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Panasonic LX7 vs S1

The Panasonic Lumix DMC-LX7 and the Panasonic Lumix DC-S1 are two digital cameras that were revealed to the public, respectively, in July 2012 and February 2019. The LX7 is a fixed lens compact, while the S1 is a mirrorless interchangeable lens camera. The cameras are based on a 1/1.7-inch (LX7) and a full frame (S1) sensor. The LX7 has a resolution of 10 megapixels, whereas the S1 provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Panasonic LX7   Panasonic S1
Panasonic LX7 Panasonic S1
Fixed lens compact camera Mirrorless system camera
24-90mm f/1.4-2.3 Leica L mount lenses
10 MP, 1/1.7" Sensor 24 MP, Full Frame Sensor
1080/60p Video 4K/60p Video
ISO 80-6400 (80-12800) ISO 100-51200 (50-204800)
Viewfinder optional Electronic viewfinder (5760k dots)
3.0" LCD, 920k dots 3.2" LCD, 2100k dots
Fixed screen (not touch-sensitive) Fully flexible touchscreen
11 shutter flaps per second 9 shutter flaps per second
Lens-based stabilizationIn-body stabilization
Not weather sealedWeathersealed body
330 shots per battery charge400 shots per battery charge
111 x 68 x 46 mm, 298 g 149 x 110 x 97 mm, 1017 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LX7 and the Panasonic Lumix DC-S1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison: Panasonic LX7 vs S1

The side-by-side display below illustrates the physical size and weight of the Panasonic LX7 and the Panasonic S1. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

The LX7 can be obtained in two different colors (black, white), while the S1 is only available in black.

Size Panasonic LX7 vs Panasonic S1
Compare LX7 versus S1 top
Comparison LX7 or S1 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S1 is considerably larger (117 percent) than the Panasonic LX7. It is noteworthy in this context that the S1 is splash and dust-proof, while the LX7 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX7 has a lens built in, whereas the S1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the LX7 gets 330 shots out of its DMW-BCJ13 battery, while the S1 can take 400 images on a single charge of its DMW-BLJ31 power pack. The power pack in the S1 can be charged via the USB port, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Panasonic LX7» 4.4 in 2.7 in 1.8 in 10.5 oz 330 n Jul 2012 499- i Panasonic LX7
 
Panasonic S1« 5.9 in 4.3 in 3.8 in 35.9 oz 400 Y Feb 2019 2,499 i i Panasonic S1
 
Canon G16« » 4.3 in 3.0 in 1.6 in 12.6 oz 360 n Aug 2013 549 i i Canon G16
 
Canon G15« » 4.2 in 3.0 in 1.6 in 12.4 oz 350 n Sep 2012 499- i Canon G15
 
Fujifilm X20« » 4.6 in 2.8 in 2.2 in 12.5 oz 270 n Jan 2013 599- i Fujifilm X20
 
Fujifilm X10« » 4.6 in 2.8 in 2.2 in 12.3 oz 270 n Sep 2011 599- i Fujifilm X10
 
Leica SL« » 5.8 in 4.1 in 1.5 in 29.9 oz 400 Y Oct 2015 7,450 i i Leica SL
 
Nikon D600« » 5.6 in 4.4 in 3.2 in 30.0 oz 900 Y Sep 2012 2,099- i Nikon D600
 
Panasonic S1R« » 5.9 in 4.3 in 3.8 in 35.8 oz 380 Y Feb 2019 3,699 i i Panasonic S1R
 
Panasonic LF1« » 4.1 in 2.4 in 1.1 in 6.8 oz 250 n Apr 2013 499 i i Panasonic LF1
 
Panasonic FZ200« » 4.9 in 3.4 in 4.3 in 20.7 oz 540 n Jul 2012 599- i Panasonic FZ200
 
