Panasonic S1 vs Sony RX10
The Panasonic Lumix DC-S1 and the Sony Cyber-shot DSC-RX10 are two enthusiast cameras that were revealed to the public, respectively, in February 2019 and October 2013. The S1 is a mirrorless interchangeable lens camera, while the RX10 is a fixed lens compact. The cameras are based on a full frame (S1) and an one-inch (RX10) sensor. The Panasonic has a resolution of 24 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-S1 and the Sony Cyber-shot DSC-RX10? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic S1 and the Sony RX10 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX10 is considerably smaller (31 percent) than the Panasonic S1. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX10 has a lens built in, whereas the S1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the S1 gets 400 shots out of its DMW-BLJ31 battery, while the RX10 can take 420 images on a single charge of its NP-FW50 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Panasonic S1||149 mm||110 mm||97 mm||1017 g||400||Y||Feb 2019||2,499||amazon.com|
|2.||Sony RX10||129 mm||88 mm||102 mm||813 g||420||Y||Oct 2013||1,299||ebay.com|
|3.||Canon R6||138 mm||98 mm||88 mm||680 g||360||Y||Jul 2020||2,499||amazon.com|
|4.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199||ebay.com|
|5.||Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199||ebay.com|
|6.||Leica SL2-S||146 mm||107 mm||83 mm||931 g||510||Y||Dec 2020||4,895||amazon.com|
|7.||Leica SL||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450||ebay.com|
|8.||Nikon D7100||136 mm||107 mm||76 mm||765 g||950||Y||Feb 2013||1,199||ebay.com|
|9.||Olympus E-M1X||144 mm||147 mm||75 mm||997 g||870||Y||Jan 2019||2,999||amazon.com|
|10.||Panasonic S5||133 mm||98 mm||82 mm||714 g||440||Y||Sep 2020||1,999||amazon.com|
|11.||Panasonic S1R||149 mm||110 mm||97 mm||1016 g||380||Y||Feb 2019||3,699||amazon.com|
|12.||Panasonic S1H||151 mm||114 mm||110 mm||1052 g||400||Y||May 2019||3,999||amazon.com|
|13.||Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199||ebay.com|
|14.||Sony RX10 III||133 mm||94 mm||127 mm||1051 g||420||Y||Mar 2016||1,499||ebay.com|
|15.||Sony RX10 II||129 mm||88 mm||102 mm||813 g||400||Y||Jun 2015||1,299||ebay.com|
|16.||Sony A99||147 mm||111 mm||78 mm||812 g||500||Y||Sep 2012||2,799||ebay.com|
|17.||Sony A900||156 mm||117 mm||82 mm||895 g||880||Y||Sep 2008||2,999||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The RX10 was launched at a lower price than the S1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic S1 features a full frame sensor and the Sony RX10 an one-inch sensor. The sensor area in the RX10 is 86 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the S1 offers a higher resolution than the RX10 (20MP), but the S1 nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 2.41μm for the RX10) due to its larger sensor. Moreover, the S1 is a much more recent model (by 5 years and 3 months) than the RX10, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the S1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic S1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S1 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Sony RX10 are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
Unlike the RX10, the S1 has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Panasonic Lumix DC-S1 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-204800. The corresponding ISO settings for the Sony Cyber-shot DSC-RX10 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
In terms of underlying technology, the S1 is build around a CMOS sensor, while the RX10 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the S1 provides substantially higher image quality than the RX10, with an overall score that is 26 points higher. This advantage is based on 2.3 bits higher color depth, 1.9 EV in additional dynamic range, and 2.8 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Panasonic S1||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95|
|3.||Canon R6||Full Frame||20.0||5472||3648||4k/60p||24.2||14.3||3394||90|
|6.||Leica SL2-S||Full Frame||24.0||6000||4000||4K/60p||25.2||14.1||3504||95|
|7.||Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|9.||Olympus E-M1X||Four Thirds||20.2||5184||3888||4K/30p||23.2||13.0||1254||75|
|10.||Panasonic S5||Full Frame||24.0||6000||4000||4K/60p||25.1||14.5||2697||94|
|11.||Panasonic S1R||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100|
|12.||Panasonic S1H||Full Frame||24.0||6000||4000||6K/30p||25.2||14.2||2805||94|
|13.||Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|14.||Sony RX10 III||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70|
|15.||Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|16.||Sony A99||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89|
|17.||Sony A900||Full Frame||24.4||6048||4032||none||23.7||12.3||1431||79|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the S1 provides a higher video resolution than the RX10. It can shoot video footage at 4K/60p, while the Sony is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the S1 offers a substantially higher resolution than the one in the RX10 (5760k vs 1440k dots). The following table reports on some other key feature differences and similarities of the Panasonic S1, the Sony RX10, and comparable cameras.
