Panasonic LX15 vs Sony H300
The Panasonic Lumix DMC-LX15 (called Panasonic LX10 in some regions) and the Sony Cyber-shot DSC-H300 are two digital cameras that were announced, respectively, in September 2016 and February 2014. Both the LX15 and the H300 are fixed lens compact cameras that are based on an one-inch (LX15) and a 1/2.3-inch (H300) sensor. The Panasonic has a resolution of 20 megapixels, whereas the Sony provides 19.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LX15 and the Sony Cyber-shot DSC-H300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic LX15 and the Sony H300 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The LX15 can be obtained in two different colors (black, silver), while the H300 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony H300 is considerably larger (79 percent) than the Panasonic LX15. Moreover, the H300 is substantially heavier (90 percent) than the LX15. In this context, it is worth noting that neither the LX15 nor the H300 are weather-sealed.
The power pack in the LX15 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Panasonic LX15||106 mm||60 mm||42 mm||310 g||260||n||Sep 2016||699|
|2.||Sony H300||128 mm||89 mm||92 mm||590 g||350||n||Feb 2014||219|
|3.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699|
|4.||Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799|
|5.||Canon SX610||105 mm||61 mm||27 mm||191 g||270||n||Jan 2015||249|
|6.||Fujifilm X70||113 mm||64 mm||44 mm||340 g||330||n||Jan 2016||799|
|7.||Panasonic TZ200||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799|
|8.||Panasonic TZ90||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449|
|9.||Panasonic FZ2000||138 mm||102 mm||135 mm||915 g||350||n||Sep 2016||1,199|
|10.||Panasonic GX80||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799|
|11.||Panasonic TZ100||111 mm||65 mm||44 mm||312 g||300||n||Jan 2016||699|
|12.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|13.||Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999|
|14.||Sony HX90V||102 mm||58 mm||36 mm||245 g||360||n||Apr 2015||429|
|15.||Sony HX400V||130 mm||93 mm||103 mm||660 g||300||n||Feb 2014||499|
|16.||Sony H400||130 mm||95 mm||122 mm||628 g||300||n||Feb 2014||319|
|17.||Sony H200||123 mm||83 mm||87 mm||530 g||240||n||Jan 2013||249|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The H300 was launched at a markedly lower price (by 69 percent) than the LX15, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic LX15 features an one-inch sensor and the Sony H300 a 1/2.3-inch sensor. The sensor area in the H300 is 76 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 5.6. The sensor in the LX15 has a native 3:2 aspect ratio, while the one in the H300 offers a 4:3 aspect. The LX15 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 20MP, the LX15 offers a slightly higher resolution than the H300 (19.9MP), but the LX15 nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 1.19μm for the H300) due to its larger sensor. Moreover, the LX15 is a much more recent model (by 2 years and 7 months) than the H300, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the H300 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Panasonic Lumix DMC-LX15 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Sony Cyber-shot DSC-H300 are ISO 80 to ISO 3200 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
| DXO |
|3.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|4.||Canon G5 X||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|10.||Panasonic GX80||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|13.||Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the LX15 provides a higher video resolution than the H300. It can shoot video footage at 4K/30p, while the Sony is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a range of features. The LX15 and the H300 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. The following table reports on some other key feature differences and similarities of the Panasonic LX15, the Sony H300, and comparable cameras.
|3.||Canon G7 X Mark II||none||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y|
|4.||Canon G5 X||2360||n||3.0||1040||swivel||Y||1/2000s||5.9||Y||Y|
|13.||Sony RX100 V||2359||n||3.0||1229||tilting||n||1/2000s||24.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The LX15 has a touchscreen, while the H300 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The LX15 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the H300 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the LX15 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic LX15 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the LX15 and the H300 have zoom lenses built in. The LX15 has a 24-72mm f/1.4-2.8 optic and the H300 offers a 25-875mm f/3.4-6.5 (focal lengths in full frame equivalent terms). Hence, the Panasonic provides a wider angle of view at the short end than the Sony, but less tele-photo reach at the long end. The LX15 offers the faster maximum aperture.