Panasonic GF5« » 4.3 in 2.6 in 1.5 in 9.4 oz 360 n Apr 2012 499- i Panasonic GF5
 
Panasonic G3« » 4.5 in 3.3 in 1.9 in 11.9 oz 270 n May 2011 599- i Panasonic G3
 
Panasonic GF3« » 4.3 in 2.6 in 1.3 in 9.3 oz 300 n Jun 2011 549- i Panasonic GF3
 
Panasonic LX5« » 4.3 in 2.6 in 1.7 in 9.6 oz 400 n Jul 2010 499- i Panasonic LX5
 
Sony A99 II« » 5.6 in 4.1 in 3.0 in 29.9 oz 490 Y Sep 2016 3,199 i i Sony A99 II
 
Sony A900« » 6.1 in 4.6 in 3.2 in 31.6 oz 880 Y Sep 2008 2,999- i Sony A900
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The LX7 was launched at a lower price than the S1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison: Panasonic LX7 vs S1

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic LX7 features a 1/1.7-inch sensor and the Panasonic S1 a full frame sensor. The sensor area in the S1 is 1917 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.65 and 1.0. The sensor in the LX7 has a native 4:3 aspect ratio, while the one in the S1 offers a 3:2 aspect. The LX7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

Panasonic LX7 and Panasonic S1 sensor measures

With 24MP, the S1 offers a higher resolution than the LX7 (10MP), but the S1 nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 2.05μm for the LX7) due to its larger sensor. Moreover, the S1 is a much more recent model (by 6 years and 6 months) than the LX7, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the S1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Panasonic S1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S1 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Panasonic LX7 are 18.2 x 13.7 inch or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inch or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inch or 30.9 x 23.2 cm for excellent quality prints.

Unlike the LX7, the S1 has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Panasonic Lumix DMC-LX7 has a native sensitivity range from ISO 80 to ISO 6400, which can be extended to ISO 80-12800. The corresponding ISO settings for the Panasonic Lumix DC-S1 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.

LX7 versus S1 MP

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the S1 offers substantially better image quality than the LX7 (overall score 45 points higher). The advantage is based on 4.5 bits higher color depth, 2.8 EV in additional dynamic range, and 4.5 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Panasonic LX7» 1/1.7 10.0 3648 27361080/60p20.711.714750Panasonic LX7
 
Panasonic S1« Full Frame 24.0 6000 40004K/60p25.214.5333395Panasonic S1
 
Canon G16« » 1/1.7 12.0 4000 30001080/60p21.011.723054Canon G16
 
Canon G15« » 1/1.7 12.0 4000 30001080/24p19.911.516546Canon G15
 
Fujifilm X20« » 2/3 12.0 4000 30001080/60p----Fujifilm X20
 
Fujifilm X10« » 2/3 12.0 4000 30001080/30p20.511.324550Fujifilm X10
 
Leica SL« » Full Frame 24.0 6000 40004K/30p25.013.4182188Leica SL
 
Nikon D600« » Full Frame 24.2 6016 40161080/30p25.114.2298094Nikon D600
 
Panasonic S1R« » Full Frame 46.7 8368 55844K/60p26.414.13525100Panasonic S1R
 
Panasonic LF1« » 1/1.7 12.0 4000 30001080/60i20.811.621152Panasonic LF1
 
Panasonic FZ200« » 1/2.3 12.0 4000 30001080/60p19.110.811437Panasonic FZ200
 
Panasonic GF5« » Four Thirds 12.0 4000 30001080/60i21.411.661861Panasonic GF5
 
Panasonic G3« » Four Thirds 15.8 4592 34481080/60i21.010.666756Panasonic G3
 
Panasonic GF3« » Four Thirds 12.0 4000 30001080/60i20.610.045849Panasonic GF3
 
Panasonic LX5« » 1/1.7 10.0 3648 2736720/60p19.610.813241Panasonic LX5
 
Sony A99 II« » Full Frame 42.2 7952 53044K/30p25.413.4231792Sony A99 II
 
Sony A900« » Full Frame 24.4 6048 4032-23.712.3143179Sony A900

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the S1 provides a better video resolution than the LX7. It can shoot movie footage at 4K/60p, while the LX7 is limited to 1080/60p.