|1.||Panasonic S1||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0/s||n||Y|
|2.||Sony RX10||1440||Y||3.0 / 1229||tilting||n||1/3200s||10.0/s||Y||Y|
|3.||Canon R6||3690||n||3.0 / 1620||swivel||Y||1/8000s||12.0/s||n||Y|
|4.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|5.||Canon 70D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|6.||Leica SL2-S||5760||Y||3.2 / 2100||fixed||Y||1/8000s||20.0/s||n||Y|
|7.||Leica SL||4400||Y||3.0 / 1040||fixed||Y||1/8000s||11.0/s||n||n|
|8.||Nikon D7100||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0/s||Y||n|
|9.||Olympus E-M1X||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0/s||n||Y|
|10.||Panasonic S5||2360||n||3.0 / 1840||swivel||Y||1/8000s||7.0/s||n||Y|
|11.||Panasonic S1R||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0/s||n||Y|
|12.||Panasonic S1H||5760||Y||3.2 / 2330||swivel||Y||1/8000s||9.0/s||n||Y|
|13.||Sony A99 II||2400||Y||3.0 / 1229||full-flex||n||1/8000s||12.0/s||n||Y|
|14.||Sony RX10 III||2359||Y||3.0 / 1229||tilting||n||1/2000s||14.0/s||Y||Y|
|15.||Sony RX10 II||2359||Y||3.0 / 1229||tilting||n||1/3200s||14.0/s||Y||Y|
|16.||Sony A99||2359||Y||3.0 / 1229||full-flex||n||1/8000s||6.0/s||n||Y|
|17.||Sony A900||optical||Y||3.0 / 922||fixed||n||1/8000s||5.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The S1 has a touchscreen, while the RX10 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic S1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The S1 writes its imaging data to SDXC or XQD cards, while the RX10 uses SDXC or Memory Stick PRO Duo cards. The S1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the RX10 only has one slot. The S1 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the RX10 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-S1 and Sony Cyber-shot DSC-RX10 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic S1||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|2.||Sony RX10||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|3.||Canon R6||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|4.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|5.||Canon 70D||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|6.||Leica SL2-S||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|7.||Leica SL||Y||stereo / mono||Y||Y||full||3.0||Y||-||-|
|8.||Nikon D7100||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
|9.||Olympus E-M1X||Y||stereo / mono||Y||Y||micro||3.0||Y||-||Y|
|10.||Panasonic S5||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|11.||Panasonic S1R||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|12.||Panasonic S1H||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|13.||Sony A99 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
|14.||Sony RX10 III||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|15.||Sony RX10 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony A99||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
|17.||Sony A900||Y||- / -||-||-||mini||2.0||-||-||-|
Studio photographers will appreciate that the Panasonic S1 (unlike the RX10) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The S1 is a recent model that features in the current product line-up of Panasonic. In contrast, the RX10 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the RX10 was succeeded by the Sony RX10 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what conclusions can be drawn? Which of the two cameras – the Panasonic S1 or the Sony RX10 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Panasonic Lumix DC-S1:
- More detail: Offers more megapixels (24 vs 20MP) with a 10% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (26 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.3 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.9 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (2.8 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/60p vs 1080/60p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 1440k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.70x).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1229k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/3200s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 5 years and 3 months of technical progress since the RX10 launch.
Reasons to prefer the Sony Cyber-shot DSC-RX10:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Ready to shoot: Has an integrated lens, whereas the S1 necessitates an extra lens.
- More compact: Is smaller (129x88mm vs 149x110mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the S1).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in October 2013).
