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Panasonic LX7 vs Sony A3000

The Panasonic Lumix DMC-LX7 and the Sony Alpha A3000 are two digital cameras that were announced, respectively, in July 2012 and August 2013. The LX7 is a fixed lens compact, while the A3000 is a mirrorless interchangeable lens camera. The cameras are based on a 1/1.7-inch (LX7) and an APS-C (A3000) sensor. The Panasonic has a resolution of 10 megapixels, whereas the Sony provides 19.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Panasonic LX7   Sony A3000
Panasonic LX7 Sony A3000
Fixed lens compact camera Mirrorless system camera
24-90mm f/1.4-2.3 Sony E mount lenses
10 MP, 1/1.7" Sensor 19.8 MP, APS-C Sensor
1080/60p Video 1080/60i Video
ISO 80-6400 (80-12800) ISO 100-16000
Viewfinder optional Electronic viewfinder (202k dots)
3.0" LCD, 920k dots 3.0" LCD, 230k dots
Fixed screen (not touch-sensitive) Fixed screen (not touch-sensitive)
11 shutter flaps per second 2.5 shutter flaps per second
330 shots per battery charge470 shots per battery charge
111 x 68 x 46 mm, 298 g 128 x 91 x 85 mm, 411 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LX7 and the Sony Alpha A3000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Panasonic LX7 and the Sony A3000 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

The LX7 can be obtained in two different colors (black, white), while the A3000 is only available in black.

Size Panasonic LX7 vs Sony A3000
Compare LX7 versus A3000 top
Comparison LX7 or A3000 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A3000 is considerably larger (54 percent) than the Panasonic LX7. In this context, it is worth noting that neither the LX7 nor the A3000 are weather-sealed.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX7 has a lens built in, whereas the A3000 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A3000 and their specifications in the Sony E-Mount Lens Catalog.

Concerning battery life, the LX7 gets 330 shots out of its DMW-BCJ13 battery, while the A3000 can take 470 images on a single charge of its NP-FW50 power pack. The power pack in the A3000 can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Panasonic LX7» 4.4 in 2.7 in 1.8 in 10.5 oz 330 n Jul 2012 499- i Panasonic LX7
 
Sony A3000« 5.0 in 3.6 in 3.3 in 14.5 oz 470 n Aug 2013 329- i Sony A3000
 
Canon G16« » 4.3 in 3.0 in 1.6 in 12.6 oz 360 n Aug 2013 549 i i Canon G16
 
Canon G15« » 4.2 in 3.0 in 1.6 in 12.4 oz 350 n Sep 2012 499- i Canon G15
 
Fujifilm X20« » 4.6 in 2.8 in 2.2 in 12.5 oz 270 n Jan 2013 599- i Fujifilm X20
 
Fujifilm X10« » 4.6 in 2.8 in 2.2 in 12.3 oz 270 n Sep 2011 599- i Fujifilm X10
 
Panasonic LF1« » 4.1 in 2.4 in 1.1 in 6.8 oz 250 n Apr 2013 499 i i Panasonic LF1
 
Panasonic FZ200« » 4.9 in 3.4 in 4.3 in 20.7 oz 540 n Jul 2012 599- i Panasonic FZ200
 
