Panasonic TZ100 versus Canon G16
The Panasonic Lumix DMC-TZ100 (called Panasonic ZS100 in some regions) and the Canon PowerShot G16 are two digital cameras that were revealed to the public, respectively, in January 2016 and August 2013. Both the TZ100 and the G16 are fixed lens compact cameras that are based on an one-inch (TZ100) and a 1/1.7-inch (G16) sensor. The Panasonic has a resolution of 20 megapixel, whereas the Canon provides 12 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Panasonic TZ100 vs Canon G16
The physical size and weight of the Panasonic TZ100 and the Canon G16 are illustrated in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the TZ100 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon G16 is notably larger (15 percent) than the Panasonic TZ100. Moreover, the G16 is markedly heavier (14 percent) than the TZ100. In this context, it is worth noting that neither the TZ100 nor the G16 are weather-sealed.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications
|Panasonic TZ100 (⇒ rgt)||111 mm||65 mm||44 mm||312 g||300||no||2016||699||discont.||check|
|Canon G16 (⇒ lft)||109 mm||76 mm||40 mm||356 g||360||no||2013||549||latest||check|
|Canon G7 X Mark II (⇒ lft | rgt)||106 mm||61 mm||42 mm||319 g||265||no||2016||699||latest||check|
|Canon M3 (⇒ lft | rgt)||111 mm||68 mm||44 mm||366 g||250||no||2015||679||discont.||check|
|Canon G5 X (⇒ lft | rgt)||112 mm||76 mm||44 mm||353 g||210||no||2015||799||latest||check|
|Canon G1 X Mark II (⇒ lft | rgt)||116 mm||74 mm||66 mm||553 g||240||no||2014||799||latest||check|
|Canon G7 X (⇒ lft | rgt)||103 mm||60 mm||40 mm||304 g||210||no||2014||699||discont.||check|
|Canon SL1 (⇒ lft | rgt)||117 mm||91 mm||69 mm||407 g||380||no||2013||549||discont.||check|
|Canon G15 (⇒ lft | rgt)||107 mm||76 mm||40 mm||352 g||350||no||2012||499||discont.||check|
|Canon G12 (⇒ lft | rgt)||112 mm||76 mm||48 mm||401 g||370||no||2010||499||discont.||check|
|Panasonic TZ200 (⇒ lft | rgt)||111 mm||65 mm||45 mm||340 g||370||no||2018||799||latest||check|
|Panasonic LX15 (⇒ lft | rgt)||106 mm||60 mm||42 mm||310 g||260||no||2016||699||latest||check|
|Panasonic LX7 (⇒ lft | rgt)||111 mm||68 mm||46 mm||298 g||330||no||2012||499||discont.||check|
|Sony RX100 V (⇒ lft | rgt)||102 mm||58 mm||41 mm||299 g||220||no||2016||999||latest||check|
|Sony RX100 IV (⇒ lft | rgt)||102 mm||58 mm||41 mm||298 g||280||no||2015||999||discont.||check|
|Sony RX100 III (⇒ lft | rgt)||102 mm||58 mm||41 mm||290 g||320||no||2014||799||discont.||check|
|Sony RX100 II (⇒ lft | rgt)||102 mm||58 mm||38 mm||281 g||350||no||2013||749||discont.||check|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G16 was launched at a somewhat lower price (by 21 percent) than the TZ100, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic TZ100 vs Canon G16
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic TZ100 features an one-inch sensor and the Canon G16 a 1/1.7-inch sensor. The sensor area in the G16 is 64 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.75 and 4.65. The sensor in the TZ100 has a native 3:2 aspect ratio, while the one in the G16 offers a 4:3 aspect.
With 20MP, the TZ100 offers a higher resolution than the G16 (12MP), but the TZ100 nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 1.87μm for the G16) due to its larger sensor. Moreover, the TZ100 is a somewhat more recent model (by 2 years and 4 months) than the G16, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the TZ100 provides substantially higher image quality than the G16, with an overall score that is 16 points higher. This advantage is based on 1.8 bits higher color depth, 0.8 EV in additional dynamic range, and 1.3 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Panasonic TZ100 (⇒ rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.5||559||70|
|Canon G16 (⇒ lft)||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54|
|Canon G7 X Mark II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon M3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72|
|Canon G5 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon G1 X Mark II (⇒ lft | rgt)||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|Canon G7 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|Canon SL1 (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63|
|Canon G15 (⇒ lft | rgt)||1/1.7||12.0||4000||3000||1080/24p||19.9||11.5||165||46|
|Canon G12 (⇒ lft | rgt)||1/1.7||10.0||3648||2736||720/24p||20.4||11.2||161||47|
|Panasonic TZ200 (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Panasonic LX15 (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Panasonic LX7 (⇒ lft | rgt)||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50|
|Sony RX100 V (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|Sony RX100 IV (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Sony RX100 III (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|Sony RX100 II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the TZ100 provides a higher video resolution than the G16. It can shoot video footage at 4K/30p, while the Canon is limited to 1080/60p.
