Panasonic LX5 vs Sony HX99
The Panasonic Lumix DMC-LX5 and the Sony Cyber-shot DSC-HX99 are two digital cameras that were revealed to the public, respectively, in July 2010 and August 2018. Both the LX5 and the HX99 are fixed lens compact cameras that are based on a 1/1.7-inch (LX5) and a 1/2.3-inch (HX99) sensor. The Panasonic has a resolution of 10 megapixels, whereas the Sony provides 18 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic LX5||Sony HX99|
|Fixed lens compact camera||Fixed lens compact camera|
|24-90mm f/2.0-3.3||24-720mm f/3.5-6.4|
|10 MP, 1/1.7" Sensor||18 MP, 1/2.3" Sensor|
|720/60p Video||4K/30p Video|
|ISO 80-3200 (80-12800)||ISO 80-3200 (80-6400)|
|Viewfinder optional||Electronic viewfinder (638k dots)|
|3.0" LCD, 460k dots||3.0" LCD, 922k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|2.5 shutter flaps per second||10 shutter flaps per second|
|400 shots per battery charge||370 shots per battery charge|
|110 x 65 x 43 mm, 271 g||102 x 58 x 36 mm, 242 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LX5 and the Sony Cyber-shot DSC-HX99? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Panasonic LX5 vs Sony HX99
The physical size and weight of the Panasonic LX5 and the Sony HX99 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The LX5 can be obtained in two different colors (black, white), while the HX99 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony HX99 is notably smaller (17 percent) than the Panasonic LX5. Moreover, the HX99 is markedly lighter (11 percent) than the LX5. In this context, it is worth noting that neither the LX5 nor the HX99 are weather-sealed.
Concerning battery life, the LX5 gets 400 shots out of its DMW-BCJ13 battery, while the HX99 can take 370 images on a single charge of its NP-BX1 power pack. The power pack in the HX99 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Panasonic LX5»||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Jul 2010||499||-||Panasonic LX5|
|Sony HX99«||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||449||Sony HX99|
|Canon SX730« »||4.3 in||2.5 in||1.6 in||10.6 oz||250||n||Apr 2017||399||-||Canon SX730|
|Canon G12« »||4.4 in||3.0 in||1.9 in||14.1 oz||370||n||Sep 2010||499||-||Canon G12|
|Fujifilm X10« »||4.6 in||2.8 in||2.2 in||12.3 oz||270||n||Sep 2011||599||-||Fujifilm X10|
|Leica D-LUX 5« »||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Sep 2010||699||-||Leica D-LUX 5|
|Nikon W300« »||4.4 in||2.6 in||1.1 in||8.1 oz||280||Y||May 2017||389||Nikon W300|
|Olympus XZ-1« »||4.4 in||2.6 in||1.7 in||9.7 oz||320||n||Jan 2011||499||-||Olympus XZ-1|
|Panasonic ZS70« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||-||Panasonic ZS70|
|Panasonic FZ200« »||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Jul 2012||599||-||Panasonic FZ200|
|Panasonic LX7« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Jul 2012||499||-||Panasonic LX7|
|Panasonic FZ150« »||4.9 in||3.2 in||3.6 in||18.6 oz||410||n||Aug 2011||499||-||Panasonic FZ150|
|Panasonic GF3« »||4.3 in||2.6 in||1.3 in||9.3 oz||300||n||Jun 2011||549||-||Panasonic GF3|
|Panasonic GF2« »||4.4 in||2.7 in||1.3 in||10.9 oz||300||n||Nov 2010||549||-||Panasonic GF2|
|Sony HX95« »||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||429||Sony HX95|
|Sony WX800« »||4.0 in||2.3 in||1.4 in||8.2 oz||370||n||Oct 2018||399||Sony WX800|
|Sony HX400V« »||5.1 in||3.7 in||4.1 in||23.3 oz||300||n||Feb 2014||499||Sony HX400V|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The HX99 was somewhat cheaper (by 10 percent) than the LX5 at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic LX5 vs Sony HX99
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic LX5 features a 1/1.7-inch sensor and the Sony HX99 a 1/2.3-inch sensor. The sensor area in the HX99 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.4 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3. The LX5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
Despite having a smaller sensor, the HX99 offers a higher resolution of 18 megapixels, compared with 10 MP of the LX5. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.25μm versus 2.14μm for the LX5). However, it should be noted that the HX99 is much more recent (by 8 years and 1 month) than the LX5, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the HX99 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony HX99 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the HX99 for good quality output (200 dots per inch) amounts to 24.5 x 18.4 inch or 62.2 x 46.6 cm, for very good quality (250 dpi) 19.6 x 14.7 inch or 49.7 x 37.3 cm, and for excellent quality (300 dpi) 16.3 x 12.2 inch or 41.5 x 31.1 cm. The corresponding values for the Panasonic LX5 are 18.2 x 13.7 inch or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inch or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inch or 30.9 x 23.2 cm for excellent quality prints.