 

Feature comparison: Panasonic LX7 vs S1

Apart from body and sensor, cameras can and do differ across a range of features. For example, the S1 has an electronic viewfinder (5760k dots), which can be very helpful when shooting in bright sunlight. In contrast, the LX7 relies on live view and the rear LCD for framing. That said, the LX7 can be equipped with an optional viewfinder – the DMW-LVF2. The following table reports on some other key feature differences and similarities of the Panasonic LX7, the Panasonic S1, and comparable cameras.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Panasonic LX7»- n 3.0 920 fixed n 1/4000s 11.0 Y Y Panasonic LX7
 
Panasonic S1«5760 Y 3.2 2100 full-flex Y 1/8000s 9.0 n Y Panasonic S1
 
Canon G16« »optical n 3.0 922 fixed n 1/4000s 2.2 Y Y Canon G16
 
Canon G15« »optical n 3.0 922 fixed n 1/4000s 2.1 Y Y Canon G15
 
Fujifilm X20« »optical n 2.8 460 fixed n 1/4000s 12.0 Y Y Fujifilm X20
 
Fujifilm X10« »optical n 2.8 460 fixed n 1/4000s 10.0 Y Y Fujifilm X10
 
Leica SL« »4400 Y 3.0 1040 fixed Y 1/8000s 11.0 n n Leica SL
 
Nikon D600« »optical Y 3.0 921 fixed n 1/4000s 5.5 Y n Nikon D600
 
Panasonic S1R« »5760 Y 3.2 2100 full-flex Y 1/8000s 9.0 n Y Panasonic S1R
 
Panasonic LF1« »200 n 3.0 920 fixed n 1/4000s 10.0 Y Y Panasonic LF1
 
Panasonic FZ200« »1312 n 3.0 460 swivel n 1/4000s 12.0 Y Y Panasonic FZ200
 
Panasonic GF5« »- n 3.0 920 fixed Y 1/4000s 4.0 Y n Panasonic GF5
 
Panasonic G3« »1440 n 3.0 460 swivel Y 1/4000s 4.0 Y n Panasonic G3
 
Panasonic GF3« »- n 3.0 460 fixed Y 1/4000s 3.2 Y n Panasonic GF3
 
Panasonic LX5« »- n 3.0 460 fixed n 1/4000s 2.5 Y Y Panasonic LX5
 
Sony A99 II« »2400 Y 3.0 1229 full-flex n 1/8000s 12.0 n Y Sony A99 II
 
Sony A900« »optical Y 3.0 922 fixed n 1/8000s 5.0 n Y Sony A900

One difference between the cameras concerns the presence of an on-board flash. The LX7 has one, while the S1 does not. While the built-in flash of the LX7 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic LX7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The LX7 writes its imaging data to SDXC cards, while the S1 uses SDHC or XQD cards. The S1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the LX7 only has one slot. The S1 supports UHS-II cards (on both slots), while the LX7 cannot take advantage of Ultra High Speed SD cards.

 

Connectivity comparison: Panasonic LX7 vs S1

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LX7 and Panasonic Lumix DC-S1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Panasonic LX7»Ystereomono--mini2.0---Panasonic LX7
 
Panasonic S1«YstereomonoYYfull3.1Y-YPanasonic S1
 
Canon G16« »Ystereomono--mini2.0Y--Canon G16
 
Canon G15« »Ystereomono--mini2.0---Canon G15
 
Fujifilm X20« »Ystereomono--micro2.0---Fujifilm X20
 
Fujifilm X10« »Ystereomono--mini2.0---Fujifilm X10
 
Leica SL« »YstereomonoYYfull3.0Y--Leica SL
 
Nikon D600« »YmonomonoYYmini2.0---Nikon D600
 
Panasonic S1R« »YstereomonoYYfull3.1Y-YPanasonic S1R
 
Panasonic LF1« »-stereomono--mini2.0YY-Panasonic LF1
 
Panasonic FZ200« »YstereomonoY-mini2.0---Panasonic FZ200
 
Panasonic GF5« »-stereomono--mini2.0---Panasonic GF5
 
Panasonic G3« »Ystereomono--mini2.0---Panasonic G3
 
Panasonic GF3« »-stereomono--mini2.0---Panasonic GF3
 
Panasonic LX5« »Ymonomono--mini2.0---Panasonic LX5
 
Sony A99 II« »YstereomonoYYmicro2.0YYYSony A99 II
 
Sony A900« »Y----mini2.0---Sony A900

It is notable that the S1 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the LX7 does not offer wifi capability.

Studio photographers will appreciate that the Panasonic S1 (unlike the LX7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The S1 is a recent model that features in the current product line-up of Panasonic. In contrast, the LX7 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the LX7 was succeeded by the Panasonic LX10. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.


