Panasonic LX5 vs Sony A99 II
The Panasonic Lumix DMC-LX5 and the Sony Alpha ALT-A99 II are two digital cameras that were announced, respectively, in July 2010 and September 2016. The LX5 is a fixed lens compact, while the A99 II is a DSLR. The cameras are based on a 1/1.7-inch (LX5) and a full frame (A99 II) sensor. The Panasonic has a resolution of 10 megapixels, whereas the Sony provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LX5 and the Sony Alpha ALT-A99 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic LX5 and the Sony A99 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The LX5 can be obtained in two different colors (black, white), while the A99 II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A99 II is considerably larger (108 percent) than the Panasonic LX5. It is noteworthy in this context that the A99 II is splash and dust-proof, while the LX5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX5 has a lens built in, whereas the A99 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499||ebay.com|
|2.||Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199||ebay.com|
|3.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||amazon.com|
|4.||Canon G12||112 mm||76 mm||48 mm||401 g||370||n||Sep 2010||499||ebay.com|
|5.||Fujifilm X10||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599||ebay.com|
|6.||Leica D-LUX 5||110 mm||65 mm||43 mm||271 g||400||n||Sep 2010||699||ebay.com|
|7.||Nikon D850||146 mm||124 mm||79 mm||1005 g||1840||Y||Jul 2017||3,299||amazon.com|
|8.||Olympus XZ-1||111 mm||65 mm||42 mm||275 g||320||n||Jan 2011||499||ebay.com|
|9.||Panasonic ZS70||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449||ebay.com|
|10.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599||ebay.com|
|11.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499||ebay.com|
|12.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499||ebay.com|
|13.||Panasonic GF3||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549||ebay.com|
|14.||Panasonic GF2||113 mm||68 mm||33 mm||310 g||300||n||Nov 2010||549||ebay.com|
|15.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199||ebay.com|
|16.||Sony A7S II||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999||ebay.com|
|17.||Sony A99||147 mm||111 mm||78 mm||812 g||500||Y||Sep 2012||2,799||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The LX5 was launched at a lower price than the A99 II, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic LX5 features a 1/1.7-inch sensor and the Sony A99 II a full frame sensor. The sensor area in the A99 II is 1774 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.4 and 1.0. The sensor in the LX5 has a native 4:3 aspect ratio, while the one in the A99 II offers a 3:2 aspect. The LX5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 42.2MP, the A99 II offers a higher resolution than the LX5 (10MP), but the A99 II nevertheless has larger individual pixels (pixel pitch of 4.52μm versus 2.14μm for the LX5) due to its larger sensor. Moreover, the A99 II is a much more recent model (by 6 years and 2 months) than the LX5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A99 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A99 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A99 II for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inches or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inches or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inches or 67.3 x 44.9 cm. The corresponding values for the Panasonic LX5 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The A99 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DMC-LX5 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-12800. The corresponding ISO settings for the Sony Alpha ALT-A99 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-25600.
In terms of underlying technology, the LX5 is build around a CCD sensor, while the A99 II uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A99 II offers substantially better image quality than the LX5 (overall score 51 points higher). The advantage is based on 5.8 bits higher color depth, 2.6 EV in additional dynamic range, and 4.1 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|3.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|6.||Leica D-LUX 5||1/1.7||10.0||3648||2736||720/60p||19.5||10.4||-583||39|
|7.||Nikon D850||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100|
|13.||Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.1||459||50|
|14.||Panasonic GF2||Four Thirds||12.0||4000||3000||1080/60i||21.2||10.3||506||54|
|15.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|16.||Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|17.||Sony A99||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A99 II provides a better video resolution than the LX5. It can shoot movie footage at 4K/30p, while the Panasonic is limited to 720/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A99 II has an electronic viewfinder (2400k dots), which can be very helpful when shooting in bright sunlight. In contrast, the LX5 relies on live view and the rear LCD for framing. That said, the LX5 can be equipped with an optional viewfinder – the DMW-LVF1. The table below summarizes some of the other core capabilities of the Panasonic LX5 and Sony A99 II in connection with corresponding information for a sample of similar cameras.