The Panasonic Lumix DMC-LX5 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-12800. The corresponding ISO settings for the Sony Cyber-shot DSC-HX99 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic LX5»||1/1.7||10.0||3648||2736||720/60p||19.6||10.8||132||41||Panasonic LX5|
|Sony HX99«||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony HX99|
|Canon SX730« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX730|
|Canon G12« »||1/1.7||10.0||3648||2736||720/24p||20.4||11.2||161||47||Canon G12|
|Fujifilm X10« »||2/3||12.0||4000||3000||1080/30p||20.5||11.3||245||50||Fujifilm X10|
|Leica D-LUX 5« »||1/1.7||10.0||3648||2736||720/60p||-||-||-||-||Leica D-LUX 5|
|Nikon W300« »||1/2.3||15.9||4608||3456||4K/30p||-||-||-||-||Nikon W300|
|Olympus XZ-1« »||1/1.7||10.1||3664||2752||720/30p||18.8||10.4||117||34||Olympus XZ-1|
|Panasonic ZS70« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic ZS70|
|Panasonic FZ200« »||1/2.3||12.0||4000||3000||1080/60p||19.1||10.8||114||37||Panasonic FZ200|
|Panasonic LX7« »||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50||Panasonic LX7|
|Panasonic FZ150« »||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40||Panasonic FZ150|
|Panasonic GF3« »||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49||Panasonic GF3|
|Panasonic GF2« »||Four Thirds||12.0||4000||3000||1080/60i||21.2||10.3||506||54||Panasonic GF2|
|Sony HX95« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony HX95|
|Sony WX800« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony WX800|
|Sony HX400V« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Sony HX400V|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the HX99 provides a better video resolution than the LX5. It can shoot movie footage at 4K/30p, while the Panasonic is limited to 720/60p.
Feature comparison: Panasonic LX5 vs Sony HX99
Beyond body and sensor, cameras can and do differ across a range of features. For example, the HX99 has an electronic viewfinder (638k dots), which can be very helpful when shooting in bright sunlight. In contrast, the LX5 relies on live view and the rear LCD for framing. That said, the LX5 can be equipped with an optional viewfinder – the DMW-LVF1. The adjacent table lists some of the other core features of the Panasonic LX5 and Sony HX99 along with similar information for a selection of comparators.
