Panasonic LX7 vs TZ200

The Panasonic Lumix DMC-LX7 and the Panasonic Lumix DC-TZ200 (labelled Panasonic ZS200 in some countries) are two digital cameras that were officially introduced, respectively, in July 2012 and February 2018. Both the LX7 and the TZ200 are fixed lens compact cameras that are based on a 1/1.7-inch (LX7) and an one-inch (TZ200) sensor. The LX7 has a resolution of 10 megapixels, whereas the TZ200 provides 20 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic LX7		Panasonic TZ200
Fixed lens compact camera		Fixed lens compact camera
24-90mm f/1.4-2.3		24-360mm f/3.3-6.4
10 MP – 1/1.7" sensor		20 MP – 1" sensor
1080/60p Video		4K/30p Video
ISO 80-6,400 (80 - 12,800)		ISO 125-12,800 (80 - 25,600)
Viewfinder optional		Electronic viewfinder (2330k dots)
3.0" LCD – 920k dots		3.0" LCD – 1240k dots
Fixed screen (not touch-sensitive)		Fixed touchscreen
11 shutter flaps per second		10 shutter flaps per second
Lens-based stabilization		In-body stabilization
330 shots per battery charge		370 shots per battery charge
111 x 68 x 46 mm, 298 g		111 x 65 x 45 mm, 340 g

Check LX7 offers at
ebay.com
Check TZ200 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LX7 and the Panasonic Lumix DC-TZ200? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Panasonic LX7 and the Panasonic TZ200 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

The LX7 can be obtained in two different colors (black, white), while the TZ200 is also available in two color-versions, but different ones (black, silver).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic TZ200 is somewhat smaller (4 percent) than the Panasonic LX7. However, the TZ200 is markedly heavier (14 percent) than the LX7. In this context, it is worth noting that neither the LX7 nor the TZ200 are weather-sealed.

Concerning battery life, the LX7 gets 330 shots out of its Panasonic DMW-BCJ13 battery, while the TZ200 can take 370 images on a single charge of its Panasonic DMW-BLG10 power pack. The power pack in the TZ200 can be charged via the USB port, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic LX7	111 mm	68 mm	46 mm	298 g	330	n	Jul 2012	499	ebay.com
2.		Panasonic TZ200	111 mm	65 mm	45 mm	340 g	370	n	Feb 2018	799	amazon.com
3.		Canon G15	107 mm	76 mm	40 mm	352 g	350	n	Sep 2012	499	ebay.com
4.		Canon G16	109 mm	76 mm	40 mm	356 g	360	n	Aug 2013	549	ebay.com
5.		Fujifilm X10	117 mm	70 mm	57 mm	350 g	270	n	Sep 2011	599	ebay.com
6.		Fujifilm X20	117 mm	70 mm	57 mm	353 g	270	n	Jan 2013	599	ebay.com
7.		Panasonic FZ200	125 mm	87 mm	110 mm	588 g	540	n	Jul 2012	599	ebay.com
8.		Panasonic FZ1000	137 mm	99 mm	131 mm	831 g	360	n	Jun 2014	899	ebay.com
9.		Panasonic G3	115 mm	84 mm	47 mm	336 g	270	n	May 2011	599	ebay.com
10.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300	n	Jun 2011	549	ebay.com
11.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360	n	Apr 2012	499	ebay.com
12.		Panasonic GX9	124 mm	72 mm	47 mm	407 g	260	n	Feb 2018	849	ebay.com
13.		Panasonic LF1	103 mm	62 mm	28 mm	192 g	250	n	Apr 2013	499	ebay.com
14.		Panasonic LX5	110 mm	65 mm	43 mm	271 g	400	n	Jul 2010	499	ebay.com
15.		Panasonic LX15	106 mm	60 mm	42 mm	310 g	260	n	Sep 2016	699	amazon.com
16.		Panasonic TZ90	112 mm	67 mm	41 mm	322 g	380	n	Apr 2017	449	ebay.com
17.		Panasonic TZ100	111 mm	65 mm	44 mm	312 g	300	n	Jan 2016	699	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The LX7 was launched at a markedly lower price (by 38 percent) than the TZ200, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic LX7 features a 1/1.7-inch sensor and the Panasonic TZ200 an one-inch sensor. The sensor area in the TZ200 is 176 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.65 and 2.7. The sensor in the LX7 has a native 4:3 aspect ratio, while the one in the TZ200 offers a 3:2 aspect. The LX7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

With 20MP, the TZ200 offers a higher resolution than the LX7 (10MP), but the TZ200 nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 2.05μm for the LX7) due to its larger sensor. Moreover, the TZ200 is a much more recent model (by 5 years and 6 months) than the LX7, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Panasonic TZ200 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the TZ200 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Panasonic LX7 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.

