Panasonic LX5 vs Sony RX10 II
The Panasonic Lumix DMC-LX5 and the Sony Cyber-shot DSC-RX10 II are two digital cameras that were announced, respectively, in July 2010 and June 2015. Both the LX5 and the RX10 II are fixed lens compact cameras that are based on a 1/1.7-inch (LX5) and an one-inch (RX10 II) sensor. The Panasonic has a resolution of 10 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LX5 and the Sony Cyber-shot DSC-RX10 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Panasonic LX5 and the Sony RX10 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The LX5 can be obtained in two different colors (black, white), while the RX10 II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX10 II is considerably larger (59 percent) than the Panasonic LX5. Moreover, the RX10 II is substantially heavier (200 percent) than the LX5. It is noteworthy in this context that the RX10 II is splash and dust-proof, while the LX5 does not feature any corresponding weather-sealing.
The power pack in the RX10 II can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic LX5 | 110 mm | 65 mm | 43 mm | 271 g | 400 | n | Jul 2010 | 499 | ebay.com | |
2. | Sony RX10 II | 129 mm | 88 mm | 102 mm | 813 g | 400 | Y | Jun 2015 | 1,299 | ebay.com | |
3. | Canon 80D | 139 mm | 105 mm | 79 mm | 730 g | 960 | Y | Feb 2016 | 1,199 | ebay.com | |
4. | Canon G3 X | 123 mm | 77 mm | 105 mm | 733 g | 300 | Y | Jun 2015 | 999 | ebay.com | |
5. | Canon G12 | 112 mm | 76 mm | 48 mm | 401 g | 370 | n | Sep 2010 | 499 | ebay.com | |
6. | Fujifilm X10 | 117 mm | 70 mm | 57 mm | 350 g | 270 | n | Sep 2011 | 599 | ebay.com | |
7. | Leica D-LUX 5 | 110 mm | 65 mm | 43 mm | 271 g | 400 | n | Sep 2010 | 699 | ebay.com | |
8. | Olympus XZ-1 | 111 mm | 65 mm | 42 mm | 275 g | 320 | n | Jan 2011 | 499 | ebay.com | |
9. | Panasonic ZS70 | 112 mm | 67 mm | 41 mm | 322 g | 380 | n | Apr 2017 | 449 | ebay.com | |
10. | Panasonic FZ200 | 125 mm | 87 mm | 110 mm | 588 g | 540 | n | Jul 2012 | 599 | ebay.com | |
11. | Panasonic LX7 | 111 mm | 68 mm | 46 mm | 298 g | 330 | n | Jul 2012 | 499 | ebay.com | |
12. | Panasonic FZ150 | 124 mm | 82 mm | 92 mm | 528 g | 410 | n | Aug 2011 | 499 | ebay.com | |
13. | Panasonic GF3 | 108 mm | 67 mm | 32 mm | 264 g | 300 | n | Jun 2011 | 549 | ebay.com | |
14. | Panasonic GF2 | 113 mm | 68 mm | 33 mm | 310 g | 300 | n | Nov 2010 | 549 | ebay.com | |
15. | Sony RX10 III | 133 mm | 94 mm | 127 mm | 1051 g | 420 | Y | Mar 2016 | 1,499 | ebay.com | |
16. | Sony RX100 IV | 102 mm | 58 mm | 41 mm | 298 g | 280 | n | Jun 2015 | 999 | ebay.com | |
17. | Sony RX10 | 129 mm | 88 mm | 102 mm | 813 g | 420 | Y | Oct 2013 | 1,299 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The LX5 was launched at a markedly lower price (by 62 percent) than the RX10 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic LX5 features a 1/1.7-inch sensor and the Sony RX10 II an one-inch sensor. The sensor area in the RX10 II is 152 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.4 and 2.7. The sensor in the LX5 has a native 4:3 aspect ratio, while the one in the RX10 II offers a 3:2 aspect. The LX5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 20MP, the RX10 II offers a higher resolution than the LX5 (10MP), but the RX10 II nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 2.14μm for the LX5) due to its larger sensor. Moreover, the RX10 II is a much more recent model (by 4 years and 10 months) than the LX5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony RX10 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RX10 II for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Panasonic LX5 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Panasonic Lumix DMC-LX5 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-12800. The corresponding ISO settings for the Sony Cyber-shot DSC-RX10 II are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 64-25600.
