Panasonic LX7 vs Sony A68

The Panasonic Lumix DMC-LX7 and the Sony Alpha SLT-A68 are two digital cameras that were officially introduced, respectively, in July 2012 and November 2015. The LX7 is a fixed lens compact, while the A68 is a DSLR. The cameras are based on a 1/1.7-inch (LX7) and an APS-C (A68) sensor. The Panasonic has a resolution of 10 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic LX7		Sony A68
Fixed lens compact camera		Digital single lens reflex
24-90mm f/1.4-2.3		Sony A mount lenses
10 MP – 1/1.7" sensor		24 MP – APS-C sensor
1080/60p Video		1080/60i Video
ISO 80-6,400 (80 - 12,800)		ISO 100-25,600
Viewfinder optional		Electronic viewfinder (1440k dots)
3.0" LCD – 920k dots		2.7" LCD – 460k dots
Fixed screen (not touch-sensitive)		Tilting screen (no touchscreen)
11 shutter flaps per second		8 shutter flaps per second
Lens-based stabilization		In-body stabilization
330 shots per battery charge		540 shots per battery charge
111 x 68 x 46 mm, 298 g		143 x 104 x 81 mm, 610 g

Check LX7 offers at
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Check A68 offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LX7 and the Sony Alpha SLT-A68? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Panasonic LX7 and the Sony A68 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

The LX7 can be obtained in two different colors (black, white), while the A68 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A68 is considerably larger (97 percent) than the Panasonic LX7. In this context, it is worth noting that neither the LX7 nor the A68 are weather-sealed.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX7 has a lens built in, whereas the A68 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the LX7 gets 330 shots out of its Panasonic DMW-BCJ13 battery, while the A68 can take 540 images on a single charge of its Sony NP-FM500H power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic LX7	111 mm	68 mm	46 mm	298 g	330	n	Jul 2012	499	ebay.com
2.		Sony A68	143 mm	104 mm	81 mm	610 g	540	n	Nov 2015	699	ebay.com
3.		Canon G16	109 mm	76 mm	40 mm	356 g	360	n	Aug 2013	549	ebay.com
4.		Canon G15	107 mm	76 mm	40 mm	352 g	350	n	Sep 2012	499	ebay.com
5.		Fujifilm X20	117 mm	70 mm	57 mm	353 g	270	n	Jan 2013	599	ebay.com
6.		Fujifilm X10	117 mm	70 mm	57 mm	350 g	270	n	Sep 2011	599	ebay.com
7.		Panasonic LF1	103 mm	62 mm	28 mm	192 g	250	n	Apr 2013	499	ebay.com
8.		Panasonic FZ200	125 mm	87 mm	110 mm	588 g	540	n	Jul 2012	599	ebay.com
9.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360	n	Apr 2012	499	ebay.com
10.		Panasonic G3	115 mm	84 mm	47 mm	336 g	270	n	May 2011	599	ebay.com
11.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300	n	Jun 2011	549	ebay.com
12.		Panasonic LX5	110 mm	65 mm	43 mm	271 g	400	n	Jul 2010	499	ebay.com
13.		Pentax K-S1	121 mm	93 mm	70 mm	558 g	410	n	Aug 2014	749	ebay.com
14.		Sony A77 II	143 mm	104 mm	81 mm	647 g	480	Y	May 2014	1,199	ebay.com
15.		Sony A6000	120 mm	67 mm	45 mm	344 g	360	n	Feb 2014	599	ebay.com
16.		Sony A58	129 mm	95 mm	78 mm	492 g	690	n	Feb 2013	599	ebay.com
17.		Sony A77	143 mm	104 mm	81 mm	732 g	470	Y	Aug 2011	1,399	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The LX7 was launched at a lower price than the A68, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic LX7 features a 1/1.7-inch sensor and the Sony A68 an APS-C sensor. The sensor area in the A68 is 774 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.65 and 1.5. The sensor in the LX7 has a native 4:3 aspect ratio, while the one in the A68 offers a 3:2 aspect. The LX7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

With 24MP, the A68 offers a higher resolution than the LX7 (10MP), but the A68 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 2.05μm for the LX7) due to its larger sensor. Moreover, the A68 is a much more recent model (by 3 years and 3 months) than the LX7, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Sony A68 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A68 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic LX7 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.

