Panasonic TS7 vs Fujifilm X-A2
The Panasonic Lumix DC-TS7 (called Panasonic FT7 in some regions) and the Fujifilm X-A2 are two digital cameras that were revealed to the public, respectively, in May 2018 and January 2015. The TS7 is a fixed lens compact, while the X-A2 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (TS7) and an APS-C (X-A2) sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Fujifilm provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-TS7 and the Fujifilm X-A2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Panasonic TS7 and the Fujifilm X-A2 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The TS7 can be obtained in three different colors (black, blue, orange), while the X-A2 is also available in three color-versions, but different ones (black, brown, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-A2 is notably smaller (12 percent) than the Panasonic TS7. It is worth mentioning in this context that the TS7 is splash and dust resistant, while the X-A2 does not feature any corresponding weather-sealing. More than that, the TS7 is water-proof up to 31m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TS7 has a lens built in, whereas the X-A2 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-A2 and their specifications in the Fujinon X Lens Catalog.
Concerning battery life, the TS7 gets 300 shots out of its Panasonic DMW-BCM13 battery, while the X-A2 can take 410 images on a single charge of its Fujifilm NP-W126 power pack. The power pack in the TS7 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic TS7 | 117 mm | 76 mm | 37 mm | 319 g | 300 | Y | May 2018 | 449 | ebay.com | |
2. | Fujifilm X-A2 | 117 mm | 67 mm | 40 mm | 350 g | 410 | n | Jan 2015 | 399 | ebay.com | |
3. | Canon SX740 | 110 mm | 64 mm | 40 mm | 299 g | 265 | n | Jul 2018 | 399 | amazon.com | |
4. | Canon SX730 | 110 mm | 64 mm | 40 mm | 300 g | 250 | n | Apr 2017 | 399 | ebay.com | |
5. | Fujifilm XF10 | 113 mm | 64 mm | 41 mm | 279 g | 330 | n | Jul 2018 | 499 | ebay.com | |
6. | Fujifilm X-A3 | 117 mm | 67 mm | 40 mm | 339 g | 410 | n | Aug 2016 | 399 | ebay.com | |
7. | Fujifilm X-A10 | 117 mm | 67 mm | 40 mm | 331 g | 410 | n | Dec 2016 | 399 | ebay.com | |
8. | Fujifilm X-E2S | 129 mm | 75 mm | 37 mm | 350 g | 350 | n | Jan 2016 | 699 | ebay.com | |
9. | Fujifilm X-T10 | 118 mm | 83 mm | 41 mm | 381 g | 350 | n | May 2015 | 799 | ebay.com | |
10. | Fujifilm X-A1 | 117 mm | 67 mm | 39 mm | 330 g | 350 | n | Sep 2013 | 399 | ebay.com | |
11. | Nikon W300 | 112 mm | 66 mm | 29 mm | 231 g | 280 | Y | May 2017 | 389 | ebay.com | |
12. | Panasonic ZS80 | 112 mm | 69 mm | 42 mm | 327 g | 380 | n | Feb 2019 | 449 | ebay.com | |
13. | Panasonic ZS70 | 112 mm | 67 mm | 41 mm | 322 g | 380 | n | Apr 2017 | 449 | ebay.com | |
14. | Panasonic FZ80 | 130 mm | 94 mm | 119 mm | 616 g | 330 | n | Jan 2017 | 399 | ebay.com | |
15. | Ricoh WG-6 | 118 mm | 66 mm | 33 mm | 246 g | 340 | Y | Feb 2019 | 399 | amazon.com | |
16. | Sony HX99 | 102 mm | 58 mm | 36 mm | 242 g | 370 | n | Aug 2018 | 449 | ebay.com | |
17. | Sony HX95 | 102 mm | 58 mm | 36 mm | 242 g | 370 | n | Aug 2018 | 429 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic TS7 features a 1/2.3-inch sensor and the Fujifilm X-A2 an APS-C sensor. The sensor area in the X-A2 is 1214 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.5. The sensor in the TS7 has a native 4:3 aspect ratio, while the one in the X-A2 offers a 3:2 aspect.
