Panasonic TS7 vs Sony HX400V
The Panasonic Lumix DC-TS7 (called Panasonic FT7 in some regions) and the Sony Cyber-shot DSC-HX400V are two digital cameras that were revealed to the public, respectively, in May 2018 and February 2014. Both the TS7 and the HX400V are fixed lens compact cameras that are equipped with a 1/2.3-inch sensor. Both cameras offer a resolution of 20.2 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-TS7 and the Sony Cyber-shot DSC-HX400V? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic TS7 and the Sony HX400V are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The TS7 can be obtained in three different colors (black, blue, orange), while the HX400V is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony HX400V is notably larger (36 percent) than the Panasonic TS7. Moreover, the HX400V is substantially heavier (107 percent) than the TS7. It is worth mentioning in this context that the TS7 is splash and dust resistant, while the HX400V does not feature any corresponding weather-sealing. More than that, the TS7 is water-proof up to 31m and can, thus, be used for underwater photography.
The power pack in the TS7 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Panasonic TS7||117 mm||76 mm||37 mm||319 g||300||Y||May 2018||449|
|2.||Sony HX400V||130 mm||93 mm||103 mm||660 g||300||n||Feb 2014||499|
|3.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399|
|4.||Canon SX730||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399|
|5.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|6.||Fujifilm XF10||113 mm||64 mm||41 mm||279 g||330||n||Jul 2018||499|
|7.||Nikon W300||112 mm||66 mm||29 mm||231 g||280||Y||May 2017||389|
|8.||Panasonic ZS80||112 mm||69 mm||42 mm||327 g||380||n||Feb 2019||449|
|9.||Panasonic ZS70||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449|
|10.||Panasonic FZ80||130 mm||94 mm||119 mm||616 g||330||n||Jan 2017||399|
|11.||Ricoh WG-6||118 mm||66 mm||33 mm||246 g||340||Y||Feb 2019||399|
|12.||Sony HX99||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||449|
|13.||Sony HX95||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||429|
|14.||Sony HX350||130 mm||93 mm||103 mm||652 g||300||n||Dec 2016||449|
|15.||Sony HX90V||102 mm||58 mm||36 mm||245 g||360||n||Apr 2015||429|
|16.||Sony H400||130 mm||95 mm||122 mm||628 g||300||n||Feb 2014||319|
|17.||Sony H300||128 mm||89 mm||92 mm||590 g||350||n||Feb 2014||219|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The TS7 was somewhat cheaper (by 10 percent) than the HX400V at launch, but both cameras fall into the same price category. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a 1/2.3-inch sensor and have a format factor (sometimes also referred to as "crop factor") of 5.6. Within the spectrum of camera sensors, this places the review cameras among the smaller-sensor digicams that favor affordability and compact design. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 20.2 megapixels. This similarity in sensor specs implies that both the TS7 and the HX400V have the same pixel density, as well as the same pixel size. It should, however, be noted that the TS7 is much more recent (by 4 years and 2 months) than the HX400V, and its sensor will have benefitted from technological advances during this time. Coming back to sensor resolution, it should be mentioned that the HX400V has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Panasonic Lumix DC-TS7 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-6400. The corresponding ISO settings for the Sony Cyber-shot DSC-HX400V are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-12800.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the TS7 provides a higher video resolution than the HX400V. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the TS7 offers a substantially higher resolution than the one in the HX400V (1170k vs 210k dots). The adjacent table lists some of the other core features of the Panasonic TS7 and Sony HX400V along with similar information for a selection of comparators.
