Panasonic S1R vs Sony A99 II
The Panasonic Lumix DC-S1R and the Sony Alpha ALT-A99 II are two digital cameras that were officially introduced, respectively, in February 2019 and September 2016. The S1R is a mirrorless interchangeable lens camera, while the A99 II is a DSLR. Both cameras are equipped with a full frame sensor. The Panasonic has a resolution of 46.7 megapixels, whereas the Sony provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic S1R||Sony A99 II|
|Mirrorless system camera||Digital single lens reflex|
|Leica L mount lenses||Sony A mount lenses|
|46.7 MP, Full Frame Sensor||42.2 MP, Full Frame Sensor|
|4K/60p Video||4K/30p Video|
|ISO 100-25600 (50-51200)||ISO 100-25600|
|Electronic viewfinder (5760k dots)||Electronic viewfinder (2400k dots)|
|3.2" LCD, 2100k dots||3.0" LCD, 1229k dots|
|Fully flexible touchscreen||Fully flexible screen (no touchscreen)|
|9 shutter flaps per second||12 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|Weathersealed body||Weathersealed body|
|380 shots per battery charge||490 shots per battery charge|
|149 x 110 x 97 mm, 1016 g||143 x 104 x 76 mm, 849 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-S1R and the Sony Alpha ALT-A99 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Panasonic S1R vs Sony A99 II
The side-by-side display below illustrates the physical size and weight of the Panasonic S1R and the Sony A99 II. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A99 II is notably smaller (9 percent) than the Panasonic S1R. Moreover, the A99 II is markedly lighter (16 percent) than the S1R. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the S1R gets 380 shots out of its DMW-BLJ31 battery, while the A99 II can take 490 images on a single charge of its NP-FM500H power pack. The power pack in the S1R can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Panasonic S1R»||5.9 in||4.3 in||3.8 in||35.8 oz||380||Y||Feb 2019||3,699||Panasonic S1R|
|Sony A99 II«||5.6 in||4.1 in||3.0 in||29.9 oz||490||Y||Sep 2016||3,199||Sony A99 II|
|Canon 6D Mark II« »||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon 5DS« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS|
|Nikon Z6« »||5.3 in||4.0 in||2.6 in||23.8 oz||310||Y||Aug 2018||1,999||Nikon Z6|
|Nikon Z7« »||5.3 in||4.0 in||2.6 in||23.8 oz||330||Y||Aug 2018||3,399||Nikon Z7|
|Panasonic S1« »||5.9 in||4.3 in||3.8 in||35.9 oz||400||Y||Feb 2019||2,499||Panasonic S1|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999||Panasonic GH5|
|Pentax K-1 II« »||5.4 in||4.3 in||3.4 in||35.6 oz||670||Y||Feb 2018||1,999||Pentax K-1 II|
|Pentax K-1« »||5.4 in||4.3 in||3.4 in||35.6 oz||760||Y||Feb 2016||1,799||-||Pentax K-1|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A7R III« »||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199||Sony A7R III|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-||Sony A7R II|
|Sony A99« »||5.8 in||4.4 in||3.1 in||28.6 oz||500||Y||Sep 2012||2,799||-||Sony A99|
|Sony A850« »||6.1 in||4.6 in||3.2 in||31.6 oz||880||Y||Aug 2009||1,999||-||Sony A850|
|Sony A900« »||6.1 in||4.6 in||3.2 in||31.6 oz||880||Y||Sep 2008||2,999||-||Sony A900|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A99 II was launched at a somewhat lower price (by 14 percent) than the S1R, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic S1R vs Sony A99 II
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 46.7MP, the S1R offers a higher resolution than the A99 II (42.2MP), but the S1R has smaller individual pixels (pixel pitch of 4.30μm versus 4.52μm for the A99 II). However, the S1R is a much more recent model (by 2 years and 4 months) than the A99 II, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Panasonic S1R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S1R for good quality output (200 dots per inch) amounts to 41.8 x 27.9 inch or 106.3 x 70.9 cm, for very good quality (250 dpi) 33.5 x 22.3 inch or 85 x 56.7 cm, and for excellent quality (300 dpi) 27.9 x 18.6 inch or 70.8 x 47.3 cm. The corresponding values for the Sony A99 II are 39.8 x 26.5 inch or 101 x 67.4 cm for good quality, 31.8 x 21.2 inch or 80.8 x 53.9 cm for very good quality, and 26.5 x 17.7 inch or 67.3 x 44.9 cm for excellent quality prints.