|1.||Panasonic LX5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5/s||Y||Y|
|2.||Sony A99 II||2400||Y||3.0 / 1229||full-flex||n||1/8000s||12.0/s||n||Y|
|3.||Canon 5DS R||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0/s||n||n|
|4.||Canon G12||optical||n||2.8 / 461||swivel||n||1/4000s||1.1/s||Y||Y|
|5.||Fujifilm X10||optical||n||2.8 / 460||fixed||n||1/4000s||10.0/s||Y||Y|
|6.||Leica D-LUX 5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5/s||Y||Y|
|7.||Nikon D850||optical||Y||3.2 / 2359||tilting||Y||1/8000s||9.0/s||n||n|
|8.||Olympus XZ-1||optional||n||3.0 / 614||fixed||n||1/2000s||2.0/s||Y||Y|
|9.||Panasonic ZS70||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0/s||Y||Y|
|10.||Panasonic FZ200||1312||n||3.0 / 460||swivel||n||1/4000s||12.0/s||Y||Y|
|11.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0/s||Y||Y|
|12.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0/s||Y||Y|
|13.||Panasonic GF3||none||n||3.0 / 460||fixed||Y||1/4000s||3.2/s||Y||n|
|14.||Panasonic GF2||optional||n||3.0 / 460||fixed||Y||1/4000s||2.6/s||Y||n|
|15.||Sony A7R II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0/s||n||Y|
|16.||Sony A7S II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0/s||n||Y|
|17.||Sony A99||2359||Y||3.0 / 1229||full-flex||n||1/8000s||6.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The LX5 has one, while the A99 II does not. While the built-in flash of the LX5 is not very powerful, it can at times be useful as a fill-in light.The A99 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the LX5 does not have a selfie-screen.
The LX5 writes its imaging data to SDXC cards, while the A99 II uses SDXC or Memory Stick PRO Duo cards. The A99 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the LX5 only has one slot. The A99 II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the LX5 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LX5 and Sony Alpha ALT-A99 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic LX5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|2.||Sony A99 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
|3.||Canon 5DS R||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|4.||Canon G12||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|5.||Fujifilm X10||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|6.||Leica D-LUX 5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|7.||Nikon D850||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|8.||Olympus XZ-1||Y||mono / -||-||-||mini||2.0||-||-||-|
|9.||Panasonic ZS70||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|10.||Panasonic FZ200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|11.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
|13.||Panasonic GF3||-||stereo / mono||-||-||mini||2.0||-||-||-|
|14.||Panasonic GF2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|15.||Sony A7R II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony A7S II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony A99||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
It is notable that the A99 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the LX5 does not provide wifi capability.
Studio photographers will appreciate that the Sony A99 II (unlike the LX5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the LX5 and the A99 II have been discontinued, but can regularly be found used on ebay. The LX5 was replaced by the Panasonic LX7, while the A99 II does not have a direct successor. Further information on the features and operation of the LX5 and A99 II can be found, respectively, in the Panasonic LX5 Manual (free pdf) or the online Sony A99 II Manual.
So how do things add up? Is there a clear favorite between the Panasonic LX5 and the Sony A99 II? Which camera is better? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Panasonic Lumix DMC-LX5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Ready to shoot: Comes with a built-in lens, while the A99 II requires a separate lens.
- More compact: Is smaller (110x65mm vs 143x104mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A99 II).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in July 2010).