|1.||Panasonic TS7||1170||n||3.0 / 1040||fixed||n||1/1300s||10.0||Y||Y|
|2.||Sony HX400V||210||n||3.0 / 921||tilting||n||1/4000s||10.0||Y||Y|
|3.||Canon SX740||none||n||3.0 / 922||tilting||n||1/3200s||10.0||Y||Y|
|4.||Canon SX730||none||n||3.0 / 922||tilting||n||1/3200s||5.9||Y||Y|
|5.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4||Y||Y|
|6.||Fujifilm XF10||none||n||3.0 / 1040||fixed||Y||1/4000s||6.0||Y||n|
|7.||Nikon W300||none||n||3.0 / 921||fixed||n||1/4000s||7.0||Y||Y|
|8.||Panasonic ZS80||2330||n||3.0 / 1040||tilting||Y||1/2000s||10.0||Y||Y|
|9.||Panasonic ZS70||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0||Y||Y|
|10.||Panasonic FZ80||1166||n||3.0 / 1040||fixed||Y||1/2000s||10.0||Y||Y|
|11.||Ricoh WG-6||none||n||3.0 / 1040||fixed||n||1/4000s||1.0||Y||n|
|12.||Sony HX99||638||n||3.0 / 922||tilting||Y||1/2000s||10.0||Y||Y|
|13.||Sony HX95||638||n||3.0 / 922||tilting||n||1/2000s||10.0||Y||Y|
|14.||Sony HX350||202||n||3.0 / 922||tilting||n||1/4000s||10.0||Y||Y|
|15.||Sony HX90V||638||n||3.0 / 921||tilting||n||1/2000s||10.0||Y||Y|
|16.||Sony H400||210||n||3.0 / 460||fixed||n||1/2000s||0.7||Y||Y|
|17.||Sony H300||none||n||3.0 / 460||fixed||n||1/1500s||0.8||Y||Y|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the TS7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Both the TS7 and the HX400V have zoom lenses built in. The TS7 has a 28-128mm f/3.3-5.9 optic and the HX400V offers a 24-1200mm f/2.8-6.3 (focal lengths in full frame equivalent terms). Hence, the Sony provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Panasonic. The HX400V offers the faster maximum aperture.
The TS7 writes its imaging data to SDXC cards, while the HX400V uses SDXC or Memory Stick PRO Duo cards. The TS7 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the HX400V cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-TS7 and Sony Cyber-shot DSC-HX400V and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic TS7||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|2.||Sony HX400V||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|3.||Canon SX740||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|4.||Canon SX730||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|5.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|6.||Fujifilm XF10||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|7.||Nikon W300||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|8.||Panasonic ZS80||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|9.||Panasonic ZS70||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|10.||Panasonic FZ80||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Ricoh WG-6||-||mono / mono||-||-||micro||3.0||-||-||-|
|12.||Sony HX99||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|13.||Sony HX95||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|14.||Sony HX350||-||stereo / mono||-||-||micro||2.0||-||-||-|
|15.||Sony HX90V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony H400||-||mono / mono||-||-||micro||2.0||Y||-||-|
|17.||Sony H300||-||mono / mono||-||-||micro||2.0||Y||-||-|
It is notable that the HX400V has a hotshoe, which makes it possible to easily attach optional accessories, such as an external flash gun. The TS7 does not feature such an accessory-socket.
Travel and landscape photographers will find it useful that the HX400V has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the TS7 and the HX400V are recent models that are part of the current product line-up. The TS7 replaced the earlier Panasonic TS6, while the HX400V does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So how do things add up? Is there a clear favorite between the Panasonic TS7 and the Sony HX400V? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Panasonic Lumix DC-TS7:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (1170k vs 210k dots).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (117x76mm vs 130x93mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 341g or 52 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 31m).
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 4 years and 2 months of technical progress since the HX400V launch.
Advantages of the Sony Cyber-shot DSC-HX400V:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/1300s) to freeze action.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.8 vs f/3.3).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been around for much longer (launched in February 2014).
