||553 g||240||no||2014||799||latest||check|
|Canon G7 X (⇒ lft | rgt)||103 mm||60 mm||40 mm||304 g||210||no||2014||699||discont.||check|
|Fujifilm X30 (⇒ lft | rgt)||119 mm||72 mm||60 mm||423 g||470||no||2014||599||latest||check|
|Panasonic GX80 (⇒ lft | rgt)||122 mm||71 mm||44 mm||426 g||290||no||2016||799||latest||check|
|Panasonic LX15 (⇒ lft | rgt)||106 mm||60 mm||42 mm||310 g||260||no||2016||699||latest||check|
|Panasonic FZ1000 (⇒ lft | rgt)||137 mm||99 mm||131 mm||831 g||360||no||2014||899||discont.||check|
|Sony RX100 V (⇒ lft | rgt)||102 mm||58 mm||41 mm||299 g||220||no||2016||999||latest||check|
|Sony RX100 IV (⇒ lft | rgt)||102 mm||58 mm||41 mm||298 g||280||no||2015||999||discont.||check|
|Sony RX100 III (⇒ lft | rgt)||102 mm||58 mm||41 mm||290 g||320||no||2014||799||discont.||check|
|Sony RX100 II (⇒ lft | rgt)||102 mm||58 mm||38 mm||281 g||350||no||2013||749||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The TZ100 was launched at a somewhat lower price (by 22 percent) than the LX100, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tent to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic TZ100 features an one-inch sensor and the Panasonic LX100 a Four Thirds sensor. The sensor area in the LX100 is 94 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.75 and 2.0. The sensor in the TZ100 has a native 3:2 aspect ratio, while the one in the LX100 offers a 4:3 aspect.
Despite having a smaller sensor, the Panasonic TZ100 offers a higher resolution of 20 megapixel, compared with 12.7 MP of the Panasonic LX100. This megapixel advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.21μm for the LX100). However, it should be noted that the TZ100 is a somewhat more recent model (by 1 year and 3 months) than the LX100, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar image quality. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic TZ100 (⇒ rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.5||559||70|
|Panasonic LX100 (⇒ lft)||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67|
|Canon G7 X Mark II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon M3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72|
|Canon G5 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon G1 X Mark II (⇒ lft | rgt)||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|Canon G7 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|Fujifilm X30 (⇒ lft | rgt)||2/3||12.0||4000||3000||1080/60p||-||-||-||-|
|Panasonic GX80 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|Panasonic LX15 (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Panasonic FZ1000 (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64|
|Sony RX100 V (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|Sony RX100 IV (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Sony RX100 III (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|Sony RX100 II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the LX100 offers a substantially higher resolution than the one in the TZ100 (2764k vs 1166k dots). The adjacent table lists some of the other core features of the Panasonic TZ100 and Panasonic LX100 along with similar information for a selection of comparators. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Panasonic TZ100 (⇒ rgt)||1166||no||3.0||1040||fixed||YES||2000||10.0||YES||YES|
|Panasonic LX100 (⇒ lft)||2764||no||3.0||921||fixed||no||4000||11.0||7||YES|
|Canon G7 X Mark II (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||2000||8.0||7||YES|
|Canon M3 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||4.2||5||no|
|Canon G5 X (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||2000||5.9||7||YES|
|Canon G1 X Mark II (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||5.2||6.8||YES|
|Canon G7 X (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||2000||6.5||7||YES|
|Fujifilm X30 (⇒ lft | rgt)||2360||no||3.0||920||tilting||no||4000||12.0||7||..|
|Panasonic GX80 (⇒ lft | rgt)||2765||no||3.0||1040||tilting||YES||4000||8.0||6||YES|
|Panasonic LX15 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||10.0||12.1||YES|
|Panasonic FZ1000 (⇒ lft | rgt)||2359||no||3.0||921||swivel||no||4000||12.0||13.5||YES|
|Sony RX100 V (⇒ lft | rgt)||2359||no||3.0||1229||tilting||no||2000||24.0||10.2||YES|
|Sony RX100 IV (⇒ lft | rgt)||2359||no||3.0||1228||tilting||no||2000||16.0||10.2||YES|
|Sony RX100 III (⇒ lft | rgt)||1440||no||3.0||1229||tilting||no||2000||10.0||YES||YES|
|Sony RX100 II (⇒ lft | rgt)||no||no||3.0||1229||tilting||no||2000||10.0||15||YES|
Both the TZ100 and the LX100 have zoom lenses build in. The TZ100 has a 25.025-250.25mm f/2.8-5.9 optic and the LX100 offers a 24-75mm f/1.7-2.8 (focal lengths in full frame equivalent terms). Hence, the LX100 provides a wider angle of view at the short end than the TZ100, but less tele-photo reach at the long end. The LX100 offers the faster maximum aperture.