In terms of underlying technology, the LX5 is build around a CCD sensor, while the RX10 II uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the RX10 II offers substantially better image quality than the LX5 (overall score 29 points higher). The advantage is based on 3.4 bits higher color depth, 1.8 EV in additional dynamic range, and 2 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic LX5 | 1/1.7 | 10.0 | 3648 | 2736 | 720/60p | 19.6 | 10.8 | 132 | 41 | |
2. | Sony RX10 II | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 23.0 | 12.6 | 531 | 70 | |
3. | Canon 80D | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.6 | 13.2 | 1135 | 79 | |
4. | Canon G3 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.4 | 12.3 | 521 | 63 | |
5. | Canon G12 | 1/1.7 | 10.0 | 3648 | 2736 | 720/24p | 20.4 | 11.2 | 161 | 47 | |
6. | Fujifilm X10 | 2/3 | 12.0 | 4000 | 3000 | 1080/30p | 20.5 | 11.3 | 245 | 50 | |
7. | Leica D-LUX 5 | 1/1.7 | 10.0 | 3648 | 2736 | 720/60p | 19.5 | 10.4 | -583 | 39 | |
8. | Olympus XZ-1 | 1/1.7 | 10.1 | 3664 | 2752 | 720/30p | 18.8 | 10.4 | 117 | 34 | |
9. | Panasonic ZS70 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 19.1 | 10.6 | 106 | 36 | |
10. | Panasonic FZ200 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.1 | 10.8 | 114 | 37 | |
11. | Panasonic LX7 | 1/1.7 | 10.0 | 3648 | 2736 | 1080/60p | 20.7 | 11.7 | 147 | 50 | |
12. | Panasonic FZ150 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.4 | 10.9 | 132 | 40 | |
13. | Panasonic GF3 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.6 | 10.1 | 459 | 50 | |
14. | Panasonic GF2 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 21.2 | 10.3 | 506 | 54 | |
15. | Sony RX10 III | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 23.1 | 12.6 | 472 | 70 | |
16. | Sony RX100 IV | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.6 | 591 | 70 | |
17. | Sony RX10 | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 22.9 | 12.6 | 474 | 69 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the RX10 II provides a better video resolution than the LX5. It can shoot movie footage at 4K/30p, while the Panasonic is limited to 720/60p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the RX10 II has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the LX5 relies on live view and the rear LCD for framing. That said, the LX5 can be equipped with an optional viewfinder – the DMW-LVF1. The following table reports on some other key feature differences and similarities of the Panasonic LX5, the Sony RX10 II, and comparable cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic LX5 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 2.5/s | Y | Y | |
2. | Sony RX10 II | 2359 | Y | 3.0 / 1229 | tilting | n | 1/3200s | 14.0/s | Y | Y | |
3. | Canon 80D | optical | Y | 3.0 / 1040 | swivel | Y | 1/8000s | 7.0/s | Y | n | |
4. | Canon G3 X | optional | n | 3.2 / 1620 | tilting | Y | 1/2000s | 5.9/s | Y | Y | |
5. | Canon G12 | optical | n | 2.8 / 461 | swivel | n | 1/4000s | 1.1/s | Y | Y | |
6. | Fujifilm X10 | optical | n | 2.8 / 460 | fixed | n | 1/4000s | 10.0/s | Y | Y | |
7. | Leica D-LUX 5 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 2.5/s | Y | Y | |
8. | Olympus XZ-1 | optional | n | 3.0 / 614 | fixed | n | 1/2000s | 2.0/s | Y | Y | |
9. | Panasonic ZS70 | 1166 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
10. | Panasonic FZ200 | 1312 | n | 3.0 / 460 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
11. | Panasonic LX7 | optional | n | 3.0 / 920 | fixed | n | 1/4000s | 11.0/s | Y | Y | |
12. | Panasonic FZ150 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 12.0/s | Y | Y | |
13. | Panasonic GF3 | none | n | 3.0 / 460 | fixed | Y | 1/4000s | 3.2/s | Y | n | |
14. | Panasonic GF2 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 2.6/s | Y | n | |
15. | Sony RX10 III | 2359 | Y | 3.0 / 1229 | tilting | n | 1/2000s | 14.0/s | Y | Y | |
16. | Sony RX100 IV | 2359 | n | 3.0 / 1228 | tilting | n | 1/2000s | 16.0/s | Y | Y | |
17. | Sony RX10 | 1440 | Y | 3.0 / 1229 | tilting | n | 1/3200s | 10.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the RX10 II, but is missing on the LX5 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the RX10 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Both the LX5 and the RX10 II have zoom lenses built in. The LX5 has a 24-90mm f/2.0-3.3 optic and the RX10 II offers a 24-200mm f/2.8-2.8 (focal lengths in full frame equivalent terms). Hence, the Panasonic and Sony provide the same view at the wide-angle end, but the Sony has more tele-photo reach at the long end. The LX5 offers the faster maximum aperture.