Panasonic GF5« » 4.3 in 2.6 in 1.5 in 9.4 oz 360 n Apr 2012 499- i Panasonic GF5
 
Panasonic G3« » 4.5 in 3.3 in 1.9 in 11.9 oz 270 n May 2011 599- i Panasonic G3
 
Panasonic GF3« » 4.3 in 2.6 in 1.3 in 9.3 oz 300 n Jun 2011 549- i Panasonic GF3
 
Panasonic LX5« » 4.3 in 2.6 in 1.7 in 9.6 oz 400 n Jul 2010 499- i Panasonic LX5
 
Sony A6400« » 4.7 in 2.6 in 2.0 in 14.2 oz 410 n Jan 2019 899 i i Sony A6400
 
Sony A6000« » 4.7 in 2.6 in 1.8 in 12.1 oz 360 n Feb 2014 599- i Sony A6000
 
Sony RX1R« » 4.4 in 2.6 in 2.8 in 17.0 oz 270 n Jun 2013 2,799- i Sony RX1R
 
Sony NEX-6« » 4.7 in 2.6 in 1.7 in 12.2 oz 360 n Sep 2012 999- i Sony NEX-6
 
Sony NEX-7« » 4.7 in 2.6 in 1.7 in 14.1 oz 430 n Aug 2011 1,349- i Sony NEX-7
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic LX7 features a 1/1.7-inch sensor and the Sony A3000 an APS-C sensor. The sensor area in the A3000 is 750 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.65 and 1.5. The sensor in the LX7 has a native 4:3 aspect ratio, while the one in the A3000 offers a 3:2 aspect. The LX7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

Panasonic LX7 and Sony A3000 sensor measures

With 19.8MP, the A3000 offers a higher resolution than the LX7 (10MP), but the A3000 nevertheless has larger individual pixels (pixel pitch of 4.25μm versus 2.05μm for the LX7) due to its larger sensor. Moreover, the A3000 is a somewhat more recent model (by 1 year and 1 month) than the LX7, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Sony A3000 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A3000 for good quality output (200 dots per inch) amounts to 27.3 x 18.2 inch or 69.3 x 46.1 cm, for very good quality (250 dpi) 21.8 x 14.5 inch or 55.4 x 36.9 cm, and for excellent quality (300 dpi) 18.2 x 12.1 inch or 46.2 x 30.8 cm. The corresponding values for the Panasonic LX7 are 18.2 x 13.7 inch or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inch or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inch or 30.9 x 23.2 cm for excellent quality prints.

The Panasonic Lumix DMC-LX7 has a native sensitivity range from ISO 80 to ISO 6400, which can be extended to ISO 80-12800. The corresponding ISO settings for the Sony Alpha A3000 are ISO 100 to ISO 16000 (no boost).

LX7 versus A3000 MP

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A3000 offers substantially better image quality than the LX7 (overall score 28 points higher). The advantage is based on 3 bits higher color depth, 1.1 EV in additional dynamic range, and 2.9 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Panasonic LX7» 1/1.7 10.0 3648 27361080/60p20.711.714750Panasonic LX7
 
Sony A3000« APS-C 19.8 5456 36321080/60i23.712.8106878Sony A3000
 
Canon G16« » 1/1.7 12.0 4000 30001080/60p21.011.723054Canon G16
 
Canon G15« » 1/1.7 12.0 4000 30001080/24p19.911.516546Canon G15
 
Fujifilm X20« » 2/3 12.0 4000 30001080/60p----Fujifilm X20
 
Fujifilm X10« » 2/3 12.0 4000 30001080/30p20.511.324550Fujifilm X10
 
Panasonic LF1« » 1/1.7 12.0 4000 30001080/60i20.811.621152Panasonic LF1
 
Panasonic FZ200« » 1/2.3 12.0 4000 30001080/60p19.110.811437Panasonic FZ200
 
Panasonic GF5« » Four Thirds 12.0 4000 30001080/60i21.411.661861Panasonic GF5
 
Panasonic G3« » Four Thirds 15.8 4592 34481080/60i21.010.666756Panasonic G3
 
Panasonic GF3« » Four Thirds 12.0 4000 30001080/60i20.610.045849Panasonic GF3
 
Panasonic LX5« » 1/1.7 10.0 3648 2736720/60p19.610.813241Panasonic LX5
 
Sony A6400« » APS-C 24.0 6000 40004K/30p2413.6143183Sony A6400
 
Sony A6000« » APS-C 24.0 6000 40001080/60p24.113.1134782Sony A6000
 
Sony RX1R« » Full Frame 24.0 6000 40001080/60p25.013.6253791Sony RX1R
 
Sony NEX-6« » APS-C 16.0 4912 32641080/60i23.713.1101878Sony NEX-6
 
Sony NEX-7« » APS-C 24.0 6000 40001080/60i24.113.4101681Sony NEX-7

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the LX7 provides a higher frame rate than the A3000. It can shoot video footage at 1080/60p, while the Sony is limited to 1080/60i.