Despite having a smaller sensor, the Panasonic TS7 offers a higher resolution of 20.2 megapixels, compared with 16 MP of the Fujifilm X-A2. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 4.80μm for the X-A2). However, it should be noted that the TS7 is much more recent (by 3 years and 3 months) than the X-A2, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic TS7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the TS7 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Fujifilm X-A2 are 24.5 x 16.3 inches or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inches or 41.5 x 27.6 cm for excellent quality prints.
The Panasonic Lumix DC-TS7 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-6400. The corresponding ISO settings for the Fujifilm X-A2 are ISO 200 to ISO 6400, with the possibility to increase the ISO range to 100-25600.
In terms of underlying technology, the TS7 is build around a BSI-CMOS sensor, while the X-A2 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic TS7 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1028 | 51 | |
2. | Fujifilm X-A2 | APS-C | 16.0 | 4896 | 3264 | 1080/30p | 23.6 | 12.8 | 1515 | 79 | |
3. | Canon SX740 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1050 | 51 | |
4. | Canon SX730 | 1/2.3 | 20.2 | 5184 | 3888 | 1080/60p | 20.5 | 11.9 | 924 | 50 | |
5. | Fujifilm XF10 | APS-C | 24.0 | 6000 | 4000 | 4K/15p | 24.0 | 13.4 | 1844 | 83 | |
6. | Fujifilm X-A3 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.8 | 13.1 | 1664 | 81 | |
7. | Fujifilm X-A10 | APS-C | 16.0 | 4896 | 3264 | 1080/30p | 23.9 | 13.2 | 1691 | 81 | |
8. | Fujifilm X-E2S | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.7 | 13.0 | 1608 | 80 | |
9. | Fujifilm X-T10 | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.7 | 12.9 | 1546 | 79 | |
10. | Fujifilm X-A1 | APS-C | 16.0 | 4896 | 3264 | 1080/30p | 23.4 | 12.6 | 1390 | 76 | |
11. | Nikon W300 | 1/2.3 | 15.9 | 4608 | 3456 | 4K/30p | 20.5 | 12.0 | 938 | 50 | |
12. | Panasonic ZS80 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.7 | 12.2 | 1103 | 52 | |
13. | Panasonic ZS70 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 19.1 | 10.6 | 106 | 36 | |
14. | Panasonic FZ80 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.5 | 11.9 | 900 | 49 | |
15. | Ricoh WG-6 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.7 | 12.2 | 1104 | 52 | |
16. | Sony HX99 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.6 | 12.1 | 1058 | 51 | |
17. | Sony HX95 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.6 | 12.1 | 1057 | 51 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the TS7 provides a higher video resolution than the X-A2. It can shoot video footage at 4K/30p, while the Fujifilm is limited to 1080/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the TS7 has an electronic viewfinder (1170k dots), which can be very helpful when shooting in bright sunlight. In contrast, the X-A2 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Panasonic TS7, the Fujifilm X-A2, and comparable cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic TS7 | 1170 | n | 3.0 / 1040 | fixed | n | 1/1300s | 10.0/s | Y | Y | |
2. | Fujifilm X-A2 | none | n | 3.0 / 920 | tilting | n | 1/4000s | 5.6/s | Y | n | |
3. | Canon SX740 | none | n | 3.0 / 922 | tilting | n | 1/3200s | 10.0/s | Y | Y | |
4. | Canon SX730 | none | n | 3.0 / 922 | tilting | n | 1/3200s | 5.9/s | Y | Y | |
5. | Fujifilm XF10 | none | n | 3.0 / 1040 | fixed | Y | 1/4000s | 6.0/s | Y | n | |
6. | Fujifilm X-A3 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 6.0/s | Y | n | |
7. | Fujifilm X-A10 | none | n | 3.0 / 1040 | tilting | n | 1/4000s | 6.0/s | Y | n | |
8. | Fujifilm X-E2S | 2360 | n | 3.0 / 1040 | fixed | n | 1/4000s | 7.0/s | Y | n | |
9. | Fujifilm X-T10 | 2360 | n | 3.0 / 920 | tilting | n | 1/4000s | 8.0/s | Y | n | |
10. | Fujifilm X-A1 | none | n | 3.0 / 920 | tilting | n | 1/4000s | 5.6/s | Y | n | |
11. | Nikon W300 | none | n | 3.0 / 921 | fixed | n | 1/4000s | 7.0/s | Y | Y | |