The LX5 writes its imaging data to SDXC cards, while the RX10 II uses SDXC or Memory Stick PRO Duo cards. The RX10 II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the LX5 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LX5 and Sony Cyber-shot DSC-RX10 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic LX5 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
2. | Sony RX10 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
3. | Canon 80D | Y | stereo / mono | Y | Y | mini | 2.0 | Y | Y | - | |
4. | Canon G3 X | Y | stereo / mono | Y | Y | mini | 2.0 | Y | Y | - | |
5. | Canon G12 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
6. | Fujifilm X10 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
7. | Leica D-LUX 5 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
8. | Olympus XZ-1 | Y | mono / - | - | - | mini | 2.0 | - | - | - | |
9. | Panasonic ZS70 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
10. | Panasonic FZ200 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
11. | Panasonic LX7 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
12. | Panasonic FZ150 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
13. | Panasonic GF3 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
14. | Panasonic GF2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
15. | Sony RX10 III | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
16. | Sony RX100 IV | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
17. | Sony RX10 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - |
It is notable that the RX10 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the LX5 does not provide wifi capability.
Both the LX5 and the RX10 II have been discontinued, but can regularly be found used on ebay. The LX5 was replaced by the Panasonic LX7, while the RX10 II was followed by the Sony RX10 III. Further information on the features and operation of the LX5 and RX10 II can be found, respectively, in the Panasonic LX5 Manual (free pdf) or the online Sony RX10 II Manual.
Review summary
So what conclusions can be drawn? Which of the two cameras – the Panasonic LX5 or the Sony RX10 II – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Panasonic Lumix DMC-LX5:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/3200s) to freeze action.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.0 vs f/2.8).
- More compact: Is smaller (110x65mm vs 129x88mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 542g or 67 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (62 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in July 2010).
Reasons to prefer the Sony Cyber-shot DSC-RX10 II:
- More detail: Has more megapixels (20 vs 10MP), which boosts linear resolution by 44%.
- Better image quality: Scores substantially higher (29 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.4 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.8 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 720/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (14 vs 2.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 4 years and 10 months of technical progress since the LX5 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the RX10 II is the clear winner of the contest (21 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic LX5 and the Sony RX10 II place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the LX5 and the RX10 II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic LX5 | 4/5 | + | .. | 73/100 | 4.5/5 | 4.5/5 | Jul 2010 | 499 | ebay.com | |
2. | Sony RX10 II | 5/5 | + + | .. | 82/100 | 4.5/5 | 4/5 | Jun 2015 | 1,299 | ebay.com | |
3. | Canon 80D | 4/5 | + + | 4.5/5 | 84/100 | 4.5/5 | 4.5/5 | Feb 2016 | 1,199 | ebay.com | |
4. | Canon G3 X | 3.5/5 | + | .. | .. | 4.5/5 | 4/5 | Jun 2015 | 999 | ebay.com | |
5. | Canon G12 | 4/5 | + | .. | 73/100 | 4.5/5 | 4.5/5 | Sep 2010 | 499 | ebay.com | |