The Panasonic Lumix DMC-LX7 has a native sensitivity range from ISO 80 to ISO 6400, which can be extended to ISO 80-12800. The corresponding ISO settings for the Sony Alpha SLT-A68 are ISO 100 to ISO 25600 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A68 offers substantially better image quality than the LX7 (overall score 29 points higher). The advantage is based on 3.4 bits higher color depth, 1.8 EV in additional dynamic range, and 2.3 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic LX7	1/1.7	10.0	3648	2736	1080/60p	20.7	11.7	147	50
2.		Sony A68	APS-C	24.0	6000	4000	1080/60i	24.1	13.5	701	79
3.		Canon G16	1/1.7	12.0	4000	3000	1080/60p	21.0	11.7	230	54
4.		Canon G15	1/1.7	12.0	4000	3000	1080/24p	19.9	11.5	165	46
5.		Fujifilm X20	2/3	12.0	4000	3000	1080/60p	20.1	10.9	-462	46
6.		Fujifilm X10	2/3	12.0	4000	3000	1080/30p	20.5	11.3	245	50
7.		Panasonic LF1	1/1.7	12.0	4000	3000	1080/60i	20.8	11.6	211	52
8.		Panasonic FZ200	1/2.3	12.0	4000	3000	1080/60p	19.1	10.8	114	37
9.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
10.		Panasonic G3	Four Thirds	15.8	4592	3448	1080/60i	21.0	10.6	667	56
11.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
12.		Panasonic LX5	1/1.7	10.0	3648	2736	720/60p	19.6	10.8	132	41
13.		Pentax K-S1	APS-C	20.0	5472	3648	1080/30p	23.5	13.0	1061	78
14.		Sony A77 II	APS-C	24.0	6000	4000	1080/60p	24.4	13.4	1013	82
15.		Sony A6000	APS-C	24.0	6000	4000	1080/60p	24.1	13.1	1347	82
16.		Sony A58	APS-C	19.8	5456	3632	1080/60i	23.3	12.5	753	74
17.		Sony A77	APS-C	24.0	6000	4000	1080/60p	24.0	13.2	801	78
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the LX7 provides a higher frame rate than the A68. It can shoot video footage at 1080/60p, while the Sony is limited to 1080/60i.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the A68 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the LX7 relies on live view and the rear LCD for framing. That said, the LX7 can be equipped with an optional viewfinder – the DMW-LVF2. The adjacent table lists some of the other core features of the Panasonic LX7 and Sony A68 along with similar information for a selection of comparators.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic LX7	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
2.		Sony A68	1440	Y	2.7 / 460	tilting	n	1/4000s	8.0/s	Y	Y
3.		Canon G16	optical	n	3.0 / 922	fixed	n	1/4000s	2.2/s	Y	Y
4.		Canon G15	optical	n	3.0 / 922	fixed	n	1/4000s	2.1/s	Y	Y
5.		Fujifilm X20	optical	n	2.8 / 460	fixed	n	1/4000s	12.0/s	Y	Y
6.		Fujifilm X10	optical	n	2.8 / 460	fixed	n	1/4000s	10.0/s	Y	Y
7.		Panasonic LF1	200	n	3.0 / 920	fixed	n	1/4000s	10.0/s	Y	Y
8.		Panasonic FZ200	1312	n	3.0 / 460	swivel	n	1/4000s	12.0/s	Y	Y
9.		Panasonic GF5	none	n	3.0 / 920	fixed	Y	1/4000s	4.0/s	Y	n
10.		Panasonic G3	1440	n	3.0 / 460	swivel	Y	1/4000s	4.0/s	Y	n
11.		Panasonic GF3	none	n	3.0 / 460	fixed	Y	1/4000s	3.2/s	Y	n
12.		Panasonic LX5	optional	n	3.0 / 460	fixed	n	1/4000s	2.5/s	Y	Y
13.		Pentax K-S1	optical	n	3.0 / 921	fixed	n	1/6000s	5.4/s	Y	Y
14.		Sony A77 II	2359	Y	3.0 / 1229	full-flex	n	1/8000s	12.0/s	Y	Y
15.		Sony A6000	1440	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
16.		Sony A58	1440	n	2.7 / 460	tilting	n	1/4000s	5.0/s	Y	Y
17.		Sony A77	2359	Y	3.0 / 921	full-flex	n	1/8000s	12.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the A68, but is missing on the LX7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The Panasonic LX7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The LX7 writes its imaging data to SDXC cards, while the A68 uses SDXC or Memory Stick PRO Duo cards. The A68 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the LX7 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LX7 and Sony Alpha SLT-A68 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic LX7	Y	stereo / mono	-	-	mini	2.0	-	-	-
2.		Sony A68	Y	stereo / mono	Y	-	micro	2.0	-	-	-
3.		Canon G16	Y	stereo / mono	-	-	mini	2.0	Y	-	-
4.		Canon G15	Y	stereo / mono	-	-	mini	2.0	-	-	-
5.		Fujifilm X20	Y	stereo / mono	-	-	micro	2.0	-	-	-
6.		Fujifilm X10	Y	stereo / mono	-	-	mini	2.0	-	-	-
7.		Panasonic LF1	-	stereo / mono	-	-	mini	2.0	Y	Y	-
8.		Panasonic FZ200	Y	stereo / mono	Y	-	mini	2.0	-	-	-
9.		Panasonic GF5	-	stereo / mono	-	-	mini	2.0	-	-	-
10.		Panasonic G3	Y	stereo / mono	-	-	mini	2.0	-	-	-
11.		Panasonic GF3	-	stereo / mono	-	-	mini	2.0	-	-	-
12.		Panasonic LX5	Y	mono / mono	-	-	mini	2.0	-	-	-
13.		Pentax K-S1	Y	stereo / mono	-	-	micro	2.0	-	-	-
14.		Sony A77 II	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
15.		Sony A6000	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
16.		Sony A58	Y	stereo / mono	Y	-	mini	2.0	-	-	-
17.		Sony A77	Y	stereo / mono	Y	-	mini	2.0	-	-	-