If the count of relative strengths (bullet points above) is taken as a measure, the S1 is the clear winner of the match-up (25 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic S1 and the Sony RX10 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the S1 or the RX10 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic S1||4.5/5||+ +||4.5/5||88/100||4.5/5||4/5||Feb 2019||2,499||amazon.com|
|2.||Sony RX10||5/5||+||..||80/100||4.5/5||4.5/5||Oct 2013||1,299||ebay.com|
|3.||Canon R6||5/5||+ +||4/5||90/100||4.5/5||5/5||Jul 2020||2,499||amazon.com|
|4.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199||ebay.com|
|5.||Canon 70D||5/5||+ +||..||83/100||4.5/5||5/5||Jul 2013||1,199||ebay.com|
|6.||Leica SL2-S||4/5||..||4/5||..||4.5/5||4.5/5||Dec 2020||4,895||amazon.com|
|7.||Leica SL||4/5||..||4/5||84/100||4.5/5||4/5||Oct 2015||7,450||ebay.com|
|8.||Nikon D7100||5/5||+ +||..||85/100||4.5/5||4.5/5||Feb 2013||1,199||ebay.com|
|9.||Olympus E-M1X||4.5/5||o||5/5||85/100||4.5/5||..||Jan 2019||2,999||amazon.com|
|10.||Panasonic S5||4.5/5||+ +||4.5/5||88/100||4.5/5||4.5/5||Sep 2020||1,999||amazon.com|
|11.||Panasonic S1R||4.5/5||..||4.6/5||89/100||4.5/5||4.5/5||Feb 2019||3,699||amazon.com|
|12.||Panasonic S1H||..||..||4/5||90/100||..||..||May 2019||3,999||amazon.com|
|13.||Sony A99 II||..||..||4.5/5||85/100||4.5/5||4.5/5||Sep 2016||3,199||ebay.com|
|14.||Sony RX10 III||5/5||+||..||84/100||4.5/5||4.5/5||Mar 2016||1,499||ebay.com|
|15.||Sony RX10 II||5/5||+ +||..||82/100||4.5/5||4/5||Jun 2015||1,299||ebay.com|
|16.||Sony A99||5/5||..||..||84/100||4.5/5||4.5/5||Sep 2012||2,799||ebay.com|
|17.||Sony A900||..||+ +||..||+ +||4.5/5||5/5||Sep 2008||2,999||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 10D vs Panasonic S1
- Canon 5D vs Sony RX10
- Fujifilm X-E3 vs Sony RX10
- Fujifilm X-T3 vs Sony RX10
- Fujifilm X20 vs Panasonic S1
- Nikon 1 J5 vs Panasonic S1
- Nikon D200 vs Sony RX10
- Nikon D2Xs vs Panasonic S1
- Nikon D3200 vs Panasonic S1
- Olympus E-PL2 vs Sony RX10
- Panasonic G7 vs Sony RX10
- Panasonic S1 vs Sony A5100
Specifications: Panasonic S1 vs Sony RX10
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic S1||Sony RX10|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Leica L mount lenses||24-200mm f/2.8|
|Launch Date||February 2019||October 2013|
|Launch Price||USD 2,499||USD 1,299|
|Sensor Specs||Panasonic S1||Sony RX10|
|Sensor Format||Full Frame Sensor||1" Sensor|
|Sensor Size||35.6 x 23.8 mm||13.2 x 8.8 mm|
|Sensor Area||847.28 mm2||116.16 mm2|
|Sensor Diagonal||42.8 mm||15.9 mm|
|Sensor Resolution||24 Megapixels||20 Megapixels|
|Image Resolution||6000 x 4000 pixels||5472 x 3648 pixels|
|Pixel Pitch||5.94 μm||2.41 μm|
|Pixel Density||2.83 MP/cm2||17.18 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/60p Video||1080/60p Video|
|ISO Setting||100 - 51,200 ISO||125 - 12,800 ISO|
|ISO Boost||50 - 204,800 ISO||80 - 25,600 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||95||69|
|DXO Color Depth (bits)||25.2||22.9|
|DXO Dynamic Range (EV)||14.5||12.6|
|DXO Low Light (ISO)||3333||474|
|Screen Specs||Panasonic S1||Sony RX10|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||5760k dots||1440k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||2100k dots||1229k dots|
|LCD Attachment||Fully flexible screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic S1||Sony RX10|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/3200s|
|Continuous Shooting||9 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/8000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC or XQD cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||UHS-II||UHS-I|
|Connectivity Specs||Panasonic S1||Sony RX10|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||full HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Panasonic S1||Sony RX10|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||400 shots per charge||420 shots per charge|
|In-Camera Charging||USB charging||USB charging|
149 x 110 x 97 mm
(5.9 x 4.3 x 3.8 in)
129 x 88 x 102 mm
(5.1 x 3.5 x 4.0 in)
|Camera Weight||1017 g (35.9 oz)||813 g (28.7 oz)|
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