The A99 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the A99 II, the S1R has the capacity to capture high quality composite images (187MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Panasonic Lumix DC-S1R has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-51200. The corresponding ISO settings for the Sony Alpha ALT-A99 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the S1R has a notably higher overall DXO score than the A99 II (overall score 8 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 1 bits higher color depth, 0.7 EV in additional dynamic range, and 0.6 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic S1R»||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100||Panasonic S1R|
|Sony A99 II«||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92||Sony A99 II|
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon 5DS« »||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87||Canon 5DS|
|Nikon Z6« »||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95||Nikon Z6|
|Nikon Z7« »||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99||Nikon Z7|
|Panasonic S1« »||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95||Panasonic S1|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Pentax K-1 II« »||Full Frame||36.2||7360||4912||1080/60i||-||-||-||-||Pentax K-1 II|
|Pentax K-1« »||Full Frame||36.2||7360||4912||1080/60i||25.4||14.6||3280||96||Pentax K-1|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A7R III« »||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100||Sony A7R III|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A99« »||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89||Sony A99|
|Sony A850« »||Full Frame||24.4||6048||4032||-||23.8||12.2||1415||79||Sony A850|
|Sony A900« »||Full Frame||24.4||6048||4032||-||23.7||12.3||1431||79||Sony A900|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the S1R provides a higher frame rate than the A99 II. It can shoot video footage at 4K/60p, while the Sony is limited to 4K/30p.
Feature comparison: Panasonic S1R vs Sony A99 II
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the S1R offers a substantially higher resolution than the one in the A99 II (5760k vs 2400k dots). The table below summarizes some of the other core capabilities of the Panasonic S1R and Sony A99 II in connection with corresponding information for a sample of similar cameras.
|Panasonic S1R»||5760||Y||3.2||2100||full-flex||Y||1/8000s||9.0||n||Y||Panasonic S1R|
|Sony A99 II«||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y||Sony A99 II|
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Canon 5DS« »||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS|
|Nikon Z6« »||3690||Y||3.2||2100||tilting||Y||1/8000s||12.0||n||Y||Nikon Z6|
|Nikon Z7« »||3690||Y||3.2||2100||tilting||Y||1/8000s||9.0||n||Y||Nikon Z7|
|Panasonic S1« »||5760||Y||3.2||2100||full-flex||Y||1/8000s||9.0||n||Y||Panasonic S1|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Pentax K-1 II« »||optical||Y||3.2||1037||full-flex||n||1/8000s||4.4||n||Y||Pentax K-1 II|
|Pentax K-1« »||optical||Y||3.2||1037||full-flex||n||1/8000s||4.4||n||Y||Pentax K-1|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A7R III« »||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y||Sony A7R III|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Sony A99« »||2359||Y||3.0||1229||full-flex||n||1/8000s||6.0||n||Y||Sony A99|
|Sony A850« »||optical||Y||3.0||922||fixed||n||1/8000s||3.0||n||Y||Sony A850|
|Sony A900« »||optical||Y||3.0||922||fixed||n||1/8000s||5.0||n||Y||Sony A900|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The S1R has a touchscreen, while the A99 II has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The A99 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the S1R does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S1R is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The S1R writes its imaging data to SDHC or XQD cards, while the A99 II uses SDXC or Memory Stick PRO Duo cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The S1R supports UHS-II cards (on both slots), while the A99 II can use UHS-I cards.
Connectivity comparison: Panasonic S1R vs Sony A99 II
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-S1R and Sony Alpha ALT-A99 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic S1R»||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1R|
|Sony A99 II«||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A99 II|
|Canon 6D Mark II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon 5DS« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Nikon Z6« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z6|
|Nikon Z7« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z7|
|Panasonic S1« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Pentax K-1 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Pentax K-1 II|
|Pentax K-1« »||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Pentax K-1|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A7R III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R III|
|Sony A7R II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A99« »||Y||stereo||mono||Y||Y||mini||2.0||-||-||-||Sony A99|
|Sony A850« »||Y||-||-||-||-||mini||2.0||-||-||-||Sony A850|
|Sony A900« »||Y||-||-||-||-||mini||2.0||-||-||-||Sony A900|
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the S1R and the A99 II are recent models that are part of the current product line-up. Neither of the two has a direct predecessor, so perhaps they will constitute the origins of new camera lines for Panasonic and Sony. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
Review summary: Panasonic S1R vs Sony A99 II
So what conclusions can be drawn? Is the Panasonic S1R better than the Sony A99 II or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Panasonic Lumix DC-S1R:
- More detail: Offers more megapixels (46.7 vs 42.2MP) with a 5% higher linear resolution.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores markedly higher (8 points) in the DXO overall assessment.
- More dynamic range: Captures a larger spectrum of light and dark details (0.7 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (0.6 stops ISO advantage).
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 2400k dots).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1229k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 2 years and 4 months of technical progress since the A99 II launch.
Advantages of the Sony Alpha ALT-A99 II:
- Better live-view autofocus: Features on-sensor phase-detection for quicker and more confident autofocus.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 9 flaps/sec) to capture the decisive moment.