It is notable that the A68 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The LX7 does not feature such a mic input.

Both the LX7 and the A68 have been discontinued, but can regularly be found used on ebay. The LX7 was replaced by the Panasonic LX10, while the A68 does not have a direct successor. Further information on the features and operation of the LX7 and A68 can be found, respectively, in the Panasonic LX7 Manual (free pdf) or the online Sony A68 Manual.

Review summary

So what is the bottom line? Is the Panasonic LX7 better than the Sony A68 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Panasonic Lumix DMC-LX7:

• Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
• Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
• Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (920k vs 460k dots).
• Faster burst: Shoots at higher frequency (11 vs 8 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Ready to shoot: Comes with a built-in lens, while the A68 requires a separate lens.
• More compact: Is smaller (111x68mm vs 143x104mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the A68).
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been available for much longer (launched in July 2012).

Advantages of the Sony Alpha SLT-A68:

• More detail: Has more megapixels (24 vs 10MP), which boosts linear resolution by 58%.
• Better image quality: Scores substantially higher (29 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (3.4 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (1.8 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (2.3 stops ISO advantage).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• Easier setting verification: Features a control panel on top to check shooting parameters.
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• More flexible: Makes it possible to change lenses and thus to use specialty optics.
• Longer lasting: Gets more shots (540 versus 330) out of a single battery charge.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More modern: Reflects 3 years and 3 months of technical progress since the LX7 launch.

If the number of relative strengths (bullet points above) is taken as a guide, the A68 emerges as the winner of the match-up (13 : 11 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic LX7 and the Sony A68 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the LX7 or the A68 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic LX7	3/5	+ +	..	75/100	4/5	4.5/5	Jul 2012	499	ebay.com
2.		Sony A68	3/5	..	..	..	4/5	4/5	Nov 2015	699	ebay.com
3.		Canon G16	4/5	+	..	..	4.5/5	4.5/5	Aug 2013	549	ebay.com
4.		Canon G15	4/5	+	..	76/100	4.5/5	4.5/5	Sep 2012	499	ebay.com
5.		Fujifilm X20	4/5	+ +	..	77/100	4.5/5	5/5	Jan 2013	599	ebay.com
6.		Fujifilm X10	..	..	..	76/100	4/5	4.5/5	Sep 2011	599	ebay.com
7.		Panasonic LF1	3/5	+	..	..	4/5	4.5/5	Apr 2013	499	ebay.com
8.		Panasonic FZ200	3/5	+ +	..	80/100	4.5/5	4.5/5	Jul 2012	599	ebay.com
9.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	499	ebay.com
10.		Panasonic G3	3/5	+ +	..	75/100	4.5/5	5/5	May 2011	599	ebay.com
11.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	549	ebay.com
12.		Panasonic LX5	4/5	+	..	73/100	4.5/5	4.5/5	Jul 2010	499	ebay.com
13.		Pentax K-S1	4/5	..	..	..	4.5/5	4/5	Aug 2014	749	ebay.com
14.		Sony A77 II	4/5	..	..	80/100	4.5/5	5/5	May 2014	1,199	ebay.com
15.		Sony A6000	5/5	+	4.5/5	80/100	4.5/5	5/5	Feb 2014	599	ebay.com
16.		Sony A58	3/5	..	..	..	4.5/5	4.5/5	Feb 2013	599	ebay.com
17.		Sony A77	5/5	91/100	..	81/100	..	5/5	Aug 2011	1,399	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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