Panasonic TS7 vs Canon 80D
The Panasonic Lumix DC-TS7 (called Panasonic FT7 in some regions) and the Canon EOS 80D are two digital cameras that were announced, respectively, in May 2018 and February 2016. The TS7 is a fixed lens compact, while the 80D is a DSLR. The cameras are based on a 1/2.3-inch (TS7) and an APS-C (80D) sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Canon provides 24 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Panasonic TS7||Canon 80D|
|Fixed lens compact camera||Digital single lens reflex|
|28-128mm f/3.3-5.9||Canon EF mount lenses|
|20.2 MP, 1/2.3" Sensor||24 MP, APS-C Sensor|
|4K/30p Video||1080/60p Video|
|ISO 80-3200 (80-6400)||ISO 100-16000 (100-25600)|
|Electronic viewfinder (1170k dots)||Optical viewfinder|
|3.0" LCD, 1040k dots||3.0" LCD, 1040k dots|
|Fixed screen (not touch-sensitive)||Swivel touchscreen|
|10 shutter flaps per second||7 shutter flaps per second|
|Waterproof body (nom)||Weathersealed body|
|300 shots per battery charge||960 shots per battery charge|
|117 x 76 x 37 mm, 319 g||139 x 105 x 79 mm, 730 g|
Body comparison: Panasonic TS7 vs Canon 80D
An illustration of the physical size and weight of the Panasonic TS7 and the Canon 80D is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 80D is considerably larger (64 percent) than the Panasonic TS7. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the TS7 is water-proof up to 31m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TS7 has a lens built in, whereas the 80D is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 80D and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the TS7 gets 300 shots out of its DMW-BCM13 battery, while the 80D can take 960 images on a single charge of its LP-E6N power pack. The power pack in the TS7 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Panasonic TS7»||4.6 in||3.0 in||1.5 in||11.3 oz||300||Y||May 2018||449||Panasonic TS7|
|Canon 80D«||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199||Canon 80D|
|Canon SX740« »||4.3 in||2.5 in||1.6 in||10.5 oz||265||n||Jul 2018||399||Canon SX740|
|Canon 6D Mark II« »||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon SX730« »||4.3 in||2.5 in||1.6 in||10.6 oz||250||n||Apr 2017||399||-||Canon SX730|
|Canon T6i« »||5.2 in||4.0 in||3.1 in||19.6 oz||440||n||Feb 2015||749||-||Canon T6i|
|Canon 7D II« »||5.9 in||4.4 in||3.1 in||32.1 oz||670||Y||Sep 2014||1,799||Canon 7D II|
|Canon 70D« »||5.5 in||4.1 in||3.1 in||26.6 oz||920||Y||Jul 2013||1,199||-||Canon 70D|
|Fujifilm XF10« »||4.4 in||2.5 in||1.6 in||9.8 oz||330||n||Jul 2018||499||Fujifilm XF10|
|Nikon A1000« »||4.5 in||2.8 in||1.6 in||11.6 oz||250||n||Jan 2019||429||Nikon A1000|
|Nikon D7500« »||5.4 in||4.1 in||2.9 in||25.4 oz||950||Y||Apr 2017||1,299||Nikon D7500|
|Nikon W300« »||4.4 in||2.6 in||1.1 in||8.1 oz||280||Y||May 2017||389||Nikon W300|
|Panasonic ZS80« »||4.4 in||2.7 in||1.7 in||11.5 oz||380||n||Feb 2019||449||Panasonic ZS80|
|Panasonic ZS70« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||-||Panasonic ZS70|
|Sony HX99« »||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||449||Sony HX99|
|Sony HX95« »||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||429||Sony HX95|
|Sony WX800« »||4.0 in||2.3 in||1.4 in||8.2 oz||370||n||Oct 2018||399||Sony WX800|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The TS7 was launched at a lower price than the 80D, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Panasonic TS7 vs Canon 80D
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic TS7 features a 1/2.3-inch sensor and the Canon 80D an APS-C sensor. The sensor area in the 80D is 1107 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.6. The sensor in the TS7 has a native 4:3 aspect ratio, while the one in the 80D offers a 3:2 aspect.
With 24MP, the 80D offers a higher resolution than the TS7 (20.2MP), but the 80D nevertheless has larger individual pixels (pixel pitch of 3.75μm versus 1.18μm for the TS7) due to its larger sensor. However, the TS7 is a much more recent model (by 2 years and 2 months) than the 80D, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The 80D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.
The Panasonic Lumix DC-TS7 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-6400. The corresponding ISO settings for the Canon EOS 80D are ISO 100 to ISO 16000, with the possibility to increase the ISO range to 100-25600..