|Panasonic LX5»||-||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Panasonic LX5|
|Sony HX99«||638||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony HX99|
|Canon SX730« »||-||n||3.0||922||tilting||n||1/3200s||5.9||Y||Y||Canon SX730|
|Canon G12« »||optical||n||2.8||461||swivel||n||1/4000s||1.1||Y||Y||Canon G12|
|Fujifilm X10« »||optical||n||2.8||460||fixed||n||1/4000s||10.0||Y||Y||Fujifilm X10|
|Leica D-LUX 5« »||-||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Leica D-LUX 5|
|Nikon W300« »||-||n||3.0||921||fixed||n||1/4000s||7.0||Y||Y||Nikon W300|
|Olympus XZ-1« »||-||n||3.0||614||fixed||n||1/2000s||2.0||Y||Y||Olympus XZ-1|
|Panasonic ZS70« »||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic ZS70|
|Panasonic FZ200« »||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ200|
|Panasonic LX7« »||-||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Panasonic LX7|
|Panasonic FZ150« »||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Panasonic FZ150|
|Panasonic GF3« »||-||n||3.0||460||fixed||Y||1/4000s||3.2||Y||n||Panasonic GF3|
|Panasonic GF2« »||-||n||3.0||460||fixed||Y||1/4000s||2.6||Y||n||Panasonic GF2|
|Sony HX95« »||638||n||3.0||922||tilting||n||1/2000s||10.0||Y||Y||Sony HX95|
|Sony WX800« »||-||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony WX800|
|Sony HX400V« »||210||n||3.0||921||tilting||n||1/4000s||10.0||Y||Y||Sony HX400V|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The HX99 has a touchscreen, while the LX5 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The HX99 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the LX5 does not have a selfie-screen.
Both the LX5 and the HX99 have zoom lenses built in. The LX5 has a 24-90mm f/2.0-3.3 optic and the HX99 offers a 24-720mm f/3.5-6.4 (focal lengths in full frame equivalent terms). Hence, the Panasonic and Sony provide the same view at the wide-angle end, but the Sony has more tele-photo reach at the long end. The LX5 offers the faster maximum aperture.
The LX5 writes its imaging data to SDXC cards, while the HX99 uses SDXC or Memory Stick PRO Duo cards.
Connectivity comparison: Panasonic LX5 vs Sony HX99
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LX5 and Sony Cyber-shot DSC-HX99 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic LX5»||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic LX5|
|Sony HX99«||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX99|
|Canon SX730« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX730|
|Canon G12« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G12|
|Fujifilm X10« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X10|
|Leica D-LUX 5« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Leica D-LUX 5|
|Nikon W300« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon W300|
|Olympus XZ-1« »||Y||mono||-||-||-||mini||2.0||-||-||-||Olympus XZ-1|
|Panasonic ZS70« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS70|
|Panasonic FZ200« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic FZ200|
|Panasonic LX7« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic LX7|
|Panasonic FZ150« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Panasonic FZ150|
|Panasonic GF3« »||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF3|
|Panasonic GF2« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF2|
|Sony HX95« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX95|
|Sony WX800« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony WX800|
|Sony HX400V« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX400V|
It is notable that the LX5 has a hotshoe, while the HX99 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
The HX99 is a recent model that features in the current product line-up of Sony. In contrast, the LX5 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the LX5 was succeeded by the Panasonic LX7. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
Review summary: Panasonic LX5 vs Sony HX99
So what conclusions can be drawn? Is there a clear favorite between the Panasonic LX5 and the Sony HX99? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Panasonic Lumix DMC-LX5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.0 vs f/3.5).
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been available for much longer (launched in July 2010).
Advantages of the Sony Cyber-shot DSC-HX99:
- More detail: Has more megapixels (18 vs 10MP), which boosts linear resolution by 34%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 720/60p).