12. | Panasonic ZS80 | 2330 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
13. | Panasonic ZS70 | 1166 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
14. | Panasonic FZ80 | 1166 | n | 3.0 / 1040 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
15. | Ricoh WG-6 | none | n | 3.0 / 1040 | fixed | n | 1/4000s | 1.0/s | Y | n | |
16. | Sony HX99 | 638 | n | 3.0 / 922 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
17. | Sony HX95 | 638 | n | 3.0 / 922 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the TS7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Concerning the storage of imaging data, both the TS7 and the X-A2 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-TS7 and Fujifilm X-A2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic TS7 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
2. | Fujifilm X-A2 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
3. | Canon SX740 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
4. | Canon SX730 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
5. | Fujifilm XF10 | - | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
6. | Fujifilm X-A3 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
7. | Fujifilm X-A10 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
8. | Fujifilm X-E2S | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
9. | Fujifilm X-T10 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
10. | Fujifilm X-A1 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
11. | Nikon W300 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
12. | Panasonic ZS80 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
13. | Panasonic ZS70 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
14. | Panasonic FZ80 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
15. | Ricoh WG-6 | - | mono / mono | - | - | micro | 3.0 | - | - | - | |
16. | Sony HX99 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
17. | Sony HX95 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y |
It is notable that the X-A2 has a hotshoe, which makes it possible to easily attach optional accessories, such as an external flash gun. The TS7 does not feature such an accessory-socket.
Both the TS7 and the X-A2 have been discontinued, but can regularly be found used on ebay. The X-A2 was replaced by the Fujifilm X-A3, while the TS7 does not have a direct successor. Further information on the features and operation of the TS7 and X-A2 can be found, respectively, in the Panasonic TS7 Manual (free pdf) or the online Fujifilm X-A2 Manual.
Review summary
So what is the bottom line? Is the Panasonic TS7 better than the Fujifilm X-A2 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Panasonic Lumix DC-TS7:
- More detail: Offers more megapixels (20.2 vs 16MP) with a 10% higher linear resolution.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- Faster burst: Shoots at higher frequency (10 vs 5.6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Has a lens built-in, whereas the X-A2 requires a separate lens.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the X-A2).
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 31m).
- More modern: Reflects 3 years and 3 months of technical progress since the X-A2 launch.
Arguments in favor of the Fujifilm X-A2:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/1300s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (117x67mm vs 117x76mm) and will fit more readily into a bag.
- Longer lasting: Gets more shots (410 versus 300) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been around for much longer (launched in January 2015).
If the number of relative strengths (bullet points above) is taken as a guide, the TS7 comes out slightly ahead of the X-A2 (13 : 12 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic TS7 and the Fujifilm X-A2 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the TS7 or the X-A2. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic TS7 | .. | + | .. | .. | .. | 3.5/5 | May 2018 | 449 | ebay.com | |
2. | Fujifilm X-A2 | 4/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Jan 2015 | 399 | ebay.com | |