Both the TZ100 and the LX100 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The TZ100 replaced the earlier Panasonic TZ70, while the LX100 does not have a direct predecessor.
So what conclusions can be drawn? Is the Panasonic TZ100 better than the Panasonic LX100 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Panasonic Lumix DMC-TZ100:
- More detail: Offers more megapixels (20 vs 12.7MP) with a 28% higher linear resolution.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Less heavy: Is lighter (by 81g or 21 percent) and hence easier to carry around.
- Sharper images: Has hand-shake reducing image stabilization build-in.
- More affordable: Was introduced into a lower priced segment (22 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 1 year and 3 months after the LX100).
Advantages of the Panasonic Lumix DMC-LX100:
- More detailed viewfinder: Has higher resolution electronic viewfinder (2764k vs 1166k dots).
- Faster shutter: Has higher mechanical shutter speed (4000/sec vs 2000/sec) to freeze action.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.7 vs f/2.8).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More heavily discounted: Has been on the market for longer (launched in September 2014).
If the count of individual advantages (bullet points above) is taken as a guide, the TZ100 emerges as the winner of the contest (8 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the TZ100 and the LX100 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Panasonic TZ100 (⇒ rgt)||HiRec||82/100 Gold||4.5/5||4/5||4.5/5||2016||699||latest||check|
|Panasonic LX100 (⇒ lft)||HiRec||85/100 Gold||5/5||4/5||5/5||2014||899||latest||check|
|Canon G7 X Mark II (⇒ lft | rgt)||HiRec||81/100 Silver||4.5/5||4/5||4.5/5||2016||699||latest||check|
|Canon M3 (⇒ lft | rgt)||reviewed||75/100||4.5/5||4.5/5||4/5||2015||679||discont.||check|
|Canon G5 X (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||4/5||4.5/5||2015||799||latest||check|
|Canon G1 X Mark II (⇒ lft | rgt)||Rec||77/100 Silver||4/5||4/5||4.5/5||2014||799||latest||check|
|Canon G7 X (⇒ lft | rgt)||HiRec||77/100 Silver||4.5/5||3.5/5||4.5/5||2014||699||discont.||check|
|Fujifilm X30 (⇒ lft | rgt)||-||76/100||4.5/5||4/5||4.5/5||2014||599||latest||check|
|Panasonic GX80 (⇒ lft | rgt)||HiRec||82/100 Silver||5/5||4.5/5||5/5||2016||799||latest||check|
|Panasonic LX15 (⇒ lft | rgt)||HiRec||81/100 Silver||4/5||4.5/5||4.5/5||2016||699||latest||check|
|Panasonic FZ1000 (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||4.5/5||2014||899||discont.||check|
|Sony RX100 V (⇒ lft | rgt)||HiRec||83/100 Silver||4/5||5/5||4.5/5||2016||999||latest||check|
|Sony RX100 IV (⇒ lft | rgt)||HiRec||85/100 Gold||4/5||4.5/5||4.5/5||2015||999||discont.||check|
|Sony RX100 III (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||5/5||2014||799||discont.||check|
|Sony RX100 II (⇒ lft | rgt)||HiRec||79/100 Silver||4.5/5||5/5||4.5/5||2013||749||discont.||check|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If you cannot find the camera you are interested in, please contact me, and I will try to add information on that model to the database.
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