Review summary: Panasonic LX7 vs S1

So what conclusions can be drawn? Which of the two cameras – the Panasonic LX7 or the Panasonic S1 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.


Reasons to prefer the Panasonic Lumix DMC-LX7:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
  • Faster burst: Shoots at higher frequency (11 vs 9 flaps/sec) to capture the decisive moment.
  • Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
  • Ready to shoot: Has a lens built-in, whereas the S1 requires a separate lens.
  • More compact: Is smaller (111x68mm vs 149x110mm) and thus needs less room in the bag.
  • Less heavy: Is lighter even though it comes with a built-in lens (unlike the S1).
  • Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
  • More affordable: Was introduced at a lower price, despite coming with a built-in lens.
  • More heavily discounted: Has been available for much longer (launched in July 2012).


Arguments in favor of the Panasonic Lumix DC-S1:

  • More detail: Has more megapixels (24 vs 10MP), which boosts linear resolution by 58%.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • Better image quality: Scores substantially higher (45 points) in the DXO overall evaluation.
  • Richer colors: Generates noticeably more natural colors (4.5 bits more color depth).
  • More dynamic range: Captures a broader range of light and dark details (2.8 EV of extra DR).
  • Better low-light sensitivity: Can shoot in dim conditions (4.5 stops ISO advantage).
  • Better video: Provides higher definition movie capture (4K/60p vs 1080/60p).
  • Better sound: Can connect to an external microphone for higher quality sound recording.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • Easier framing: Has an electronic viewfinder for image framing and settings control.
  • Easier setting verification: Features a control panel on top to check shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2100k vs 920k dots).
  • More flexible LCD: Has full-flex screen for odd-angle shots in portrait or landscape orientation.
  • Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
  • Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
  • Longer lasting: Gets more shots (400 versus 330) out of a single battery charge.
  • Easier travel charging: Can be conveniently charged via its USB port.
  • Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
  • Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
  • Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
  • Easier wireless transfer: Supports Bluetooth for image sharing without cables.
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
  • More modern: Reflects 6 years and 6 months of technical progress since the LX7 launch.

If the number of relative strengths (bullet points above) is taken as a guide, the S1 is the clear winner of the contest (29 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

LX7 10:29 S1

How about other alternatives? Do the specifications of the Panasonic LX7 and the Panasonic S1 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the LX7 or the S1. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews: Panasonic LX7 vs S1

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Panasonic LX7»+ +75/1004/55/54.5/5 Jul 2012 499- i Panasonic LX7
 
Panasonic S1«+ +88/1004.5/5-4/5 Feb 2019 2,499 i i Panasonic S1
 
Canon G16« »+-4.5/54.5/54.5/5 Aug 2013 549 i i Canon G16
 
Canon G15« »+76/1004.5/54.5/54.5/5 Sep 2012 499- i Canon G15
 
Fujifilm X20« »+ +77/1004.5/5-5/5 Jan 2013 599- i Fujifilm X20
 
Fujifilm X10« »-76/1004/53.5/54.5/5 Sep 2011 599- i Fujifilm X10
 
Leica SL« »-84/1004.5/54/54/5 Oct 2015 7,450 i i Leica SL
 
Nikon D600« »+ +87/1005/54.5/54.5/5 Sep 2012 2,099- i Nikon D600
 
Panasonic S1R« »--4.5/5-4.5/5 Feb 2019 3,699 i i Panasonic S1R
 
Panasonic LF1« »+-4/5-4.5/5 Apr 2013 499 i i Panasonic LF1
 
Panasonic FZ200« »+ +80/1004.5/54.5/54.5/5 Jul 2012 599- i Panasonic FZ200
 
Panasonic GF5« »--4.5/54/54.5/5 Apr 2012 499- i Panasonic GF5
 
Panasonic G3« »+ +75/1004.5/54.5/55/5 May 2011 599- i Panasonic G3
 
Panasonic GF3« »82/10071/1004.5/54.5/54/5 Jun 2011 549- i Panasonic GF3
 
Panasonic LX5« »+73/1004.5/55/54.5/5 Jul 2010 499- i Panasonic LX5
 
Sony A99 II« »-85/1004.5/54.5/54.5/5 Sep 2016 3,199 i i Sony A99 II
 
Sony A900« »+ ++ +4.5/54/55/5 Sep 2008 2,999- i Sony A900
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Panasonic LX7:
Check Ebay offers
Panasonic S1:
Check Amazon price