If the count of individual advantages (bullet points above) is taken as a guide, the TS7 emerges as the winner of the contest (12 : 10 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic TS7 and the Sony HX400V place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the TS7 or the HX400V perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic TS7||..||+||..||..||..||3.5/5||May 2018||449|
|2.||Sony HX400V||4/5||+ +||..||..||4/5||4/5||Feb 2014||499|
|3.||Canon SX740||..||+||3.5/5||..||4/5||4/5||Jul 2018||399|
|4.||Canon SX730||..||+||..||..||4/5||4/5||Apr 2017||399|
|5.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549|
|6.||Fujifilm XF10||..||..||4/5||75/100||4/5||4.5/5||Jul 2018||499|
|7.||Nikon W300||..||+||..||..||4/5||4/5||May 2017||389|
|8.||Panasonic ZS80||..||+ +||..||..||4.5/5||..||Feb 2019||449|
|9.||Panasonic ZS70||..||+ +||..||..||4/5||4/5||Apr 2017||449|
|10.||Panasonic FZ80||..||+ +||..||..||4.5/5||4.5/5||Jan 2017||399|
|11.||Ricoh WG-6||..||..||..||..||3.5/5||3.5/5||Feb 2019||399|
|12.||Sony HX99||..||..||..||..||4/5||4.5/5||Aug 2018||449|
|13.||Sony HX95||..||..||..||..||..||..||Aug 2018||429|
|14.||Sony HX350||..||..||..||..||..||4/5||Dec 2016||449|
|15.||Sony HX90V||4/5||+ +||..||..||4/5||4.5/5||Apr 2015||429|
|16.||Sony H400||..||o||..||..||3.5/5||3.5/5||Feb 2014||319|
|17.||Sony H300||..||+||..||..||4.5/5||4/5||Feb 2014||219|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon G3 X vs Sony HX400V
- Canon T5i vs Panasonic TS7
- Fujifilm X-Pro2 vs Panasonic TS7
- Leica D-LUX 6 vs Panasonic TS7
- Leica M8 vs Sony HX400V
- Olympus E-300 vs Sony HX400V
- Panasonic FZ1000 II vs Sony HX400V
- Panasonic G2 vs Sony HX400V
- Panasonic TS7 vs Panasonic TZ95
- Panasonic TS7 vs Sony A1
- Panasonic TS7 vs Sony A77
- Panasonic TZ100 vs Sony HX400V
Specifications: Panasonic TS7 vs Sony HX400V
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic TS7||Sony HX400V|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||28-128mm f/3.3-5.9||24-1200mm f/2.8-6.3|
|Launch Date||May 2018||February 2014|
|Launch Price||USD 449||USD 499|
|Sensor Specs||Panasonic TS7||Sony HX400V|
|Sensor Format||1/2.3" Sensor||1/2.3" Sensor|
|Sensor Size||6.17 x 4.55 mm||6.17 x 4.55 mm|
|Sensor Area||28.0735 mm2||28.0735 mm2|
|Sensor Diagonal||7.7 mm||7.7 mm|
|Sensor Resolution||20.2 Megapixels||20.2 Megapixels|
|Image Resolution||5184 x 3888 pixels||5184 x 3888 pixels|
|Pixel Pitch||1.18 μm||1.18 μm|
|Pixel Density||71.80 MP/cm2||71.80 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||80 - 3,200 ISO||80 - 3,200 ISO|
|ISO Boost||80 - 6,400 ISO||80 - 12,800 ISO|
|Image Processor||Venus||BIONZ X|
|Screen Specs||Panasonic TS7||Sony HX400V|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1170k dots||210k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||921k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Panasonic TS7||Sony HX400V|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||10 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Panasonic TS7||Sony HX400V|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Geotagging||no internal GPS||GPS built-in|
|Body Specs||Panasonic TS7||Sony HX400V|
|Environmental Sealing||Waterproof body (31m)||not weather sealed|
|Battery Life (CIPA)||300 shots per charge||300 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
117 x 76 x 37 mm
(4.6 x 3.0 x 1.5 in)
130 x 93 x 103 mm
(5.1 x 3.7 x 4.1 in)
|Camera Weight||319 g (11.3 oz)||660 g (23.3 oz)|
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