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- More detailed LCD: Has a higher resolution rear screen (922k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 2.5 flaps/sec) to capture the decisive moment.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- More compact: Is smaller (102x58mm vs 110x65mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 29g or 11 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 8 years and 1 month of technical progress since the LX5 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the HX99 is the clear winner of the contest (16 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic LX5 and the Sony HX99 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the LX5 and the HX99 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews: Panasonic LX5 vs Sony HX99
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic LX5»||+||73/100||4.5/5||5/5||4.5/5||Jul 2010||499||-||Panasonic LX5|
|Sony HX99«||-||-||4/5||-||4.5/5||Aug 2018||449||Sony HX99|
|Canon SX730« »||+||-||4/5||-||4/5||Apr 2017||399||-||Canon SX730|
|Canon G12« »||+||73/100||4.5/5||4.5/5||4.5/5||Sep 2010||499||-||Canon G12|
|Fujifilm X10« »||-||76/100||4/5||3.5/5||4.5/5||Sep 2011||599||-||Fujifilm X10|
|Leica D-LUX 5« »||-||-||4.5/5||-||4/5||Sep 2010||699||-||Leica D-LUX 5|
|Nikon W300« »||+||-||4/5||-||4/5||May 2017||389||Nikon W300|
|Olympus XZ-1« »||-||74/100||4.5/5||4.5/5||4.5/5||Jan 2011||499||-||Olympus XZ-1|
|Panasonic ZS70« »||+ +||-||4/5||-||4/5||Apr 2017||449||-||Panasonic ZS70|
|Panasonic FZ200« »||+ +||80/100||4.5/5||4.5/5||4.5/5||Jul 2012||599||-||Panasonic FZ200|
|Panasonic LX7« »||+ +||75/100||4/5||5/5||4.5/5||Jul 2012||499||-||Panasonic LX7|
|Panasonic FZ150« »||+ +||76/100||4/5||5/5||4.5/5||Aug 2011||499||-||Panasonic FZ150|
|Panasonic GF3« »||82/100||71/100||4.5/5||4.5/5||4/5||Jun 2011||549||-||Panasonic GF3|
|Panasonic GF2« »||82/100||70/100||4.5/5||4.5/5||4.5/5||Nov 2010||549||-||Panasonic GF2|
|Sony HX95« »||-||-||-||-||-||Aug 2018||429||Sony HX95|
|Sony WX800« »||-||-||-||-||-||Oct 2018||399||Sony WX800|
|Sony HX400V« »||+ +||-||4/5||-||4/5||Feb 2014||499||Sony HX400V|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon G3 X vs Sony HX99
- Canon SX60 vs Sony HX99
- Fujifilm X-H1 vs Sony HX99
- Fujifilm X-T1 vs Sony HX99
- Fujifilm X70 vs Sony HX99
- Panasonic G85 vs Sony HX99
- Panasonic LX100 vs Sony HX99
- Panasonic LX5 vs Panasonic TZ200
- Panasonic LX5 vs Sony RX100 VI
- Panasonic S1 vs Sony HX99
- Panasonic TZ95 vs Sony HX99
- Sony A7R III vs Sony HX99
Specifications: Panasonic LX5 vs Sony HX99
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic LX5||Sony HX99|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-90mm f/2.0-3.3||24-720mm f/3.5-6.4|
|Launch Date||July 2010||August 2018|
|Launch Price||USD 499||USD 449|
|Sensor Specs||Panasonic LX5||Sony HX99|
|Sensor Format||1/1.7" Sensor||1/2.3" Sensor|
|Sensor Size||7.85 x 5.89 mm||6.17 x 4.55 mm|
|Sensor Area||46.2365 mm2||28.0735 mm2|
|Sensor Diagonal||9.8 mm||7.7 mm|
|Sensor Resolution||10 Megapixels||18 Megapixels|
|Image Resolution||3648 x 2736 pixels||4896 x 3672 pixels|
|Pixel Pitch||2.14 μm||1.25 μm|
|Pixel Density||21.59 MP/cm2||64.04 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||720/60p Video||4K/30p Video|
|ISO Setting||80-3200 ISO||80-3200 ISO|
|ISO Boost||80-12800 ISO||80-6400 ISO|
|Image Processor||Venus FHD||BIONZ X|
|DXO Sensor Quality (score)||41||..|
|DXO Color Depth (bits)||19.6||..|
|DXO Dynamic Range (EV)||10.8||..|
|DXO Low Light (ISO)||132||..|
|Screen Specs||Panasonic LX5||Sony HX99|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||638k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||460k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Panasonic LX5||Sony HX99|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||2.5 shutter flaps/s||10 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Panasonic LX5||Sony HX99|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Panasonic LX5||Sony HX99|
|Battery Type||DMW-BCJ13 power pack||NP-BX1 power pack|
|Battery Life (CIPA)||400 shots per charge||370 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
110 x 65 x 43 mm
(4.3 x 2.6 x 1.7 in)
102 x 58 x 36 mm
(4.0 x 2.3 x 1.4 in)
|Camera Weight||271 g (9.6 oz)||242 g (8.5 oz)|
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