3. | Canon SX740 | .. | + | 3.5/5 | .. | 4/5 | 4/5 | Jul 2018 | 399 | amazon.com | |
4. | Canon SX730 | .. | + | .. | .. | 4/5 | 4/5 | Apr 2017 | 399 | ebay.com | |
5. | Fujifilm XF10 | .. | .. | 4/5 | 75/100 | 4/5 | 4.5/5 | Jul 2018 | 499 | ebay.com | |
6. | Fujifilm X-A3 | .. | .. | .. | 74/100 | 4.5/5 | 4/5 | Aug 2016 | 399 | ebay.com | |
7. | Fujifilm X-A10 | .. | .. | .. | .. | 4/5 | 4/5 | Dec 2016 | 399 | ebay.com | |
8. | Fujifilm X-E2S | 4.5/5 | .. | .. | 77/100 | 4.5/5 | 4.5/5 | Jan 2016 | 699 | ebay.com | |
9. | Fujifilm X-T10 | 4.5/5 | + + | .. | 80/100 | 5/5 | 5/5 | May 2015 | 799 | ebay.com | |
10. | Fujifilm X-A1 | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Sep 2013 | 399 | ebay.com | |
11. | Nikon W300 | .. | + | .. | .. | 4/5 | 4/5 | May 2017 | 389 | ebay.com | |
12. | Panasonic ZS80 | .. | + + | .. | .. | 4.5/5 | .. | Feb 2019 | 449 | ebay.com | |
13. | Panasonic ZS70 | .. | + + | .. | .. | 4/5 | 4/5 | Apr 2017 | 449 | ebay.com | |
14. | Panasonic FZ80 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Jan 2017 | 399 | ebay.com | |
15. | Ricoh WG-6 | .. | .. | .. | .. | 3.5/5 | 3.5/5 | Feb 2019 | 399 | amazon.com | |
16. | Sony HX99 | .. | .. | .. | .. | 4/5 | 4.5/5 | Aug 2018 | 449 | ebay.com | |
17. | Sony HX95 | .. | .. | .. | .. | .. | .. | Aug 2018 | 429 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D X Mark II vs Fujifilm X-A2
- Canon D30 vs Fujifilm X-A2
- Canon G3 X vs Panasonic TS7
- Fujifilm X-A2 vs Fujifilm X-T2
- Fujifilm X-A2 vs Leica S Typ 007
- Fujifilm X-A2 vs Nikon D7000
- Fujifilm X-A2 vs Olympus PEN-F
- Fujifilm X-T200 vs Panasonic TS7
- Leica M-E Typ 240 vs Panasonic TS7
- Leica V-LUX 4 vs Panasonic TS7
- Nikon B600 vs Panasonic TS7
- Nikon W300 vs Panasonic TS7
Specifications: Panasonic TS7 vs Fujifilm X-A2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic TS7 | Fujifilm X-A2 |
---|---|---|
Camera Type | Fixed lens compact camera | Mirrorless system camera |
Camera Lens | 28-128mm f/3.3-5.9 | Fujifilm X mount lenses |
Launch Date | May 2018 | January 2015 |
Launch Price | USD 449 | USD 399 |
Sensor Specs | Panasonic TS7 | Fujifilm X-A2 |
Sensor Technology | BSI-CMOS | CMOS |
Sensor Format | 1/2.3" Sensor | APS-C Sensor |
Sensor Size | 6.17 x 4.55 mm | 23.6 x 15.6 mm |
Sensor Area | 28.0735 mm2 | 368.16 mm2 |
Sensor Diagonal | 7.7 mm | 28.3 mm |
Crop Factor | 5.6x | 1.5x |
Sensor Resolution | 20.2 Megapixels | 16 Megapixels |
Image Resolution | 5184 x 3888 pixels | 4896 x 3264 pixels |
Pixel Pitch | 1.18 μm | 4.80 μm |
Pixel Density | 71.80 MP/cm2 | 4.34 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 4K/30p Video | 1080/30p Video |
ISO Setting | 80 - 3,200 ISO | 200 - 6,400 ISO |
ISO Boost | 80 - 6,400 ISO | 100 - 25,600 ISO |
Image Processor | Venus | EXR Processor II |
Screen Specs | Panasonic TS7 | Fujifilm X-A2 |
Viewfinder Type | Electronic viewfinder | no viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.45x | |
Viewfinder Resolution | 1170k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1040k dots | 920k dots |
LCD Attachment | Fixed screen | Tilting screen |
Shooting Specs | Panasonic TS7 | Fujifilm X-A2 |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/1300s | 1/4000s |
Continuous Shooting | 10 shutter flaps/s | 5.6 shutter flaps/s |
Electronic Shutter | up to 1/16000s | no E-Shutter |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | UHS-I |
Connectivity Specs | Panasonic TS7 | Fujifilm X-A2 |
External Flash | no Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | mini HDMI |
Wifi Support | Wifi built-in | Wifi built-in |
Body Specs | Panasonic TS7 | Fujifilm X-A2 |
Environmental Sealing | Waterproof body (31m) | not weather sealed |
Battery Type | Panasonic DMW-BCM13 | Fujifilm NP-W126 |
Battery Life (CIPA) | 300 shots per charge | 410 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
117 x 76 x 37 mm (4.6 x 3.0 x 1.5 in) |
117 x 67 x 40 mm (4.6 x 2.6 x 1.6 in) |
Camera Weight | 319 g (11.3 oz) | 350 g (12.3 oz) |
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