 

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the A3000 has an electronic viewfinder (202k dots), which can be very helpful when shooting in bright sunlight. In contrast, the LX7 relies on live view and the rear LCD for framing. That said, the LX7 can be equipped with an optional viewfinder – the DMW-LVF2. The adjacent table lists some of the other core features of the Panasonic LX7 and Sony A3000 along with similar information for a selection of comparators.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Panasonic LX7»- n 3.0 920 fixed n 1/4000s 11.0 Y Y Panasonic LX7
 
Sony A3000«202 n 3.0 230 fixed n 1/4000s 2.5 Y n Sony A3000
 
Canon G16« »optical n 3.0 922 fixed n 1/4000s 2.2 Y Y Canon G16
 
Canon G15« »optical n 3.0 922 fixed n 1/4000s 2.1 Y Y Canon G15
 
Fujifilm X20« »optical n 2.8 460 fixed n 1/4000s 12.0 Y Y Fujifilm X20
 
Fujifilm X10« »optical n 2.8 460 fixed n 1/4000s 10.0 Y Y Fujifilm X10
 
Panasonic LF1« »200 n 3.0 920 fixed n 1/4000s 10.0 Y Y Panasonic LF1
 
Panasonic FZ200« »1312 n 3.0 460 swivel n 1/4000s 12.0 Y Y Panasonic FZ200
 
Panasonic GF5« »- n 3.0 920 fixed Y 1/4000s 4.0 Y n Panasonic GF5
 
Panasonic G3« »1440 n 3.0 460 swivel Y 1/4000s 4.0 Y n Panasonic G3
 
Panasonic GF3« »- n 3.0 460 fixed Y 1/4000s 3.2 Y n Panasonic GF3
 
Panasonic LX5« »- n 3.0 460 fixed n 1/4000s 2.5 Y Y Panasonic LX5
 
Sony A6400« »2359 n 3.0 922 tilting Y 1/4000s 11.0 Y n Sony A6400
 
Sony A6000« »1440 n 3.0 922 tilting n 1/4000s 11.0 Y n Sony A6000
 
Sony RX1R« »- n 3.0 1229 fixed n 1/4000s 5.0 Y n Sony RX1R
 
Sony NEX-6« »2359 n 3.0 921 tilting n 1/4000s 10.0 Y n Sony NEX-6
 
Sony NEX-7« »2359 n 3.0 921 tilting n 1/4000s 10.0 Y n Sony NEX-7

The Panasonic LX7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The LX7 writes its imaging data to SDXC cards, while the A3000 uses SDXC or Memory Stick PRO Duo cards.

 

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LX7 and Sony Alpha A3000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Panasonic LX7»Ystereomono--mini2.0---Panasonic LX7
 
Sony A3000«Ystereomono--mini2.0---Sony A3000
 
Canon G16« »Ystereomono--mini2.0Y--Canon G16
 
Canon G15« »Ystereomono--mini2.0---Canon G15
 
Fujifilm X20« »Ystereomono--micro2.0---Fujifilm X20
 
Fujifilm X10« »Ystereomono--mini2.0---Fujifilm X10
 
Panasonic LF1« »-stereomono--mini2.0YY-Panasonic LF1
 
Panasonic FZ200« »YstereomonoY-mini2.0---Panasonic FZ200
 
Panasonic GF5« »-stereomono--mini2.0---Panasonic GF5
 
Panasonic G3« »Ystereomono--mini2.0---Panasonic G3
 
Panasonic GF3« »-stereomono--mini2.0---Panasonic GF3
 
Panasonic LX5« »Ymonomono--mini2.0---Panasonic LX5
 
Sony A6400« »YstereomonoY-micro2.0YYYSony A6400
 
Sony A6000« »Ystereomono--micro2.0YY-Sony A6000
 
Sony RX1R« »YstereomonoY-mini2.0---Sony RX1R
 
Sony NEX-6« »Ystereomono--mini2.0Y--Sony NEX-6
 
Sony NEX-7« »YstereomonoY-mini2.0---Sony NEX-7

Both the LX7 and the A3000 have been discontinued, but can regularly be found used on eBay. The LX7 was replaced by the Panasonic LX10, while the A3000 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.