Feature comparison: Panasonic TZ100 vs Canon G16
Beyond body and sensor, cameras can and do differ across a range of features. For example, the TZ100 has an electronic viewfinder (1166k dots), while the G16 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Panasonic TZ100, the Canon G16, and comparable cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Panasonic TZ100 (⇒ rgt)||1166||no||3.0||1040||fixed||YES||2000||10.0||YES||YES|
|Canon G16 (⇒ lft)||optical||no||3.0||922||fixed||no||4000||2.2||7||YES|
|Canon G7 X Mark II (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||2000||8.0||7||YES|
|Canon M3 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||4.2||5||no|
|Canon G5 X (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||2000||5.9||7||YES|
|Canon G1 X Mark II (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||5.2||6.8||YES|
|Canon G7 X (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||2000||6.5||7||YES|
|Canon SL1 (⇒ lft | rgt)||optical||no||3.0||1040||fixed||YES||4000||4.9||9.4||no|
|Canon G15 (⇒ lft | rgt)||optical||no||3.0||922||fixed||no||4000||2.1||7||YES|
|Canon G12 (⇒ lft | rgt)||optical||no||2.8||461||swivel||no||4000||1.1||7||YES|
|Panasonic TZ200 (⇒ lft | rgt)||2330||no||3.0||1240||fixed||YES||2000||10.0||6.8||YES|
|Panasonic LX15 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||10.0||12.1||YES|
|Panasonic LX7 (⇒ lft | rgt)||no||no||3.0||920||fixed||no||4000||11.0||8.5||YES|
|Sony RX100 V (⇒ lft | rgt)||2359||no||3.0||1229||tilting||no||2000||24.0||10.2||YES|
|Sony RX100 IV (⇒ lft | rgt)||2359||no||3.0||1228||tilting||no||2000||16.0||10.2||YES|
|Sony RX100 III (⇒ lft | rgt)||1440||no||3.0||1229||tilting||no||2000||10.0||YES||YES|
|Sony RX100 II (⇒ lft | rgt)||no||no||3.0||1229||tilting||no||2000||10.0||15||YES|
Both the TZ100 and the G16 have zoom lenses build in. The TZ100 has a 25-250mm f/2.8-5.9 optic and the G16 offers a 28-140mm f/1.8-2.8 (focal lengths in full frame equivalent terms). Hence, the Panasonic provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Canon. The G16 offers the faster maximum aperture.
The G16 is a current model that online retailers, such as amazon, will have in stock. In contrast, the TZ100 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the TZ100 was succeeded by the Panasonic TZ200.
Review summary: Panasonic TZ100 vs Canon G16
So how do things add up? Which of the two cameras – the Panasonic TZ100 or the Canon G16 – has the upper hand? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Panasonic Lumix DMC-TZ100:
- More detail: Offers more megapixels (20 vs 12MP) with a 32% higher linear resolution.
- Better image quality: Scores substantially higher (16 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.8 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (0.8 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (1.3 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (10 vs 2.2 flaps/sec) to capture the decisive moment.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- More compact: Is smaller (111x65mm vs 109x76mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 44g or 12 percent) and hence easier to carry around.
- More modern: Reflects 2 years and 4 months of technical progress since the G16 launch.
Reasons to prefer the Canon PowerShot G16:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster shutter: Has higher mechanical shutter speed (4000/sec vs 2000/sec) to freeze action.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.8 vs f/2.8).
- Longer lasting: Gets more shots (360 versus 300) out of a single battery charge.
- More affordable: Was released into a lower priced segment (21 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in August 2013).
If the count of individual advantages (bullet points above) is taken as a guide, the TZ100 is the clear winner of the match-up (15 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the TZ100 or the G16. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Panasonic TZ100 (⇒ rgt)||HiRec||82/100 Gold||4.5/5||4/5||4.5/5||2016||699||discont.||check|
|Canon G16 (⇒ lft)||Rec||-||4.5/5||4.5/5||4.5/5||2013||549||latest||check|
|Canon G7 X Mark II (⇒ lft | rgt)||HiRec||81/100 Silver||4.5/5||4/5||4.5/5||2016||699||latest||check|
|Canon M3 (⇒ lft | rgt)||reviewed||75/100||4.5/5||4.5/5||4/5||2015||679||discont.||check|
|Canon G5 X (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||4/5||4.5/5||2015||799||latest||check|
|Canon G1 X Mark II (⇒ lft | rgt)||Rec||77/100 Silver||4/5||4/5||4.5/5||2014||799||latest||check|
|Canon G7 X (⇒ lft | rgt)||HiRec||77/100 Silver||4.5/5||3.5/5||4.5/5||2014||699||discont.||check|
|Canon SL1 (⇒ lft | rgt)||Rec||78/100 Gold||4/5||4/5||4/5||2013||549||discont.||check|
|Canon G15 (⇒ lft | rgt)||Rec||76/100 Gold||4.5/5||4.5/5||4.5/5||2012||499||discont.||check|
|Canon G12 (⇒ lft | rgt)||Rec||73/100 Gold||4.5/5||4.5/5||4.5/5||2010||499||discont.||check|
|Panasonic TZ200 (⇒ lft | rgt)||HiRec||81/100 Silver||4.5/5||..||4.5/5||2018||799||latest||check|
|Panasonic LX15 (⇒ lft | rgt)||HiRec||81/100 Silver||4/5||4.5/5||4.5/5||2016||699||latest||check|
|Panasonic LX7 (⇒ lft | rgt)||HiRec||75/100 Silver||4/5||5/5||4.5/5||2012||499||discont.||check|
|Sony RX100 V (⇒ lft | rgt)||HiRec||83/100 Silver||4/5||5/5||4.5/5||2016||999||latest||check|
|Sony RX100 IV (⇒ lft | rgt)||HiRec||85/100 Gold||4/5||4.5/5||4.5/5||2015||999||discont.||check|
|Sony RX100 III (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||5/5||2014||799||discont.||check|
|Sony RX100 II (⇒ lft | rgt)||HiRec||79/100 Silver||4.5/5||5/5||4.5/5||2013||749||discont.||check|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
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