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Panasonic TS7»||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic TS7|
|Canon 80D«||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Canon SX740« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Canon SX740|
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon SX730« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX730|
|Canon T6i« »||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71||Canon T6i|
|Canon 7D II« »||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70||Canon 7D II|
|Canon 70D« »||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68||Canon 70D|
|Fujifilm XF10« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-||Fujifilm XF10|
|Nikon A1000« »||1/2.3||15.9||4608||3456||4K/30p||-||-||-||-||Nikon A1000|
|Nikon D7500« »||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86||Nikon D7500|
|Nikon W300« »||1/2.3||15.9||4608||3456||4K/30p||-||-||-||-||Nikon W300|
|Panasonic ZS80« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic ZS80|
|Panasonic ZS70« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic ZS70|
|Sony HX99« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony HX99|
|Sony HX95« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony HX95|
|Sony WX800« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony WX800|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the TS7 provides a higher video resolution than the 80D. It can shoot video footage at 4K/30p, while the Canon is limited to 1080/60p.
Feature comparison: Panasonic TS7 vs Canon 80D
Apart from body and sensor, cameras can and do differ across a range of features. For example, the TS7 has an electronic viewfinder (1170k dots), while the 80D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Panasonic TS7, the Canon 80D, and comparable cameras.
|Panasonic TS7»||1170||n||3.0||1040||fixed||n||1300||10.0||Y||Y||Panasonic TS7|
|Canon 80D«||optical||Y||3.0||1040||swivel||Y||8000||7.0||Y||n||Canon 80D|
|Canon SX740« »||-||n||3.0||922||tilting||n||3200||10.0||Y||Y||Canon SX740|
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||4000||6.5||n||n||Canon 6D Mark II|
|Canon SX730« »||-||n||3.0||922||tilting||n||3200||5.9||Y||Y||Canon SX730|
|Canon T6i« »||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon T6i|
|Canon 7D II« »||optical||Y||3.0||1040||fixed||n||8000||10.0||Y||n||Canon 7D II|
|Canon 70D« »||optical||Y||3.0||1040||swivel||Y||8000||7.0||Y||n||Canon 70D|
|Fujifilm XF10« »||-||n||3.0||1040||fixed||Y||4000||6.0||Y||n||Fujifilm XF10|
|Nikon A1000« »||1166||n||3.0||1036||tilting||Y||4000||7.0||Y||Y||Nikon A1000|
|Nikon D7500« »||optical||Y||3.2||922||tilting||Y||8000||8.0||Y||n||Nikon D7500|
|Nikon W300« »||-||n||3.0||921||fixed||n||4000||7.0||Y||Y||Nikon W300|
|Panasonic ZS80« »||1166||n||3.0||1040||tilting||Y||2000||10.0||Y||Y||Panasonic ZS80|
|Panasonic ZS70« »||1166||n||3.0||1040||tilting||Y||2000||10.0||Y||Y||Panasonic ZS70|
|Sony HX99« »||638||n||3.0||922||tilting||Y||2000||10.0||Y||Y||Sony HX99|
|Sony HX95« »||638||n||3.0||922||tilting||n||2000||10.0||Y||Y||Sony HX95|
|Sony WX800« »||-||n||3.0||922||tilting||Y||2000||10.0||Y||Y||Sony WX800|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The 80D has a touchscreen, while the TS7 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The 80D has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the TS7 does not have a selfie-screen.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the TS7 features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Concerning the storage of imaging data, both the TS7 and the 80D write their files to SDXC cards.
Connectivity comparison: Panasonic TS7 vs Canon 80D
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-TS7 and Canon EOS 80D and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic TS7»||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TS7|
|Canon 80D«||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Canon SX740« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX740|
|Canon 6D Mark II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon SX730« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX730|
|Canon T6i« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6i|
|Canon 7D II« »||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Canon 7D II|
|Canon 70D« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Canon 70D|
|Fujifilm XF10« »||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm XF10|
|Nikon A1000« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon A1000|
|Nikon D7500« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Nikon D7500|
|Nikon W300« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon W300|
|Panasonic ZS80« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic ZS80|
|Panasonic ZS70« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS70|
|Sony HX99« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX99|
|Sony HX95« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX95|
|Sony WX800« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony WX800|
It is notable that the 80D has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The TS7 does not feature such a mic input.
Both the TS7 and the 80D are recent models that feature in their makers' current product line-up. The 80D replaced the earlier Canon 70D, while the TS7 followed on from the Panasonic TS6.
Review summary: Panasonic TS7 vs Canon 80D
So how do things add up? Which of the two cameras – the Panasonic TS7 or the Canon 80D – has the upper hand? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Panasonic Lumix DC-TS7:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Faster burst: Shoots at higher frequency (10 vs 7 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with a built-in lens, while the 80D requires a separate lens.