Advantages of the Sony Alpha ALT-A99 II:
- More detail: Has more megapixels (42.2 vs 10MP), which boosts linear resolution by 110%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (51 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (5.8 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.6 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (4.1 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 720/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 460k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 2.5 flaps/sec) to capture the decisive moment.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (490 versus 400) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 6 years and 2 months of technical progress since the LX5 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A99 II is the clear winner of the contest (27 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic LX5 and the Sony A99 II place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the LX5 or the A99 II perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic LX5||4/5||+||..||73/100||4.5/5||4.5/5||Jul 2010||499||ebay.com|
|2.||Sony A99 II||..||..||4.5/5||85/100||4.5/5||4.5/5||Sep 2016||3,199||ebay.com|
|3.||Canon 5DS R||5/5||+||..||83/100||5/5||4.5/5||Feb 2015||3,699||amazon.com|
|4.||Canon G12||4/5||+||..||73/100||4.5/5||4.5/5||Sep 2010||499||ebay.com|
|5.||Fujifilm X10||..||..||..||76/100||4/5||4.5/5||Sep 2011||599||ebay.com|
|6.||Leica D-LUX 5||..||..||..||..||4.5/5||4/5||Sep 2010||699||ebay.com|
|7.||Nikon D850||4.5/5||+ +||5/5||89/100||4.5/5||5/5||Jul 2017||3,299||amazon.com|
|8.||Olympus XZ-1||4/5||..||..||74/100||4.5/5||4.5/5||Jan 2011||499||ebay.com|
|9.||Panasonic ZS70||..||+ +||..||..||4/5||4/5||Apr 2017||449||ebay.com|
|10.||Panasonic FZ200||3/5||+ +||..||80/100||4.5/5||4.5/5||Jul 2012||599||ebay.com|
|11.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499||ebay.com|
|12.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499||ebay.com|
|13.||Panasonic GF3||3/5||82/100||..||71/100||4.5/5||4/5||Jun 2011||549||ebay.com|
|14.||Panasonic GF2||3/5||82/100||..||70/100||4.5/5||4.5/5||Nov 2010||549||ebay.com|
|15.||Sony A7R II||5/5||+ +||5/5||90/100||5/5||5/5||Jun 2015||3,199||ebay.com|
|16.||Sony A7S II||5/5||+||..||..||4.5/5||5/5||Sep 2015||2,999||ebay.com|
|17.||Sony A99||5/5||..||..||84/100||4.5/5||4.5/5||Sep 2012||2,799||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 300D vs Sony A99 II
- Canon XT vs Sony A99 II
- Fujifilm XQ2 vs Panasonic LX5
- Leica M9 vs Panasonic LX5
- Nikon D3500 vs Sony A99 II
- Nikon D850 vs Sony A99 II
- Olympus E-PL9 vs Sony A99 II
- Panasonic G95 vs Panasonic LX5
- Panasonic LX10 vs Sony A99 II
- Panasonic LX15 vs Panasonic LX5
- Panasonic LX5 vs Samsung NX30
- Panasonic LX5 vs Sony A99
Specifications: Panasonic LX5 vs Sony A99 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic LX5||Sony A99 II|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||24-90mm f/2.0-3.3||Sony A mount lenses|
|Launch Date||July 2010||September 2016|
|Launch Price||USD 499||USD 3,199|
|Sensor Specs||Panasonic LX5||Sony A99 II|
|Sensor Format||1/1.7" Sensor||Full Frame Sensor|
|Sensor Size||7.85 x 5.89 mm||35.9 x 24.0 mm|
|Sensor Area||46.2365 mm2||861.6 mm2|
|Sensor Diagonal||9.8 mm||43.2 mm|
|Sensor Resolution||10 Megapixels||42.2 Megapixels|
|Image Resolution||3648 x 2736 pixels||7952 x 5304 pixels|
|Pixel Pitch||2.14 μm||4.52 μm|
|Pixel Density||21.59 MP/cm2||4.90 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||720/60p Video||4K/30p Video|
|ISO Setting||80 - 3,200 ISO||100 - 25,600 ISO|
|ISO Boost||80 - 12,800 ISO||50 - 25,600 ISO|
|Image Processor||Venus FHD||BIONZ X|
|DXO Sensor Quality (score)||41||92|
|DXO Color Depth (bits)||19.6||25.4|
|DXO Dynamic Range (EV)||10.8||13.4|
|DXO Low Light (ISO)||132||2317|
|Screen Specs||Panasonic LX5||Sony A99 II|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2400k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||460k dots||1229k dots|
|LCD Attachment||Fixed screen||Fully flexible screen|
|Shooting Specs||Panasonic LX5||Sony A99 II|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||2.5 shutter flaps/s||12 shutter flaps/s|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Single or Dual Card Slots||Single card slot||Dual card slots|
|UHS card support||no||UHS-I|
|Connectivity Specs||Panasonic LX5||Sony A99 II|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Panasonic LX5||Sony A99 II|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||400 shots per charge||490 shots per charge|
110 x 65 x 43 mm
(4.3 x 2.6 x 1.7 in)
143 x 104 x 76 mm
(5.6 x 4.1 x 3.0 in)
|Camera Weight||271 g (9.6 oz)||849 g (29.9 oz)|
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