The Panasonic Lumix DMC-LX7 has a native sensitivity range from ISO 80 to ISO 6400, which can be extended to ISO 80-12800. The corresponding ISO settings for the Panasonic Lumix DC-TZ200 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic LX7	1/1.7	10.0	3648	2736	1080/60p	20.7	11.7	147	50
2.		Panasonic TZ200	1-inch	20.0	5472	3648	4K/30p	22.0	12.2	449	64
3.		Canon G15	1/1.7	12.0	4000	3000	1080/24p	19.9	11.5	165	46
4.		Canon G16	1/1.7	12.0	4000	3000	1080/60p	21.0	11.7	230	54
5.		Fujifilm X10	2/3	12.0	4000	3000	1080/30p	20.5	11.3	245	50
6.		Fujifilm X20	2/3	12.0	4000	3000	1080/60p	20.1	10.9	-462	46
7.		Panasonic FZ200	1/2.3	12.0	4000	3000	1080/60p	19.1	10.8	114	37
8.		Panasonic FZ1000	1-inch	20.0	5472	3648	4K/30p	22.1	11.7	517	64
9.		Panasonic G3	Four Thirds	15.8	4592	3448	1080/60i	21.0	10.6	667	56
10.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
11.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
12.		Panasonic GX9	Four Thirds	20.2	5184	3888	4K/30p	23.1	12.8	1163	74
13.		Panasonic LF1	1/1.7	12.0	4000	3000	1080/60i	20.8	11.6	211	52
14.		Panasonic LX5	1/1.7	10.0	3648	2736	720/60p	19.6	10.8	132	41
15.		Panasonic LX15	1-inch	20.0	5472	3648	4K/30p	21.9	12.0	315	62
16.		Panasonic TZ90	1/2.3	20.2	5184	3888	4K/30p	19.1	10.6	106	36
17.		Panasonic TZ100	1-inch	20.0	5472	3648	4K/30p	22.8	12.5	559	70
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the TZ200 provides a better video resolution than the LX7. It can shoot movie footage at 4K/30p, while the LX7 is limited to 1080/60p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the TZ200 has an electronic viewfinder (2330k dots), which can be very helpful when shooting in bright sunlight. In contrast, the LX7 relies on live view and the rear LCD for framing. That said, the LX7 can be equipped with an optional viewfinder – the DMW-LVF2. The following table reports on some other key feature differences and similarities of the Panasonic LX7, the Panasonic TZ200, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic LX7	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
2.		Panasonic TZ200	2330	n	3.0 / 1240	fixed	Y	1/2000s	10.0/s	Y	Y
3.		Canon G15	optical	n	3.0 / 922	fixed	n	1/4000s	2.1/s	Y	Y
4.		Canon G16	optical	n	3.0 / 922	fixed	n	1/4000s	2.2/s	Y	Y
5.		Fujifilm X10	optical	n	2.8 / 460	fixed	n	1/4000s	10.0/s	Y	Y
6.		Fujifilm X20	optical	n	2.8 / 460	fixed	n	1/4000s	12.0/s	Y	Y
7.		Panasonic FZ200	1312	n	3.0 / 460	swivel	n	1/4000s	12.0/s	Y	Y
8.		Panasonic FZ1000	2359	n	3.0 / 921	swivel	n	1/4000s	12.0/s	Y	Y
9.		Panasonic G3	1440	n	3.0 / 460	swivel	Y	1/4000s	4.0/s	Y	n
10.		Panasonic GF3	none	n	3.0 / 460	fixed	Y	1/4000s	3.2/s	Y	n
11.		Panasonic GF5	none	n	3.0 / 920	fixed	Y	1/4000s	4.0/s	Y	n
12.		Panasonic GX9	2760	n	3.0 / 1240	tilting	Y	1/4000s	9.0/s	Y	Y
13.		Panasonic LF1	200	n	3.0 / 920	fixed	n	1/4000s	10.0/s	Y	Y
14.		Panasonic LX5	optional	n	3.0 / 460	fixed	n	1/4000s	2.5/s	Y	Y
15.		Panasonic LX15	none	n	3.0 / 1040	tilting	Y	1/4000s	10.0/s	Y	Y
16.		Panasonic TZ90	1166	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
17.		Panasonic TZ100	1166	n	3.0 / 1040	fixed	Y	1/2000s	10.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The TZ200 has a touchscreen, while the LX7 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the TZ200 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic LX7 and the Panasonic TZ200 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Both the LX7 and the TZ200 have zoom lenses built in. The LX7 has a 24-90mm f/1.4-2.3 optic and the TZ200 offers a 24-360mm f/3.3-6.4 (focal lengths in full frame equivalent terms). Hence, the LX7 and TZ200 provide the same view at the wide-angle end, but the TZ200 has more tele-photo reach at the long end. The LX7 offers the faster maximum aperture.