6. | Fujifilm X10 | .. | .. | .. | 76/100 | 4/5 | 4.5/5 | Sep 2011 | 599 | ebay.com | |
7. | Leica D-LUX 5 | .. | .. | .. | .. | 4.5/5 | 4/5 | Sep 2010 | 699 | ebay.com | |
8. | Olympus XZ-1 | 4/5 | .. | .. | 74/100 | 4.5/5 | 4.5/5 | Jan 2011 | 499 | ebay.com | |
9. | Panasonic ZS70 | .. | + + | .. | .. | 4/5 | 4/5 | Apr 2017 | 449 | ebay.com | |
10. | Panasonic FZ200 | 3/5 | + + | .. | 80/100 | 4.5/5 | 4.5/5 | Jul 2012 | 599 | ebay.com | |
11. | Panasonic LX7 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Jul 2012 | 499 | ebay.com | |
12. | Panasonic FZ150 | 3/5 | + + | .. | 76/100 | 4/5 | 4.5/5 | Aug 2011 | 499 | ebay.com | |
13. | Panasonic GF3 | 3/5 | 82/100 | .. | 71/100 | 4.5/5 | 4/5 | Jun 2011 | 549 | ebay.com | |
14. | Panasonic GF2 | 3/5 | 82/100 | .. | 70/100 | 4.5/5 | 4.5/5 | Nov 2010 | 549 | ebay.com | |
15. | Sony RX10 III | 5/5 | + | .. | 84/100 | 4.5/5 | 4.5/5 | Mar 2016 | 1,499 | ebay.com | |
16. | Sony RX100 IV | 4.5/5 | + + | .. | 85/100 | 4/5 | 4.5/5 | Jun 2015 | 999 | ebay.com | |
17. | Sony RX10 | 5/5 | + | .. | 80/100 | 4.5/5 | 4.5/5 | Oct 2013 | 1,299 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D Mark II vs Panasonic LX5
- Canon 650D vs Panasonic LX5
- Canon G15 vs Panasonic LX5
- Fujifilm X-T20 vs Sony RX10 II
- Leica CL vs Panasonic LX5
- Leica X Vario vs Sony RX10 II
- Olympus E-5 vs Sony RX10 II
- Olympus E-PL7 vs Sony RX10 II
- Olympus TG-5 vs Sony RX10 II
- Panasonic LX5 vs Panasonic ZS100
- Panasonic LX5 vs Pentax K-3
- Sony A6100 vs Sony RX10 II
Specifications: Panasonic LX5 vs Sony RX10 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic LX5 | Sony RX10 II |
---|---|---|
Camera Type | Fixed lens compact camera | Fixed lens compact camera |
Camera Lens | 24-90mm f/2.0-3.3 | 24-200mm f/2.8 |
Launch Date | July 2010 | June 2015 |
Launch Price | USD 499 | USD 1,299 |
Sensor Specs | Panasonic LX5 | Sony RX10 II |
Sensor Technology | CCD | BSI-CMOS |
Sensor Format | 1/1.7" Sensor | 1" Sensor |
Sensor Size | 7.85 x 5.89 mm | 13.2 x 8.8 mm |
Sensor Area | 46.2365 mm2 | 116.16 mm2 |
Sensor Diagonal | 9.8 mm | 15.9 mm |
Crop Factor | 4.4x | 2.7x |
Sensor Resolution | 10 Megapixels | 20 Megapixels |
Image Resolution | 3648 x 2736 pixels | 5472 x 3648 pixels |
Pixel Pitch | 2.14 μm | 2.41 μm |
Pixel Density | 21.59 MP/cm2 | 17.18 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 720/60p Video | 4K/30p Video |
ISO Setting | 80 - 3,200 ISO | 100 - 12,800 ISO |
ISO Boost | 80 - 12,800 ISO | 64 - 25,600 ISO |
Image Processor | Venus FHD | BIONZ X |
DXO Sensor Quality (score) | 41 | 70 |
DXO Color Depth (bits) | 19.6 | 23.0 |
DXO Dynamic Range (EV) | 10.8 | 12.6 |
DXO Low Light (ISO) | 132 | 531 |
Screen Specs | Panasonic LX5 | Sony RX10 II |
Viewfinder Type | Viewfinder optional | Electronic viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.70x | |
Viewfinder Resolution | 2359k dots | |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 460k dots | 1229k dots |
LCD Attachment | Fixed screen | Tilting screen |
Shooting Specs | Panasonic LX5 | Sony RX10 II |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/3200s |
Continuous Shooting | 2.5 shutter flaps/s | 14 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/32000s |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | no | UHS-I |
Connectivity Specs | Panasonic LX5 | Sony RX10 II |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | no Wifi | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Body Specs | Panasonic LX5 | Sony RX10 II |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Panasonic DMW-BCJ13 | Sony NP-FW50 |
Battery Life (CIPA) | 400 shots per charge | 400 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
110 x 65 x 43 mm (4.3 x 2.6 x 1.7 in) |
129 x 88 x 102 mm (5.1 x 3.5 x 4.0 in) |
Camera Weight | 271 g (9.6 oz) | 813 g (28.7 oz) |
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