- More compact: Is smaller (117x76mm vs 139x105mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the 80D).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Water-proof: Can be used in the rain and for underwater photography (up to 31m).
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 2 years and 2 months of technical progress since the 80D launch.
Reasons to prefer the Canon EOS 80D:
- More detail: Has more megapixels (24 vs 20.2MP), which boosts linear resolution by 11%.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: Larger pixels generate images with better, more accurate colors.
- More dynamic range: Capable of capturing a wider spectrum of light and dark details.
- Better low-light sensitivity: Can be used in poorly lit environments and still produce good images.
- Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 1300/sec) to freeze action.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (960 versus 300) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been around for much longer (launched in February 2016).
If the count of relative strengths (bullet points above) is taken as a measure, the 80D is the clear winner of the contest (19 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the TS7 or the 80D handle or perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews: Panasonic TS7 vs Canon 80D
This is why expert reviews are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Panasonic TS7»||Rec||-||-||-||3.5/5||May 2018||449||Panasonic TS7|
|Canon 80D«||HiRec||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199||Canon 80D|
|Canon SX740« »||Rec||-||4/5||-||4/5||Jul 2018||399||Canon SX740|
|Canon 6D Mark II« »||Rec||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Canon SX730« »||Rec||-||4/5||-||4/5||Apr 2017||399||-||Canon SX730|
|Canon T6i« »||-||75/100||4.5/5||4.5/5||4.5/5||Feb 2015||749||-||Canon T6i|
|Canon 7D II« »||Rec||84/100||4/5||5/5||4.5/5||Sep 2014||1,799||Canon 7D II|
|Canon 70D« »||HiRec||83/100||4.5/5||4.5/5||5/5||Jul 2013||1,199||-||Canon 70D|
|Fujifilm XF10« »||-||-||4/5||-||4.5/5||Jul 2018||499||Fujifilm XF10|
|Nikon A1000« »||-||-||-||-||3/5||Jan 2019||429||Nikon A1000|
|Nikon D7500« »||HiRec||86/100||5/5||4.5/5||4.5/5||Apr 2017||1,299||Nikon D7500|
|Nikon W300« »||Rec||-||4/5||-||4/5||May 2017||389||Nikon W300|
|Panasonic ZS80« »||-||-||-||-||-||Feb 2019||449||Panasonic ZS80|
|Panasonic ZS70« »||HiRec||-||4/5||-||4/5||Apr 2017||449||-||Panasonic ZS70|
|Sony HX99« »||-||-||4/5||-||4.5/5||Aug 2018||449||Sony HX99|
|Sony HX95« »||-||-||-||-||-||Aug 2018||429||Sony HX95|
|Sony WX800« »||-||-||-||-||-||Oct 2018||399||Sony WX800|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Panasonic TS7 vs Canon 80D
|Camera Model||Panasonic TS7||Canon 80D|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||28-128mm f/3.3-5.9||Canon EF mount lenses|
|Launch Date||May 2018||February 2016|
|Launch Price||USD 449||USD 1199|
|Sensor Format||1/2.3" Sensor||APS-C Sensor|
|Sensor Size||6.17 x 4.55 mm||22.5 x 4.55 mm|
|Sensor Area||28.0735 mm2||337.5 mm2|
|Sensor Diagonal||7.7 mm||27 mm|
|Sensor Resolution||20.2 Megapixels||24 Megapixels|
|Image Resolution||5184 x 3888 pixels||6000 x 4000 pixels|
|Pixel Pitch||1.18 μm||3.75 μm|
|Pixel Density||71.80 MP/cm2||7.11 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||80-3200 ISO||100-16000 ISO|
|ISO Boost||80-6400 ISO||100-25600 ISO|
|Image Processor||Venus||DIGIC 6|
|DXO Sensor Quality (score)||..||79|
|DXO Color Depth (bits)||..||23.6|
|DXO Dynamic Range (EV)||..||13.2|
|DXO Low Light (ISO)||..||1135|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1170k dots||n/a|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Autofocus System||Contrast-detect AF||Phase-detect AF|
|Maximum Shutter Speed||1/1300s||1/8000s|
|Continuous Shooting||10 shutter flaps/s||7 shutter flaps/s|
|Silent Shooting||Electronic Shutter||no E-Shutter|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Environmental Sealing||Waterproof body (31m)||Weathersealed body|
|Battery Type||DMW-BCM13 power pack||LP-E6N power pack|
|Battery Life (CIPA)||300 shots per charge||960 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
117 x 76 x 37 mm
(4.6 x 3.0 x 1.5 in)
139 x 105 x 79 mm
(5.5 x 4.1 x 3.1 in)
|Camera Weight||319 g (11.3 oz)||730 g (25.8 oz)|
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