Review summary

So what conclusions can be drawn? Is there a clear favorite between the Panasonic LX7 and the Sony A3000? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

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Arguments in favor of the Panasonic Lumix DMC-LX7:

  • Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
  • Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
  • More detailed LCD: Has a higher resolution rear screen (920k vs 230k dots).
  • Faster burst: Shoots at higher frequency (11 vs 2.5 flaps/sec) to capture the decisive moment.
  • Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
  • Ready to shoot: Has a lens built-in, whereas the A3000 requires a separate lens.
  • More compact: Is smaller (111x68mm vs 128x91mm) and thus needs less room in the bag.
  • Less heavy: Is lighter even though it comes with a built-in lens (unlike the A3000).
  • Sharper images: Has hand-shake reducing image stabilization built-in.
  • More heavily discounted: Has been on the market for longer (launched in July 2012).

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Advantages of the Sony Alpha A3000:

  • More detail: Has more megapixels (19.8 vs 10MP), which boosts linear resolution by 44%.
  • Better image quality: Scores substantially higher (28 points) in the DXO overall evaluation.
  • Richer colors: Generates noticeably more natural colors (3 bits more color depth).
  • More dynamic range: Captures a broader range of light and dark details (1.1 EV of extra DR).
  • Better low-light sensitivity: Can shoot in dim conditions (2.9 stops ISO advantage).
  • Easier framing: Has an electronic viewfinder for image composition and settings control.
  • More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
  • Longer lasting: Gets more shots (470 versus 330) out of a single battery charge.
  • Easier travel charging: Can be conveniently charged via its USB port.
  • More modern: Was introduced somewhat (1 year and 1 month) more recently.

If the count of individual advantages (bullet points above) is taken as a guide, the LX7 comes out slightly ahead of the A3000 (10 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

LX7 10:09 A3000

How about other alternatives? Do the specifications of the Panasonic LX7 and the Sony A3000 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the LX7 and the A3000 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Panasonic LX7»+ +75/1004/55/54.5/5 Jul 2012 499- i Panasonic LX7
 
Sony A3000«+-4/54.5/54/5 Aug 2013 329- i Sony A3000
 
Canon G16« »+-4.5/54.5/54.5/5 Aug 2013 549 i i Canon G16
 
Canon G15« »+76/1004.5/54.5/54.5/5 Sep 2012 499- i Canon G15
 
Fujifilm X20« »+ +77/1004.5/5-5/5 Jan 2013 599- i Fujifilm X20
 
Fujifilm X10« »-76/1004/53.5/54.5/5 Sep 2011 599- i Fujifilm X10
 
Panasonic LF1« »+-4/5-4.5/5 Apr 2013 499 i i Panasonic LF1
 
Panasonic FZ200« »+ +80/1004.5/54.5/54.5/5 Jul 2012 599- i Panasonic FZ200
 
Panasonic GF5« »--4.5/54/54.5/5 Apr 2012 499- i Panasonic GF5
 
Panasonic G3« »+ +75/1004.5/54.5/55/5 May 2011 599- i Panasonic G3
 
Panasonic GF3« »82/10071/1004.5/54.5/54/5 Jun 2011 549- i Panasonic GF3
 
Panasonic LX5« »+73/1004.5/55/54.5/5 Jul 2010 499- i Panasonic LX5
 
Sony A6400« »+85/1004.5/5-4/5 Jan 2019 899 i i Sony A6400
 
Sony A6000« »+80/1004.5/55/55/5 Feb 2014 599- i Sony A6000
 
Sony RX1R« »--4/5o4.5/5 Jun 2013 2,799- i Sony RX1R
 
Sony NEX-6« »+ +78/1004.5/55/54.5/5 Sep 2012 999- i Sony NEX-6
 
Sony NEX-7« »+ +81/1004.5/55/55/5 Aug 2011 1,349- i Sony NEX-7
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Panasonic LX7:
Check Ebay offers
Sony A3000:
Check Ebay offers