- Less heavy: Has a lower weight (by 167g or 16 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (490 versus 380) out of a single battery charge.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was released into a lower priced segment (14 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in September 2016).
If the count of relative strengths (bullet points above) is taken as a measure, the S1R is the clear winner of the match-up (16 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic S1R and the Sony A99 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the S1R and the A99 II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews: Panasonic S1R vs Sony A99 II
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic S1R»||-||-||4.5/5||-||4.5/5||Feb 2019||3,699||Panasonic S1R|
|Sony A99 II«||-||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199||Sony A99 II|
|Canon 6D Mark II« »||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Canon 5DS« »||+||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS|
|Nikon Z6« »||-||-||4.5/5||-||5/5||Aug 2018||1,999||Nikon Z6|
|Nikon Z7« »||+||89/100||4.5/5||4.5/5||5/5||Aug 2018||3,399||Nikon Z7|
|Panasonic S1« »||+ +||-||-||-||4/5||Feb 2019||2,499||Panasonic S1|
|Panasonic GH5« »||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Pentax K-1 II« »||-||79/100||4.5/5||-||4.5/5||Feb 2018||1,999||Pentax K-1 II|
|Pentax K-1« »||-||84/100||5/5||4.5/5||5/5||Feb 2016||1,799||-||Pentax K-1|
|Sony A7 III« »||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony A7R III« »||+ +||90/100||4.5/5||5/5||5/5||Oct 2017||3,199||Sony A7R III|
|Sony A7R II« »||+ +||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
|Sony A99« »||-||84/100||4.5/5||o||4.5/5||Sep 2012||2,799||-||Sony A99|
|Sony A850« »||-||75/100||-||4/5||4.5/5||Aug 2009||1,999||-||Sony A850|
|Sony A900« »||+ +||+ +||4.5/5||4/5||5/5||Sep 2008||2,999||-||Sony A900|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 5DS R vs Panasonic S1R
- Canon 80D vs Sony A99 II
- Canon M100 vs Panasonic S1R
- Fujifilm X-T20 vs Sony A99 II
- Leica D-LUX 7 vs Panasonic S1R
- Leica M10 vs Panasonic S1R
- Nikon A1000 vs Panasonic S1R
- Nikon D700 vs Panasonic S1R
- Nikon D850 vs Panasonic S1R
- Panasonic G7 vs Sony A99 II
- Panasonic GF1 vs Panasonic S1R
- Sony A850 vs Sony A99 II
Specifications: Panasonic S1R vs Sony A99 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic S1R||Sony A99 II|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Leica L mount lenses||Sony A mount lenses|
|Launch Date||February 2019||September 2016|
|Launch Price||USD 3699||USD 3199|
|Sensor Specs||Panasonic S1R||Sony A99 II|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||36.0 x 24.0 mm||35.9 x 24.0 mm|
|Sensor Area||864 mm2||861.6 mm2|
|Sensor Diagonal||43.3 mm||43.2 mm|
|Sensor Resolution||46.7 Megapixels||42.2 Megapixels|
|Image Resolution||8368 x 5584 pixels||7952 x 5304 pixels|
|Pixel Pitch||4.30 μm||4.52 μm|
|Pixel Density||5.41 MP/cm2||4.90 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/60p Video||4K/30p Video|
|ISO Setting||100-25600 ISO||100-25600 ISO|
|ISO Boost||50-51200 ISO||50-25600 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||100||92|
|DXO Color Depth (bits)||26.4||25.4|
|DXO Dynamic Range (EV)||14.1||13.4|
|DXO Low Light (ISO)||3525||2317|
|Screen Specs||Panasonic S1R||Sony A99 II|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||5760k dots||2400k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||2100k dots||1229k dots|
|LCD Attachment||Fully flexible screen||Fully flexible screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic S1R||Sony A99 II|
|Autofocus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/8000/s|
|Continuous Shooting||9 shutter flaps/s||12 shutter flaps/s|
|Shutter Life Expectancy||400 000 actuations||300 000 actuations|
|Electronic Shutter||up to 1/8000s||no E-Shutter|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC or XQD cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||Dual UHS-II||UHS-I|
|Connectivity Specs||Panasonic S1R||Sony A99 II|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||full HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Panasonic S1R||Sony A99 II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Type||DMW-BLJ31 power pack||NP-FM500H power pack|
|Battery Life (CIPA)||380 shots per charge||490 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
149 x 110 x 97 mm
(5.9 x 4.3 x 3.8 in)
143 x 104 x 76 mm
(5.6 x 4.1 x 3.0 in)
|Camera Weight||1016 g (35.8 oz)||849 g (29.9 oz)|
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