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

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    Specifications: Panasonic LX7 vs Panasonic S1

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Panasonic LX7 Panasonic S1
    Camera Type Fixed lens compact camera Mirrorless system camera
    Camera Lens 24-90mm f/1.4-2.3 Leica L mount lenses
    Launch Date July 2012 February 2019
    Launch Price USD 499 USD 2499
    Sensor Specs Panasonic LX7 Panasonic S1
    Sensor Technology CMOS CMOS
    Sensor Format 1/1.7" Sensor Full Frame Sensor
    Sensor Size 7.44 x 5.58 mm 35.6 x 23.8 mm
    Sensor Area 41.5152 mm2 847.28 mm2
    Sensor Diagonal 9.3 mm 42.8 mm
    Crop Factor 4.65x 1.0x
    Sensor Resolution 10 Megapixels 24 Megapixels
    Image Resolution 3648 x 2736 pixels 6000 x 4000 pixels
    Pixel Pitch 2.05 μm 5.94 μm
    Pixel Density 24.04 MP/cm2 2.83 MP/cm2
    Moiré control Anti-Alias filter no AA filter
    Movie Capability 1080/60p Video 4K/60p Video
    ISO Setting 80-6400 ISO 100-51200 ISO
    ISO Boost 80-12800 ISO 50-204800 ISO
    Image Processor Venus Venus
    DXO Sensor Quality (score) 50 95
    DXO Color Depth (bits) 20.7 25.2
    DXO Dynamic Range (EV) 11.7 14.5
    DXO Low Light (ISO) 147 3333
    Screen Specs Panasonic LX7 Panasonic S1
    Viewfinder Type Viewfinder optional Electronic viewfinder
    Viewfinder Field of View 100%
    Viewfinder Magnification 0.78x
    Viewfinder Resolution 5760k dots
    Top-Level Screen no Top Display Control Panel
    LCD Framing Live View Live View
    Rear LCD Size 3.0 inch 3.2 inch
    LCD Resolution 920k dots 2100k dots
    LCD Attachment Fixed screen Fully flexible screen
    Touch Input no Touchscreen Touchscreen
    Shooting Specs Panasonic LX7 Panasonic S1
    Autofocus System Contrast-detect AF Contrast-detect AF
    Manual Focusing AidNo Peaking FeatureFocus Peaking
    Max Shutter Speed (mechanical) 1/4000/s 1/8000/s
    Continuous Shooting 11 shutter flaps/s 9 shutter flaps/s
    Electronic Shutterno E-Shutterup to 1/8000s
    Time-Lapse PhotographyIntervalometer built-inno Intervalometer
    Image StabilizationLens-based stabilizationIn-body stabilization
    Fill Flash Build-in Flash no On-Board Flash
    Storage Medium SDXC cards SDXC or XQD cards
    Second Storage Option Single card slot Dual card slots
    UHS card support no Dual UHS-II
    Connectivity Specs Panasonic LX7 Panasonic S1
    External Flash Hotshoe Hotshoe
    Studio Flash no PC Sync PC Sync socket
    USB Connector USB 2.0 USB 3.1
    HDMI Port mini HDMI full HDMI
    Microphone Port no MIC socket External MIC port
    Headphone Socket no Headphone port Headphone port
    Wifi Support no Wifi Wifi built-in
    Bluetooth Support no Bluetooth Bluetooth built-in
    Body Specs Panasonic LX7 Panasonic S1
    Environmental SealingNot weather sealedWeathersealed body
    Battery Type DMW-BCJ13 power pack DMW-BLJ31 power pack
    Battery Life (CIPA)330 shots per charge400 shots per charge
    In-Camera Charging no USB charging USB charging
    Body Dimensions 111 x 68 x 46 mm
    (4.4 x 2.7 x 1.8 in)
    149 x 110 x 97 mm
    (5.9 x 4.3 x 3.8 in)
    Camera Weight 298 g (10.5 oz) 1017 g (35.9 oz)

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