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

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    Specifications: Panasonic LX7 vs Sony A3000

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Panasonic LX7 Sony A3000
    Camera Type Fixed lens compact camera Mirrorless system camera
    Camera Lens 24-90mm f/1.4-2.3 Sony E mount lenses
    Launch Date July 2012 August 2013
    Launch Price USD 499 USD 329
    Sensor Specs Panasonic LX7 Sony A3000
    Sensor Technology CMOS CMOS
    Sensor Format 1/1.7" Sensor APS-C Sensor
    Sensor Size 7.44 x 5.58 mm 23.2 x 15.4 mm
    Sensor Area 41.5152 mm2 357.28 mm2
    Sensor Diagonal 9.3 mm 27.8 mm
    Crop Factor 4.65x 1.5x
    Sensor Resolution 10 Megapixels 19.8 Megapixels
    Image Resolution 3648 x 2736 pixels 5456 x 3632 pixels
    Pixel Pitch 2.05 μm 4.25 μm
    Pixel Density 24.04 MP/cm2 5.55 MP/cm2
    Moiré control Anti-Alias filter Anti-Alias filter
    Movie Capability 1080/60p Video 1080/60i Video
    ISO Setting 80-6400 ISO 100-16000 ISO
    ISO Boost 80-12800 ISO no Enhancement
    Image Processor Venus BIONZ
    DXO Sensor Quality (score) 50 78
    DXO Color Depth (bits) 20.7 23.7
    DXO Dynamic Range (EV) 11.7 12.8
    DXO Low Light (ISO) 147 1068
    Screen Specs Panasonic LX7 Sony A3000
    Viewfinder Type Viewfinder optional Electronic viewfinder
    Viewfinder Field of View 100%
    Viewfinder Magnification 0.47x
    Viewfinder Resolution 202k dots
    LCD Framing Live View Live View
    Rear LCD Size 3.0 inch 3.0 inch
    LCD Resolution 920k dots 230k dots
    LCD Attachment Fixed screen Fixed screen
    Shooting Specs Panasonic LX7 Sony A3000
    Autofocus System Contrast-detect AF Contrast-detect AF
    Manual Focusing AidNo Peaking FeatureFocus Peaking
    Max Shutter Speed (mechanical) 1/4000/s 1/4000/s
    Continuous Shooting 11 shutter flaps/s 2.5 shutter flaps/s
    Time-Lapse PhotographyIntervalometer built-inno Intervalometer
    Fill Flash Build-in Flash Build-in Flash
    Storage Medium SDXC cards MS or SDXC cards
    Second Storage Option Single card slot Single card slot
    UHS card support no no
    Connectivity Specs Panasonic LX7 Sony A3000
    External Flash Hotshoe Hotshoe
    USB Connector USB 2.0 USB 2.0
    HDMI Port mini HDMI mini HDMI
    Wifi Support no Wifi no Wifi
    Body Specs Panasonic LX7 Sony A3000
    Battery Type DMW-BCJ13 NP-FW50
    Battery Life (CIPA)330 shots per charge470 shots per charge
    In-Camera Charging no USB charging USB charging
    Body Dimensions 111 x 68 x 46 mm
    (4.4 x 2.7 x 1.8 in)
    128 x 91 x 85 mm
    (5.0 x 3.6 x 3.3 in)
    Camera Weight 298 g (10.5 oz) 411 g (14.5 oz)

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