Concerning the storage of imaging data, both the LX7 and the TZ200 write their files to SDXC cards. The TZ200 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the LX7 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LX7 and Panasonic Lumix DC-TZ200 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic LX7	Y	stereo / mono	-	-	mini	2.0	-	-	-
2.		Panasonic TZ200	-	stereo / mono	-	-	micro	2.0	Y	-	Y
3.		Canon G15	Y	stereo / mono	-	-	mini	2.0	-	-	-
4.		Canon G16	Y	stereo / mono	-	-	mini	2.0	Y	-	-
5.		Fujifilm X10	Y	stereo / mono	-	-	mini	2.0	-	-	-
6.		Fujifilm X20	Y	stereo / mono	-	-	micro	2.0	-	-	-
7.		Panasonic FZ200	Y	stereo / mono	Y	-	mini	2.0	-	-	-
8.		Panasonic FZ1000	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
9.		Panasonic G3	Y	stereo / mono	-	-	mini	2.0	-	-	-
10.		Panasonic GF3	-	stereo / mono	-	-	mini	2.0	-	-	-
11.		Panasonic GF5	-	stereo / mono	-	-	mini	2.0	-	-	-
12.		Panasonic GX9	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
13.		Panasonic LF1	-	stereo / mono	-	-	mini	2.0	Y	Y	-
14.		Panasonic LX5	Y	mono / mono	-	-	mini	2.0	-	-	-
15.		Panasonic LX15	-	stereo / mono	-	-	micro	2.0	Y	-	-
16.		Panasonic TZ90	-	stereo / mono	-	-	micro	2.0	Y	-	-
17.		Panasonic TZ100	-	stereo / mono	-	-	micro	2.0	Y	-	-

It is notable that the LX7 has a hotshoe, while the TZ200 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.

The TZ200 is a recent model that features in the current product line-up of Panasonic. In contrast, the LX7 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the LX7 was succeeded by the Panasonic LX10. Further information on the features and operation of the LX7 and TZ200 can be found, respectively, in the Panasonic LX7 Manual (free pdf) or the online Panasonic TZ200 Manual.

Review summary

So what is the bottom line? Is there a clear favorite between the Panasonic LX7 and the Panasonic TZ200? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Panasonic Lumix DMC-LX7:

• Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
• Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
• Better light gathering: Has a lens with a wider maximum aperture (f/1.4 vs f/3.3).
• Less heavy: Is lighter (by 42g or 12 percent) and hence easier to carry around.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• More affordable: Was introduced into a lower priced category (38 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in July 2012).

Arguments in favor of the Panasonic Lumix DC-TZ200:

• More detail: Has more megapixels (20 vs 10MP), which boosts linear resolution by 44%.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More detailed LCD: Has a higher resolution rear screen (1240k vs 920k dots).
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
• Longer lasting: Gets more shots (370 versus 330) out of a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More modern: Reflects 5 years and 6 months of technical progress since the LX7 launch.

If the count of relative strengths (bullet points above) is taken as a measure, the TZ200 is the clear winner of the contest (17 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic LX7 and the Panasonic TZ200 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the LX7 and the TZ200 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic LX7	3/5	+ +	..	75/100	4/5	4.5/5	Jul 2012	499	ebay.com
2.		Panasonic TZ200	..	+ +	4.5/5	81/100	4.5/5	4.5/5	Feb 2018	799	amazon.com
3.		Canon G15	4/5	+	..	76/100	4.5/5	4.5/5	Sep 2012	499	ebay.com
4.		Canon G16	4/5	+	..	..	4.5/5	4.5/5	Aug 2013	549	ebay.com
5.		Fujifilm X10	..	..	..	76/100	4/5	4.5/5	Sep 2011	599	ebay.com
6.		Fujifilm X20	4/5	+ +	..	77/100	4.5/5	5/5	Jan 2013	599	ebay.com
7.		Panasonic FZ200	3/5	+ +	..	80/100	4.5/5	4.5/5	Jul 2012	599	ebay.com
8.		Panasonic FZ1000	4/5	+ +	..	82/100	4.5/5	4.5/5	Jun 2014	899	ebay.com
9.		Panasonic G3	3/5	+ +	..	75/100	4.5/5	5/5	May 2011	599	ebay.com
10.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	549	ebay.com
11.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	499	ebay.com
12.		Panasonic GX9	4/5	+	4/5	84/100	4.5/5	4.5/5	Feb 2018	849	ebay.com
13.		Panasonic LF1	3/5	+	..	..	4/5	4.5/5	Apr 2013	499	ebay.com
14.		Panasonic LX5	4/5	+	..	73/100	4.5/5	4.5/5	Jul 2010	499	ebay.com
15.		Panasonic LX15	..	+ +	4/5	81/100	4/5	4.5/5	Sep 2016	699	amazon.com
16.		Panasonic TZ90	..	+ +	4/5	..	4/5	4/5	Apr 2017	449	ebay.com
17.		Panasonic TZ100	4.5/5	+ +	..	82/100	4.5/5	4.5/5	Jan 2016	699	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Check TZ200 price at
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Other camera comparisons

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