The LX15 writes its imaging data to SDXC cards, while the H300 uses SDXC or Memory Stick PRO Duo cards. The LX15 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the H300 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LX15 and Sony Cyber-shot DSC-H300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|3.||Canon G7 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|4.||Canon G5 X||Y||stereo||mono||-||-||mini||2.0||Y||Y||-|
|13.||Sony RX100 V||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
Both the LX15 and the H300 are recent models that are part of the current product line-up. The H300 replaced the earlier Sony H200, while the LX15 followed on from the Panasonic LX7. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So how do things add up? Is the Panasonic LX15 better than the Sony H300 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Panasonic Lumix DMC-LX15:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better video: Provides higher definition movie capture (4K/30p vs 720/30p).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/1500s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 0.8 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.4 vs f/3.4).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More compact: Is smaller (106x60mm vs 128x89mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 280g or 47 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 2 years and 7 months of technical progress since the H300 launch.
Arguments in favor of the Sony Cyber-shot DSC-H300:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Gets more shots (350 versus 260) out of a single battery charge.
- More affordable: Was introduced into a lower priced category (69 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in February 2014).
If the number of relative strengths (bullet points above) is taken as a guide, the LX15 is the clear winner of the match-up (22 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic LX15 and the Sony H300 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the LX15 and the H300 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic LX15||..||+ +||81/100||4/5||4.5/5||Sep 2016||699|
|2.||Sony H300||..||+||..||4.5/5||4/5||Feb 2014||219|
|3.||Canon G7 X Mark II||4.5/5||+ +||81/100||4.5/5||4.5/5||Feb 2016||699|
|4.||Canon G5 X||5/5||+ +||78/100||4.5/5||4.5/5||Oct 2015||799|
|5.||Canon SX610||..||..||..||4/5||4/5||Jan 2015||249|
|6.||Fujifilm X70||4.5/5||..||76/100||4.5/5||4.5/5||Jan 2016||799|
|7.||Panasonic TZ200||..||+ +||81/100||4.5/5||4.5/5||Feb 2018||799|
|8.||Panasonic TZ90||..||+ +||..||4/5||4/5||Apr 2017||449|
|9.||Panasonic FZ2000||..||+||82/100||4.5/5||5/5||Sep 2016||1,199|
|10.||Panasonic GX80||4.5/5||+ +||82/100||5/5||5/5||Apr 2016||799|
|11.||Panasonic TZ100||4.5/5||+ +||82/100||4.5/5||4.5/5||Jan 2016||699|
|12.||Panasonic LX7||3/5||+ +||75/100||4/5||4.5/5||Jul 2012||499|
|13.||Sony RX100 V||4.5/5||+ +||83/100||4/5||4.5/5||Oct 2016||999|
|14.||Sony HX90V||4/5||+ +||..||4/5||4.5/5||Apr 2015||429|
|15.||Sony HX400V||4/5||+ +||..||4/5||4/5||Feb 2014||499|
|16.||Sony H400||..||o||..||3.5/5||3.5/5||Feb 2014||319|
|17.||Sony H200||..||..||..||3.5/5||3.5/5||Jan 2013||249|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Panasonic LX15 vs Sony H300
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic LX15||Sony H300|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-72mm f/1.4-2.8||25-875mm f/3.4-6.5|
|Launch Date||September 2016||February 2014|
|Launch Price||USD 699||USD 219|
|Sensor Specs||Panasonic LX15||Sony H300|
|Sensor Format||1" Sensor||1/2.3" Sensor|
|Sensor Size||13.2 x 8.8 mm||6.17 x 4.55 mm|
|Sensor Area||116.16 mm2||28.0735 mm2|
|Sensor Diagonal||15.9 mm||7.7 mm|
|Sensor Resolution||20 Megapixels||19.9 Megapixels|
|Image Resolution||5472 x 3648 pixels||5152 x 3864 pixels|
|Pixel Pitch||2.41 μm||1.19 μm|
|Pixel Density||17.18 MP/cm2||70.91 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||720/30p Video|
|ISO Setting||125 - 12,800 ISO||80 - 3,200 ISO|
|ISO Boost||80 - 25,600 ISO||no Enhancement|
|Screen Specs||Panasonic LX15||Sony H300|
|Viewfinder Type||no viewfinder||no viewfinder|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||460k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic LX15||Sony H300|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||10 shutter flaps/s||0.8 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Panasonic LX15||Sony H300|
|External Flash||no Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Panasonic LX15||Sony H300|
|Battery Life (CIPA)||260 shots per charge||350 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
106 x 60 x 42 mm
(4.2 x 2.4 x 1.7 in)
128 x 89 x 92 mm
(5.0 x 3.5 x 3.6 in)
|Camera Weight||310 g (10.9 oz)||590 g (20.8 oz)|
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